She began to sob.
"Hush, Signorina! Hush!"
He spoke almost sternly, bent down, collected the fragments of card-board from the floor, and put them into his pocket.
"Father"s photograph! She was in here--she came in here to do that! And she loves that photograph. She loves it!"
"Hush, Signorina! Don"t, Signorina--don"t!"
"We must do something! We must--"
He made her sit down. He stood by her.
"What shall we do, Gaspare? What shall we do?"
She looked up at him, demanding counsel. She put out her hands again and touched his arm. His Padroncina--she at least still loved, still trusted him.
"Signorina," he said, "we can"t do anything."
His voice was fatalistic.
"But--what is it? Is--is--"
A frightful question was trembling on her lips. She looked again at the fragments of card-board in her hand, at the broken frame on the table.
"Can Madre be--"
She stopped. Her terror was increasing. She remembered many small mysteries in the recent conduct of her mother, many moments when she had been surprised, or made vaguely uneasy, by words or acts of her mother.
Monsieur Emile, too, he had wondered, and more than once. She knew that.
And Gaspare--she was sure that he, also, had seen that change which now, abruptly, had thus terribly culminated. Once in the boat she had asked him what was the matter with her mother, and he had, almost angrily, denied that anything was the matter. But she had seen in his eyes that he was acting a part--that he wished to detach her observation from her mother.
Her trembling ceased. Her little fingers closed more tightly on his arm.
Her eyes became imperious.
"Gaspare, you are to tell me. I can bear it. You know something about Madre."
"Signorina--"
"Do you think I"m a coward? I was frightened--I am frightened, but I"m not really a coward, Gaspare. I can bear it. What is it you know?"
"Signorina, we can"t do anything."
"Is it--Does Monsieur Emile know what it is?"
He did not answer.
Suddenly she got up, went to the door, opened it, and listened. The horror came into her face again.
"I can"t bear it," she said. "I--I shall have to go into the room."
"No, Signorina. You are not to go in."
"If the door isn"t locked I must--"
"It is locked."
"You don"t know. You can"t know."
"I know it is locked, Signorina."
Vere put her hands to her eyes.
"It"s too dreadful! I didn"t know any one--I have never heard--"
Gaspare went to her and shut the door resolutely.
"You are not to listen, Signorina. You are not to listen."
He spoke no longer like a servant, but like a master.
Vere"s hands had dropped.
"I am going to send for Monsieur Emile," she said.
"Va bene, Signorina."
She went quickly to the writing-table, sat down, hesitated. Her eyes were riveted upon the photograph-frame.
"How could she? How could she?" she said, in a choked voice.
Gaspare took the frame away reverently, and put it against his breast, inside his shirt.
"I can"t go to Don Emilio, Signorina. I cannot leave you."
"No, Gaspare. Don"t leave me! Don"t leave me!"
She was the terrified child again.
"Perhaps we can find a fisherman, Signorina."
"Yes, but don"t--Wait for me, Gaspare!"
"I am not going, Signorina."
With feverish haste she took a pen and a sheet of paper and wrote:
"DEAR MONSIEUR EMILE,--Please come to the island _at once_.
Something terrible has happened. I don"t know what it is. But Madre is--No, I can"t put it. Oh, _do come_--please--please come!