Her voice dropped out, or jerked itself out, and in the crises of strong emotion it was the voice of a scolding or a hysterical woman. At times her movements, which she must have studied so hard to master, were drolly womanish, especially those of the whole person. Her quickened pace was a woman"s nervous little run, and not a man"s swift stride; and to give herself due stature, it was her foible to wear a woman"s high heels to her shoes, and she could not help tilting on them.
In the scene with the queen after the play, most English and American Hamlets have required her to look upon the counterfeit presentment of two brothers in miniatures something the size of tea-plates; but Mme.
Bernhardt"s preferred full-length, life-size family portraits. The dead king"s effigy did not appear a flattered likeness in the scene-painter"s art, but it was useful in disclosing his ghost by giving place to it in the wall at the right moment. She achieved a novelty by this treatment of the portraits, and she achieved a novelty in the tone she took with the wretched queen. Hamlet appeared to scold her mother, but though it could be said that her mother deserved a scolding, was it the part of a good daughter to give it her?
One should, of course, say a good son, but long before this it had become impossible to think at all of Mme. Bernhardt"s Hamlet as a man, if it ever had been possible. She had traversed the bounds which tradition as well as nature has set, and violated the only condition upon which an actress may personate a man. This condition is that there shall be always a hint of comedy in the part, that the spectator shall know all the time that the actress is a woman, and that she shall confess herself such before the play is over; she shall be fascinating in the guise of a man only because she is so much more intensely a woman in it.
Shakespeare had rather a fancy for women in men"s roles, which, as women"s roles in his time were always taken by pretty and clever boys, could be more naturally managed then than now. But when it came to the eclairciss.e.m.e.nt, and the pretty boys, who had been playing the parts of women disguised as men, had to own themselves women, the effect must have been confused if not weakened. If Mme. Bernhardt, in the necessity of doing something Shakespearean, had chosen to do Rosalind, or Viola, or Portia, she could have done it with all the modern advantages of women in men"s roles. These characters are, of course, "lighter motions bounded in a shallower brain" than the creation she aimed at; but she could at least have made much of them, and she does not make much of Hamlet.
III.
The strongest reason against any woman Hamlet is that it does violence to an ideal. Literature is not so rich in great imaginary masculine types that we can afford to have them transformed to women; and after seeing Mme. Bernhardt"s Hamlet no one can altogether liberate himself from the fancy that the Prince of Denmark was a girl of uncertain age, with crises of mannishness in which she did not seem quite a lady. Hamlet is in nothing more a man than in the things to which as a man he found himself unequal; for as a woman he would have been easily superior to them.
If we could suppose him a woman as Mme. Bernhardt, in spite of herself, invites us to do, we could only suppose him to have solved his perplexities with the delightful precipitation of his putative s.e.x.
As the niece of a wicked uncle, who in that case would have had to be a wicked aunt, wedded to Hamlet"s father hard upon the murder of her mother, she would have made short work of her vengeance. No fine scruples would have delayed her; she would not have had a moment"s question whether she had not better kill herself; she would have out with her bare bodkin and ended the doubt by first pa.s.sing it through her aunt"s breast.
To be sure, there would then have been no play of "Hamlet," as we have it; but a Hamlet like that imagined, a frankly feminine Hamlet, Mme.
Bernhardt could have rendered wonderfully. It is in attempting a masculine Hamlet that she transcends the imaginable and violates an ideal. It is not thinkable. After you have seen it done, you say, as Mr. Clemens is said to have said of bicycling: "Yes, I have seen it, but it"s impossible. It doesn"t stand to reason."
Art, like law, is the perfection of reason, and whatever is unreasonable in the work of an artist is inartistic. By the time I had reached these bold conclusions I was ready to deduce a principle from them, and to declare that in a true civilization such a thing as that Hamlet would be forbidden, as an offence against public morals, a violence to something precious and sacred.
In the absence of any public regulation the precious and sacred ideals in the arts must be trusted to the several artists, who bring themselves to judgment when they violate them. After Mme. Bernhardt was perversely willing to attempt the part of Hamlet, the question whether she did it well or not was of slight consequence. She had already made her failure in wishing to play the part. Her wish impugned her greatness as an artist; of a really great actress it would have been as unimaginable as the a.s.sumption of a sublime feminine role by a really great actor. There is an obscure law in this matter which it would be interesting to trace, but for the present I must leave the inquiry with the reader. I can note merely that it seems somehow more permissible for women in imaginary actions to figure as men than for men to figure as women. In the theatre we have conjectured how and why this may be, but the privilege, for less obvious reasons, seems yet more liberally granted in fiction. A woman may tell a story in the character of a man and not give offence, but a man cannot write a novel in autobiographical form from the personality of a woman without imparting the sense of something unwholesome. One feels this true even in the work of such a master as Tolstoy, whose Katia is a case in point. Perhaps a woman may play Hamlet with a less shocking effect than a man may play Desdemona, but all the same she must not play Hamlet at all. That sublime ideal is the property of the human imagination, and may not be profaned by a talent enamoured of the impossible. No harm could be done by the broadest burlesque, the most irreverent travesty, for these would still leave the ideal untouched.
Hamlet, after all the horse-play, would be Hamlet; but Hamlet played by a woman, to satisfy her caprice, or to feed her famine for a fresh effect, is Hamlet disabled, for a long time, at least, in its vital essence.
I felt that it would take many returns to the Hamlet of Shakespeare to efface the impression of Mme. Bernhardt"s Hamlet; and as I prepared to escape from my row of stalls in the darkening theatre, I experienced a n.o.ble shame for having seen the Dane so disnatured, to use Mr. Lowell"s word. I had not been obliged to come; I had voluntarily shared in the wrong done; by my presence I had made myself an accomplice in the wrong.
It was high ground, but not too high for me, and I recovered a measure of self-respect in a.s.suming it.
THE MIDNIGHT PLATOON
He had often heard of it. Connoisseurs of such matters, young newspaper men trying to make literature out of life and smuggle it into print under the guard of unwary editors, and young authors eager to get life into their literature, had recommended it to him as one of the most impressive sights of the city; and he had willingly agreed with them that he ought to see it. He imagined it very dramatic, and he was surprised to find it in his experience so largely subjective. If there was any drama at all it was wholly in his own consciousness. But the thing was certainly impressive in its way.
I.
He thought it a great piece of luck that he should come upon it by chance, and so long after he had forgotten about it that he was surprised to recognize it for the spectacle he had often promised himself the pleasure of seeing.
Pleasure is the right word; for pleasure of the painful sort that all hedonists will easily imagine was what he expected to get from it; though upon the face of it there seems no reason why a man should delight to see his fellow-men waiting in the winter street for the midnight dole of bread which must in some cases be their only meal from the last midnight to the next midnight. But the mere thought of it gave him pleasure, and the sight of it, from the very first instant. He was proud of knowing just what it was at once, with the sort of pride which one has in knowing an earthquake, though one has never felt one before. He saw the double file of men stretching up one street, and stretching down the other from the corner of the bakery where the loaves were to be given out on the stroke of twelve, and he hugged himself in a luxurious content with his perspicacity.
It was all the more comfortable to do this because he was in a coup, warmly shut against the sharp, wholesome Christmas-week weather, and was wrapped to the chin in a long fur overcoat, which he wore that night as a duty to his family, with a conscience against taking cold and alarming them for his health. He now practised another piece of self-denial: he let the cabman drive rapidly past the interesting spectacle, and carry him to the house where he was going to fetch away the child from the Christmas party. He wished to be in good time, so as to save the child from anxiety about his coming; but he promised himself to stop, going back, and glut his sensibility in a leisurely study of the scene. He got the child, with her arms full of things from the Christmas-tree, into the coup, and then he said to the cabman, respectfully leaning as far over from his box to listen as his thick greatcoat would let him: "When you get up there near that bakery again, drive slowly. I want to have a look at those men."
"All right, sir," said the driver intelligently, and he found his why skilfully out of the street among the high banks of the seasonable Christmas-week snow, which the street-cleaners had heaped up there till they could get round to it with their carts.
When they were in Broadway again it seemed lonelier and silenter than it was a few minutes before. Except for their own coup, the cable-cars, with their flaming foreheads, and the mechanical clangor of their gongs at the corners, seemed to have it altogether to themselves. A tall, lumbering United States mail van rolled by, and impressed my friend in the coup with a cheap and agreeable sense of mystery relative to the letters it was carrying to their varied destination at the Grand Central Station. He listened with half an ear to the child"s account of the fun she had at the party, and he watched with both eyes for the sight of the men waiting at the bakery for the charity of the midnight loaves.
He played with a fear that they might all have vanished, and with an apprehension that the cabman might forget and whirl him rapidly by the place where he had left them. But the driver remembered, and checked his horses in good time; and there were the men still, but in even greater number than before, stretching farther up Broadway and farther out along the side street. They stood slouched in dim and solemn phalanx under the night sky, so seasonably, clear and frostily atwinkle with Christmas-week stars; two by two they stood, slouched close together, perhaps for their mutual warmth, perhaps in an unconscious effort to get near the door where the loaves were to be given out, in time to share in them before they were all gone.
II.
My friend"s heart beat with glad antic.i.p.ation. He was really to see this important, this representative thing to the greatest possible advantage.
He rapidly explained to his companion that the giver of the midnight loaves got rid of what was left of his daily bread in that way: the next day it could not be sold, and he preferred to give it away to those who needed it, rather than try to find his account in it otherwise. She understood, and he tried to think that sometimes coffee was given with the bread, but he could not make sure of this, though he would have liked very much to have it done; it would have been much more dramatic.
Afterwards he learned that it was done, and he was proud of having fancied it.
He decided that when he came alongside of the Broadway file he would get out, and go to the side door of the bakery and watch the men receiving the bread. Perhaps he would find courage to speak to them, and ask them about themselves. At the time it did not strike him that it would be indecent.
A great many things about them were open to reasonable conjecture. It was not probable that they were any of them there for their health, as the saying is. They were all there because they were hungry, or else they were there in behalf of some one else who was hungry. But it was always possible that some of them were impostors, and he wondered if any test was applied to them that would prove them deserving or undeserving.
If one were poor, one ought to be deserving; if one were rich, it did not so much matter.
It seemed to him very likely that if he asked these men questions they would tell him lies. A fantastic a.s.sociation of their double files and those of the galley-slaves whom Don Quixote released, with the tonguey Gines de Pa.s.samonte at their head, came into his mind. He smiled, and then he thought how these men were really a sort of slaves and convicts --slaves to want and self-convicted of poverty. All at once he fancied them actually manacled there together, two by two, a coffle of captives taken in some cruel foray, and driven to a market where no man wanted to buy. He thought how old their slavery was; and he wondered if it would ever be abolished, as other slaveries had been. Would the world ever outlive it? Would some New-Year"s day come when some President would proclaim, amid some dire struggle, that their slavery was to be no more?
That would be fine.
III.
He noticed how still the most of them were. A few of them stepped a little out of the line, and stamped to shake off the cold; but all the rest remained motionless, shrinking into themselves, and closer together.
They might have been their own dismal ghosts, they were so still, with no more need of defence from the cold than the dead have.
He observed now that not one among them had a fur overcoat on; and at a second glance he saw that there was not an overcoat of any kind among them. He made his reflection that if any of them were impostors, and not true men, with real hunger, and if they were alive to feel that stiff, wholesome, Christmas-week cold, they were justly punished for their deceit.
He was interested by the celerity, the simultaneity of his impressions, his reflections. It occurred to him that his abnormal alertness must be something like that of a drowning person, or a person in mortal peril, and being perfectly safe and well, he was obscurely flattered by the fact.
To test his condition further he took note of the fine ma.s.s of the great dry-goods store on the hither corner, blocking itself out of the blue- black night, and of the Gothic beauty of the church beyond, so near that the coffle of captives might have issued from its sculptured portal, after vain prayer.
Fragments of conjecture, of speculation, drifted through his mind. How early did these files begin to form themselves for the midnight dole of bread? As early as ten, as nine o"clock? If so, did the fact argue habitual dest.i.tution, or merely habitual leisure? Did the slaves in the coffle make acquaintance, or remain strangers to one another, though they were closely neighbored night after night by their misery? Perhaps they joked away the weary hours of waiting; they must have their jokes. Which of them were old-comers, and which novices? Did they ever quarrel over questions of precedence? Had they some comity, some etiquette, which a man forced to leave his place could appeal to, and so get it back? Could one say to his next-hand man, "Will you please keep my place?" and would this man say to an interloper, "Excuse me, this place is engaged"? How was it with them, when the coffle worked slowly or swiftly past the door where the bread and coffee were given out, and word pa.s.sed to the rear that the supply was exhausted? This must sometimes happen, and what did they do then?
IV.
My friend did not quite like to think. Vague, reproachful thoughts for all the remote and immediate luxury of his life pa.s.sed through his mind.
If he reformed that and gave the saving to hunger and cold? But what was the use? There was so much hunger, so much cold, that it could not go round.
The cabman was obeying his orders too faithfully. He was not only walking by the Broadway coffle, he was creeping by. His action caught the notice of the slaves, and as the coups pa.s.sed them they all turned and faced it, like soldiers under review making ready to salute a superior. They were perfectly silent, perfectly respectful, but their eyes seemed to pierce the coupe through and through.
My friend was suddenly aware of a certain quality of representivity; he stood to these men for all the ease and safety that they could never, never hope to know. He was Society: Society that was to be preserved because it embodies Civilization. He wondered if they hated him in his capacity of Better Cla.s.ses. He no longer thought of getting out and watching their behavior as they took their bread and coffee. He would have liked to excuse that thought, and protest that he was ashamed of it; that he was their friend, and wished them well--as well as might be without the sacrifice of his own advantages or superfluities, which he could have persuaded them would be perfectly useless. He put his hand on that of his companion trembling on his arm with sympathy, or at least with intelligence.
"You mustn"t mind. What we are and what we do is all right. It"s what they are and what they suffer that"s all wrong."