Except Murmex Lucro I never saw any other gladiator presume to suggest to the spectators which signal he would like them to display; and Murmex had the air of a man taking a liberty with his betters and not very sure whether they would condone his presumption or resent his insolence; whereas Palus waved his arm much as Commodus raised his from the Imperial throne when, as Editor of the games, he decided the fate of a fallen gladiator concerning whom the populace were so evenly divided between disfavorers and favorers that neither the victor nor his _lanista_ dared to interpret so doubtful a mandate.

The most amazing fact concerning Palus was that his audiences never wearied of watching him fence. It is notorious that the spectators in the Colosseum always have been and are, in general, impatient of any noticeable prolongation of a fight. Only a very small minority of the populace and a larger, but still small, minority of the gentry and n.o.bility, take delight in the fine points of swordsmanship for themselves.

Most spectators, while acclaiming skilled fence and expecting it, look upon it merely as a means for adding interest to the preliminaries of what they desire to behold. Even senators and n.o.bles admit that the pleasure of viewing gladiatorial shows comes from seeing men killed. Contests are thrilling chiefly because of their suggestion of the approach of the moment which brings the supreme thrill.

The populace, quite frankly, rate the fighting as a bore; they do not come to watch skilled swordsmen fence; they want to see two men face each other and one kill the other at once. It is the killing which they enjoy. The upper tiers of spectators in the amphitheater seldom give the signal for mercy when a defeated man is down and helpless, even though he be handsome and graceful and has fought bravely, skillfully and gallantly. One seldom sees an outstretched arm, with the hand extended, fingers close together and thumb flat against them, raised anywhere from the back seats; their occupants habitually, in such cases, wave their upraised arms with the hands clenched and thumbs extended, waggling their thumbs by half rotating their wrists, to make the thumb more conspicuous, yelling the while, so that the amphitheater is full of their insistent roar and the upper tiers aflash with flickering thumbs. They weigh no fine points as to the worth of the vanquished man, they do not value a good fighter enough to want him saved to fight again, they come to see men die and they want the defeated man slaughtered at once.

They are habituated to acquiescing if the Emperor--or the Editor, if the Prince is not present--or the n.o.bility contravene their wishes and give the signal for mercy when a gallant fighter is down by accident, misadventure or because he was outmatched. But there is often a burst of howls if the signal for mercy comes not from the Imperial Pavilion or the whole _podium_, but merely from some part of the n.o.bility or senators.

Generally, if the Emperor has not given or partic.i.p.ated in the signal for mercy, scattered individuals among the proletariat proclaim their disappointment by booing, cat-calls, or strident whistlings.

Now Palus was so popular, so beloved by the slum-dwellers, that whenever he showed a disposition to spare an opponent, the whole ma.s.s of the populace were quick with the mercy-signal: the moment they saw Palus sheathe his blade their arms went up with his, almost before his, thumbs as flat as his, never a thumb out nor any fingers clenched.

More than this, no spectator, while Palus played an adversary, ever yelled for a prompt finish to the bout, as almost always happened at the first sign of delay in the case of any other fighter. So comprehensible, so unmistakable, so manifest, so fascinating were the fine points of the swordsmanship displayed by Palus that even the rearmost spectator, even the most brutish lout could and did relish them and enjoy them and crave the continuance of that pleasure.

Most of all the Colosseum audiences not only insisted on Palus appearing in each exhibition, not only longed for his entrance, not merely came to regard all the previous fights of the day as unwelcome postponements of the pleasure of watching Palus fence, but were manifestly impatient for the crowning delight of each day, the ecstacy of beholding a bout between Palus and Murmex Lucro, which contests were always bloodless.

CHAPTER x.x.xV

MURMEX

Customarily, while Palus flourished, each day began with beast-fights, the noon pause was filled in by exhibitions of athletes, acrobats, jugglers, trained animals and such like, and the surprise; then the gladiatorial shows lasted from early afternoon till an hour before sunset. Palus and Murmex appeared about mid-afternoon and were matched against the victors in the earlier fights. Each located himself at one focus of the ellipse of the arena, at which points two simultaneous fights were best seen by the entire audience. There they began each fight, not simultaneously, but alternately, till all their antagonists were disposed of, most killed and some spared. The spectators seldom hurried Murmex to end a fight; they never hurried Palus. His longest delay in finishing with an adversary, even his manifest intention to exhaust an opponent rather than to wound him, never elicited any protest from any onlooker. All, breathless, fascinated, craned to watch the perfection of his method, every movement of his body, all eyes intent on the point of his matchless blade.

Last of the day"s exhibitions, came the fencing match between Palus and Murmex, at the center of the arena, empty save for those two and their two _lanistae_. All others in the arena, including the surgeons, their helpers and the guards, drew off to positions close under the _podium_ wall.

Murmex and Palus fenced in all sorts of outfits, except that neither ever fought as a _retiarius_. Mostly both were equipped as _secutors_, but they fought also as _murmillos_, Greeks, Gauls, Thracians, Samnites and _dimachaeri_, or one in any of these equipments against the other in any other.

Sometimes they delighted the populace by donning padded suits liberally whitened with flour or white clay, their _murmillos"_ helmets similarly whitened, and then attacking each other with quarter-staffs of ash, cornel-wood or holly. A hit, of course, showed plainly on the whitened suits. As neither could injure the other in this sort of fight, and as they were willing to humor the populace, each was careless about his guard and reckless in his attack. Even so hits were infrequent, since each, even when most lax, had an instinctive guard superior to that of the most expert and cautious fencer among all other contemporary fighters. Even when, very occasionally, if Palus happened to be in a rollicking mood, each subst.i.tuted a second quarter-staff for his shield and, as it were, travestied a _dimachaerus_, as what might be called a two-staff-man or a double-staff-man, hits were still not frequent. Each had a marvellously impregnable defence and they were very evenly matched in the use of the quarter-staff in place of a shield as they were in everything else. Palus fought better with his left hand attacking and his right defending, Murmex better the other way, but each was genuinely ambidextrous and used either hand at will, shifting at pleasure. When, amid the flash of their staffs, either scored, the hit brought a roar of delight from the upper tiers, even from the front rows, for the most dignified senators caught the infection of the general enthusiasm and so far forgot themselves as to yell like street urchins in their ecstasy.

Except in this farcical sort of burlesque fight neither ever scored a hit on the other, in all the years throughout which their combats finished each day of every gladiatorial exhibition. Yet the audience never tired of their bloodless bouts and, while the n.o.bility and gentry never joined in, the populace invariably roared a protest if they saw the _lanistae_ make a move to separate them, and yelled for them to go on and fence longer.

The interest of the populace was caused by the fact, manifest and plain to all, that, while Murmex and Palus loved each other and had no intention of hurting each other, their matches had no appearance whatever of being sham fights. From the first parade until they separated every stroke, feint, lunge and thrust appeared to be in deadly, venomous earnest and each unhurt merely because, mortal as was his adversary"s attack, his guard was perfect.

It seemed, in fact, as if each man felt so completely safe, felt so certain that his guard would never fail him, and at the same time felt so sure that his crony"s guard was equally faultless, that there was no danger of his injuring his chum, that each attacked the other precisely as he attacked any other adversary. It was commonly declared among expert swordsmen and connoisseurs of sword-play, as among recent spectators, when, talking over the features of an exhibition after it was over, that practically every thrust, lunge or stroke of either in these bouts would have killed or disabled any other adversary; certainly it appeared so to me every time I saw them fence and especially while watching their bouts after I returned from my year at Baiae, for after that I never missed a gladiatorial exhibition in the Colosseum. To my mind Palus and Murmex were manifestly playing with each other, like fox-cubs or Molossian puppies or wolf-cubs; yet the sport so much resembled actual attack and defence, as with nearly grown wolf-cubs, that it gave less the impression of play between friends than that of deadly combat between envenomed foes. Many a time I have heard or overheard some expert or connoisseur or enthusiast or provincial visitor, prophesy somewhat in this fashion:

"Some day one of those two is going to kill the other unexpectedly and unintentionally and by mistake. Each thinks the other will never land on him; each thinks the other has a guard so impregnable that it will never be pierced; each uses on the other attacks so unexpected, so sudden, so subtle, so swift, so powerful, so sustained, so varied that no third man alive could escape any one of them. It is almost a certainty that that sort of thing cannot go on forever. One or the other of them may age sufficiently to retire from the arena, as did Murmex Frugi, safe and unscarred, as he was not. But it is far more likely, since both are full of vitality and vigor, that neither will notice the very gradual approach of age, so that they will go on fighting with eyes undimmed, muscles supple and minds quick, yet not so quick, supple and keen as now: but the preternatural powers of one will wane a bit sooner than those of the other. And sooner or later one will err in his guard and be wounded or killed."

Most spectators agreed with such forecasts. What is more, most of the spectators admitted that, as they watched, each attack seemed certain to succeed; every time either man guarded it seemed as if he must fail to protect himself.

This, I think, explains the unflagging zest with which the entire audience, senators, n.o.bles and commonality, watched their bouts, revelled in them, gloated over the memory of them and longed for more and more.

Consciously or unconsciously, every onlooker felt that sometime, some bout would end in the wounding, disabling or death of one of the two. And so perfect was their sword-play, so unfeigned their unmitigated fury of attack, so genuine the impeccable dexterity of their defence that every spectator felt that the supreme thrill, even while so long postponed, was certain to arrive. More, each felt, against his judgment, that it was likely to arrive the next moment. It was this illogical but unescapable sensation which kept the interest of the whole audience, of the whole of every audience, at a white heat over the bouts of Murmex and Palus. I myself experienced this condition of mind and became infected with the common ardor. I found myself rehearsing to myself the incidents of their last-seen bout, antic.i.p.ating the next, longing for it: though I never had rated myself as ardent over gladiatorial games, but rather as lukewarm towards them, and considered myself much more interested in paintings, statuary, reliefs, ornaments, bric-a-brac, furniture, fine fabrics and all artistries and artisanries. Yet I confessed to myself that, from the time I saw first a bout between them, antic.i.p.ation of seeing them fence, or enjoyment of it, came very high among my interests and my pleasures.

To some extent, I think, the long and unequaled vogue of their popularity was due to the great variety of their methods and almost complete absence of monotony in their bouts.

Palus was left-handed, but for something like every third bout or a third of each bout he fought right-handed, merely for bravado, as if to advertise that he could do almost as well with the hand less convenient.

Murmex was right-handed, but he too fought often left-handed, perhaps one- fifth of the time. So, in whatever equipment, one saw each of them fight both ways. Therefore as _murmillos_ they fought both right-handed, both left-handed, and each right-handed against the other fighting left-handed.

This gave a perpetually shifting effect of novelty, surprise and interest to every bout between them. They similarly had four ways of appearing as Greeks, Gauls, Samnites, Thracians, _secutors_ or _dimachaeri_.

Their bouts as _dimachaeri_ were breathlessly exciting, for it was impossible, from moment to moment, to forecast with which saber either would attack, with which he would guard; and, not infrequently, one attacked and the other guarded with both. When they fought in this fashion Galen, it always appeared to me, looked uneasy, keyed up and apprehensive.

Yet neither ever so much as nicked, flicked or scratched the other in their more than sixty bouts with two sabers apiece.

More than a dozen times they appeared as Achilles and Hector, with the old-fashioned, full-length, man-protecting shield, the short Argive sword and the heavy lance, half-pike, half-javelin, of Trojan tradition. Murmex threw a lance almost as far and true as Palus and the emotion of the audience was unmistakably akin to horror when both, simultaneously, hurled their deadly spears so swiftly and so true that it seemed as if neither could avoid the flying death. Palus, true to his nickname, never visibly dodged, though Murmex"s aim was as accurate as his own; he escaped the glittering, needle-pointed, razor-edged spear-head by half a hand"s-breath or less by an almost imperceptible inclination of his body, made at the last possible instant, when it seemed as if the lance had already pierced him. It was indescribably thrilling to behold this.

Besides fencing equipped as Gauls, Samnites, Thracians and _secutors_ they appeared in every combination of any of these and of Greeks and _murmillos_ with every other. Palus as a _dimachaerus_ against Murmex as a _murmillo_ made a particularly delectable kind of bout. Almost as much so Murmex as a Gaul against Palus as a Thracian. And so without end.

After my return from Baiae Falco pampered me more than ever and, in particular, arranged to take me with him to all amphitheater shows and have me sit beside him in the front row of the n.o.bles immediately behind the boxes of the senators on the _podium_. This does not sound possible in our later days, when amphitheater regulations are strictly enforced, as they had been under the Divine Aurelius and his predecessors. But, while Commodus was Prince much laxity was rife in all branches of the government. After the orgies of bribe-taking, favoritism and such like in the heyday of Perennis and of Cleander, all cla.s.ses of our society became habituated to ignoring contraventions of rules. Under Perennis and later under Cleander not a few senators took with them into their boxes favorites who were not only not of senatorial rank, nor even n.o.bles, but not Romans at all: foreign visitors, alien residents of Rome, freedmen or even slaves, and the other senators, as a cla.s.s exquisitely sensitive to any invasion of their privileges by outsiders, winked at the practice partly because some of them partic.i.p.ated in it, much more because they feared to suffer out-and-out ruin, if, by word or look, they incurred the disfavor of Perennis while he was all-powerful or, later, of the more omnipotent Cleander. When a senator saw another so violate propriety, privilege and law, he a.s.sumed that the acting Prefect of the Palace had been bribed and so dared not protest or whisper disapprobation.

Much more than the senators the n.o.bles obtained secret license to ignore the rules, or ignored them without license, since, when so many violated the regulations, no one was conspicuous or likely to be brought to book.

Falco, being vastly wealthy, probably bribed somebody, but I never knew: when I hinted a query he merely smiled and vowed that we were perfectly safe.

So I sat beside him through that unforgettable December day, at the end of which came the culmination of what I have been describing.

The day was perfect, clear, crisp, mild and windless. It was not cold enough to be chilling, but was cold enough to make completely comfortable a pipe-clayed ceremonial toga over the full daily garments of a n.o.ble or senator, so that the entire audience enjoyed the temperature and basked in the brilliant sunrays; for, so late in the year, as the warmth of the sun was sure to be welcome, the awning had not been spread. I, in my bizarre oriental attire, wore my thickest garments and my fullest curled wig and felt neither too cold nor too warm.

I never saw the Colosseum so brilliant a spectacle. It was full to the upper colonnade under the awning-rope poles, not a seat vacant. Spectators were sitting on the steps all up and down every visible stair; two or even three rows on each side of each stair, leaving free only a narrow alley up the middle of each for the pa.s.sage in or out of attendants or others.

Spectators filled the openings of the entrance-stairs, all but jamming each. In each of the cross-aisles spectators stood or crouched against its back-wall, ducking their heads to avoid protests from the luckier spectators in the seats behind them. The upper colonnade was packed to its full capacity with standees.

The program was unusual, gladiatorial exhibitions from the beginning of the show; and nothing else. The morning was full of brisk fights between young men; provincials, foreigners and some Italians, volunteer enthusiasts. The noon pause was filled in by routine fights of old or aging gladiators nearly approaching the completion of their covenanted term of service. It ended with a novelty, the encounter of two tight-rope walkers on a taut rope stretched fully thirty feet in the air. It was proclaimed that they were rivals for the favor of a pretty freedwoman and that they had agreed on this contest as a settlement of their rivalry.

Certainly the two, naked save for breech-clouts and each armed with a light lance in one hand and a thin-bladed Gallic sword in the other, neared each other with every sign of caution, enmity and courage. Their sparring for an opening lasted some time, but was breathlessly interesting. The victor kept his feet on the rope and pierced his rival, who fell and died from the spear-wound or the fall or both.

During the noon pause the Emperor had left his pavilion. When he returned I, from my nearby location, was certain that Commodus himself had presided all the morning, but that now Furfur was taking his place. Certainly Palus and Murmex entered the arena soon after the noon pause and gave an exhibition almost twice as long as usual, killing many adversaries. Before the sun was half way down the sky, as Palus finished an opponent with one of his all but invisible punctures of the thigh-artery, the upper tiers first and then all ranks acclaimed this as the death of the twelve- hundredth antagonist who had perished by his unerring steel.

The daylight had not begun to dim when Murmex and Palus faced each other for the fencing bout which was to end the day. Each was equipped as a _secutor_, Murmex in silvered armor, Palus all in gold or gilded arms.

Their swords were not regulation army swords, such a _secutors_ normally carried, but long-bladed Gallic swords, the longest-bladed swords ever used by any gladiators.

They made a wonderful picture as the _lanistae_ placed them and stepped back: Murmex, burly, stocky, heavy of build, thick-set, ma.s.sive, with vast girth of chest and bull-neck, his neatly-fitting plated gauntlet, huge on his big right hand, his big plated boots planted solidly on the sand, his polished helmet, the great expanse of his silvered shield, his silvered kilt-strap-scales and silvered greave-boots brilliant in the cool late light; opposite him Palus, tall, lithe, graceful, slim, agile, all in gleaming gold, helmet, corselet, shield, kilt, greave-boots and all. They shone like a composite jewel set in the arena as a cameo in the bezel of a ring. And the picture they made was framed in the hoop of spectators crowding the slopes of the amphitheater, all silent after the gusts of cheers which had acclaimed the two as they took their places.

If possible, their feints and a.s.saults were more thrilling than ever, unexpected, sudden, swift, all but successful. As always neither capered or pranced, Murmex not built for such antics, Palus by nature steady on his feet. But, except that their feet moved cannily, every bit of the rest of either"s body was in constant motion and moved swiftly. The gleam and flicker of thrust and parry were inexpressibly rapid. Even the upper tiers craned, breathless and fascinated; and we, further forward, were numb and quivering with excitement.

I have heard a hundred eye-witnesses describe what occurred. There was close agreement with what I seemed to see as I watched.

Palus lunged just as Murmex made a brilliantly unpredictable shift of his position. The shift and lunge came so simultaneously that neither had, in his calculated, predetermined movement, time to alter his intention; Murmex, you might say, threw his throat at the spot at which Palus had aimed his lunge. The sword-point ripped his throat from beside the gullet to against the spine, all one side of it. He collapsed, the blood spouting.

Palus cast the dripping sword violently from him, the gleaming blade flying up into the air and falling far off on the sand. The big shield fell from his right arm. Both his hands caught his big helmet, lifted it and threw it behind him. On one knee he sank by Murmex and, with his left hand, strove to staunch the gushing blood.

Before Galen, before even the _lanistae_ could reach the two, Murmex died.

Palus staggered to his feet and put up his gory hand to his yellow curls, with a convincingly agonized gesture of grief and horror.

He uttered some words, I heard his voice, but not the words. Folk say he said:

"I have killed the only match I had on earth, the second-best fighter earth ever saw."

The audience, I among them, stared, awe-struck and fascinated, at Commodus laying a b.l.o.o.d.y hand on his own head; we shuddered: I saw many look back and forth from Palus in the arena to the figure on the Imperial throne.

The guards ran, the surgeons" helpers ran, even Galen ran, but Aemilius Laetus reached Palus first, and, between the dazed and stunned _lanistae_, picked up the big golden helmet and replaced it on his head, hiding his features. The distance from the _podium_ wall to the center of the arena is so great, the distance from any other part of the audience so much greater, that, while many of the spectators were astounded, suspicious or curious, not one could be certain that Palus was, beyond peradventure, the Prince of the Republic in person. Palus stood there, alternately staring at his dead crony and talking to Laetus and Galen.

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