Industrial Arts Design

Renew：Part 37
Author：William H. Varnum
Update：08-15-2023
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Chapter List

Chapter 1
Chapter 2
Chapter IV
Chapter III drew attention to the influence of horizontal lines on a project. Vertical lines on an object are found to produce an a.n.a.logous effect vertically.
Chapter V
Chapter 6
Chapter 7
Chapter 16, Figures 458 to 463. Figure 102a shows the method of enlarging a design into a full size working drawing for shop purposes.
Chapter V, it is the designer"s intention to balance spout and handle to avoid a one-sided or top-heavy appearance.
Chapter V. The units of measurement for the curves may be readily ascertained from observation.
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter IX dealt with methods of developing continuous or repeating ornament (bands or borders). This leaves enclosed and free forms of surface enrichment to be considered in this chapter.
Chapter IX.
Chapter 17
Chapter 18
Chapter IV.
Chapter 20
Chapter 21
Chapter 22
Chapter XII referred to clay as a free and plastic material adapted to a wide range of surface enrichment processes. Metal as a more refractory material offers greater resistance to the craftsman and is relatively more limited in its capacity for surface enrichment. As was the case in the consideration of contour enrichment for designing purposes, it is necessary in the consideration of surface enrichment to divide metal into two groups: precious and base metals. As the field of design in both base and precious metals is large, we shall consider the surface enrichment of _precious metals only_ in this chapter.
Chapter 24
Chapter 25
Chapter XIII emphasized the designer"s tendency for _full_ surface enrichment of small areas. Such treatment has proved satisfactory because the eye can readily and immediately observe and comprehend or a.s.similate an enrichment upon a small area. For larger enriched areas considered in this chapter, full surface enrichment becomes a questionable policy for the following reasons.
Chapter XIII as follows: (1) Piercing; (2) Etching; (3) Chasing; (4) Enameling; (5) Inlaying; (6) Stone setting; (7) Building; (8) Carving; (9) Planishing; (10) Frosting; (11) Oxidizing. On the plates for this chapter, the figure generally following the cut number refers to the process, as: Figure 446, 3.
Chapter VIII, the contour terminal enrichment problem was described at some length. Many ill.u.s.trations on Plates 58, 59, and 60 are, in a way, similar in their type of surface decoration, which is termed _surface terminal enrichment_. The "happy ending" mentioned in Chapter VIII as a suitable means of terminating the contour of a long primary ma.s.s or appendage may be similarly treated by suitable surface enrichment, particularly shown in Figures 403, 404, 407, 408, 409, and 410. The terminal is quite common as a zone of enrichment.
Chapter 29
Chapter 30
Chapter 31
Chapter XVII.
Chapter XII, wherein we described the common types of surface enrichment. As we are now primarily considering the question of color, we first regard the ware as uniformly glazed with either clear or matt glaze. The former is brilliant, of high chroma, and has a highly polished surface, while the latter is dull surfaced glaze of lower chroma.
Chapter XV, design the problem. Test the result by applying Rule 12p.
Chapter 35
Chapter 36
Chapter 37