"Good morning, St. John"s, may I help you?"
He couldn"t remember the room number. He described the man, the accident, the date. Sixth floor, yes, that was right. He kept talking until she got it.
There was a pause. Hold.
He waited.
"Sir?"
He didn"t say anything. It was as if he had no words left.
"I"m terribly sorry . . ."
He felt the blood drain from him. His fingers were cold and numb.
". . . But I"m afraid the surgery wasn"t successful. The party did not recover. If you wish I"ll connect you with-"
"The party"s name was White Feather," he said mechanically. The receiver fell and dangled, swinging like the pendulum of a clock.
He braced his legs against the sides of the booth. After what seemed like a very long time he found himself reaching reflexively for his cigarettes. He took one from the crushed pack, straightened it and hung it on his lips.
On the other side of the frosted gla.s.s, featureless shapes lumbered by on the boulevard. He watched them for a while.
He picked up a book of matches from the floor, lit two together and held them close to the gla.s.s. The flame burned a clear spot through the moisture.
Try to set the night on fire, he thought stupidly, repeating the words until they and any others he could think of lost meaning. he thought stupidly, repeating the words until they and any others he could think of lost meaning.
The fire started to burn his fingers. He hardly felt it. He ignited the matchbook cover, too, turning it over and over. He wondered if there was anything else that would burn, anything and everything. He squeezed his eyelids together. When he opened them, he was looking down at his own clothing.
He peered out through the clear spot in the gla.s.s.
Outside, the outline fuzzy and distorted but quite unmistakable, was a blue van. It was waiting at the curb.
THOMAS LIGOTTI.
Thomas Ligotti was born in Detroit in 1953. While working for Gale Research Company, he began publishing his short fiction in small-press magazines such as Nyctalops, Eldritch Tales, Nyctalops, Eldritch Tales, and and Fantasy Tales, Fantasy Tales, and his first volume, and his first volume, Songs of a Dead Dreamer, Songs of a Dead Dreamer, was published in 1986 with little fanfare by Silver Scarab Press, although it contained an enthusiastic introduction by British supernaturalist Ramsey Campbell. But Ligotti"s reputation slowly grew by word-of-mouth, and in 1989 his first volume was republished in an expanded edition in England. Since then, Ligotti has issued further volumes of short stories, including was published in 1986 with little fanfare by Silver Scarab Press, although it contained an enthusiastic introduction by British supernaturalist Ramsey Campbell. But Ligotti"s reputation slowly grew by word-of-mouth, and in 1989 his first volume was republished in an expanded edition in England. Since then, Ligotti has issued further volumes of short stories, including Grimscribe: His Lives and Works Grimscribe: His Lives and Works (1991), (1991), Noctuary Noctuary (1994), and (1994), and My Work Is Not Yet Done My Work Is Not Yet Done (2002). (2002). The Nightmare Factory The Nightmare Factory (1996) is an omnibus of his first three collections. (1996) is an omnibus of his first three collections.
Ligotti, although influenced by Edgar Allan Poe, H. P. Lovecraft, and other writers of the American supernatural tradition, has developed a highly original and distinctive approach to the field, fusing psychological and supernatural tropes to create a nightmarish world of terror in which almost anything can occur. His subject matter is bolstered by an idiosyncratic and occasionally difficult and obscure style that seeks to destroy the distinction between the real and the imaginary. Ligotti has professed that he cannot write horror novels and that the supernatural is in fact incapable of being cogently expressed in the novel form; accordingly, in spite of the fact that the t.i.tle story of My Work Is Not Yet Done My Work Is Not Yet Done is a novella of more than thirty thousand words, Ligotti has adhered to short fiction, pa.s.sing up the possibility of broader popular recognition and seemingly content with the admiration of a small band of cognoscenti. Ligotti has also written provocatively about the horror story, both in interviews and in such essays as "The Consolations of Horror" (1989). He now lives in Florida. is a novella of more than thirty thousand words, Ligotti has adhered to short fiction, pa.s.sing up the possibility of broader popular recognition and seemingly content with the admiration of a small band of cognoscenti. Ligotti has also written provocatively about the horror story, both in interviews and in such essays as "The Consolations of Horror" (1989). He now lives in Florida.
"Vastarien" (first published in Crypt of Cthulhu, Crypt of Cthulhu, St. John"s Eve 1987, and included in St. John"s Eve 1987, and included in Songs of a Dead Dreamer, Songs of a Dead Dreamer, 1989) is representative of Ligotti"s eccentric work in its elaboration of H. P. Lovecraft"s concept of the "forbidden book" that can lead to death or madness. 1989) is representative of Ligotti"s eccentric work in its elaboration of H. P. Lovecraft"s concept of the "forbidden book" that can lead to death or madness.
VASTARIEN.
Within the blackness of his sleep a few lights began to glow like candles in a cloistered cell. Their illumination was unsteady and dim, issuing from no definite source. Nonetheless, he now discovered many shapes beneath the shadows: tall buildings whose rooftops nodded groundward, wide buildings whose facades seemed to follow the curve of a street, dark buildings whose windows and doorways tilted like badly hung paintings. And even if he found himself unable to fix his own location in this scene, he knew where his dreams had delivered him once more.
Even as the warped structures multiplied in his vision, crowding the lost distance, he possessed a sense of intimacy with each of them, a peculiar knowledge of the s.p.a.ces within them and of the streets which coiled themselves around their ma.s.s. Once again he knew the depths of their foundations, where an obscure life seemed to establish itself, a secret civilization of echoes flourishing among groaning walls. Yet upon his probing more extensively into such interiors, certain difficulties presented themselves: stairways that wandered off-course into useless places; caged elevators that urged unwanted stops on their pa.s.sengers; then ladders ascending into a maze of shafts and conduits, the dark valves and arteries of a petrified and monstrous organism.
And he knew that every corner of this corroded world was prolific with choices, even if they had to be made blindly in a place where clear consequences and a hierarchy of possibilities were lacking. For there might be a room whose shabby and soundless decor exudes a desolate serenity which at first attracts the visitor, who then discovers certain figures enveloped in plush furniture, figures that do not move or speak but only stare; and, concluding that these weary mannikins have exercised a bizarre indulgence in repose, the visitor must ponder the alternatives: to linger or to leave?
Eluding the claustral enchantments of such rooms, his gaze now roamed the streets of this dream. He scanned the alt.i.tudes beyond the high sloping roofs: there the stars seemed to be no more than silvery cinders which showered up from the mouths of great chimneys and clung to something dark and dense looming above, something that closed in upon each black horizon. It appeared to him that certain high towers nearly breached this sagging blackness, stretching themselves nightward to attain the farthest possible remove from the world below. And toward the peak of one of the highest towers he spied vague silhouettes that moved hectically in a bright window, twisting and leaning upon the gla.s.s like shadow-puppets in the fever of some mad dispute.
Through the mazy streets his vision slowly glided, as if carried along by a sluggish draft. Darkened windows reflected the beams of stars and streetlamps; lighted windows, however dim their glow, betrayed strange scenes which were left behind long before their full mystery could overwhelm the dreaming traveller. He wandered into thoroughfares more remote, soaring past cluttered gardens and crooked gates, drifting alongside an expansive wall that seemed to border an abyss, and floating over bridges that arched above the black purling waters of ca.n.a.ls.
Near a certain street corner, a place of supernatural clarity and stillness, he saw two figures standing beneath the crystalline glaze of a lamp ensconced high upon a wall of carved stone. Their shadows were perfect columns of blackness upon the livid pavement; their faces were a pair of faded masks concealing profound schemes. And they seemed to have lives of their own, with no awareness of their dreaming observer, who wished only to live with these specters and know their their dreams, to remain in this place where everything was transfixed in the order of the unreal. dreams, to remain in this place where everything was transfixed in the order of the unreal.
Never again, it seemed, could he be forced to abandon this realm of beautiful shadows.
Victor Keirion awoke with a brief convulsion of his limbs, as if he had been chaotically scrambling to break his fall from an imaginary height. For a moment he held his eyes closed, hoping to preserve the dissipating euphoria of the dream. Finally he blinked once or twice. Moonlight through a curtainless window allowed him the image of his outstretched arms and his somewhat twisted hands. Releasing his awkward hold on the edge of the sheeted mattress, he rolled onto his back. Then he groped around until his fingers found the cord dangling from the light above the bed. A small, barely furnished room appeared.
He pushed himself up and reached toward the painted metal nightstand. Through the s.p.a.ces between his fingers he saw the pale gray binding of a book and some of the dark letters tooled upon its cover: V, S, R, N. Suddenly he withdrew his hand without touching the book, for the magical intoxication of the dream had died, and he feared that he would not be able to revive it.
Freeing himself from the coa.r.s.e bedcovers, he sat at the edge of the mattress, elbows resting on his legs and hands loosely folded. His hair and eyes were pale, his complexion rather grayish, suggesting the color of certain clouds or that of long confinement. The single window in the room was only a few steps away, but he kept himself from approaching it, from even glancing in its direction. He knew exactly what he would see at that time of night: tall buildings, wide buildings, dark buildings, a scattering of stars and lights, and some lethargic movement in the streets below.
In so many ways the city outside the window was a semblance of that other place, which now seemed impossibly far off and inaccessible. But the likeness was evident only to his inner vision, only in the recollected images he formed when his eyes were closed or out of focus. It would be difficult to conceive of a creature for whom this this world-its bare form seen with open eyes-represented a coveted paradise. world-its bare form seen with open eyes-represented a coveted paradise.
Now standing before the window, his hands tearing into the pockets of a papery bathrobe, he saw that something was missing from the view, some crucial property that was denied to the stars above and the streets below, some unearthly essence needed to save them. The word unearthly unearthly reverberated in the room. In that place and at that hour, the paradoxical absence, the missing quality, became clear to him: it was the element of the unreal. reverberated in the room. In that place and at that hour, the paradoxical absence, the missing quality, became clear to him: it was the element of the unreal.
For Victor Keirion belonged to that wretched sect of souls who believe that the only value of this world lies in its power-at certain times-to suggest another world. Nevertheless, the place he now surveyed through the high window could never be anything but the most gauzy phantom of that other place, nothing save a shadowy mimic of the anatomy of that great dream. And although there were indeed times when one might be deceived, isolated moments when a gift for disguise triumphs, the impersonation could never be perfect or lasting. No true challenge to the rich unreality of Vastarien, where every shape suggested a thousand others, every sound disseminated everlasting echoes, every word founded a world. No horror, no joy was the equal of the abysmally vibrant sensations known in this place that was elsewhere, this spellbinding retreat where all experiences were interwoven to compose fantastic textures of feeling, a fine and dark tracery of limitless patterns. For everything in the unreal points to the infinite, and everything in Vastarien was unreal, unbounded by the tangible lie of existing. Even its most humble aspects proclaimed this truth: what door, he wondered, in any other world could imply the abundant and strange possibilities that belonged to the entrancing doors in the dream?
Then, as he focused his eyes upon a distant part of the city, he recalled a particular door, one of the least suggestive objects he had ever confronted, intimating little of what lay beyond.
It was a rectangle of smudged gla.s.s within another rectangle of scuffed wood, a battered thing lodged within a brick wall at the bottom of a stairway leading down from a crumbling street. And it pushed easily inward, merely a delicate formality between the underground shop and the outside world. Inside was an open room vaguely circular in shape, unusual in seeming more like the lobby of an old hotel than a bookstore. The circ.u.mference of the room was composed of crowded bookshelves whose separate sections were joined to one another to create an irregular polygon of eleven sides, with a long desk standing where a twelfth would have been. Beyond the desk stood a few more bookshelves arranged in aisles, their monotonous length leading into shadows. At the furthest point from this end of the shop, he began his circuit of the shelves, which appeared so promising in their array of old and ruddy bindings, like remnants of some fabulous autumn.
Very soon, however, the promise was betrayed and the mystique of the Librairie de Grimoires, in accord with his expectations, was stripped away to reveal, in his eyes, a side-show of charlatanry. For this disillusionment he had only himself to blame. Moreover, he could barely articulate the nature of the discrepancy between what he had hoped to find and what he actually found in such places. Aside from this hope, there was little basis for his belief that there existed some other arcana, one of a different kind altogether from that proffered by the books before him, all of which were sodden with an obscene reality, falsely hermetic ventures which consisted of circling the same absurd landscape. The other worlds portrayed in these books inevitably served as annexes of this one; they were impostors of the authentic unreality which was the only realm of redemption, however gruesome it might appear. And it was this terminal terminal landscape that he sought, not those rituals of the "way" that never arrives, heavens or h.e.l.ls that are mere pretexts for circ.u.mnavigating the real and revelling in it. For he dreamed of strange volumes that turned away from all earthly light to become lost in their own nightmares, pages that preached a nocturnal salvation, a liturgy of shadows, catechism of phantoms. His absolute: to dwell among the ruins of reality. landscape that he sought, not those rituals of the "way" that never arrives, heavens or h.e.l.ls that are mere pretexts for circ.u.mnavigating the real and revelling in it. For he dreamed of strange volumes that turned away from all earthly light to become lost in their own nightmares, pages that preached a nocturnal salvation, a liturgy of shadows, catechism of phantoms. His absolute: to dwell among the ruins of reality.
And it seemed to surpa.s.s all probability that there existed no precedent for this dream, no elaboration of this vision into a word, a delirious bible that would be the blight of all others-a scripture that would begin in apocalypse and lead its disciple to the wreck of all creation.
He had, in fact, come upon pa.s.sages in certain books that approached this ideal, hinting to the reader-almost admonishing him-that the page before his eyes was about to offer a view from the abyss and cast a wavering light on desolate hallucinations. To become the wind in the dead of winter, To become the wind in the dead of winter, so might begin an enticing verse of dreams. But soon the bemazed visionary would falter, retracting the promised scene of a shadow kingdom at the end of all ent.i.ty, perhaps offering an apologetics for this lapse into the unreal. The work would then once more take up the universal theme, disclosing its true purpose in belaboring the most futile and profane of all ambitions: power, with knowledge as its drudge. The vision of a disastrous enlightenment, of a catastrophic illumination, was conjured up in pa.s.sing and then cast aside. What remained was invariably a metaphysics as systematically trivial and debased as the physical laws it purported to transcend, a manual outlining the path to some hypothetical state of absolute glory. What remained so might begin an enticing verse of dreams. But soon the bemazed visionary would falter, retracting the promised scene of a shadow kingdom at the end of all ent.i.ty, perhaps offering an apologetics for this lapse into the unreal. The work would then once more take up the universal theme, disclosing its true purpose in belaboring the most futile and profane of all ambitions: power, with knowledge as its drudge. The vision of a disastrous enlightenment, of a catastrophic illumination, was conjured up in pa.s.sing and then cast aside. What remained was invariably a metaphysics as systematically trivial and debased as the physical laws it purported to transcend, a manual outlining the path to some hypothetical state of absolute glory. What remained lost lost was the revelation that nothing ever known has ended in glory; that all which ends does so in exhaustion, in confusion, and debris. was the revelation that nothing ever known has ended in glory; that all which ends does so in exhaustion, in confusion, and debris.
Nevertheless, a book that contained even a false gesture toward his truly eccentric absolute might indeed serve his purpose. Directing the attention of a bookseller to selected contents of such books, he would say: "I have an interest in a certain subject area, perhaps you will see . . . that is, I wonder, do you know of other, what should I say, sources sources that you would be able to recommend for my. . . ." that you would be able to recommend for my. . . ."
Occasionally he was referred to another bookseller or to the owner of a private collection. And ultimately he would be forced to realize that he had been grotesquely misunderstood when he found himself on the fringe of a society devoted to some strictly demonic enterprise.
The very bookshop in which he was now browsing represented only the most recent digression in a search without progress. But he had learned to be cautious and would try to waste as little time as possible in discovering if there was anything hidden for him here. Certainly not on the shelves which presently surrounded him.
"Have you seen our friend?" asked a nearby voice, startling him somewhat. Victor Keirion turned to face the stranger. The man was rather small and wore a black overcoat; his hair was also black and fell loosely across his forehead. Besides his general appearance, there was also something about his presence that made one think of a crow, a scavenging creature in wait. "Has he come out of his hole?" the man asked, gesturing toward the empty desk and the dark area behind it.
"I"m sorry, I haven"t seen anyone," Keirion replied. "I only now noticed you."
"I can"t help being quiet. Look at these little feet," the man said, pointing to a highly polished pair of black shoes. Without thinking, Keirion looked down; then, feeling duped, he looked up again at the smiling stranger.
"You look very bored," said the human crow.
"I"m sorry?"
"Never mind. I can see that I"m bothering you." Then the man walked away, his coat flapping slightly, and began browsing some distant bookshelves. "I"ve never seen you in here before," he said from across the room.
"I"ve never been in here before," Keirion answered.
"Have you ever read this?" the stranger asked, pulling down a book and holding up its wordless black cover.
"Never," Keirion replied without so much as glancing at the book. Somehow this seemed the best action to take with this character, who appeared to be foreign in some indefinable way, intangibly alien.
"Well, you must be looking for something special," continued the other man, replacing the black book on its shelf. "And I know what that"s like, when you"re looking for something very special. Have you ever heard of a book, an extremely special book, that is not . . . yes, that is not about about something, but actually is that something?" something, but actually is that something?"
For the first time the obnoxious stranger had managed to intrigue Keirion rather than annoy him. "That sounds . . . ," he started to say, but then the other man exclaimed: "There he is, there he is. Excuse me."
It seemed that the proprietor-that mutual friend-had finally made his appearance and was now standing behind the desk, looking toward his two customers. "My friend," said the crow-man as he stepped with outstretched hand over to the smoothly bald and softly fat gentleman. The two of them briefly shook hands; they whispered for a few moments. Then the crow-man was invited behind the desk, and-led by the heavy, unsmiling bookseller-made his way into the darkness at the back of the shop. In a distant corner of that darkness the brilliant rectangle of a doorway suddenly flashed into outline, admitting through its frame a large, two-headed shadow.
Left alone among the worthless volumes of that shop, Victor Keirion felt the sad frustration of the uninvited, the abandoned. More than ever he had become infected with hopes and curiosities of an indeterminable kind. And he soon found it impossible to remain outside that radiant little room the other two had entered, and on whose threshold he presently stood in silence.
The room was a cramped bibliographic cubicle within which stood another cubicle formed by free-standing bookcases, creating four very narrow aisleways in the s.p.a.ce between them. From the doorway he could not see how the inner cubicle might be entered, but he heard the voices of the others whispering within. Stepping quietly, he began making his way along the perimeter of the room, his eyes voraciously scanning a wealth of odd-looking volumes.
Immediately he sensed that something of a special nature awaited his discovery, and the evidence for this intuition began to build. Each book that he examined served as a clue in this delirious investigation, a cryptic sign which engaged his powers of interpretation and imparted the faith to proceed. Many of the works were written in foreign languages he did not read; some appeared to be composed in ciphers based on familiar characters and others seemed to be transcribed in a wholly artificial cryptography. But in every one of these books he found an oblique guidance, some feature of more or less indirect significance: a strangeness in the typeface, pages and bindings of uncommon texture, abstract diagrams suggesting no orthodox ritual or occult system. Even greater antic.i.p.ation was inspired by certain ill.u.s.trated plates, mysterious drawings and engravings that depicted scenes and situations unlike anything he could name. And such works as Cynothoglys Cynothoglys or or The Noctuary of Tine The Noctuary of Tine conveyed schemes so bizarre, so remote from known texts and treatises of the esoteric tradition, that he felt a.s.sured of the sense of his quest. conveyed schemes so bizarre, so remote from known texts and treatises of the esoteric tradition, that he felt a.s.sured of the sense of his quest.
The whispering grew louder, though no more distinct, as he edged around a corner of that inner cubicle and anxiously noted the opening at its far end. At the same time he was distracted, for no apparent reason, by a small grayish volume leaning within a gap between larger and more garish tomes. The little book had been set upon the highest shelf, making it necessary for him to stretch himself, as if on an upright torture rack, to reach it. Trying not to give away his presence by the sounds of his pain, he finally secured the ashen-colored object-as pale as his own coloring-between the tips of his first two fingers. Mutely he strained to slide it quietly from its place; this act accomplished, he slowly shrunk down to his original stature and looked into the book"s brittle pages.
It seemed to be a chronicle of strange dreams. Yet somehow the pa.s.sages he examined were less a recollection of unruled visions than a tangible incarnation of them, not mere rhetoric but the thing itself. The use of language in the book was arrantly unnatural and the book"s author unknown. Indeed, the text conveyed the impression of speaking for itself and speaking only to itself, the words flowing together like shadows that were cast by no forms outside the book. But although this volume appeared to be composed in a vernacular of mysteries, its words did inspire a sure understanding and created in their reader a visceral apprehension of the world they described, existing inseparable from it. Could this truly be the invocation of Vastarien, that improbable world to which those gnarled letters on the front of the book alluded? And was it a world at all? Rather the unreal essence of one, all natural elements purged by an occult process of extraction, all days distilled into dreams and nights into nightmares. Each pa.s.sage he entered in the book both enchanted and appalled him with images and incidents so freakish and chaotic that his usual sense of these terms disintegrated along with everything else. Rampant oddity seemed to be the rule of the realm; imperfection became the source of the miraculous-wonders of deformity and marvels of miscreation. There was horror, undoubtedly. But it was a horror uncompromised by any feeling of lost joy or thwarted redemption; rather, it was a deliverance by d.a.m.nation. And if Vastarien was a nightmare, it was a nightmare transformed in spirit by the utter absence of refuge: nightmare made normal.
"I"m sorry, I didn"t see that you had drifted in here," said the bookseller in a high thin voice. He had just emerged from the inner chamber of the room and was standing with arms folded across his wide chest. "Please don"t touch anything. And may I take that from you?" The right arm of the bookseller reached out, then returned to its former place when the man with the pale eyes did not relinquish the merchandise.
"I think I would like to purchase it," said Keirion. "I"m sure I would, if. . . ."
"Of course, if the price is reasonable," finished the bookseller. "But who knows, you might not be able to understand how valuable these books can be. That one . . . ," he said, removing a little pad and pencil from inside his jacket and scribbling briefly. He ripped off the top sheet and held it up for the would-be buyer to see, then confidently put away all writing materials, as if that would be the end of it.
"But there must be some lat.i.tude for bargaining," Keirion protested.
"I"m afraid not," answered the bookseller. "Not with something that is the only one of its kind, as are many of these volumes. Yet that one book you are holding, that single copy. . . ."
A hand touched the bookseller"s shoulder and seemed to switch off his voice. Then the crow-man stepped into the aisleway, his eyes fixed upon the object under discussion, and asked: "Don"t you find that the book is somewhat . . . difficult?"
"Difficult," repeated Keirion. "I"m not sure. . . . If you mean that the language is strange, I would have to agree, but-"
"No," interjected the bookseller, "that"s not what he means at all."
"Excuse us a moment," said the crow-man.
Then both men went back into the inner room, where they whispered for some time. When the whispering ceased, the bookseller came forth and announced that there had been a mistake. The book, while something of a curiosity, was worth a good deal less than the price earlier quoted. The revised evaluation, while still costly, was nevertheless within the means of this particular buyer, who agreed at once to pay it.
Thus began Victor Keirion"s preoccupation with a certain book and a certain hallucinated world, though to make a distinction between these two phenomena ultimately seemed an error: the book, indeed, did not merely describe that strange world but, in some obscure fashion, was a true composition of the thing itself, its very form incarnate.
Each day thereafter he studied the hypnotic episodes of the little book; each night, as he dreamed, he carried out shapeless expeditions into its fantastic topography. To all appearances it seemed he had discovered the summit or abyss of the unreal, that paradise of exhaustion, confusion, and debris where reality ends and where one may dwell among its ruins. And it was not long before he found it necessary to revisit that twelve-sided shop, intending to question the obese bookseller on the subject of the book and unintentionally learning the truth of how it came to be sold.
When he arrived at the bookstore, sometime in the middle of a grayish afternoon, Victor Keirion was surprised to find that the door, which had opened so freely on his previous visit, was now firmly locked. It would not even rattle in its frame when he nervously pushed and pulled on the handle. Since the interior of the store was lighted, he took a coin from his pocket and began tapping on the gla.s.s. Finally, someone came forward from the shadows of the back room.
"Closed," the bookseller pantomimed on the other side of the gla.s.s.
"But. . . ." Keirion argued, pointing to his wrist.w.a.tch.
"Nevertheless," the wide man shouted. Then, after scrutinizing the disappointed patron, the bookseller unlocked the door and opened it far enough to carry on a brief conversation. "And what is it I can do for you. I"m closed, so you"ll have to come some other time if-"
"I only wanted to ask you something. Do you remember the book that I bought from you not long ago, the one-"
"Yes, I remember," replied the bookseller, as if quite prepared for the question. "And let me say that I was quite impressed, as of course was . . . the other man."
"Impressed?" Keirion repeated.
"Flabbergasted is more the word in his case," continued the bookseller. "He said to me, "The book has found its reader," and what could I do but agree with him?"
"I"m afraid I don"t understand," said Keirion.
The bookseller blinked and said nothing. After a few moments he reluctantly explained: "I was hoping that by now you would understand. He hasn"t contacted you? The man who was in here that day?"
"No, why should he?"
The bookseller blinked again and said: "Well, I suppose there"s no reason you need to stand out there. It"s getting very cold, don"t you feel it?" Then he closed the door and pulled Keirion a little to one side of it, whispering: "There"s just one thing I would like to tell you. I made no mistake that day about the price of that book. And it was the price-in full-which was paid by the other man, don"t ask me anything else about him. That price, of course, minus the small amount that you yourself contributed. I didn"t cheat anyone, least of all him. him. He would have been happy to pay even more to get that book into your hands. And although I"m not exactly sure of his reasons, I think you should know that." He would have been happy to pay even more to get that book into your hands. And although I"m not exactly sure of his reasons, I think you should know that."
"But why didn"t he simply purchase the book for himself?" asked Keirion.
The bookseller seemed confused. "It was of no use to him. Perhaps it would have been better if you hadn"t given yourself away when he asked you about the book. How much you knew."
"But I don"t know anything, apart from what I"ve read in the book itself. I came here to find-"
"-Nothing, I"m afraid. You"re the one who should be telling me, very impressive. But I"m not asking, don"t misunderstand. And there"s nothing more I can tell you, since I"ve already violated every precept of discretion. This is such an exceptional case, though. Very impressive, if in fact you are the reader of that book."
Realizing that, at best, he had been led into a dialogue of mystification, and possibly one of lies, Victor Keirion had no regrets when the bookseller held the door open for him to leave.
But before very many days, and especially nights, had pa.s.sed he learned why the bookseller had been so impressed with him, and why the crowlike stranger had been so generous: the bestower of the book who was blind to its mysteries. In the course of those days, those nights, he learned that the stranger had given only so that he might possess the thing he could gain in no other way, that he was reading the book with borrowed eyes and stealing its secrets from the soul of its rightful reader. At last it became clear what was happening to him throughout those strange nights of dreaming.
On each of those nights the shapes of Vastarien slowly pushed through the obscurity of his sleep, a vast landscape emerging from its own profound slumber and drifting forth from a place without name or dimension. And as the crooked monuments became manifest once again, they seemed to expand and soar high above him, drawing his vision toward them. Progressively the scene acquired nuance and articulation; steadily the creation became dense and intricate within its black womb: the streets were sinuous entrails winding through the dark body, and each edifice was the jutting bone of a skeleton hung with a thin musculature of shadows.
But just as his vision reached out to embrace fully the mysterious and jagged form of the dream, it all appeared to pull away, abandoning him on the edge of a dreamless void. The landscape was receding, shrinking into the distance. Now all he could see was a single street bordered by two converging rows of buildings. And at the opposite end of that street, rising up taller than the buildings themselves, stood a great figure in silhouette. This looming colossus made no movement or sound but firmly dominated the horizon where the single remaining street seemed to end. From this position the towering shadow was absorbing all other shapes into its own, which gradually was gaining in stature as the landscape withdrew and diminished. And the outline of this t.i.tanic figure appeared to be that of a man, yet it was also that of a dark and devouring bird.
Although for several nights Victor Keirion managed to awake before the scavenger had thoroughly consumed what was not its own, there was no a.s.surance that he would always be able to do so and that the dream would not pa.s.s into the hands of another. Ultimately, he conceived and executed the act that was necessary to keep possession of the dream he had coveted for so long.