Renaissance in Italy

Renew：Volume VI Part 52
Author：John Addington Symonds
Update：08-15-2023
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Chapter List

Chapter VIII. in this volume because they seemed better adapted to treatment in the future.
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter on the Despots. It is true that his book was written later than the period we have been considering,[1] and he describes court life in its most graceful aspect. Yet all the antecedent history of the past two centuries had been gradually producing the conditions under which his courtier flourished; and the Italian of the Renaissance, as he appeared to the rest of Europe, was such a gentleman as he depicts. For the historian his book is of equal value in its own department with the Principe of Machiavelli, the Autobiography of Benvenuto Cellini, and the Diary of Burchard.
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter xi., while the whole progress of Cesare Borgia in his career of villany is a.n.a.lyzed with exquisite distinctness in Chapter xxvi. The wisdom of Guicciardini nowhere appears more ripe, or his intellect more elastic, than in the _Istoria Fiorentina_. Students who desire to gain a still closer insight into the working of Guicciardini"s mind should consult the 403 _Ricordi Politici e Civili_ collected in the first volume of his _Opere Inedite_. These have all the charm which belongs to occasional utterances, and are fit, like proverbs, to be worn for jewels on the finger of time.
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter VI.
Chapter 17
Chapter 18
Chapter III. We must remember that he represents a late period of the Renaissance.
Chapter 20
Chapter 21
Chapter 22
Chapter iii, p. 109.
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter II.]
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter II, Italian want of feeling for Gothic.
Chapter 59
Chapter 60
Chapter III, Relation of Sculpture to Painting.
Chapter 62
Chapter III, Andrea Verocchio, for what has been said about Verocchio"s "David."
Chapter 64
Chapter 65
Chapter VI, Mantegna"s Biography.) De Stendhal says wittily of this work, "C"est Virgile traduit par Madame de Stael," op. cit. p. 162.
Chapter VI, Fra Bartolommeo.
Chapter IV, Political Doctrine expressed in Fresco.
Chapter 69
Chapter 70
Chapter II, Michael Angelo.
Chapter House of the Annunziata.
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter VIII, The Pieta.
Chapter II. have been reproduced from an article by me in the _Quarterly Review_, while some translations from Poliziano and Boiardo, together with portions of the critical remarks upon those poets, were first published, a few years since, in the _Fortnightly Review_. From the _Fortnightly Review_, again, I have extracted the translation of ten sonnets by Folgore da San Gemignano.
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Chapter 108
Chapter 109
Chapter 110
Chapter 111
Chapter 112
Chapter 113
Chapter 114
Chapter I. p. 55.)
Chapter III. p. 157.)
Chapter 117
Chapter VII. pp. 444 _et seq._) Morgante xviii. 115.
Chapter 119
Chapter 120
Chapter 121
Chapter 122
Chapter 123
Chapter 124
Chapter 125
Chapter 126
Chapter 127
Chapter 128
Chapter 129
Chapter 130
Chapter 131
Chapter 132
Chapter 133
Chapter 134
Chapter 135
Chapter 136
Chapter 137
Chapter 138
Chapter 139
Chapter 140
Chapter 141
Chapter 142
Chapter 143
Chapter 144
Chapter 145
Chapter 146
Chapter 147
Chapter 148
Chapter 149
Chapter 150
Chapter 151
Chapter 152
Chapter 153
Chapter 154
Chapter _quo_, _Quod unde Spirtus Sanctum_ hath been stored, _Possibile non est_ for sin to accrue: My life hath naught to hide, ill.u.s.trious Lord, _In visu verbo et opera_ from you; For Christ himself our Saviour teaches that, Speaking to all, _lux vestra luceat_.
Chapter 156
Chapter 157
Chapter 158
Chapter 159
Chapter 160
Chapter 161
Chapter 162
Chapter 163
Chapter 164
Chapter III.]
Chapter 166
Chapter 167
Chapter 168
Chapter 169
Chapter of S. Peter"s.[197] He showed a certain precocity; for at the age of fourteen he owned an illegitimate child, and was accused of violence to domestics. In 1563 his family married him to Ersilia, a daughter of the n.o.ble Santa Croce house, who brought him a fair dowry. Francesco lived for twenty-one years with this lady, by whom he had twelve children.
Chapter 171
Chapter 172
Chapter 173
Chapter 174
Chapter 175
Chapter 176
Chapter 177
Chapter 178
Chapter 179
Chapter 180
Chapter 181
Chapter 182
Chapter 183
Chapter 184
Chapter 185
Chapter 186
Chapter 187
Chapter 188
Chapter 189
Chapter 190
Chapter 191
Chapter 192
Chapter 193
Chapter 194
Chapter 195
Chapter 196
Chapter 197
Chapter 198
Chapter 199
Chapter 200
Chapter 201
Chapter 202
Chapter 203
Chapter of S. Peter"s from the inconvenience of being forced to engage foreign choir-men. His scheme, however, had been only partially successful. As late as 1540, we find that the princ.i.p.al composers and musicians in Rome were still foreigners. To three Italians of repute, there were five Flemings, three Frenchmen, three Spaniards, one German, and one Portuguese.[204]
Chapter 205
Chapter 206
Chapter 207
Chapter 208