From the time when as a boy he spent hours in his father"s library reading the tales of King Arthur, the stories of romantic chivalry were of absorbing interest to him. He understood and loved boys, for he had four of his own, and for these he has written "The Boy"s Froissart," "The Boy"s King Arthur" and the "Knightly Legends of Wales."
In 1879 he was appointed lecturer on English literature at the Johns Hopkins University, and his prospects were at last brightening when two years later he died. During the last seven years of his life, struggling ever with poverty and pain, he wrote his one volume of poetry. His poems show his great faith--indeed, his poem, "The Marshes of Glynn," is religion set to music.
THE MARSHES OF GLYNN
SIDNEY LANIER
O braided dusks of the oak and woven shades of the vine, While the riotous noonday sun of the June day long did shine Ye held me fast in your heart and I held you fast in mine; But now when the noon is no more, and riot is rest, And the sun is a-wait at the ponderous gate of the West, And the slant yellow beam down the wood aisle doth seem Like a lane into heaven that leads from a dream,-- Aye, now, when my soul all day hath drunken the soul of the oak, And my heart is at ease from men, and the wearisome sound of the stroke Of the scythe of time and the trowel of trade is low, And belief overmasters doubt, and I know that I know, And my spirit is grown to a lordly great compa.s.s within, That the length and the breadth and the sweep of the marshes of Glynn Will work me no fear like the fear they have wrought me of yore When length was fatigue, and when breadth was but bitterness sore, And when terror and shrinking and dreary unnamable pain Drew over me out of the merciless miles of the plain,-- Oh, now, unafraid, I am fain to face The vast, sweet visage of s.p.a.ce.
To the edge of the wood I am drawn, I am drawn, Where the gray beach glimmering runs, as a belt of the dawn, For a mete and a mark To the forest dark:-- So: Affable live oak, leaning low,-- Thus--with your favor--soft, with a reverent hand, (Not lightly touching your person, lord of the land!) Bending your beauty aside, with a step I stand On the firm-packed sand, Free By a world of marsh, that borders a world of sea.
Sinuous southward and sinuous northward the shimmering band Of the sand beach fastens the fringe of the marsh to the folds of the land.
Vanishing, swerving, evermore curving again into sight, Softly the sand beach wavers away to a dim gray looping of light.
And what if behind me to westward the wall of the woods stands high?
The world lies east: how ample the marsh and the sea and the sky!
A league and a league of marsh gra.s.s, waist-high, broad in the blade, Green, and all of a height, and unflecked with a light or a shade, Stretch leisurely off, in a pleasant plain, To the terminal blue of the main.
Oh, what is abroad in the marsh and the terminal sea?
Somehow my soul seems suddenly free From the weighing of fate and the sad discussion of sin, By the length and the breadth and the sweep of the marshes of Glynn.
Ye marshes, how candid and simple and nothing-withholding and free Ye publish yourselves to the sky and offer yourselves to the sea!
Tolerant plains, that suffer the sea and the rains and the sun, Ye spread and span like the catholic man who hath mightily won G.o.d out of knowledge and good out of infinite pain And sight out of blindness and purity out of a stain.
As the marsh hen secretly builds on the watery sod, Behold I will build me a nest on the greatness of G.o.d!
I will fly in the greatness of G.o.d as the marsh hen flies In the freedom that fills all the s.p.a.ce "twixt the marsh and the skies: By so many roots as the marsh gra.s.s sends in the sod I will heartily lay me a-hold on the greatness of G.o.d: Oh, like to the greatness of G.o.d is the greatness within The range of the marshes, the liberal marshes of Glynn.
And the sea lends large, as the marsh: lo, out of his plenty the sea Pours fast: full soon the time of the flood tide must be: Look how the grace of the sea doth go About and about through the intricate channels that flow Here and there, Everywhere, Till his waters have flooded the uttermost creeks and the low-lying lanes, And the marsh is meshed with a million veins, That like as with rosy and silvery essences flow In the rose-and-silver evening glow.
Farewell, my lord Sun!
The creeks overflow: a thousand rivulets run "Twixt the roots of the sod; the blades of the marsh gra.s.s stir; Pa.s.seth a hurrying sound of wings that westward whir; Pa.s.seth, and all is still; and the currents cease to run; And the sea and the marsh are one.
How still the plains of the waters be!
The tide is in his ecstasy; The tide is at its highest height: And it is night.
And now from the Vast of the Lord will the waters of sleep Roll in on the souls of men, But who will reveal to our waking ken The forms that swim and the shapes that creep Under the waters of sleep?
And I would I could know what swimmeth below when the tide comes in On the length and the breadth of the marvelous marshes of Glynn.
HELPS TO STUDY.
Notes and Questions.
What can you tell of the coastal plain in Georgia?
What effect on the poet had the "dusks of the oak" at noon?
At sunset what appealed more strongly to him?
How does the poet account for his lack of fear of the marshes now?
In the marsh region what is "lord of the land"?
What characteristics of the marshes does the poet point out?
What comparisons are found in lines fifty to fifty-five?
To what does the poet compare the extent of the marshes of Glynn?
In this region when does the flood tide come? What tells you?
Which picture in the poem do you like best?
Explain: "Pa.s.seth a hurrying sound of wings that westward whir."
What is the meaning of the last nine lines?
Do you like this poem? Why? What can you tell of the author?
Point out parts that you like best.
Find examples of alliteration.
Why does the poet repeat "I am drawn"?
Select lines that are especially beautiful.
Words and Phrases for Discussion.
"glimmering"
"Vanishing"
"swerving"
"Like a lane into heaven that leads from a dream"
"Bending your beauty aside"
"intricate channels"
"uttermost creeks"
"Glynn"--a county in Georgia which borders on the Atlantic.
"live oak"--a species of oak found along the coasts of the southern states.
"catholic man"--a broad-minded man.
"braided dusks"--shadows of branches crossing one another.
"woven shades"--shadows interlacing.
"riotous noonday sun"--beating down hard.
"ye held me fast in your heart"--attracted and delighted me.
"I held you fast in mine"--loved, enjoyed.