Long and brilliant was the chain of lamps, and long and ardent was the chain of melodies melting one into the other, and stretching to the wide darkness of the night and to the great stillness of the sea. The night was alive with music, with the voices that beat like hearts over-charged with sentimental longings.
But at the point where stood the Antico Giuseppone the lights and the songs died out. And beyond there was the mystery, the stillness of the sea.
And there, beyond the chain of lights, the chain of melodies, the islet lay in its delicate isolation; nevertheless, it, too, was surely not unaware of the coming of summer. For even here, Nature ran up her flag to honor her new festival. High up above the rock on the mainland opposite there was a golden glory of ginestra, the broom plant, an expanse of gold so brilliant, so daring in these bare surroundings, that Vere said, when she saw it:
"There is something cruel even in beauty, Madre. Do you like successful audacity?"
"I think I used to when I was your age," said Hermione. "Anything audacious was attractive to me then. But now I sometimes see through it too easily, and want something quieter and a little more mysterious."
"The difference between the Marchesino and Monsieur Emile?" said the girl, with a little laugh.
Hermione laughed, too.
"Do you think Monsieur Emile mysterious?" she asked.
"Yes--certainly. Don"t you?"
"I have known him so intimately for so many years."
"Well, but that does not change him. Does it?"
"No. But it may make him appear very differently to me from the way in which he shows himself to others."
"I think if I knew Monsieur Emile for centuries I should always wonder about him."
"What is it in Emile that makes you wonder?" asked her mother, with a real curiosity.
"The same thing that makes me wonder when I look at a sleepy lion."
"You call Emile sleepy!" said Hermione.
"Oh, not his intellect, Madre! Of course that is horribly, horribly wide awake."
And Vere ran off to her room, or the garden, or the Saint"s Pool--who knew where?--leaving her mother to say to herself, as she had already said to herself in these last days of the growing summer, "When I said that to Emile, what a fool I was!" She was thinking of her statement that there was nothing in her child that was hidden from her. As if in answer to that statement, Vere was unconsciously showing to her day by day the folly of it. Emile had said nothing. Hermione remembered that, and realized that his silence had been caused by his disagreement. But why had he not told her she was mistaken? Perhaps because she had just been laying bare to him the pain that was in her heart. Her call had been for sympathy, not merely for truth. She wondered whether she was a coward. Since they had returned from Capri the season and Vere had surely changed. Then, and always afterwards, Hermione thought of those three days in Capri as a definite barrier, a dividing line between two periods. Already, while in Capri, she had begun to watch her child in a new way. But that was, perhaps, because of an uneasiness, partly nervous, within herself. In Capri she might have been imagining. Now she was not imagining, she was realizing.
Over the sea came to the islet the intensity of summer. Their world was changing. And in this changing world Vere was beginning to show forth more clearly than before her movement onward--whither?
As yet the girl herself was unconscious of her mother"s new watchfulness. She was happy in the coming of summer, and in her happiness was quite at ease, like a kitten that stretches itself luxuriously in the sun. To Vere the world never seemed quite awake till the summer came. Only in the hot sunshine did there glow the truthfulness and the fulness of life. She shared it with the ginestra.
She saw and felt a certain cruelty in the gold, but she did not fear or condemn it, or wish it away. For she was very young, and though she spoke of cruelty she did not really understand it. In it there was force, and force already appealed to the girl as few things did. As, long ago, her father had gloried in the coming of summer to the South, she gloried in it now. She looked across the Pool of the Saint to the flood of yellow that was like sunlight given a body upon the cliff opposite, and her soul revelled within her, and her heart rose up and danced, alone, and yet as if in a glad company of dancers, all of whom were friends. Her brain, too, sprang to the alert. The sun increased the feeling of intelligence within her.
And then she thought of her room, of the hours she pa.s.sed shut in there, and she was torn by opposing impulses.
But she told no one of them. Vere could keep her secrets although she was a girl.
How the sea welcomed the summer! To many this home on the island would have seemed an arid, inhospitable place, desolate and lost amid a cruel world of cliffs and waters. It was not so to Vere. For she entered into the life of the sea. She knew all its phases, as one may know all the moods of a person loved. She knew when she would find it intensely calm, at early morning and when the evening approached. At a certain hour, with a curious regularity, the breeze came, generally from Ischia, and turned it to vivacity. A temper that was almost frivolous then possessed it, and it broke into gayeties like a child"s. The waves were small, but they were impertinently lively. They made a turmoil such as urchins make at play. Heedless of reverence, but not consciously impious, they flung themselves at the feet of San Francesco, casting up a tiny tribute of spray into the sun.
Then Vere thought that the Saint looked down with pleasure at them, as a good old man looks at a crowd of laughing children who have run against him in the street, remembering his own youth. For even the Saints were young! And, after that, surely the waves were a little less boisterous.
She thought she noted a greater calm. But perhaps it was only that the breeze was dying down as the afternoon wore on.
She often sat and wondered which she loved best--the calm that lay upon the sea at dawn, or the calm that was the prelude to the night. Silvery were these dawns of the summer days. Here and there the waters gleamed like the scales of some lovely fish. Mysterious lights, like those in the breast of the opal, shone in the breast of the sea, stirred, surely travelled as if endowed with life, then sank away to the far-off kingdoms that man may never look on. Those dawns drew away the girl"s soul as if she were led by angels, or, like Peter, walked upon the deep at some divine command. She felt that though her body was on the islet the vital part of her, the real "I," was free to roam across the great expanse that lay flat and still and delicately mysterious to the limits of eternity.
She had strange encounters there, the soul of her, as she went towards the East.
The evening calm was different. There was, Vere thought, less of heaven about it, but perhaps more of the wonder of this world. And this made her feel as if she had been nearer to heaven at her birth than she would be at her death. She knew nothing of the defilements of life. Her purity of mind was very perfect; but, taking a parable from Nature, she applied it imaginatively to Man, and she saw him covered with dust because of his journey through the world. Poor man!
And then she pitied herself too. But that pa.s.sed. For if the sea at evening held most of the wonder of this world, it was worth the holding. Barely would she subst.i.tute the heavenly mysteries for it.
The fishermen"s boats were dreams upon a dream. Each sail was akin to a miracle. A voice that called across the water from a distance brought tears to Vere"s eyes when the magic was at its fullest. For it seemed to mean all things that were tender, all things that were wistful, all things that trembled with hope--that trembled with love.
With summer Vere could give herself up to the sea, and not only imaginatively but by a bodily act.
Every day, and sometimes twice a day, she put on her bathing-dress in the Casa del Mare, threw a thin cloak over her, and ran down to the edge of the sea, where Gaspare was waiting with the boat. Hermione did not bathe. It did not suit her now. And Gaspare was Vere"s invariable companion. He had superintended her bathing when she was little. He had taught her to swim. And with no one else would he ever trust his Padroncina when she gave herself to the sea. Sometimes he would row her out to a reef of rocks in the open water not too many yards from the island, and she would dive from them. Sometimes, if it was very hot, he would take her to the Grotto of Virgil. Sometimes they went far out to sea, and then, like her father in the Ionian Sea before the Casa delle Sirene, Vere would swim away and imagine that this was her mode of travel, that she was journeying alone to some distant land, or that she had been taken by the sea forever.
But very soon she would be sure to hear the soft splash of oars following her, and, looking back, would see the large, attentive eyes of the faithful Gaspare cautiously watching her dark head. Then she would lift up one hand, and call to him to go, and say she did not want him, that she wished to be alone, smiling and yet imperious. He only followed quietly and inflexibly. She would dive. She would swim under water. She would swim her fastest, as if really anxious to escape him. It was a game between them now. But always he was there, intent upon her safety.
Vere did not know the memories within Gaspare that made him such a guardian to the child of the Padrone he had loved; but she loved him secretly for his watchfulness, even though now and then she longed to be quite alone with the sea. And this she never was when bathing, for Hermione had exacted a promise from her not to go to bathe without Gaspare. In former days Vere had once or twice begun to protest against this prohibition, but something in her mother"s eyes had stopped her.
And she had remembered:
"Father was drowned in the sea."
Then, understanding something of what was in her mother"s heart, she threw eager arms about her, and anxiously promised to be good.
One afternoon of the summer, towards the middle of June, she prolonged her bathe in the Grotto of Virgil until Gaspare used his authority, and insisted on her coming out of the water.
"One minute more, Gaspare! Only another minute!"
"Ma Signorina!"
She dived. She came up.
"Ma veramente Signorina!"
She dived again.
Gaspare waited. He was standing up in the boat with the oars in his hands, ready to make a dash at his Padroncina directly she reappeared, but she was wily, and came up behind the boat with a shrill cry that startled him. He looked round reproachfully over his shoulder.
"Signorina," he said, turning the boat round, "you are like a wicked baby to-day."
"What is it, Gaspare?" she asked, this time letting him come towards her.
"I say that you are like a wicked baby. And only the other day I was saying to the Signora--"
"What were you saying?"
She swam to the boat and got in.
"What?" she repeated, sitting down on the gunwale, while he began to row towards the islet.
"I was saying that you are nearly a woman now."