I might be able to reach the manual hull lock, rip it open and let the air out. If I could get into its pressure chamber and unseal the inner slide....
"It would wreck the ship, Anita: exhaust all its air. Shall we try it?"
"Whatever you say, Gregg."
We seemed to be un.o.bserved. We skimmed close to the valley floor, a mile from the ship. We headed slowly toward it, sailing low over the rocks.
Then we landed, left the platform. "Let me go first, Anita."
I held a bullet projector. With slow, cautious leaps, we advanced.
Anita was behind me. I had wanted to leave her with the platform, but she would not stay. And to be with me seemed at least equally safe.
The rocks were deserted. I thought that there was very little chance that any of the enemy would lurk here. We clambered over the pitted, scarred surface; the higher crags, etched with Earthlight, stood like sentinels in the gloom.
The brigand ship with its surrounding darkness was not far from us. No one was out here. We pa.s.sed the wreckage of broken projectors, and gruesome, shattered human forms.
We prowled closer. The hull of the ship loomed ahead of us. All dark.
We came at last close against the sleek metal hull side, slid along it to where I was sure the manual lock would be located.
Abruptly I realized that Anita was not behind me! Then I saw her at a little distance, struggling in the grip of a giant helmeted figure!
The brigand lifted her--turned, and ran.
I did not dare fire. I bounded after them along the hull-side, around under the curve of the pointed bow, down along the other side.
I had mistaken the hull port location. It was here. The running, bounding figure reached it, slid the panel. I was only fifty feet away--not much more than a single leap. I saw Anita being shoved into the pressure lock. The Martian flung himself after her.
I fired at him in desperation, but missed. I came with a rush. And as I reached the port, it slid closed in my face, barring me!
x.x.xVII
With puny fists I pounded the panel. A small pane in it was transparent. Within the lock I could see the blurred figures of Anita and her captor--and it seemed, another figure there. The lock was some ten feet square, with a low ceiling. It glowed with a dim tube-light.
I strained at it with futile, silent effort. The mechanism was here to open this manual; but it was now clasped from within so would not operate.
A few seconds, while I stood there in a panic of confusion, raging to get in. This disaster had come so suddenly. I did not plan: I had no thought save to batter my way in and rescue Anita. I recall that I finally beat on the gla.s.site pane with my bullet projector until the weapon was bent and useless. And I flung it with a wild despairing rage at my feet.
They were letting the ship"s air-pressure into this lock. Soon they would open the inner panel, step into the secondary chamber--and in a moment more would be within the ship"s hull corridor. Anita, lost to me!
The outer panel suddenly opened! I had lunged against it with my shoulder; the giant figure inside slid it. It was taken by surprise! I half fell forward.
Huge arms went around me. The goggled face of the helmet peered into mine.
"So it is you, Haljan! I thought I recognized that little device over your helmet bracket. And here is my little Anita, come back to me again!"
Miko!
This was he. His great bloated arms encircling me, bending me backward, holding me helpless. I saw over his shoulder that Anita was clutched in the grip of another helmeted figure. No giant, but tall for an Earth man--almost as tall as myself. Then the tube light in the room illumined the visor. I saw the face, recognized it. Moa!
I gasped, "So--I"ve got you--Miko--"
"Got me! You"re a fool to the last, Haljan! A fool to the last! But you were always a fool."
I could scarcely move in his grip. My arms were pinned. As he slowly bent me backward, I wound my legs around one of his: it was as unyielding as a steel pillar. He had closed the outer panel; the air pressure in the lock was rising. I could feel it against my suit.
My helmeted head was being forced backward; Miko"s left arm held me.
In his gloved right hand as it came slowly up over my throat I saw a knife blade, its naked, sharpened metal glistening blue-white in the light from overhead.
I seized his wrist. But my puny strength could not hold him. The knife, against all of my efforts, came slowly down.
A moment of this slow, deadly combat--the end of everything for me.
I was aware of the helmeted figure of Moa casting off Anita--and then the two girls leaping upon Miko. It threw him off his balance, and my hanging weight made him topple forward. He took a step to recover himself; his hand with the knife was flung up with an instinctive, involuntary balancing gesture. And as it came down again, I forced the knife-blade to graze his throat. Its point caught in the fabric of his suit.
His startled oath jangled in my ears. The girls were clawing at him; we were all four scrambling, swaying. With despairing strength I twisted at his wrist. The knife went into his throat. I plunged it deeper.
His suit went flabby. He crumpled over me and fell, knocking me to the floor. His voice, with the horrible gurgling rasp of death in it, rattled my ear-grids.
"Not such a fool--are you, Haljan--"
Moa"s helmeted head was close over us. I saw that she had seized the knife, jerked it from her brother"s throat. She leaped backward, waving it.
I twisted from beneath Miko"s lifeless, inert body. As I got to my feet, Anita flung herself to shield me. Moa was across the lock, back up against the wall. The knife in her hand went up. She stood for the briefest instant regarding Anita and me, holding each other. I thought that she was about to leap upon us. But before I could move, the knife came down and plunged into her breast. She fell forward, her grotesque helmet striking the grid-floor almost at my feet.
"Gregg!"
"She"s dead."
"No! She moved! Get her helmet off! There"s enough air here."
My helmet pressure indicator was faintly buzzing to show that a safe pressure was in the room. I shut off Moa"s Erentz motors, unfastened her helmet and raised it off. We gently turned her body. She lay with closed eyes, her pallid face blue. With our own helmets off, we knelt over her.
"Oh, Gregg--is she dead?"
"No. Not quite--but dying."
"Gregg, I don"t want her to die! She was trying to help you there at the last."
She opened her eyes. The film of death was glazing them. But she saw me, recognized me.
"Gregg--"
"Yes, Moa. I"m here."
Her vivid lips were faintly drawn in a smile. "I"m--so glad--you took the helmets off, Gregg. I"m--going--you know."