How To Listen To Music

Renew：Part 21
Author：Henry Edward Krehbiel
Update：08-15-2023
Tags：Other Books
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Chapter List

Chapter on Ears," that in voices he could not distinguish a soprano from a tenor, and could only contrive to guess at the thorough-ba.s.s from its being "supereminently harsh and disagreeable;" yet dear old Elia may be forgiven, since his confounding the ba.s.s voice with a system of musical short-hand is so delightful a proof of the ignorance he was confessing.
Chapter 2
Chapter V.). Of necessity the modesty of the apparatus compels it to forego nearly all the advent.i.tious helps with which other forms of composition gain public approval. In the delineative arts Chamber music shows a.n.a.logy with correct drawing and good composition, the absence of which cannot be atoned for by the most gorgeous coloring. In no other style is sympathy between performers and listeners so necessary, and for that reason Chamber music should always be heard in a small room with performers and listeners joined in angelic wedlock. Communities in which it flourishes under such conditions are musical.
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter III.
Chapter III.), and concertos for solo instruments with orchestral accompaniment, while conforming to the scheme which I have outlined, all have individual characteristics conditioned on the expressive capacity of the apparatus. The modern pianoforte is capable of a.s.serting itself against a full orchestra, and concertos have been written for it in which it is treated as an orchestral integer rather than a solo instrument. In the older conception, the orchestra, though it frequently a.s.sumed the privilege of introducing the subject-matter, played a subordinate part to the solo instrument in its development.
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter VII.) came in, but as early as 1568 Dr. Lucas Ostrander published fifty hymns and psalms with music so arranged "that the congregation may join in singing them." This, then, is in outline the story of the beginning of modern hymnology, and it is recalled to the patrons of choral concerts whenever in Bach"s "Pa.s.sion Music" or in Mendelssohn"s "St. Paul" the choir sings one of the marvellous old hymns of the German Church.
Chapter 20
Chapter 21