"I"m awfully glad to meet you, Miss. Wetherell," said Somers, fervently; "to tell you the truth, I thought he was just making up yarns."
"Yarns?" repeated Cynthia, with a look that set Mr. Duncan floundering.
"Why, yes," he stammered. "Worthy said that you were up here, but I thought he was crazy the way he talked--I didn"t think--"
"Think what?" inquired Cynthia, but she flushed a little.
"Oh, rot, Somers!" said Bob, blushing furiously under his tan; "you ought never to go near a woman--you"re the darndest fool with "em I ever saw."
This time even the painter laughed outright, and yet he was a little sorrowful, too, because he could not be even as these youths. But Cynthia sat serene, the eternal feminine of all the ages, and it is no wonder that Bob Worthington was baffled as he looked at her. He lapsed into an awkwardness quite as bad as that of his friend.
"I hope you enjoyed the game," he said at last, with a formality that was not at all characteristic.
Cynthia did not seem to think it worth while to answer this, so the painter tried to help him out.
"That was a fine stop you made, Mr. Worthington," he said; "wasn"t it, Cynthia?"
"Everybody seemed to think so," answered Cynthia, cruelly; "but if I were a man and had hands like that" (Bob thrust them in his pockets), "I believe I could stop a ball, too."
Somers laughed uproariously.
"Good-by," said Bob, with uneasy abruptness, "I"ve got to go into the field now. When can I see you?"
"When you get back from the West--perhaps," said Cynthia.
"Oh," cried Bob (they were calling him), "I must see you to-night!" He vaulted over the railing and turned. "I"ll come back here right after the game," he said; "there"s only one more inning."
"We"ll come back right after the game," repeated Mr. Duncan.
Bob shot one look at him,--of which Mr. Duncan seemed blissfully unconscious,--and stalked off abruptly to second base.
The artist sat pensive for a few moments, wondering at the ways of women, his sympathies unaccountably enlisted in behalf of Mr.
Worthington.
"Weren"t you a little hard on him?" he said.
For answer Cynthia got to her feet.
"I think we ought to be going home," she said.
"Going home!" he e.j.a.c.u.l.a.t.ed in amazement.
"I promised Uncle Jethro I"d be there for supper," and she led the way out of the grand stand.
So they drove back to Coniston through the level evening light, and when they came to Ephraim Prescott"s harness shop the old soldier waved at them cheerily from under the big flag which he had hung out in honor of the day. The flag was silk, and incidentally Ephraim"s most valued possession. Then they drew up before the tannery house, and Cynthia leaped out of the buggy and held out her hand to the painter with a smile.
"It was very good of you to take me," she said.
Jethro Ba.s.s, rugged, uncouth, in rawhide boots and swallowtail and c.o.o.nskin cap, came down from the porch to welcome her, and she ran toward him with an eagerness that started the painter to wondering afresh over the contrasts of life. What, he asked himself, had Fate in store for Cynthia Wetherell?
CHAPTER III
"H-have a good time, Cynthy?" said Jethro, looking down into her face.
Love had wrought changes in Jethro; mightier changes than he suspected, and the girl did not know how zealous were the sentries of that love, how watchful they were, and how they told him often and again whether her heart, too, was smiling.
"It was very gay," said Cynthia.
"P-painter-man gay?" inquired Jethro.
Cynthia"s eyes were on the orange line of the sunset over Coniston, but she laughed a little, indulgently.
"Cynthy?"
"Yes."
"Er--that Painter-man hain"t such a bad fellow--w-why didn"t you ask him in to supper?"
"I"ll give you three guesses," said Cynthia, but she did not wait for them. "It was because I wanted to be alone with you. Milly"s gone out, hasn"t she?"
"G-gone a-courtin"," said Jethro.
She smiled, and went into the house to see whether Milly had done her duty before she left. It was characteristic of Cynthia not to have mentioned the subject which was agitating her mind until they were seated on opposite sides of the ba.s.swood table.
"Uncle Jethro," she said, "I thought you told Mr. Sutton to give Cousin Eph the Brampton post-office? Do you trust Mr. Sutton?" she demanded abruptly.
"Er--why?" said Jethro. "Why?"
"Because I don"t," she answered with conviction; "I think he"s a big fraud. He must have deceived you, Uncle Jethro. I can"t see why you ever sent him to Congress."
Although Jethro was in no mood for mirth, he laughed in spite of himself, for he was an American. His lifelong habit would have made him defend Heth to any one but Cynthia.
""D you see Heth, Cynthy?" he asked. "Yes," replied the girl, disgustedly, "I should say I did, but not to speak to him. He was sitting on Mr. Worthington"s porch, and I heard him tell Mr. Worthington he would give the Brampton post-office to Dave Wheelock. I don"t want you to think that I was eavesdropping," she added quickly; "I couldn"t help hearing it."
Jethro did not answer.
"You"ll make him give the post-office to Cousin Eph, won"t you, Uncle Jethro?"
"Yes;" said Jethro, very simply, "I will." He meditated awhile, and then said suddenly, "W-won"t speak about it--will you, Cynthy?"
"You know I won"t," she answered.
Let it not be thought by any chance that Coniston was given over to revelry and late hours, even on the Fourth of July. By ten o"clock the lights were out in the tannery house, but Cynthia was not asleep. She sat at her window watching the shy moon peeping over Coniston ridge, and she was thinking, to be exact, of how much could happen in one short day and how little in a long month. She was aroused by the sound of wheels and the soft beat of a horse"s hoofs on the dirt road: then came stifled laughter, and suddenly she sprang up alert and tingling. Her own name came floating to her through the darkness.
The next thing that happened will be long remembered in Coniston. A tentative chord or two from a guitar, and then the startled village was listening with all its might to the voices of two young men singing "When I first went up to Harvard"--probably meant to disclose the ident.i.ty of the serenaders, as if that were necessary! Coniston, never having listened to grand opera, was entertained and thrilled, and thought the rendering of the song better on the whole than the church choir could have done it, or even the quartette that sung at the Brampton celebrations behind the flowers. Cynthia had her own views on the subject.
There were five other songs--Cynthia remembers all of them, although she would not confess such a thing. "Naughty, naughty Clara," was another one; the other three were almost wholly about love, some treating it flippantly, others seriously--this applied to the last one, which had many farewells in it. Then they went away, and the crickets and frogs on Coniston Water took up the refrain.