"With what?"
"With what you"ve got. You know."
Wallie knew that he did not mean the song he had just played. "I"m going to--I"m going to do a lot with it."
"Yeh, but how?"
Wallie was looking down at his two lean brown hands on the keys. For a long minute he did not answer. Then: "By thinking about it all the time.
And working like h.e.l.l.... And you"ve got to be selfish ... You"ve got to be selfish ..."
As Sid Hahn stared at him, as though hypnotized, the j.a.p appeared in the doorway. Sid Hahn said, "Stay and have dinner with me," instead of what he had meant to say.
"Oh, I can"t! Thanks. I--" He wanted to terribly, but the thought was too much.
"Better."
They had dinner together. Even under the influence of Hahn"s encouragement and two gla.s.ses of mellow wine whose name he did not know, Wallie did not become fatuous. They talked about music--neither of them knew anything about it, really. Wallie confessed that he used it as an intoxicant and a stimulant.
"That"s it!" cried Hahn, excitedly. "If I could play I"d have done more.
More."
"Why don"t you get one of those piano-players, What-you-call"ems?" Then, immediately, "No, of course not."
"Nah, that doesn"t do it," said Hahn, quickly. "That"s like adopting a baby when you can"t have one of your own. It isn"t the same. It isn"t the same. It looks like a baby, and acts like a baby, and sounds like a baby--but it isn"t yours. It isn"t you. That"s it! It isn"t you!"
"Yeh," agreed Wallie, nodding. So perfectly did they understand each other, this ill-a.s.sorted pair.
It was midnight before Wallie left. They had both forgotten about the play ma.n.u.script whose delivery had been considered so important. The big room was gracious, quiet, soothing. A fire flickered in the grate. One lamp glowed softly--almost sombrely.
As Wallie rose at last to go he shook himself slightly like one coming out of a trance. He looked slowly about the golden, mellow room. "Gee!"
"Yes, but it isn"t worth it," said Hahn, "after you"ve got it."
"That"s what they all say"--grimly--"_after_ they"ve got it."
The thing that had been born in Sid Hahn"s mind thirty years before was now so plainly stamped on this boy"s face that Hahn was startled into earnestness. "But I tell you, it"s true! It"s true!"
"Maybe. Some day, when I"m living in a place like this, I"ll let you know if you"re right."
In less than a year Wallie Ascher was working with Hahn. No one knew his official t.i.tle or place. But "Ask Wallie. He"ll know," had become a sort of slogan in the office. He did know. At twenty-one his knowledge of the theatre was infallible (this does not include plays unproduced; in this no one is infallible) and his feeling for it amounted to a sixth sense.
There was something uncanny about the way he could talk about Lottie, for example, as if he had seen her; or Mrs. Siddons; or Mrs. Fiske when she was Minnie Maddern, the soubrette. It was as though he had the power to cast himself back into the past. No doubt it was that power which gave later to his group of historical plays (written by him between the ages of thirty and thirty-five) their convincingness and authority.
When Wallie was about twenty-three or -four Sid Hahn took him abroad on one of his annual scouting trips. Yearly, in the spring, Hahn swooped down upon London, Paris, Vienna, Berlin, seeking that of the foreign stage which might be translated, fumigated, desiccated, or otherwise rendered suitable for home use. He sent Wallie on to Vienna, alone, on the trail of a musical comedy rumoured to be a second Merry Widow in tunefulness, chic, and charm. Of course it wasn"t. Merry Widows rarely repeat. Wallie wired Hahn, as arranged. The telegram is unimportant, perhaps, but characteristic.
MR. SID. HAHN, Hotel Savoy, London, England.
It"s a second all right but not a second Merry Widow. Heard of a winner in Budapest. Shall I go. Spent to-day from eleven to five running around the Ringstra.s.se looking for mythical creature known as the chic Viennese. After careful investigation wish to be quoted as saying the species if any is extinct.
WALLIE.
This, remember, was in the year 1913, B.W. Wallie, obeying instructions, went to Budapest, witnessed the alleged winner, found it as advertised, wired Hahn to that effect, and was joined by that gentleman three days later.
Budapest, at that time, was still Little Paris, only wickeder. A city of magnificent buildings, and unsalted caviar, and beautiful, dangerous women, and frumpy men (civilian) and dashing officers in red pants, and Cigany music, and cafes and paprika and two-horse droshkies. Buda, low and flat, lay on one side; Pest, high and hilly, perched picturesquely on the other. Between the two rolled the Blue Danube (which is yellow).
It was here that Hahn and Wallie found Mizzi Markis. Mizzi Markis, then a girl of nineteen, was a hod carrier.
Wallie had three days in Budapest before Hahn met him there. As the manager stepped from the train, looking geometrically square in a long ulster that touched his ears and his heels, Wallie met him with a bound.
"h.e.l.lo, S.H.! Great to see you! Say, listen, I"ve found something. I"ve found something big!"
Hahn had never seen the boy so excited. "Oh, shucks! No play"s as good as that."
"Play! It isn"t a play."
"Why, you young idiot, you said it was good! You said it was darned good! You don"t mean to tell me--"
"Oh, that! That"s all right. It"s good--or will be when you get through with it."
"What you talking about then? Here, let"s take one of these things with two horses. Gee, you ought to smoke a fat black seegar and wear a silk hat when you ride in one of these! I feel like a parade." He was like a boy on a holiday, as always when in Europe.
"But let me tell you about this girl, won"t you!"
"Oh, it"s a girl! What"s her name? What"s she do?"
"Her name"s Mizzi."
"Mizzi what?"
"I don"t know. She"s a hod carrier. She--"
"That"s all right, Wallie. I"m here now. An ice bag on your head and real quiet for two-three days. You"ll come round fine."
But Wallie was almost sulking. "Wait till you see her, S.H. She sings."
"Beautiful, is she?"
"No, not particularly. No."
"Wonderful voice, h"m?"
"N-n-no. I wouldn"t say it was what you"d call exactly wonderful."
Sid Hahn stood up in the droshky and waved his short arms in windmill circles. "Well, what the devil does she do then, that"s so good? Carry bricks!"
"She is good at that. When she balances that pail of mortar on her head and walks off with it, her arms hanging straight at her sides--"
But Sid Hahn"s patience was at an end. "You"re a humourist, you are. If I didn"t know you I"d say you were drunk. I"ll bet you are, anyway.
You"ve been eating paprika, raw. You make me sick."