Who would not sing for Lycidas?"
And Sh.e.l.ley, while treating his theme in an ethereal, fantastic way, still represents Alastor, the Spirit of Solitude, in the person of one who has just died, when he cries--
"But thou art fled, Like some frail exhalation which the dawn Robes in its golden beams,--ah! thou hast fled!
The brave, the gentle, and the beautiful, The child of grace and genius."
Gray"s well-known elegy, it is true, is not confined to the fate of a single individual; the churchyard suggests the pathetic reflections of the poet on the imaginary lives and characters of many past inhabitants of the village. Nevertheless these cross the stage one by one; the village itself has not been destroyed, like Goldsmith"s "Sweet Auburn." Jeremiah"s lamentation on the death of Josiah must have been a personal elegy; so was the scornful lament over the king of Babylon in Isaiah. But now we have a different kind of subject in the Book of Lamentations. Here it is the fate of Jerusalem, the fate of the city itself as well as that of its citizens, that is deplored.
To rouse the imagination and awaken the sympathy of the reader Zion is personified, and thus the poetry is a.s.similated in form to the normal elegy. Still it is important for us to take note of this distinguishing trait of the Lamentations; they bewail the ruin of a city.
Poetry inspired with this intention must acquire a certain breadth not found in more personal effusions. Too much indulgence in private grief cannot but produce a narrowing effect upon the mind. Intense pain is as selfish as intense pleasure. We may mourn our dead until we have no room left in our sympathies for the great ocean of troubles among the living that surges round the little island of our personal interests.
This misfortune is escaped in the Lamentations. Close as is the poet"s relations with the home of his childhood, there is still some approach to altruism in his lament over the desolation of Jerusalem viewed as a whole, rather than over the death of his immediate friends alone.
There is a largeness, too, in it. We find it difficult to recover the ancient feeling for the city. Our more important towns are so huge and shapeless that the inhabitants fail to grasp the unity, the wholeness of the wilderness of streets and houses; and yet they so effectually overshadow the smaller towns that these places do not venture to a.s.sume much civic pride. Besides, one general tendency of modern life is individualistic. Even the more recent attempts to rouse interest in comprehensive social questions are conceived in a spirit of sympathy for the individual rights and needs of the people, and do not spring from any great concern for the prosperity of the corporation as such. No doubt this is an indication of a movement in a right direction. The old civic idea was too abstract; it sacrificed the citizens to the city, beautifying the public buildings in the most costly manner, while the people were crowded in miserable dens to rot and die unseen and unpitied. We subst.i.tute sanitation for splendour.
This is more sensible, more practical, more humane, if it is more prosaic; for life is something else than poetry. Still it may be worth while asking whether in aiming at a useful, homely object it is so essential to abandon the old ideal altogether, because it cannot be denied that the price we pay is seen in a certain dinginess and commonness of living. Is it necessary that philanthropy should always remain Philistine?
The largeness of view which breaks upon us when we begin to think of the city as a whole rather than only of a number of isolated individuals is more than a perception of ma.s.s and magnitude. The city is an organism; and not like an animal of the lower orders, such as the _anelids_ or _centipedes_, in which every segment is simply a _replica_ of its neighbour, it is an organism maintained in efficiency by means of a great variety of mutual ministeries. Thus it is a unit in itself more elaborately differentiated, and therefore in a sense higher in the scale of being than its const.i.tuent elements, the individual inhabitants. The destruction of a city const.i.tuted in this way is a serious loss to the world. Even if no one inhabitant is killed, and quite apart from the waste of property and the ruin of commerce, the dissolution of the organism leaves a tremendous gap. The scattered people may acquire a new prosperity in the land of their exile, but still the city will have vanished. The Jews survived the destruction of Jerusalem; yet who shall estimate the loss that this destruction of their national capital involved?
Then the city being a definite organic unit has its own history, a history which is immensely more than the sum of the biographies of its inhabitants--stretching down from remote ages, and joining the distant past with present days. Here, then, time adds to the largeness of the city idea. The brevity of life seems to a.s.sign a petty part to the individual. But that brevity vanishes in the long, continuous story of an ancient city. A man may well be proud of his connection with such a record, unless it be one of wickedness and shame; and even in that case his relations to a great city deepen and widen his life, though the result may be, as it was with the devout Jew, to induce grief and humiliation. But Jerusalem had her records of glory as well as her tales of shame. The city of David and Solomon held garnered stores of legend and history, in the rich memories of which each of her children had a heritage. The overthrow of Jerusalem was the dissipation of a great inheritance.
And this is not all. The city has its own peculiar character--a character which is not only more than a summary of the morals and manners of the men and women who live in it, but also unique when compared with other cities. Every city that can boast of real civic life has its distinctive individuality; and often this is as striking as the individuality of any private person. Birmingham is very unlike Manchester; n.o.body could mistake Glasgow for Edinburgh. London, Paris, Berlin, Rome, Melbourne, New York--each of these cities is unique. The particular city may be said to be the only specimen of its kind. If one is blotted out the type is lost; there is no duplicate. Athens and Sparta, Rome and Carthage, Florence and Venice, were rivals which could never take the place of one another. Most a.s.suredly Jerusalem stood alone, stamped with a character which no other place in the world approached, and charged with a perfectly unique mission. For such a city to vanish off the face of the earth was the impoverishment of the world in the loss of what no nation in all the four continents could ever supply.
In saying this we must be careful to avoid the anachronism of reading into the present situation the after history of the sacred city and the character therein evolved. In the days before the exile Jerusalem was not the holy place that Ezra and Nehemiah subsequently laboured to make of it. Still looking back across the centuries we can see what perhaps the contemporaries could not discover, that the peculiar destiny of Jerusalem was already shaping itself in history. At the time, to the patriotic devotion of the mourning Jews, she was their old home, the happy dwelling-place of their childhood, the shrine of their fathers" sepulchres--Nehemiah"s thought about the city even at a later date;[107] in a word, the ancient centre of national life and union, strength and glory. But another and a higher meaning was beginning to gather about the word Jerusalem, a meaning which has come in course of time to give this city a place quite solitary and unrivalled in all history. Jerusalem is now revered as the religious centre of the world"s life. Even in this early age she was beginning to earn her lofty character. Josiah"s reformation had so far succeeded that the temple of Solomon had been p.r.o.nounced the centre of the worship of Jehovah. Then these elegies bear witness to the importance of the national festivals, which were all held at the capital, and which were all of a religious nature. It is impossible to conjecture what would have been the course of the religious history of the world if Jerusalem had been blotted out for ever at this period of the life of the city. More than five centuries later Jesus Christ declared that the _time_ had come when neither at the Samaritan mountain nor at Jerusalem should men worship the Father, because G.o.d is spirit and can only be worshipped in spirit and in truth. Thus the possibility of this spiritual worship which was independent of the sanct.i.ty of any place was a question of time. The time for it had only just arrived when our Lord made His great declaration. Of course the calendar could not rule this matter; it was not essentially an affair of dates. But the world required all those intervening ages to ripen into fitness for the lofty act of purely spiritual worship; and even then the great advance was not made by a process of simple development. It was necessary for Christ to come, both to reveal the higher nature of worship by revealing the higher nature of Him who was the object of worship, and also to bestow the spiritual grace through which men and women could practise the true worship. Therefore these very words of our Lord which proclaim the absolute spirituality of worship for those who have attained to His teaching most plainly imply that such worship must have been beyond the reach of average people, at all events, in earlier ages. Jerusalem, then, was needed to serve as the cradle of the religion revealed through her prophets. When her wings had grown religion could dispense with the nest; but in her unfledged condition the destruction of the local shelter threatened the death of the broodling.
[107] Neh. ii. 3.
There is a hopeful side to these reflections. A city with such a character may be said to bear the seeds of her own revival. Her individuality has that within it which fights against extinction. To put it another way, the idea of the city is too marked and too attractive for its privileged custodians to let it fade out of their minds, or to rest satisfied without attempting once more to have it realised in visible form. Carthage might perish; for Carthage had few graces wherewith to stir the enthusiasm of her citizens. Rome, on the other hand, had developed a character and a corresponding destiny of her own; and therefore she could not be blotted out by savage Huns or Vandal hosts. The genius for government, unapproached by any other city, could not be suppressed by the worst ravages of the invader.
Even when political supremacy had pa.s.sed away in consequence of the vices and weakness of the degenerate citizens, the power that had ruled the world simply took another shape and ruled the Church, the supremacy of Rome in the papacy succeeding to the supremacy of Rome in the empire. So was it with Jerusalem. There was immortality in this wonderful city.
We may look at the subject from two points of view. First, faith in G.o.d encourages the hope that such a destiny as is here foreshadowed should not be allowed to fail. So felt the prophets who were permitted to read the counsels of G.o.d by inspired insight into the eternal principles of His nature. These men were sure that Jerusalem must rise again from her ashes because they knew for a certainty that her Lord would not let His purposes concerning her be frustrated.
Then even with the limited vision which is all that can be attained from the lower platform of historical criticism, we may see that Jerusalem had acquired such an immortal place in the estimation of the Jews, that the people must have clung to the idea of a restoration till it was realised. To say this is to shew that the realisation could not but be accomplished. Such pa.s.sionate regrets as those of the Lamentations are seeds of hope.
May we go one step further? Is not every true and deep regret a prophecy of restoration? There is an irrecoverable past, it must be owned. That is to say, the days that are gone cannot return, nor can deeds once done ever be undone; the future will never be an exact repet.i.tion of the past. But all this does not forbid the a.s.surance that there may be genuine restoration. Jerusalem restored was very unlike the city whose fate the elegist bewailed; nevertheless she was restored, and that with her essential characteristics more p.r.o.nounced than ever. Henceforth she was to be most completely what her earlier history had only faintly adumbrated--the typical seat of religion.
Thus, though the Lamentations are not at all cheering or prophetic in tone, or even in intention, but the very reverse, wholly mournful and despondent, we may still detect, in the very intensity and persistence of the sorrow they portray, gleams of hope for better days. There is no hope in stolid indifference; it is in the penitent"s tears that we discover the prospect of his amendment. Repentance weeps for the past, but at the same time it looks forward with a changed mind that is the promise of better things to come. Why should not we apply these ideas that spring from a consideration of the five Hebrew elegies to other elegies--to the dirges that mourn the loved and dead?
If we could willingly let the departed drop out of thought we might have little ground for believing we should ever see them again. But sorrow for the dead immortalises them in memory. In a materialistic view of the universe that might mean nothing but the perpetuity of a sentiment. But then it may by itself help us to perceive the superficiality, the utter falseness of such a view. Thus Tennyson sees the answer to the crushing doubts of materialism and the a.s.surance of immortality for the departed in the strength of the love with which they are cherished:
"What is it all if we all of us end but in being our own corpse coffins at last, Swallowed in Vastness, lost in Silence, drowned in the deeps of a meaningless Past!
What but a murmur of gnats in the gloom, or a moment"s anger of bees in their hive?
Peace, let it be! for I loved him, and love him for ever. The dead are not dead, but alive."
CHAPTER IV
_DESOLATION_
i. 1-7.
The first elegy is devoted to moving pictures of the desolation of Jerusalem and the sufferings of her people. It dwells upon these disasters themselves, with fewer references to the causes of them or the hope of any remedy than are to be found in the subsequent poems, simply to express the misery of the whole story. Thus it is in the truest sense of the word a "Lamentation." It naturally divides itself into two parts--one with the poet speaking in his own person,[108] the other representing the deserted city herself appealing to pa.s.sing strangers and neighbouring nations, and lastly to G.o.d, to take note of her woes.[109]
[108] i. 1-11.
[109] i. 12-22.
The poem opens with a very beautiful pa.s.sage in which we have a comparison of Jerusalem to a widow bereft of her children, sitting solitary in the night, weeping sorely. It would not be just to read into the image of widowhood ideas collected from utterances of the prophets about the wedded union of Israel and her Lord; we have no hint of anything of the sort here. Apparently the image is selected in order to express the more vividly the utter lonesomeness of the city.
It is clear that the attribute "solitary" has no bearing on the external relations of Jerusalem--her isolation among the Syrian hills, or the desertion of her allies, mentioned a little later;[110] it points to a more ghostly solitude, streets without traffic, tenantless houses. The widow is solitary because she has been robbed of her children. And in this, her desolation, _she sits_. The att.i.tude, so simple and natural and easy under ordinary circ.u.mstances, here suggests a settled continuance of wretchedness; it is helpless and hopeless. The first wild agony of the severance of the closest natural ties has pa.s.sed, and with it the stimulus of conflict; now there has supervened the dull monotony of despair. This is the lowest depth of misery, because it allows leisure when leisure is least welcome, because it gives the reins to the imagination to roam over regions of heart-rending memory or sombre apprehension, above all because there is nothing to be done, so that the whole range of consciousness is abandoned to pain. Many a sufferer has been saved by the healing ministry of active duties, sometimes resented as an intrusion. It is a fearful thing simply to sit in sorrow.
[110] i. 2.
The mourner sits _in the night_, while the world around lies in the peace of sleep. The darkness has fallen, yet she does not stir, for day and night are alike to her--both dark. She is statuesque in sorrow, petrified by pain, and yet unhappily not dead; benumbed, but alive in every sensitive fibre of her being and terribly awake. In this dread night of misery her one occupation is weeping. The mourner knows how the hidden fountains of tears which have been sealed to the world for the day will break out in the silent solitude of night; then the bravest will "wet his couch with his tears." The forlorn woman "weepeth sore"; to use the expressive Hebraism, "weeping she weepeth." "Her tears are on her cheeks"; they are continually flowing; she has no thought of drying them; there is no one else to wipe them away. This is not the frantic torrent of youthful tears, soon to be forgotten in sudden sunshine, like a spring shower; it is the dreary winter rain, falling more silently, but from leaden clouds that never break. The Hebrew poet"s picture is ill.u.s.trated with singular aptness by a Roman coin, struck off in commemoration of the destruction of Jerusalem by the army of t.i.tus, which represents a woman seated under a palm tree with the legend _Judaea capta_. Is it too much to imagine that some Greek artist attached to the court of Vespasian may have borrowed the idea for the coin from the Septuagint version of this very pa.s.sage?
The woe of Jerusalem is intensified by reason of its contrast with the previous splendour of the proud city. She had not always appeared as a lonely widow. Formerly she had held a high place among the neighbouring nations--for did she not cherish memories of the great days of her shepherd king and Solomon the magnificent? Then she ruled provinces; now she is herself tributary. She had lovers in the old times--a fact which points to faults of character not further pursued at present. How opposite is the utterly deserted state into which she is now sunk! This thought of a tremendous fall gives the greatest force to the portrait. It is Rembrandtesque; the black shadows on the foreground are the deeper because they stand sharply out against the brilliant radiance that streams in from the sunset of the past. The pitiableness of the comfortless present lies in this, that there had been lovers whose consolations would now have been a solace; the bitterness of the enmity now experienced is its having been distilled from the dregs of poisoned friendship. Against the protests of her faithful prophets Jerusalem had courted alliance with her heathen neighbours, only to be cruelly deserted in her hour of need. It is the old story of friendship with the world, keenly accentuated in the life of Israel, because this favoured people had already seen glimpses of a rich, rare privilege, the friendship of Heaven. This is the irony of the situation; it is the tragic irony of all Hebrew history. Why were these people so blindly infatuated that they would be perpetually forsaking the living waters, and hewing out to themselves broken cisterns that could hold no water? The question is only surpa.s.sed by that of the similar folly on the part of those of us who follow their example in spite of the warning their fate affords, failing to see that true friendship is too exacting for ties spun from mere convenience or superficial pleasantness to bear the strain of its more serious claims.
Pa.s.sing on from the poetic image to a more direct view of the drear facts of the case, the author describes the hardships of the fugitives--people who had fled to Egypt, the retreat of Jeremiah and his companions. This must be the bearing of the pa.s.sage which our translators render--
"Judah is gone into captivity because of affliction, and because of great servitude."
For if the topic were the captivity at Babylon it would be difficult to see how "affliction" and "great servitude" could be treated as the _causes_ of that disaster; were they not rather its effects? Two solutions of this difficulty have been proposed. It has been suggested that the captivity is here presented as a consequence of the misconduct of the Jews in oppressing peoples subject to them. But the abstract words will not readily bear any such meaning; we should have expected some more explicit charge. Then it has been proposed to read the words "out of affliction," etc., in place of the phrase "because of affliction," etc., as though in escaping from trouble at home the Jews had only pa.s.sed into a new misfortune abroad. This is not so simple an explanation of the poet"s language as that at which we arrive by the perfectly legitimate subst.i.tution of the word "exile"
for "captivity." It may seem strange that the statement should be affirmed of "Judah," as though the whole nation had escaped to Egypt; but it would be equally inexact to say that "Judah" was carried captive to Babylon, seeing that only a selection from the upper cla.s.ses was deported, while the majority of the people was probably left in the land. But so many of the Jews, especially those best known to the poet, were in voluntary exile, that it was quite natural for him to regard them as virtually the nation. Now upon these refugees three troubles fall. First, the asylum is a heathen country, abominable to pious Israelites. Second, even here the fugitives have no rest; they are not allowed to settle down; they are perpetually molested. Third, on the way thither they are hara.s.sed by the enemy.
They are overtaken by pursuers "within the straits," a statement which may be read literally; bands of Chaldaeans would hover about the mountains, ready to pounce upon the disorganised groups of fugitives as they made their way through the narrow defiles that led out of the hill country to the southern plains. But the phrase is a familiar Hebraism for difficulties generally. No doubt it was true of the Jews in this larger sense that their opponents took advantage of their straitened circ.u.mstances to vex them in every possible way. This is just in accordance with the common experience of mankind all the world over. But while the fact of the experience is obvious, the inference to which it points like an arrow is obstinately eluded. Thus a commercial man in financial straits loses his credit at the very moment when he most needs it. We cannot say that this is a proof of spite, or even a sign of cynical indifference; because the needy person is really most untrustworthy, though his moral integrity may be unshaken, seeing that his circ.u.mstances make it probable that he will be unable to fulfil his obligations. But now it is the deeper significance of this fact that is so persistently ignored. There is perceptible at times in nature a law of compensation by the operation of which misfortune is mitigated; but that merciful law is frequently thwarted by the overbearing influence of the terrible law of the "survival of the fittest," the gospel of the fortunate, but the death-knell for all failures. If this is so in nature, much more does it obtain in human society so long as selfish greed is unchecked by higher principles. Then the world, the G.o.dless world, can be no asylum for the miserable and unfortunate, because it will be hard upon them in exact proportion to the extremity of their necessities. Moreover, the perception that this bitter truth is not a fruit of temporary pa.s.sions which may be restrained by education, but the outcome of certain persistent principles which cannot be set aside while society retains its present const.i.tution, gives to it the adamantine strength of destiny.
Coming nearer to the city in his mental vision, the poet next bewails deserted roads; "those ways of Zion" up which the holiday folks used to troop, clad in gay garments, with songs of rejoicing, are left so lonely that it seems as though they themselves must be mourning. It is in keeping with the imagery of these poems which personify the city, to endow the very roads with fancied consciousness. This is a natural result of intense emotion, and therefore a witness to its very intensity. It seems as though the very earth must share in the feelings of the man whose heart is stirred to its depths; as though all things must be filled with the pa.s.sion the waves of which flow out to the horizon of his consciousness, till the very stones cry out.
As he approaches the city, the poet is struck with a strange, sad sight. There are no people about the gates; yet here, if anywhere, we should expect to meet not only travellers pa.s.sing through, but also groups of men, merchants at their traffic, arbitrators settling disputes, friends exchanging confidences, idlers lounging about and chewing the cud of the latest gossip, beggars winning for alms; for by the gates are markets, _al fresco_ tribunals, open s.p.a.ces for public meetings. Formerly the life of the city was here concentrated; now no trace of life is to be seen even at these social ganglia. The desertion and silence of the gateways gives a shock of distress to the visitor on entering the ruined city. More disappointments await him within the walls. Still keeping in mind the idea of the national festivals, and accompanying the course of them in imagination, the poet goes up to the temple. No services are proceeding; any priests who may be found still haunting the precincts of the charred ruins can only sigh over their enforced idleness; the girl-choristers whose voices would ring through the porticoes in the old times, are silent and desolate, for their mother, Jerusalem, is herself "in bitterness."
In this part of the elegy our attention is directed to the cessation of the happy national a.s.semblies with their accompaniment of public worship in songs of praise for harvest and vintage and in the awful symbolism of the altar. The name "Zion" was a.s.sociated with two things, festivity and worship. It was a happy privilege for Israel to have had the inspired insight as well as the courage of faith to realise the conjunction. Even with the fuller light and larger liberty of Christianity it is rarely acknowledged among us. Our services have too much of the funeral dirge about them. The devout Israelite reserved his dirge for the death of his worship. It does not seem to have occurred to the poet that anybody could come to regard worship as an irksome duty from which he would gladly be liberated. Are we, then, to suppose that the Israelites who practised the crude cult that was prevalent before the Exile, even among the true servants of Jehovah, were indeed more devout than Christians who enjoy the privileges of their richer revelation? Scarcely so; for it must be remembered that we are called to a more spiritual and therefore a more difficult worship. Inward sincerity is here of supreme importance; if this is missing there is no worship, and without it the miserable unreality becomes inexpressibly wearisome. No doubt it is the failure to reach the rare alt.i.tude of its lofty ideal that makes Christian worship to appear in the eyes of many to be a melancholy performance. But this explanation should not be permitted to obscure the fact that true, living, spiritual worship must be a very delightful exercise of the soul. Perhaps one reason why this truth is not sufficiently appreciated may be found in the very facility with which the outward means of worship are presented to us. People who are seldom out of the sound of church bells are inclined to grow deaf to their significance.
The Roman Christian hunted in the catacombs, the Waldensian hiding in his mountain cave, the Covenanter meeting his fellow members of the kirk in a remote highland glen, the backwoodsman walking fifty miles to attend Divine service once in six months, are led by difficulty and deprivation to perceive the value of public worship in a degree which is surprising to people among whom it is merely an incident of every-day life. When Zion was in ashes the memory of her festivals was encircled with a halo of regret.
In accordance with the principle of construction which he follows throughout--the heightening of the effect of the picture by presenting a succession of contrasts--the poet next sets the prosperity of the enemies of Jerusalem in close juxtaposition to the misery of those of her people in whom it is most pitiable and startling, the children and the princes. Men with any heart in them would wish above all things that the innocent young members of their families should be spared; yet the captives carried off to Babylon consisted princ.i.p.ally of boys and girls torn from their homes, conveyed hundreds of miles across the desert, many of them dragged down to hideous degradation by the vices that luxuriated in the corrupt empire of the Euphrates. The other cla.s.s of victims specially commented on is that of the princes. Not only is the present humiliation of the n.o.bility in sharp contrast to their former elevation of rank, and therefore their sufferings the more acute, but it is also to be observed that their old position of leadership has been completely reversed. The reference must be to Zedekiah and his courtiers.[111] These proud princes who formerly exercised command over the mult.i.tude have become a shameful flock of fugitives. In the expressive image of the poet, they are compared to "harts that find no pasture"; they are like fleet wild deer, so cowed by hunger that they meekly permit themselves to be driven by their enemies just as if they were a herd of tame cattle.
[111] Jer. x.x.xix. 4, 5.
In the middle of this comparison between the success of the conquerors and the fate of their victims the poet inserts a pregnant sentence which suddenly carries us off to regions of far more profound reflection, touching upon the two sources of the ruin of Jerusalem that lie behind the visible hand of Nebuchadnezzar and his hosts, her own sin and the consequent wrath of her G.o.d. It flashes out as a momentary thought, and then retires with equal suddenness, permitting the previous current of reflections to be resumed as though unaffected by the startling interruption. This thought will reappear, however, with increasing fulness, shewing that it is always present to the mind of the poet and ready to come to the surface at any moment, even when it would seem to be inappropriate, although it can never be really inappropriate, because it is the key to the mystery of the whole tragedy.
Lastly, while the sense of a strong contrast is excited objectively by a comparison of the placid security of the invaders with the degradation of the fugitives, subjectively it is most vividly realised by the sufferers themselves when they call to mind their former happiness. Jerusalem is supposed to fall into a reverie in which she follows the recollection of the whole series of her pleasant experiences from far-off bygone times through an the succeeding ages flown to the present era of calamities. This is to indulge in the pains of memory--pains which are decidedly more acute than the corresponding pleasures celebrated by Samuel Rogers. These pains are doubly intense owing to the inevitable fact that the contrast is unnaturally strained. Viewed in the softened lights of memory, the past is strangely simplified, its mixed character is forgotten, and many of its unpleasant features are smoothed out, so that an idyllic charm hovers over the dream, and lends it an unearthly beauty. This is why so many people foolishly damp the hopes of children, who, if they are healthily const.i.tuted, ought to be antic.i.p.ating the future with eagerness, by solemnly exhorting them to make hay while the sun shines, with the gloomy warning that the sunny season must soon pa.s.s.
Their application of the motto _carpe diem_ is not only pagan in spirit; it is founded on an illusion. Happily there is some unreality about most of our yearning regrets for the days that have gone. That sweet, fair past was not so radiant as its effigy in the dreamland of memory now appears to be; nor is the hard present so free from mitigating circ.u.mstances as we suppose. And yet, when all is said, we cannot find the consolation we hunger after in hours of darkness among bare conclusions of common-sense. The grave is not an illusion, at least when only viewed in the light of the past though even this chill, earthy reality begins to melt into a shadow immediately the light of the eternal future falls upon it. The melancholy that laments the lost past can only be perfectly mastered by that Christian grace, the hope which presses forward to a better future.
CHAPTER V
_SIN AND SUFFERING_