He addressed me first, over the celebrated Resting Hermes which we had been looking at side by side. He said the right things about that wholly admirable piece. Nothing profound. His taste was natural rather than cultivated. He had obviously seen many fine things in his life and appreciated them: but he had no jargon of a dilettante or the connoisseur. A hateful tribe. He spoke like a fairly intelligent man of the world, a perfectly unaffected gentleman.
We had known each other by sight for some few days past. Staying in the same hotel--good, but not extravagantly up to date--I had noticed him in the vestibule going in and out. I judged he was an old and valued client. The bow of the hotel-keeper was cordial in its deference, and he acknowledged it with familiar courtesy. For the servants he was Il Conde. There was some squabble over a man"s parasol--yellow silk with white lining sort of thing--the waiters had discovered abandoned outside the dining-room door. Our gold-laced door-keeper recognized it and I heard him directing one of the lift boys to run after Il Conde with it.
Perhaps he was the only Count staying in the hotel, or perhaps he had the distinction of being the Count par excellence, conferred upon him because of his tried fidelity to the house.
Having conversed at the Museo--(and by the by he had expressed his dislike of the busts and statues of Roman emperors in the gallery of marbles: their faces were too vigorous, too p.r.o.nounced for him)--having conversed already in the morning I did not think I was intruding when in the evening, finding the dining-room very full, I proposed to share his little table. Judging by the quiet urbanity of his consent he did not think so either. His smile was very attractive.
He dined in an evening waistcoat and a "smoking" (he called it so) with a black tie. All this of very good cut, not new--just as these things should be. He was, morning or evening, very correct in his dress. I have no doubt that his whole existence had been correct, well ordered and conventional, undisturbed by startling events. His white hair brushed upwards off a lofty forehead gave him the air of an idealist, of an imaginative man. His white moustache, heavy but carefully trimmed and arranged, was not unpleasantly tinted a golden yellow in the middle. The faint scent of some very good perfume, and of good cigars (that last an odour quite remarkable to come upon in Italy) reached me across the table. It was in his eyes that his age showed most. They were a little weary with creased eyelids. He must have been sixty or a couple of years more. And he was communicative. I would not go so far as to call it garrulous--but distinctly communicative.
He had tried various climates, of Abbazia, of the Riviera, of other places, too, he told me, but the only one which suited him was the climate of the Gulf of Naples. The ancient Romans, who, he pointed out to me, were men expert in the art of living, knew very well what they were doing when they built their villas on these sh.o.r.es, in Baiae, in Vico, in Capri. They came down to this seaside in search of health, bringing with them their trains of mimes and flute-players to amuse their leisure. He thought it extremely probable that the Romans of the higher cla.s.ses were specially predisposed to painful rheumatic affections.
This was the only personal opinion I heard him express. It was based on no special erudition. He knew no more of the Romans than an average informed man of the world is expected to know. He argued from personal experience. He had suffered himself from a painful and dangerous rheumatic affection till he found relief in this particular spot of Southern Europe.
This was three years ago, and ever since he had taken up his quarters on the sh.o.r.es of the gulf, either in one of the hotels in Sorrento or hiring a small villa in Capri. He had a piano, a few books: picked up transient acquaintances of a day, week, or month in the stream of travellers from all Europe. One can imagine him going out for his walks in the streets and lanes, becoming known to beggars, shopkeepers, children, country people; talking amiably over the walls to the contadini--and coming back to his rooms or his villa to sit before the piano, with his white hair brushed up and his thick orderly moustache, "to make a little music for myself." And, of course, for a change there was Naples near by--life, movement, animation, opera. A little amus.e.m.e.nt, as he said, is necessary for health. Mimes and flute-players, in fact. Only unlike the magnates of ancient Rome, he had no affairs of the city to call him away from these moderate delights. He had no affairs at all. Probably he had never had any grave affairs to attend to in his life. It was a kindly existence, with its joys and sorrows regulated by the course of Nature--marriages, births, deaths--ruled by the prescribed usages of good society and protected by the State.
He was a widower; but in the months of July and August he ventured to cross the Alps for six weeks on a visit to his married daughter. He told me her name. It was that of a very aristocratic family. She had a castle--in Bohemia, I think. This is as near as I ever came to ascertaining his nationality. His own name, strangely enough, he never mentioned. Perhaps he thought I had seen it on the published list. Truth to say, I never looked. At any rate, he was a good European--he spoke four languages to my certain knowledge--and a man of fortune. Not of great fortune evidently and appropriately. I imagine that to be extremely rich would have appeared to him improper, outre--too blatant altogether. And obviously, too, the fortune was not of his making. The making of a fortune cannot be achieved without some roughness. It is a matter of temperament. His nature was too kindly for strife. In the course of conversation he mentioned his estate quite by the way, in reference to that painful and alarming rheumatic affection. One year, staying incautiously beyond the Alps as late as the middle of September, he had been laid up for three months in that lonely country house with no one but his valet and the caretaking couple to attend to him.
Because, as he expressed it, he "kept no establishment there." He had only gone for a couple of days to confer with his land agent. He promised himself never to be so imprudent in the future. The first weeks of September would find him on the sh.o.r.es of his beloved gulf.
Sometimes in travelling one comes upon such lonely men, whose only business is to wait for the unavoidable. Deaths and marriages have made a solitude round them, and one really cannot blame their endeavours to make the waiting as easy as possible. As he remarked to me, "At my time of life freedom from physical pain is a very important matter."
It must not be imagined that he was a wearisome hypochondriac. He was really much too well-bred to be a nuisance. He had an eye for the small weaknesses of humanity. But it was a good-natured eye. He made a restful, easy, pleasant companion for the hours between dinner and bedtime. We spent three evenings together, and then I had to leave Naples in a hurry to look after a friend who had fallen seriously ill in Taormina. Having nothing to do, Il Conde came to see me off at the station. I was somewhat upset, and his idleness was always ready to take a kindly form. He was by no means an indolent man.
He went along the train peering into the carriages for a good seat for me, and then remained talking cheerily from below. He declared he would miss me that evening very much and announced his intention of going after dinner to listen to the band in the public garden, the Villa n.a.z.ionale. He would amuse himself by hearing excellent music and looking at the best society. There would be a lot of people, as usual.
I seem to see him yet--his raised face with a friendly smile under the thick moustaches, and his kind, fatigued eyes. As the train began to move, he addressed me in two languages: first in French, saying, "Bon voyage"; then, in his very good, somewhat emphatic English, encouragingly, because he could see my concern: "All will--be--well--yet!"
My friend"s illness having taken a decidedly favourable turn, I returned to Naples on the tenth day. I cannot say I had given much thought to Il Conde during my absence, but entering the dining-room I looked for him in his habitual place. I had an idea he might have gone back to Sorrento to his piano and his books and his fishing. He was great friends with all the boatmen, and fished a good deal with lines from a boat. But I made out his white head in the crowd of heads, and even from a distance noticed something unusual in his att.i.tude. Instead of sitting erect, gazing all round with alert urbanity, he drooped over his plate. I stood opposite him for some time before he looked up, a little wildly, if such a strong word can be used in connection with his correct appearance.
"Ah, my dear sir! Is it you?" he greeted me. "I hope all is well."
He was very nice about my friend. Indeed, he was always nice, with the niceness of people whose hearts are genuinely humane. But this time it cost him an effort. His attempts at general conversation broke down into dullness. It occurred to me he might have been indisposed. But before I could frame the inquiry he muttered:
"You find me here very sad."
"I am sorry for that," I said. "You haven"t had bad news, I hope?"
It was very kind of me to take an interest. No. It was not that. No bad news, thank G.o.d. And he became very still as if holding his breath. Then, leaning forward a little, and in an odd tone of awed embarra.s.sment, he took me into his confidence.
"The truth is that I have had a very--a very--how shall I say?--abominable adventure happen to me."
The energy of the epithet was sufficiently startling in that man of moderate feelings and toned-down vocabulary. The word unpleasant I should have thought would have fitted amply the worst experience likely to befall a man of his stamp. And an adventure, too. Incredible! But it is in human nature to believe the worst; and I confess I eyed him stealthily, wondering what he had been up to. In a moment, however, my unworthy suspicions vanished. There was a fundamental refinement of nature about the man which made me dismiss all idea of some more or less disreputable sc.r.a.pe.
"It is very serious. Very serious." He went on, nervously. "I will tell you after dinner, if you will allow me."
I expressed my perfect acquiescence by a little bow, nothing more.
I wished him to understand that I was not likely to hold him to that offer, if he thought better of it later on. We talked of indifferent things, but with a sense of difficulty quite unlike our former easy, gossipy intercourse. The hand raising a piece of bread to his lips, I noticed, trembled slightly. This symptom, in regard to my reading of the man, was no less than startling.
In the smoking-room he did not hang back at all. Directly we had taken our usual seats he leaned sideways over the arm of his chair and looked straight into my eyes earnestly.
"You remember," he began, "that day you went away? I told you then I would go to the Villa n.a.z.ionale to hear some music in the evening."
I remembered. His handsome old face, so fresh for his age, unmarked by any trying experience, appeared haggard for an instant. It was like the pa.s.sing of a shadow. Returning his steadfast gaze, I took a sip of my black coffee. He was systematically minute in his narrative, simply in order, I think, not to let his excitement get the better of him.
After leaving the railway station, he had an ice, and read the paper in a cafe. Then he went back to the hotel, dressed for dinner, and dined with a good appet.i.te. After dinner he lingered in the hall (there were chairs and tables there) smoking his cigar; talked to the little girl of the Primo Tenore of the San Carlo theatre, and exchanged a few words with that "amiable lady," the wife of the Primo Tenore. There was no performance that evening, and these people were going to the Villa also.
They went out of the hotel. Very well.
At the moment of following their example--it was half-past nine already--he remembered he had a rather large sum of money in his pocket-book. He entered, therefore, the office and deposited the greater part of it with the book-keeper of the hotel. This done, he took a carozella and drove to the seash.o.r.e. He got out of the cab and entered the Villa on foot from the Largo di Vittoria end.
He stared at me very hard. And I understood then how really impressionable he was. Every small fact and event of that evening stood out in his memory as if endowed with mystic significance. If he did not mention to me the colour of the pony which drew the carozella, and the aspect of the man who drove, it was a mere oversight arising from his agitation, which he repressed manfully.
He had then entered the Villa n.a.z.ionale from the Largo di Vittoria end.
The Villa n.a.z.ionale is a public pleasure-ground laid out in gra.s.s plots, bushes, and flower-beds between the houses of the Riviera di Chiaja and the waters of the bay. Alleys of trees, more or less parallel, stretch its whole length--which is considerable. On the Riviera di Chiaja side the electric tramcars run close to the railings. Between the garden and the sea is the fashionable drive, a broad road bordered by a low wall, beyond which the Mediterranean splashes with gentle murmurs when the weather is fine.
As life goes on late at night in Naples, the broad drive was all astir with a brilliant swarm of carriage lamps moving in pairs, some creeping slowly, others running rapidly under the thin, motionless line of electric lamps defining the sh.o.r.e. And a brilliant swarm of stars hung above the land humming with voices, piled up with houses, glittering with lights--and over the silent flat shadows of the sea.
The gardens themselves are not very well lit. Our friend went forward in the warm gloom, his eyes fixed upon a distant luminous region extending nearly across the whole width of the Villa, as if the air had glowed there with its own cold, bluish, and dazzling light. This magic spot, behind the black trunks of trees and ma.s.ses of inky foliage, breathed out sweet sounds mingled with bursts of bra.s.sy roar, sudden clashes of metal, and grave, vibrating thuds.
As he walked on, all these noises combined together into a piece of elaborate music whose harmonious phrases came persuasively through a great disorderly murmur of voices and shuffling of feet on the gravel of that open s.p.a.ce. An enormous crowd immersed in the electric light, as if in a bath of some radiant and tenuous fluid shed upon their heads by luminous globes, drifted in its hundreds round the band. Hundreds more sat on chairs in more or less concentric circles, receiving unflinchingly the great waves of sonority that ebbed out into the darkness. The Count penetrated the throng, drifted with it in tranquil enjoyment, listening and looking at the faces. All people of good society: mothers with their daughters, parents and children, young men and young women all talking, smiling, nodding to each other. Very many pretty faces, and very many pretty toilettes. There was, of course, a quant.i.ty of diverse types: showy old fellows with white moustaches, fat men, thin men, officers in uniform; but what predominated, he told me, was the South Italian type of young man, with a colourless, clear complexion, red lips, jet-black little moustache and liquid black eyes so wonderfully effective in leering or scowling.
Withdrawing from the throng, the Count shared a little table in front of the cafe with a young man of just such a type. Our friend had some lemonade. The young man was sitting moodily before an empty gla.s.s.
He looked up once, and then looked down again. He also tilted his hat forward. Like this--
The Count made the gesture of a man pulling his hat down over his brow, and went on:
"I think to myself: he is sad; something is wrong with him; young men have their troubles. I take no notice of him, of course. I pay for my lemonade, and go away."
Strolling about in the neighbourhood of the band, the Count thinks he saw twice that young man wandering alone in the crowd. Once their eyes met. It must have been the same young man, but there were so many there of that type that he could not be certain. Moreover, he was not very much concerned except in so far that he had been struck by the marked, peevish discontent of that face.
Presently, tired of the feeling of confinement one experiences in a crowd, the Count edged away from the band. An alley, very sombre by contrast, presented itself invitingly with its promise of solitude and coolness. He entered it, walking slowly on till the sound of the orchestra became distinctly deadened. Then he walked back and turned about once more. He did this several times before he noticed that there was somebody occupying one of the benches.
The spot being midway between two lamp-posts the light was faint.
The man lolled back in the corner of the seat, his legs stretched out, his arms folded and his head drooping on his breast. He never stirred, as though he had fallen asleep there, but when the Count pa.s.sed by next time he had changed his att.i.tude. He sat leaning forward. His elbows were propped on his knees, and his hands were rolling a cigarette. He never looked up from that occupation.
The Count continued his stroll away from the band. He returned slowly, he said. I can imagine him enjoying to the full, but with his usual tranquillity, the balminess of this southern night and the sounds of music softened delightfully by the distance.
Presently, he approached for the third time the man on the garden seat, still leaning forward with his elbows on his knees. It was a dejected pose. In the semi-obscurity of the alley his high shirt collar and his cuffs made small patches of vivid whiteness. The Count said that he had noticed him getting up brusquely as if to walk away, but almost before he was aware of it the man stood before him asking in a low, gentle tone whether the signore would have the kindness to oblige him with a light.
The Count answered this request by a polite "Certainly," and dropped his hands with the intention of exploring both pockets of his trousers for the matches.
"I dropped my hands," he said, "but I never put them in my pockets. I felt a pressure there--"
He put the tip of his finger on a spot close under his breastbone, the very spot of the human body where a j.a.panese gentleman begins the operations of the Harakiri, which is a form of suicide following upon dishonour, upon an intolerable outrage to the delicacy of one"s feelings.
"I glance down," the Count continued in an awestruck voice, "and what do I see? A knife! A long knife--"
"You don"t mean to say," I exclaimed, amazed, "that you have been held up like this in the Villa at half-past ten o"clock, within a stone"s throw of a thousand people!"
He nodded several times, staring at me with all his might.