Craven replied that the F.O. kept him very long even on Sat.u.r.days.
"What"s the matter? What are you angry about?" asked Miss Van Tuyn through the telephone.
Craven intended to make a quietly evasive reply, but he found himself saying:
"If I work overtime at the F.O., are there not others who do much the same--in Glebe Place?"
After a pause Miss Van Tuyn said:
"I haven"t an idea what you mean."
Craven said nothing. Already he was angry with himself, and regretted his impulsiveness.
"Well?" said Miss Van Tuyn.
"Well?" retorted Craven, feeling rather absurd.
Again there was a pause. Then, speaking quickly, Miss Van Tuyn said: "If you can escape from the F.O. you might be in Glebe Place about five on Monday. Good-bye!"
And she rang off, leaving Craven with the pleasant sensation that, as often before, he had "given himself away." Certainly he had shown Miss Van Tuyn his jealousy. She must have guessed what his mention of Glebe Place meant. And yet she had asked him to go there on the following Monday. If he did not go perhaps that neglect would cancel his imprudence at the telephone.
He made up his mind not to go.
Nevertheless, when he left the Foreign Office on the Monday about half-past four, instead of going towards Mayfair he found himself walking quickly in the direction of Chelsea.
CHAPTER VI
Miss Van Tuyn was in Garstin"s studio on that day. Although apparently calm and self-possessed she was in a condition of acute nervous excitement. Craven"s mention of Glebe Place through the telephone had startled her. At once she had understood. People had begun to gossip, and the gossip had reached Craven"s ears. She had reddened as she stood by the telephone. A definite sensation of anxiety mingled with shame had crept in her. But it had been succeeded by a decisive feeling more really characteristic of her. As Craven now evidently knew of her close acquaintance with Arabian the two men should meet. She would conquer her reluctance, and put Arabian to the test with Craven. For a long time she had wished to know what Craven would think of Arabian; for a long time, too, she had been afraid to know. But now she would hesitate no more.
d.i.c.k Garstin was to have a sitting from Arabian on the Monday afternoon.
It ought to be over about half-past four. She could easily manage to prolong matters in the studio till five, so that Craven might have time to get to Glebe Place from the Foreign Office. Of course, he might not choose to come. But if he were really jealous she thought he would come.
Now she was antic.i.p.ating the coming interview with an uneasiness which she could only conceal by a strong effort.
At last, after repeated failures, Garstin was beginning to work with energy and real satisfaction. Of late he had been almost venomous. His impotence to do what he wished to do had made him more disagreeable, more brutal even than usual. His habitual brusqueness had often degenerated into downright rudeness. But suddenly a change had come, one of those mysterious changes in the mood and powers of an artist which neither he nor anyone else can understand. Abruptly the force which had abandoned him had returned.
The change had occurred on the day of Miss Van Tuyn"s conversation through the telephone with Craven, a Friday.
Arabian had refused to sit on the Sat.u.r.day and Sunday. He said he was moving into his Chelsea flat, and had many things to do. He could not come to the studio again till the Monday afternoon at half-past two.
Garstin had been furious, but he had been met by a will apparently as inflexible as his own.
"I am sorry, but I cannot help it, d.i.c.k Garstin," Arabian had said.
And after a pause he had added:
"I hope I have not shown impatience all this long time?"
Garstin had cursed, but he had not persisted. Evidently he had realized that persistence would be useless. On the Monday he had received Arabian with frigid hauteur, but soon he had become intent on his work and had apparently forgotten his grievance.
Half-past four struck--then the quarter to five. Garstin had been painting for more than two hours. Now he put down his brush and frowned, still looking at Arabian, who was sitting in an easy, almost casual position, with his magnificent brown throat and shoulders exposed.
"Finished!" he said in his loud ba.s.s voice.
Miss Van Tuyn, who was curled up on a divan in a corner of the studio, moved and put down a book which she had been pretending to read. Garstin had forbidden her to come near to him that day while he was painting.
"Finished!" she exclaimed. "Do you mean--"
"No, d.a.m.n it, I don"t!" said Garstin, with exasperation. "I don"t! Do you take me for a magician, or what? I have finished for to-day! Now then!"
He began to move the easel. Miss Van Tuyn got up, and Arabian, without saying a word, stretched himself, looked at her steadily for a moment, then pulled up his silk vest and carefully b.u.t.toned it with his strong-looking fingers. Then he too got up, and went away to the dressing-room to put on his shirt, waistcoat, collar and tie.
"May I see, d.i.c.k?" asked Miss Van Tuyn.
"No, you mayn"t."
"Are you satisfied?"
"He"s coming out more as I want him this time."
"Do you think you have found his secret?"
"Or yours, eh? What is happening in you, my girl?"
Before she could answer a telephone bell rang below.
"d.a.m.n!" said Garstin, going towards the staircase.
Before he went down he turned round and said:
"You"re travelling fast."
And he disappeared. She heard him below tramping to the telephone. Then she went to a small square window in the studio, pushed it open, and looked out. There was a tiny s.p.a.ce of garden below. She saw a plane tree shivering in the wind, yellow leaves on the rain-sodden ground. A sparrow flitted by and perched on the grimy coping of a low wall. And she shivered like the plane tree.
"Beryl!"
She started, turned, and went to the head of the stairs.
"What is it?"
"The telephone"s for you. Come along down!"
"Coming!" she answered.
"Who is it?" she said, as she saw him standing by the telephone with the receiver in his hand.
"Some old woman, by the voice. She says she must speak to you.
Here--take it, my girl!"