"Lucido e terso, e bianco, piu che latte."
I put my guide"s patience to the proof, by remaining much longer than any one else ever did, in admiring the pillar, and rummaging the drawers of the cabinets. At last, the musk with which they are impregnated obliged me to desist, and I moved on to a suite of saloons, with low arched roofs, glittering with arabesque, in azure and gold. Several medallions appear amongst the wreaths of foliage, tolerably well painted, with representations of splendid feasts and tournaments for which Florence was once so famous.
A vast collection of small pictures, most of them Flemish, covers the walls of these apartments. But nothing struck me more than a Medusa"s head by that surprising genius Leonardo da Vinci. It appears just severed from the body, and cast on the damp pavement of a cavern: a deadly paleness covers the countenance, and the mouth exhales a pestilential vapour: the snakes, which fill almost the whole picture, beginning to untwist their folds; one or two seemed already crept away, and crawling up the rock in company with toads and other venomous reptiles.
The colouring of these disgustful objects is faithful to a great degree; the effect of light, prodigious; the whole so masterly that I could not help entering into this description; though I fear to little purpose, as words at best convey but a weak idea of objects addressed to the sight alone.
Here are a great many Polemburgs: one in particular, the strangest I ever beheld. Instead of those soft scenes of woods and waterfalls he is in general so fond of representing, he has chosen for his subject Virgil ushering Dante into the regions of eternal punishment, amidst the ruins of flaming edifices that glare across the infernal waters.
These mournful towers harbour innumerable shapes, all busy in preying upon the d.a.m.ned. One capital devil, in the form of an enormous lobster, seems very strenuously employed in mumbling a miserable mortal, who sprawls, though in vain, to escape from his claws. This performance, whimsical as it is, retains all that softness of tint and delicacy of pencil for which Polemburg is so renowned.
Had not the subject so palpably contradicted the execution as to become remarkable, I should have pa.s.sed it over, like a thousand more, and brought you immediately to the Tribune. I dare say our sensations were similar on entering this apartment. Need I say I was enchanted the moment I set my feet within it, and saw full before me the Venus de Medicis? The warm ivory hue of the original marble is a beauty no copy has ever imitated, and the softness of the limbs exceeded the liveliest idea I had formed to myself of their perfection.
Their symmetry every artist is acquainted with; but do you recollect a faint ruddy cast in the hair, which admirably relieves the whiteness of the forehead? This circ.u.mstance, though perhaps accidental, struck me as peculiarly charming; it increased the illusion, and helped me to imagine I beheld a breathing divinity.
When I had taken my eyes reluctantly from this beautiful object, I cast them upon a Morpheus of white marble, which lies slumbering at the feet of the G.o.ddess in the form of a graceful child. A dormant lion serves him for a pillow: two ample wings, carved with the utmost delicacy, are gathered under him; two others, budding from his temples, half concealed by a flow of lovely ringlets. His languid hands scarce hold a bunch of poppies: near him creeps a lizard, just yielding to his influence. Nothing can be more just than the expression of sleep in the countenance of the little divinity. His lion too seems perfectly lulled, and rests his muzzle upon his fore- paws as quiet as a domestic mastiff. I contemplated the G.o.d with infinite satisfaction, till I felt an agreeable sleepiness steal over my senses, and should have liked very well to doze away a few hours by his side. My ill-humour at seeing this deity so grossly sculptured in the gallery, was dissipated by the gracefulness of his appearance in the Tribune. I was now contented, for the artist, (to whom the Lord give a fair seat in paradise!) had realized my ideas; and, if I may venture my opinion, sculpture never arrived to higher perfection, or, at the same time, kept more justly within its province. Sleeping figures with me always produce the finest illusion. I easily persuade myself that I behold the very personage, cast into the lethargic state which is meant to be represented, and I can gaze whole hours upon them with complacency. But when I see an archer in the very act of discharging his arrow, a dancer with one foot in the air, or a gladiator extending his fist to all eternity, I grow tired, and ask, When will they perform what they are about?
When will the bow tw.a.n.g? the foot come to the ground? or the fist meet its adversary? Such wearisome att.i.tudes I can view with admiration, but never with pleasure. The wrestlers, for example, in the same apartment, filled me with disgust: I cried out, For heaven"s sake! give the throw, and have done. In taking my turn round the enchanted circle, I discovered still, another Morpheus; stretched carelessly on a mantle, with poppies in his hands; but no wings grow from his temples, nor lion supports his head. A moth just issuing from his chrysalis is the only being which seems to have felt his soporific influence; whereas the other G.o.d I have mentioned may vaunt the glory of subduing the most formidable of animals.
The morning was gone before I could s.n.a.t.c.h myself from the Tribune.
In my way home, I looked into the cathedral, an enormous fabric, inlaid with the richest marbles, and covered with stars and chequered work, like an old-fashioned cabinet. The architect seems to have turned his building inside out; nothing in art being more ornamented than the exterior, and few churches so simple within. The nave is vast and solemn, the dome amazingly s.p.a.cious, with the high altar in its centre, inclosed by a circular arcade near two hundred feet in diameter. There is something imposing in this decoration, as it suggests the idea of a sanctuary, into which none but the holy ought to penetrate. However profane I might feel myself, I took the liberty of entering, and sat myself down in a niche. Not a ray of light reaches this sacred inclosure, but through the medium of narrow windows, high in the dome and richly painted. A sort of yellow tint predominates, which gives additional solemnity to the altar, and paleness to the votary before it. I was sensible of the effect, and obtained at least the colour of sanct.i.ty.
Having remained some time in this pious hue, I returned home and feasted upon grapes and ortolans with great edification; then walked to one of the bridges across the Arno, and surveyed the hills at a distance, purpled by the declining sun. Its mild beams tempted me to the garden of Boboli, which lies behind the Palazzo Pitti, stretched out on the side of a mountain. I ascended terrace after terrace, robed by a thick underwood of hay and myrtle, above which rise several nodding towers, and a long sweep of venerable wall, almost entirely concealed by ivy. You would have been enraptured with the broad ma.s.ses of shade and dusky alleys that opened as I advanced, with white statues of fauns and sylvans glimmering amongst them; some of which pour water into sarcophagi of the purest marble, covered with antique relievos. The capitals of columns and ancient friezes are scattered about as seats.
On these I reposed myself, and looked up to the cypress groves spiring above the thickets; then, plunging into their retirements, I followed a winding path, which led me by a series of steep ascents to a green platform overlooking the whole extent of wood, with Florence deep beneath, and the tops of the hills which encircle it, jagged with pines; here and there a convent, or villa, whitening in the sun.
This scene extends as far as the eye can reach.
Still ascending I attained the brow of the mountain, and had nothing but the fortress of Belvedere, and two or three open porticos above me. On this elevated situation, I found several walks of trellis- work, clothed with luxuriant vines, that produce to my certain knowledge the most delicious cl.u.s.ters. A colossal statue of Ceres, her hands extended in the act of scattering fertility over the prospect, crowns the summit, where I lingered to mark the landscape fade, and the bright skirts of the western sun die gradually away.
Then descending alley after alley, and bank after bank, I came to the orangery in front of the palace, disposed in a grand amphitheatre, with marble niches relieved by dark foliage, out of which spring tall aerial cypresses. This spot brought the scenery of an antique Roman garden full into my mind. I expected every instant to be called to the table of Lucullus hard by, in one of the porticoes, and to stretch myself on his purple triclinias; but waiting in vain for a summons till the approach of night, I returned delighted with a ramble that had led me so far into antiquity.
Friday, September 16th.--My impatience to hear Pacchierotti called me up with the sun. I blessed a day which was to give me the greatest of musical pleasures, and travelled gaily towards Lucca, along a fertile plain, bounded by rocky hills, and scattered over with towns and villages. We pa.s.sed Pistoia in haste, and about three in the afternoon entered the Lucchese territory, by a clean, paved road, which runs through some of the pleasantest copses imaginable, bordered with a variety of heaths and broom in blossom. Sometimes it conducted us down slopes, overgrown with shrubby chestnuts and arbor vitae; sometimes between groves of cypresses and pines laden with cones: a red soil peeping forth from the vegetation adds to the richness of the landscape, which swells all the way into gentle acclivities: and at about seven or eight miles from the city spreads into mountains, green to their very summits, and diversified with gardens and palaces. A more pleasing scenery can with difficulty be imagined: I was quite charmed with beholding it, as I knew very well that the opera would keep me a long while chained down in its neighbourhood.
Happy for me that the environs of Lucca were so beautiful; since I defy almost any city to contain more ugliness within its walls.
Narrow streets and dismal alleys; wide gutters and cracked pavements; everybody in black, like mourners for the gloom of their habitations, which, however, are large and lofty enough of conscience; but having all grated windows, they convey none but dark and dungeon-like ideas.
My spirits fell many degrees upon entering this sable capital; and when I found Friday was meagre day, in every sense of the word, with its inhabitants, and no opera to be performed, I grew terribly out of humour, and shut myself up in a chamber of the inn, which, to complete my misfortune, was crowded with human lumber. Instead of a delightful symphony, I heard nothing for some time but the clatter of plates and the swearing of waiters.
Amongst the number of my tormentors was a whole Genoese family of distinction; very fat and sleek, and terribly addicted to the violin.
Hearing of my fondness for music, they speedily got together a few sc.r.a.pers, and began such an academia as drove me to one end of the room, whilst they possessed the other. The hopes and heir of the family--a coa.r.s.e chubby dolt of about eighteen--played out of all time, and during the interval of repose he gave his elbow, burst out into a torrent of commonplace, which completed, you may imagine, my felicity.
Pacchierotti, whom they all worshipped in their heavy way, sat silent the while in a corner; the second soprano warbled, not absolutely ill, at the harpsichord; whilst the old lady, young lady, and attendant females, kept ogling him with great perseverance. Those who could not get in, squinted through the crevices of the door.
Abbes and greyhounds were fidgeting continually without. In short, I was so worried that, pleading headaches and la.s.situdes, I escaped about ten o"clock, and shook myself when I got safe to my apartment, like a spaniel just fresh from a dripping copse.
LETTER XIV
LUCCA, September 25th.
You ask me how I pa.s.s my time. Generally upon the hills, in wild spots where the arbutus flourishes: from whence I may catch a glimpse of the distant sea; my horse tied to a cypress, and myself cast upon the gra.s.s, like Palmarin of Oliva, with a tablet and pencil in my hand, a basket of grapes by my side, and a crooked stick to shake down the chestnuts. I have bidden adieu, several days ago, to the dinners and glories of the town, and only come thither in an evening, just time enough for the grand march which precedes Pacchierotti in Quinto Fabio. Sometimes he accompanies me in my excursions, to the utter discontent of the Lucchese, who swear I shall ruin their opera, by leading him such confounded rambles amongst the mountains, and exposing him to the inclemency of winds and showers. One day they made a vehement remonstrance, but in vain; for the next, away we trotted over hill and dale, and stayed so late in the evening, that cold and hoa.r.s.eness were the consequence.
The whole republic was thrown into commotion, and some of its prime ministers were deputed to harangue Pacchierotti upon the rides he had committed. Billingsgate never produced such furious orators. Had the safety of their mighty state depended upon this imprudent excursion, they could not have vociferated with greater violence.
You know I am rather energetic, and, to say truth, I had very nearly got into a sc.r.a.pe of importance, and drawn down the execrations of the Gonfalonier and all his council upon my head, in defending him, and in openly declaring our intention of taking, next morning, another ride over the rocks, and absolutely losing ourselves in the clouds which veil their acclivities. These threats were put into execution, and yesterday we made a tour of about thirty miles upon the highlands, and visited a variety of castles and palaces.
The Conte n.o.bili conducted us, a n.o.ble Lucchese, but born in Flanders and educated at Paris. He possesses the greatest elegance of imagination, and a degree of sensibility rarely met with upon our gross planet. The way did not appear tedious in such company. The sun was tempered by light clouds, and a soft autumnal haze rested upon the hills, covered with shrubs and olives. The distant plains and forests appeared tinted with deep blue, and I am now convinced the azure so prevalent in Velvet Breughel"s landscapes is not exaggerated.
After riding for six or seven miles along the cultivated levels, we began to ascend a rough slope, overgrown with chestnuts; here and there some vines streaming in garlands displayed their cl.u.s.ters. A great many loose fragments and stumps of ancient pomegranates perplexed our route, which continued, turning and winding through this sort of wilderness, till it opened on a sudden to the side of a lofty mountain, covered with tufted groves, amongst which hangs the princely castle of the Garzonis, on the very side of a precipice.
Alcina could not have chosen a more romantic situation. The garden lies extended beneath, gay with flowers, and glittering with compartments of spar, which, though in no great purity of taste, has an enchanted effect for the first time. Two large marble basins, with jet-d"eaux seventy feet in height, divide the parterres; from the extremity of which rises a rude cliff, shaded with firs and ilex, and cut into terraces.
Leaving our horses at the great gate of this magic inclosure, we pa.s.sed through the spray of the fountains, and mounting an almost endless flight of steps, entered an alley of oranges, and gathered ripe fruit from the trees. Whilst we were thus employed, the sun broke from the clouds, and lighted up the vivid green of the vegetation; at the same time spangling the waters, which pour copiously down a succession of rocky terraces, and sprinkle the impending citron-trees with perpetual dew. These streams issue from a chasm in the cliff, surrounded by cypresses, which conceal by their thick branches some pavilions with baths. Above arises a colossal statue of Fame, boldly carved, and in the very act of starting from the precipices. A narrow path leads up to the feet of the G.o.ddess, on which I reclined; whilst a vast column of water arched over my head, and fell, without even wetting me with its spray, into the depths below.
I could with difficulty prevail upon myself to abandon this cool recess, which the fragrance of bay and orange, extracted by constant showers, rendered uncommonly luxurious. At last I consented to move on, through a dark wall of ilex, which, to the credit of Signor Garzoni be it spoken, is suffered to grow as wild and as forest-like as it pleases. This grove is suspended on the mountain side, whose summit is clothed with a boundless wood of olives, and forms, by its azure colour, a striking contrast with the deep verdure of its base.
After resting a few moments in the shade, we proceeded to a long avenue (bordered by aloes in bloom, forming majestic pyramids of flowers thirty feet high), which led us to the palace. This was soon run over. Then, mounting our horses, we wound amongst sunny vales, and inclosures with myrtle hedges, till we came to a rapid steep. We felt the heat most powerfully in ascending it, and were glad to take refuge under a bower of vines, which runs for miles along its summit, almost without interruption. These arbours afforded us both shade and refreshment; I fell upon the cl.u.s.ters which formed our ceiling, like a native of the north, unused to such luxuriance: one of those Goths which Gray so poetically describes, who
"Scent the new fragrance of the breathing rose, And quaff the pendent vintage as it grows."
I wish you had journeyed with us under this fruitful canopy, and observed the partial sunshine through its transparent leaves, and the glimpses of the blue sky it every now and then admitted. I say only every now and then, for in most places a sort of verdant gloom prevailed, exquisitely agreeable in so hot a day.
But such luxury did not last, you may suppose, for ever. We were soon forced from our covert, and obliged to traverse a mountain exposed to the sun, which had dispersed every cloud, and shone with intolerable brightness. On the other side of this extensive eminence lies an agreeable hillock, surrounded by others, woody and irregular.
Wide vineyards and fences of Indian corn lay between, across which the Conte n.o.bili conducted us to his house, where we found prepared a very comfortable dinner. We drank the growth of the spot, and defied Constantia and the Cape to excel it.
Afterwards, retiring into a wood of the Marchese Mansi, with neat pebble walks and trickling rivulets, we sipped coffee and loitered till sunset. It was then time to return: the dews began to fall, and the mists to rise from the valleys. The profound calm and silence of evening threw us all three into our reveries. We went pacing along heedlessly, just as our horses pleased, without hearing any sound but their steps.
Between nine and ten we entered the gates of Lucca. Pacchierotti coughed, and half its inhabitants wished us at the devil.
I think now I have detained you long enough with my excursions: you must require a little repose; for my own part, I am heartily tired.
I intended to say some things about certain owls, amongst other grievances I am pestered with in this republic; but shall cut them all short, and wish you good-night; for the opera is already begun, and I would not miss the first glorious recitative for the empire of Trebizond.
LETTER XV
LIVOURNO, October 2nd.
No sooner were we beyond the gates, than we found ourselves in narrow roads, shut in by vines and gra.s.sy banks of canes and osiers, rising high above our carriage, and waving their leaves in the air. Through the openings which sometimes intervene we discovered a variety of hillocks clothed with shrubberies and verdure, ruined towers looking out of the bushes, not one without a romantic tale attending it.
This sort of scenery lasted till, pa.s.sing the baths, we beheld Pisa rising from an extensive plain, the most open we had as yet seen in Italy, crossed by an aqueduct. We were set down immediately before the Duomo, which stands insulated in a verdant opening, and is by far the most curious and highly finished edifice my eyes ever viewed.
Don"t ask of what shape or architecture; it is almost impossible to tell, so great is the confusion of ornaments. The capitals of the columns and carvings of the architraves, as well as the form of the arches, are evidently of Grecian design, but Gothic proportions. The dome gives the ma.s.s an Oriental appearance, which helped to bewilder me; in short, I have dreamed of such buildings, but little thought they existed. On one side you survey the famous tower, as perfectly awry as I expected; on the other the baptistery, a circular edifice distinct from the church and right opposite its princ.i.p.al entrance, crowded with sculptures and topped by the strangest of cupolas.
Having indulged our curiosity with this singular prospect for some moments, we entered the cathedral and admired the stately columns of porphyry and the rarest marbles, supporting a roof which, like the rest of the building, shines with gold. A pavement of the brightest mosaic completes its magnificence: all around are sculptures by M.