Knowles sat silent, frowning.
"Oh, well, of course, if you"d rather not, there"s nothing more to be said."
"Not much."
But Wyndham"s palpitating egoism was martyred by this silence beyond endurance, and he burst out in spite of himself--
"But it"s inconceivable to me, after the way you"ve treated my first crude work. You must have set up some new canons of art since then.
Otherwise I should say you were inconsistent."
But Knowles was not to be drawn out, if he could possibly help it.
"Do you mind telling me one thing--have you anything to say against its form?"
"Not a word. I admit that in form it"s about as perfect as it well could be. I--er--" (he was beginning to feel that he could not help it) "object to your use of your matter."
"What on earth do you mean?"
"I mean what I say."
"Please explain."
"Very well. Since you so earnestly desire my honest and candid opinion, you shall have it. You remind me that I praised your earlier work, and suggest my inconsistency in not approving of your latest. My praise was sincere. I thought, and I have never changed my opinion, that the originality of your first books amounted to genius. Your last, however great its other qualities, has not that merit. It is, _I_ think, conspicuously dest.i.tute of imagination."
"Do you deny its vitality--its faithfulness to nature?"
"Certainly not. I object to it as a barefaced plagiarism from nature."
"Then at least you"ll admit that my heroine lives?"
"She does, unfortunately. Wouldn"t it have been better taste to wait till she was decently dead?"
"Oh--I see. You mean _that_."
"Yes; I mean that. If you had no respect for your own reputation, you might have thought of Miss Craven"s."
"Excuse me, this is simply irrelevant nonsense, and most unworthy of you. Miss Craven, as you perfectly well know, is one manifestation of the eternal flirt. I seized on the type she belongs to, and individualised it."
"You did nothing of the sort. You seized on the individual and put her into type--a very different thing. Do you imagine that life will ever be the same to that poor woman again? I never liked Miss Craven, but she was harmless, even nice, before you got hold of her and spoilt her, by making her think herself clever. Isn"t that what happens to Laura?"
"That--among other things."
"Other things, also slavishly copied from Miss Craven. I recognise the faithfulness of your portraiture in all its details; so does she and everybody else."
"Knowles, you talk like the lay fool. Surely you know how all fiction, worthy of the name, is made? I took what lay nearest at hand, as hundreds of novelists have done before me; though as for that, there"s not an incident in the book that is not the purest fiction. You don"t give me credit--I won"t say for originality, but--for ordinary reconstructive ability."
"I give you credit for having made the most of quite exceptional advantages. You best know how you obtained them."
Wyndham reflected a moment, then looked Knowles in the face.
"I a.s.sure you solemnly there was never any question of Miss Craven"s honour."
Knowles raised his eyebrows. "I didn"t suppose for a moment there was.
How about your own, though? Your notions of honour strike me as being quaintly original--rather more original than your Piccadyllic heroine."
Knowles was not bad-tempered, but he was a frequent cause of bad temper in other people. It was with the utmost difficulty that Wyndham controlled himself for a final effort to evade the personal, and set the question at large on general grounds.
"Then I suppose you would deny the right of any artist to make use of living material?"
Knowles yawned. "I don"t attempt to deny anything. I"m debating another question."
"What is that?" Wyndham smiled an uneasy muscular smile.
"Whether it isn"t my duty to kick you, or rather to _try_ to kick you, out of this room."
"Really; and what for? For the crime of writing a successful story?"
"For the perpetration of the most consummate piece of literary scoundrelism on record."
As that statement was accompanied by a nervous twitching of the lips which Wyndham was at liberty to take for a smile, he held out his hand to Knowles before saying good-night.
"My dear Knowles, if _your_ notions of literary honour held good, there would be an end of realism."
"The end of realism, my dear Wyndham, is the thing of all others I most desire to see."
They had shaken hands; but Wyndham understood his friend, and he knew as certainly as if Knowles had told him so that Audrey Craven, the woman whom neither of them loved, had avenged herself. She had struck, through Laura, at the friendship of his life. He was also informed of one or two facts about himself which had not as yet come within the range of his observation. He consoled himself with the reflection that the temptations of genius are not those of other men. And perhaps he was right.
Knowles sat down to his review of Miss Armstrong"s book with unruffled urbanity. He wrote: "This auth.o.r.ess belongs to a select but rapidly increasing band of thinkers. There may be schisms in the new school with regard to details, but on the whole it is a united one. The members are unanimous in their fearless optimism. One and all they preach the same hopeful doctrine, that the attainment of a high standard of immodesty by woman will in time make morality possible for man."
He went to bed vowing that of all professions that chosen by the man of letters is the most detestable.
CHAPTER XXII
That winter was a hard one for the Havilands; they were at the very lowest ebb of their resources, short of being actually in debt. The reclaiming of Hardy had been an expensive undertaking for Katherine in more ways than one. And naturally the more successful her efforts were the more time they consumed. She had been so busy all summer finishing off old work that she had not been able to take up anything fresh. She had even been obliged to send away sitters, and they had betaken themselves elsewhere. The "Witch" had not sold, though she had won a big paragraph all to herself in "Modern Art." In her first enthusiasm over Ted"s success Katherine had encouraged him to give up his pot-boilers.
She had taken over some of his black-and-white work herself. And in the midst of it all she was engaged on a portrait of Vincent. They were so dependent on what they earned that these serious interruptions to work threatened an inroad on their small capital. Now, they might any day have applied to Mr. Pigott for a loan, and rejoiced that worthy gentleman"s heart; but such a step was the last indignity, not even to be contemplated by Ted and Katherine. And even if their pride had not stood in their way, that source of revenue seemed closed to them now.
Ted and his uncle had had an unfortunate encounter in the New Gallery.
The fact that he was indebted to Katherine for an invitation to the private view had not prevented Mr. Pigott from speaking his mind freely to her brother on the subject of the Witch. He said he could have forgiven Ted for painting such a picture. He could have forgiven Katherine too, if it had not been for her ability--that made her doubly responsible. Ted tried to soothe him; he led him gently away from the spot; he promised to do all he could to induce Katherine to cultivate the grace of stupidity; but it was useless. The old gentleman stood to his ground, and Ted left him there. He received a letter from him the next morning:--
"DEAR EDWARD,--I parted from you yesterday more in sorrow than in anger. I need not tell you how deeply shocked and grieved I was to learn from a literary young friend that the subject of your sister"s picture is taken from the works of the atheist Sh.e.l.ley--a man whose unprincipled life, I am told, is an all-sufficient commentary on his opinions.
"Your cousin Nettie is earning a modest competence by poker-work, and the painting of flowers, birds, and other innocent and beautiful objects. Why cannot Katherine do the same?
"When she is willing to give up her present pursuits for some becoming occupation, let her be a.s.sured of my ready encouragement and help. Till then, no more.--From your affectionate uncle,
"JAMES PIGOTT."