The boardwalk benches were a flaking green.
An old man stood at the far end of the boardwalk, looking out over the ocean, unmoving.
"You"ve never been here before?" Amelia asked.
"No," Roger said.
"You picked the right time to come."
"It"s kind of spooky, isn"t it?" he said, and thought of Molly the night before.
"It"s like standing on the edge of the world," Amelia said, and he turned to look at her curiously. "What is it?" she asked.
"I don"t know. What you said. I felt that a minute ago. As if there was just the two of us standing on the edge of the world."
"The three of us."
"What? Oh, yes, the old man down there."
"He"s really my duena," Amelia said.
"What"s that?"
"A duena? That"s Spanish for chaperone. In Spain, when a young girl goes out with a boy, she has to take along a duena, usually an aunt or some other relative. My father told me about that. He"s Spanish, you know, did I tell you?"
"Yes."
"I mean, he"s not Puerto Rican," Amelia said.
"What"s the difference?"
"Oh, in this city, there"s a big difference. In this city it"s pretty bad to be colored, but the worst thing you can possibly be is Puerto Rican."
"Why"s that?"
"I don"t know," Amelia said, and shrugged. "I guess it"s more fashionable to hate Puerto Ricans now." She laughed, and Roger laughed with her. "My father"s name is Juan. Juan Perez. We always kid around with him, we ask him how his Colombian coffee beans are coming along. You know, have you ever seen that television commercial? It"s Juan Valdez, actually, but it"s close enough. My father loves when we kid around with him that way. He always says his coffee beans are doing fine because he"s got them under the tree that is his Spanish sun hat. He really is from Spain, you know, from a little town outside Madrid. Brihuega. Did you ever hear of it?"
"Brihuega Basin, do you mean?"
"No, Brihuega."
"Oh yes, Brihuega Depot."
"No, Brihuega."
"Near Huddlesworth, right?"
"Near Madrid."
"Where they fight camels."
"No, bulls."
"I knew I had it," Roger said, and Amelia laughed. "Well, now that we"re here," he said, "what are we supposed to do?"
Amelia shrugged. "We could neck, I suppose."
"Is that what you want to do?"
"No, not really. It"s a little too early in the day. I got to admit, though . . ."
"Yes?"
"I"m very curious about what it"s like to kiss a white man."
"Me, too."
"A colored girl, you mean."
"Yes."
"Yes."
They were both silent. The wind caught at their overcoats, flattening the material against their bodies as they looked out over the water. At the far end of the boardwalk, the old man was still motionless, like a salt-sodden statue frozen into position by a sudden winter.
"Do you think the old man would mind?" Amelia asked.
"I don"t think so."
"Well . . ." she said.
"Well . . ."
"Well, let"s."
She turned her face up to his, and he put his arms around her and then bent and kissed her mouth. He kissed her very gently. He thought of Molly the night before and then he moved away from her and stared down at her face and she caught her breath with a short sharp sigh and then smiled mysteriously and shrugged and said, "I like it."
"Yes."
"You think the old man would mind if we did it again?"
"I don"t think so," Roger said.
They kissed again. Her lips were very wet. He moved slightly away from her and looked down at her. She was staring up at him with her dark brown eyes serious and questioning.
"This is sort of crazy," she whispered.
"Yes."
"Standing here on a boardwalk with that wind howling in."
"Yes."
"Kissing," she said. Her voice was very low.
"Yes."
"And that old man watching."
"He isn"t watching," Roger said.
"On the edge of the world," Amelia said. And suddenly, "I don"t even know who you are."
"My name is Roger Broome."
"Yes, but who?"
"What would you like to know?"
"How old are you?"
"Twenty-seven."
"I"m twenty-two." She paused. "How do I know . . ." She stopped, and shook her head.
"What?"
"How do I know you"re not ... a ..." She shrugged. "A... Well, you wanted to know where the police station was."
"That"s right."
"To meet a friend, you said. But then you came back to the drugstore and you hadn"t met this friend of yours at all, so how do I know . . . Well, how do I know you"re not in some kind of trouble?"
"Do I look like somebody who"s in trouble?"
"I don"t know what a white man in trouble looks like. I"ve seen lots of colored people in trouble. If you"re colored, you"re always in trouble, from the day you"re born. But I don"t know the look of a white man in trouble. I don"t know what his eyes look like."
"Look at my eyes."
"Yes?"
"What do you see?"
"Green. No, amber. I don"t know, what color are they? Hazel?"
"Yes, hazel, like my mother"s. What else do you see?"
"Flecks. Yellow, I guess."
"What else?"
"Myself. I see myself reflected, like in tiny funhouse mirrors."
"Do you see trouble?"
"Not unless I"m trouble," Amelia said. She paused. "Am I trouble?"
He thought again of Molly and immediately said, "No."
"You said that too fast."
"Don"t look at me that way," he said.
"What way?"
"As if ... you"re afraid of me all at once."
"Don"t be silly. Why should I be afraid of you?"
"You have no reason to-"
"I"m five feet four inches tall, and I weigh a hundred and seventeen pounds. All you are is six feet nine-"
"Six-five," Roger corrected.
"Sure, and you weigh two hundred pounds and you could break me in half just by-"
"Two hundred and ten."
" - snapping your fingers, and here we are all alone on a G.o.dforsaken boardwalk "
"There"s an old man down there."
" - in the middle of nowhere, with nothing but the ocean in front of us, and those deserted buildings behind us, so why should I be afraid? Who"s afraid?"
"Right," he said, and smiled.
"Right," she agreed. "You could strangle me or drown me or beat me to death, and n.o.body"d know about it for the next ten years."
"If ever," Roger said.
"Mmm."
"Of course, there"s always the old man down there."
"Yeah, he"s some protection," Amelia said. "He"s probably half blind. I"m beginning to wonder if he"s real, as a matter of fact. He hasn"t moved since we got here."
"Do you want to go?" he asked.