"And that is that we are all here to tell the tale," added Julien, rising from the folds of his blanket, and beginning to stamp about.
"Thomas also has to be thankful that we are not for the moment able to hand him over to M. le Prefet. I suppose he will have escaped by the time we get out of this."
It was just this question which was tormenting the mind of the ex-gardener. Would he be able to get out before Jack? He could not imagine where the sailor had taken the children. The dim light of the candle-ends had died out as Jack swam away with Estelle, and Thomas had not as yet discovered the existence of the Treasure Cave. Only an eye accustomed to look for the faint ray of light thrown upon the roof by the glimmer from the lower cave could have detected where to seek the ledge, which it was necessary to climb in order to reach the Treasure Cave. All he could imagine, therefore, was that Jack had known of some other, and probably wider, place of refuge than that on which he himself had sought an escape from the waves. If this were so, it was more than likely that in the attempt to escape as quickly as the tide permitted, an encounter between him and Jack would take place. The bare suggestion excited Thomas uncomfortably. Over and over again did his mind ponder on the best plan to avoid such a meeting. Should he remain where he was till the sailor and the child had gone? But how would he be able to judge of their departure? It was totally dark, and as Jack must be in as drenched a condition as himself, no matches he might carry about him could be ignited. The escape must be made in the dark.
No, Thomas could run no risks of that sort. He made up his mind that as soon as his ear--trained by a life-long residence on a rocky coast--told him the sea was leaving the Mermaid"s Cave, he would descend from his narrow perch, and follow the retreating tide. There would be light enough in the Cave of the Silver Sand. If an encounter must take place before he could get away from the caves, he preferred it should take place in daylight. As soon, therefore, as the lapping of the waves grew faint and died softly away, he felt his way down from the ledge of rock, and round by the walls to the Rift.
Barely had he waded through it when he heard voices behind him. A cold shiver ran down his back at the sound. Jack must be approaching with the children. Julien had been saved, then, for it was the voice of the French boy he heard speaking. The whole party would be upon him soon.
With some anxiety, Thomas looked at the sea. Rapidly as it was going down, there was no chance that it would leave the cave in time for him to make his escape without being seen. There were rocks scattered about on all sides, however, which offered him a place of concealment, and he was not slow to avail himself of their shelter. Barely had he thrown himself behind one when Jack and his charges appeared.
"And when do you think it will be?" he heard Estelle saying, as she held Jack"s hand, and walked soberly at his side.
"I can"t say exactly, Missie," was the reply. "Maybe in a week or a fortnight."
"I can"t bear to think of your going," said Julien, gloomily; "it has been so happy since you have been here. What shall I do without my companion?"
They were going to take her away, then. Thomas was in despair as he listened. Still, something might be done in a fortnight. He was determined to get another chance of kidnapping Estelle. It would be easy if only he could get rid of Jack. But how was that to be done?
(_Continued on page 334._)
PUZZLERS FOR WISE HEADS.
12.--ACROSTIC.
(1) A Roman article of attire.
(2) A weapon peculiar to the animal kingdom.
(3) A left-handed man who slew a king with a dagger.
(4) One form of the element of which diamonds are made.
(5) To force by pressure.
(6) A geographical division of land.
(7) Rather hard of hearing.
(8) Bad.
(9) To have confidence.
Initials and finals give the t.i.tle of a well-known fable.
W. S.
[_Answer on page 371._]
ANSWER TO PUZZLE ON PAGE 288.
11.--C al M A lm A T ea R T ur K L ut E E di T
THE SUN AND THE TRAIN.
George Stephenson and a friend were once looking at a train. Trains in those days were not so common as they are now, and George asked his friend what he thought propelled or drove the train along. His friend answered, "Probably the arm of some stalwart north-country driver."
"No," said George; "it is the heat and light of the sun which shone millions of years ago, which has been bottled up in the coal all this time, and which is now driving that train."
CATCHING BIRDS UNDER WATER.
"It is impossible to catch a bird under water," most people would say.
But they would be wrong! Now and then the Leigh fishermen take birds in their nets below the surface of the water. The birds are of a diving species, and they often dive into the nets after the fish. They then get entangled in the nets, and cannot come to the surface for air, and are drowned. Thus it is that the fishermen catch birds as well as fish in their nets.
THE MUSIC OF THE NATIONS.
XI.-SOME SIAMESE INSTRUMENTS.
[Ill.u.s.trated]
The kingdom of Siam, though small compared with such huge countries as Hindustan and China, takes up the chief part of the great Malay peninsula. With the exception of j.a.pan, no Eastern country has made such wonderful advancement in civilised improvements as Siam. Telegraphs, tramways, railways, and electric lighting form part of the equipment of this go-ahead kingdom. The army was many years ago modelled on the British system, and trained by European officers, and the King, a man of considerable cultivation, welcomes foreigners as teachers of Western ways.
Bangkok, the capital, is a curiously picturesque city, the architecture being of the most original design, whilst the decoration of the many temples, gilded minarets, roofs of gaily coloured tiles, and quaint paG.o.das, make quite a feast of colour to European eyes. The native costumes are in keeping with their surroundings, graceful in form and bright in colour. Many of the natives live practically on the water, as for miles above and below the capital, on both sides of the river, floating houses are moored, supported either on rafts or on bundles of bamboos.
Music has always played an important part in the national life, and the present King has greatly encouraged the art. Both men and women all over the country are more or less musical, and a great number play some form of instrument, often joining in concerted music. The Siamese have four kinds of bands, divided, as we divide our orchestras, into bra.s.s or stringed bands, each with a certain combination of instruments. Some years ago, at one of the London Exhibitions, the King of Siam sent over players of all the national music of his country, and their concerted performances excited great interest: the way in which they played together showed most careful training.
[Ill.u.s.tration: Ta"khay, or Alligator.]
A very curious instrument is known as the Ta"khay, or Alligator: a glance at its form will readily account for its name. There seems a sort of satire in making one of the most silent of savage monsters a medium for the conveyance of sweet sounds. The Ta"khay is a stringed instrument of considerable power, and in tone is not unlike a violoncello. The three strings pa.s.s over eleven frets or wide movable bridges, and the shape of the body is rather like that of a guitar. It is placed on the ground, raised on low feet, and the player squats beside it. The strings are sounded by a plectrum, or plucker, shaped like an ivory tooth, fastened to the fingers, and drawn backwards and forwards so rapidly that it produces an almost continuous sweet dreamy sound.
[Ill.u.s.tration: Saw Tai.]
[Ill.u.s.tration: Saw Ou.]
The other two ill.u.s.trations are both of fiddles, one bearing the name of the Saw Tai, the other of the Saw Ou. The Saw Tai is the real Siamese violin, and is frequently of most elaborate construction. The upper neck of the one shown in the ill.u.s.tration is of gold, beautifully enamelled, while the lower neck is of ivory, richly carved. The back of the instrument is made of cocoa-nut sh.e.l.l, ornamented with jewels. The membrane stretched on the sounding-board, which gives the effect of a pair of bellows, is made of parchment, and has often, as in this special instrument, a jewelled ornament inserted in one corner. The Saw Tai has three strings of silk cord, which, pa.s.sing over a bridge on the sounding-board, run up to the neck, being bound tightly to it below the pegs. The player sitting cross-legged on the ground holds the fiddle in a sloping posture, and touches the strings with a curiously curved bow.
The Saw Ou, or Chinese fiddle, used in Siam, is suggestive of a modern croquet mallet, with pegs stuck in the handle, and has only two strings, fastened from the pegs to the head. It is played with a bow which the performer cleverly inserts between the strings.
HELENA HEATH.