Coelebs In Search of a Wife.
by Hannah More.
PREFACE.
When I quitted home, on a little excursion in the spring of this present year 1808, a thought struck me, which I began to put into immediate execution. I determined to commit to paper any little circ.u.mstances that might arise, and any conversations in which I might be engaged, when the subject was at all important, though there might be nothing particularly new or interesting in the discussion itself.
I fulfilled my intention as occasions arose to furnish me with materials; and on my return to the North, in the autumn of this same year, it was my amus.e.m.e.nt on my journey to look over and arrange these papers.
As soon as I arrived at my native place, I lent my ma.n.u.script to a confidential friend, as the shortest way of imparting to him whatever had occurred to me during our separation, together with my reflections on those occurrences. I took care to keep his expectations low, by apprizing him, that in a tour from my house in Westmoreland to the house of a friend in Hampshire, he must not look for adventures, but content himself with the every-day details of common life, diversified only by the different habits and tempers of the persons with whom I had conversed.
He brought back my ma.n.u.script in a few days, with an earnest wish that I would consent to its publication, a.s.suring me that he was of opinion that it might not be altogether useless, not only to young men engaged in the same pursuit with myself, but to the general reader. He obviated all my objections arising from my want of leisure, during my present interesting engagements, by offering to undertake the whole business himself, and to release me from any further trouble, as he was just setting out for London, where he proposed pa.s.sing more time than the printing would require.
Thus I am driven to the stale apology for publishing what perhaps it would have been more prudent to have withheld--_the importunity of friends_; an apology so commonly unfounded, and so repeatedly alleged, from the days of John Faustus to the publication of C[oe]lebs.
But whether my friend, or my vanity, had the largest share of influence, I am willing to indulge the hope that a better motive than either friendship or vanity was an operating ingredient in my consent. Be that as it may--I sent him my copy "_with all its imperfections on its head_." It was accompanied by a letter of which the following extract shall conclude these short prefatory remarks:
"I here send you my ma.n.u.script, with permission to make what use of it you please. By publishing it I fear you will draw on me the particular censure of two cla.s.ses of critics. The novel reader will reject it as dull. The religious may throw it aside as frivolous. The one will accuse it of excessive strictness; the other of censurable levity. Readers of the former description must be satisfied with the following brief and general answer:
"Had it been my leading object to have indulged in details that have amus.e.m.e.nt only for their end, it might not have been difficult to have produced a work more acceptable to the tastes accustomed to be gratified with such compositions. But to entertain that description of readers makes no part of my design.
"The persons with whom I have a.s.sociated in my excursion were princ.i.p.ally, though not exclusively, the family of a country gentleman, and a few of his friends--a narrow field, and unproductive of much variety! The generality of these characters move in the quiet and regular course of domestic life. I found them placed in no difficult situations. It was a scene rather favorable to reflection than description. Social intercourse, and not striking events, marked the daily progress of my visit. I had little of pathetic scenes or trying circ.u.mstances to work on my own feelings, or, by the relation of them, to work on the feelings of others. My friend"s house resembled the reign of some pacific sovereigns. It was the pleasantest to live in, but its annals were not the most splendid to record. The periods which make life happy do not always render history brilliant.
"Great pa.s.sions, therefore, and great trials growing out of them as I did not witness, I have not attempted to delineate. Love itself appears in these pages, not as an ungovernable impulse, but as a sentiment arising out of qualities calculated to inspire attachment in persons under the dominion of reason and religion, brought together by the ordinary course of occurrences, in a private family party.
"The familiar conversations of this little society comprehend a considerable portion of this slender work. The texture of the narrative is so slight, that it barely serves for a ground into which to weave the sentiments and observations which it was designed to introduce.
"It may not be unnecessary to antic.i.p.ate an objection to which these conversations may sometimes be thought liable. In a few instances, the speeches may be charged with a degree of stiffness, and with a length not altogether consistent with familiar dialogue. I must apologize for this by observing, that when the subjects were serious, the dialogue would not, in every instance, bend to such facilities, nor break into such small parcels, as may easily be effected in the discussion of topics of gayer intercourse.
"But it is time to meet the objections of the more pious reader, if any such should condescend to peruse this little performance. If it be objected, that religious characters have been too industriously brought forward, and their faults somewhat too severely treated, let it be remembered, that while it is one of the princ.i.p.al objects of the work to animadvert on those very faults, it has never been done with the insidious design of depreciating the religion, but with the view, by exposing the fault, to correct the practice. Grossly vicious characters have seldom come in my way; but I had frequent occasion to observe the different shapes and shades of error in various descriptions of society, not only in those worldly persons who do not quite leave religion out of their scheme, but on the mistakes and inconsistencies of better characters, and even on the errors of some who would be astonished not to find themselves reckoned altogether religious. I have not so much animadverted on the unavoidable faults and frailties inseparable from humanity, even in the best characters, and which the best characters most sensibly feel, and most feelingly deplore, as on those errors which are often tolerated, justified, and in some instances systematized.
"If I have been altogether deceived in the ambitious hope that these pages may not be entirely useless; if I have failed in my endeavors to show how religion may be brought to mix with the concerns of ordinary life, without impairing its activity, lessening its cheerfulness, or diminishing its usefulness; if I have erred in fancying that material defects exist in fashionable education; if I have been wrong in supposing that females of the higher cla.s.s may combine more domestic knowledge with more intellectual acquirement, that they may be at the same time more knowing and more useful, than has always been thought necessary or compatible; in short, if I shall be found to have totally disappointed you, my friend, in your too sanguine opinion that some little benefit might arise from the publication, I shall rest satisfied with a low and negative merit. I must be content with the humble hope that no part of these volumes will be found injurious to the important interests which it was rather in my wish than in my ability to advance; that where I failed in effecting good, little evil has been done; that if my book has answered no valuable purpose, it has, at least, not added to the number of those publications which, by impairing the virtue, have diminished the happiness of mankind; that if I possessed not talents to promote the cause of Christian morals, I possessed an abhorrence of those principles which lead to their contamination.
"C[OE]LEBS."
C[OE]LEBS.
CHAPTER I.
I have been sometimes surprised when in conversation I have been expressing my admiration of the character of Eve in her state of innocence, as drawn by our immortal poet, to hear objections started by those, from whom of all critics I should have least expected it--the ladies. I confess that as the Sophia of Rousseau had her young imagination captivated by the character of Fenelon"s Telemachus, so I early became enamored of that of Milton"s Eve. I never formed an idea of conjugal happiness, but my mind involuntarily adverted to the graces of that finished picture.
The ladies, in order to justify their censure, a.s.sert that Milton, a harsh domestic tyrant, must needs be a very inadequate judge, and of course a very unfair delineator, of female accomplishments. These fair cavilers draw their inference from premises, from which I have always been accustomed to deduce a directly contrary conclusion. They insist that it is highly derogatory from the dignity of the s.e.x, that the poet should affirm that it is the perfection of the character of a wife,
To study household good, And good works in her husband to promote.
Now according to my notion of "household good," which does not include one idea of drudgery or servility, but which involves a large and comprehensive scheme of excellence, I will venture to affirm, that let a woman know what she may, yet if she knows not this, she is ignorant of the most indispensable, the most appropriate branch of female knowledge.
Without it, however she may inspire admiration abroad, she will never excite esteem, nor of coa.r.s.e, durable affection, at home, and will bring neither credit nor comfort to her ill-starred partner.
The domestic arrangements of such a woman as filled the capacious mind of the poet resemble, if I may say it without profaneness, those of Providence, whose under-agent she is. Her wisdom is seen in its effects.
Indeed it is rather felt than seen. It is sensibly acknowledged in the peace, the happiness, the virtue of the component parts; in the order, regularity and beauty of the whole system, of which she is the moving spring. The perfection of her character, as the divine poet intimates, does not arise from a prominent quality, or a showy talent, or a brilliant accomplishment, but it is the beautiful combination and result of them all. Her excellencies consist not so much in acts as in habits, in
Those thousand decencies which daily flow From all her words and actions.
A description more calculated than any I ever met with to convey an idea of the purest conduct resulting from the best principles. It gives an image of that tranquillity, smoothness, and quiet beauty, which is the very essence of perfection in a wife; while the happily chosen verb _flow_ takes away any impression of dullness, or stagnant torpor, which the _still_ idea might otherwise suggest.
But the offense taken by the ladies against the uncourtly bard is chiefly occasioned by his having presumed to intimate that conjugal obedience
Is woman"s highest honor and her praise.
This is so nice a point that I, as a bachelor, dare only just hint, that on this delicate question the poet has not gone an inch further than the apostle. Nay, Paul is still more uncivilly explicit than Milton. If, however, I could hope to bring over to my side critics, who, being of the party, are too apt to prejudge the cause, I would point out to them that the supposed harshness of the observation is quite done away by the recollection that this scrupled "obedience" is so far from implying degradation, that it is connected with the injunction to the woman "to promote good works" in her husband; an injunction surely inferring a degree of influence that raises her condition, and restores her to all the dignity of equality; it makes her not only the a.s.sociate but the inspirer of his virtues.
But to return to the economical part of the character of Eve. And here she exhibits a consummate specimen and beautiful model of domestic skill and elegance. How exquisitely conceived is her reception and entertainment of Raphael! How modest and yet how dignified! I am afraid I know some husbands who would have had to encounter very ungracious looks, not to say words, if they had brought home even an angel, _unexpectedly_ to dinner. Not so our general mother:
Her dispatchful looks, Her hospitable thoughts, * * * intent What choice to choose for delicacy best,
all indicate not only the "prompt" but the cheerful "obedience." Though her repast consisted only of the fruits of Paradise,
Whatever earth, all bearing mother, yields;
yet of these, with a liberal hospitality,
She gathers tribute large, and on the board Heaps with unsparing hand.
The finest modern lady need not disdain the arrangement of her table, which was
So contrived as not to mix Tastes not well join"d, inelegant, but bring Taste after taste, upheld by kindliest change.
It must, however, I fear, be conceded, by the way, that this "taste _after_ taste" rather holds out an encouragement to second courses.
When this unmatched trio had finished their repast, which, let it be observed, before they tasted, Adam acknowledged that
These bounties from our _Nourisher_ are given, From whom all perfect good descends,
Milton, with great liberality to that s.e.x against which he is accused of so much severity, obligingly permitted Eve to sit much longer after dinner, than most modern husbands would allow. She had attentively listened to all the historical and moral subjects so divinely discussed between the first Angel and the first Man; and perhaps there can scarcely be found a more beautiful trait of a delicately attentive wife, than she exhibits, by withdrawing at the exact point of propriety. She does not retire in consequence of any look or gesture, any broad sign of impatience, much less any command or intimation of her husband; but with the ever watchful eye of vigilant affection and deep humility:
When by his countenance he seem"d Entering on thoughts abstruse,
instructed only by her own quick intuition of what was right and delicate, she withdrew. And here again how admirably does the poet sustain her intellectual dignity, softened by a most tender stroke of conjugal affection.