Richelieu was another of that type which the example of the throne had created and which de Sade alone eclipsed. It was then there appeared in Petersburg, in Vienna, in London, wherever society was, a cla.s.s of men, who depraved women for the pleasure of it, and a cla.s.s of women who destroyed men for destruction"s sake, men and women who were the hyenas of love, monsters whose treachery was premeditated and malignant, and who, their object attained, departed with a laugh, leaving behind but ruin.
Ruin was insufficient. Something acuter was required. That something was found by de Sade.
In ways which Bluebeard had but outlined, the Marquis de Sade, lineal descendant of Petrarch"s Laura, mingled kisses with blood. Into affection he put fright, into love he struck terror, he set the infernal in the divine.
It was the logical climax to which decadence had groped and to it already the austere guillotine was attending.
There love touched bottom. It could not go lower. But though it could and did remount it did not afterward reach higher alt.i.tudes than those to which it had previously ascended. In the eighteenth century the possible situations of its infinite variety were, at least temporarily, exhausted.
Thereafter the frailties of great ladies, the obscurer liaisons of lesser ones, attachments perfect and imperfect, loves immaculate and the reverse, however amply set forth, disclose no new height. As the pages of chronicles turn and faces emerge, lovers appear and vanish. In the various annals of different lands their amours, pale or fervid as the case may be, differ perhaps but only in atmosphere and accessories. On antecedent types no advance is accomplished. Recitals of them cease to enlighten. Love had become what it has since remained, a harper strumming familiar airs, strains hackneyed if delicate, melodies very old but always new, so novel even that they seem original. To the music of it history discloses fresher mouths, further smiles, tears and kisses. History will always do that.
Wrongly is it said that it repeats itself. Except with love it never does. In life as in death change is the one thing constant. Between them love alone stands changeless. Since it first appeared it has had many costumes, a wardrobe of tissues of every hue. But in character it has not altered. Influences favorable or prejudicial might degrade it or exalt. In abas.e.m.e.nts and a.s.sumptions love, like beauty, being one and indivisible, remained unchangeably love. What varied was the costume.
X
THE LAW OF ATTRACTION
"To renounce your individuality, to see with another"s eyes, to hear with another"s ears, to be two and yet but one, to so melt and mingle that you no longer know are you you or another, to constantly absorb and constantly radiate, to reduce earth, sea, and sky and all that in them is to a single being, to give yourself to that being so wholly that nothing whatever is withheld, to be prepared at any moment for any sacrifice, to double your personality in bestowing it--that is love."
So Gautier wrote, very beautifully as was his beautiful custom. But in this instance inexactly. That is not love. It is a description, in gold ink, of one of love"s many costumes. Every poet has provided one. All give images and none the essence. Yet that essence is the sphinx"s riddle. Its only OEdipus is philosophy.
Philosophy teaches that the two fundamental principles of thought are self-preservation and the preservation of the species. Every idea that has existed or does exist in the human mind is the result of the permutations and combinations of these two principles and their derivatives. Of the two the second is the stronger. Its basis is a sentiment which antiquity deified, primitive Christianity scorned, chivalry nimbused and the Renaissance propelled over the paths easy or perilous which it has since pursued. But into the precise nature of that sentiment metaphysics alone has looked. Plato was the first that a.n.a.lyzed it. For the few thereafter the rich courses of his Banquet sufficed. They regaled themselves on it.
But for humanity at large, to whom the feast was Greek, there was only the descriptions of poets and the knowledge, agreeable or otherwise, which personal experience supplied. In either case the noumenon, the Ding an sich, the thing in itself, escaped. It was too tenuous perhaps for detention or else too obvious. Plato himself did not grasp it.
The omission Schopenhauer discerned. Schopenhauer was an idealist. The forms of matter and of man he arranged in two categories, which he called Representation and Will. In his system of philosophy everything not produced by the one is the result of the other. Among the effects of the latter is love.[76]
This frivolity--the term is Schopenhauer"s--is, he declared, a manifestation of the Genius of the Species, who, behind a mask of objective admiration, deludes the individual into mistaking for his own happiness that which in reality concerns but the next generation. Love is Will projecting itself into the creation of another being and the precise instant in which that being emerges from the original source of whatever is into the possibilities of potential existence, is the very moment in which two young people begin to fancy each other. The seriousness with which on first acquaintance they consider each other is due to an unconscious meditation concerning the child that they might create. The result of the meditation determines the degree of their reciprocal inclinations. That degree established, the new being becomes comparable to a new idea. As is the case with all ideas it makes an effort to manifest itself. In the strength of the effort is the measure of the attraction.
Its degrees are infinite while its extremes are represented by Venus Pandemos and Venus Urania--ordinary pa.s.sion and exalted affection. But in its essence love is always and everywhere the same, a meditation on the composition of the next generation and the generations that thence proceed--_Meditatio compositionis generationis futurae e qua iterum pendent innumerae generationes_.
The character of the meditation, its durability or impermanence, is, Schopenhauer continued, in direct proportion to the presence of attributes that attract. These attributes are, primarily, physical.
Attraction is induced by health, by beauty, particularly by youth, in which health and beauty are usually combined, and that because the Genius of the Species desires above all else the creation of beings that will live and who, in living, will conform to an integral type. After the physical come mental and temperamental attributes, all of which, in themselves, are insufficient to establish love except on condition of more or less perfect conformity between the parties. But as two people absolutely alike do not exist, each one is obliged to seek in another those qualities which conflict least with his or her own. In the difficulty of finding them is the rarity of real love. In connection with which Schopenhauer noted that frequently two people, apparently well adapted to one another, are, instead of being attracted, repelled, the reason being that any child they might have would be mentally or physically defective. The antipathy which they experience is induced by the Genius of the Species who has in view only the interests of the next generation.
To conserve these interests, nature, Schopenhauer explained, dupes the individual with an illusion of free will. In affairs of the heart the individual believes that he is acting in his own behalf, for his own personal benefit, whereas he is but acting in accordance with a predetermined purpose for the accomplishment of which nature has instilled in him an instinct that moves him to her ends, and so forcibly that rather than fail he is sometimes compelled to sacrifice what otherwise he would do his utmost to preserve--honor, health, wealth and reputation. It is illusion that sets before his eyes the deceiving image of felicity. It is illusion which convinces him that union with some one person will procure it. Whatever efforts or sacrifices he may consequently make he will believe are made to that end only yet he is but laboring for the creation of a predetermined being who has need of his a.s.sistance to arrive into life. But, once the work of nature accomplished, disenchantment ensues.
The illusion that duped him has vanished.
According to Schopenhauer love is, therefore, but the manifestation of an instinct which, influenced by the spirit of things, irresistibly attracts two people who, through natural conformity, are better adapted to conjointly fulfil nature"s aims than they would be with other partners.
Schopenhauer added that in such circ.u.mstances, when two individuals complete each other and common and exclusive affection possesses them both, their affection represents a special mission delegated by the Genius of the Species, one which consequently a.s.sumes a character of high elevation. In these cases, in addition to physical adaptation there is, he noted, a mental and temperamental concordance so adjusted that the parties alone could have achieved nature"s aims. In actuating them to that end the Genius of the Species desired, for reasons which Schopenhauer described as inaccessible, the materialization of a particular being that could not otherwise appear. In the series of existing beings that desire had no other sphere of action than the hearts of the future parents. The latter, seized by the impulsion, believe that they want for themselves that which as yet is but purely metaphysical, or, in other words, beyond the circle of actually existing things. In this manner, from the original source of whatever is, there then darts a new being"s aspiration for life which aspiration manifests itself in the actuality of things by the love of its potential parents, who, however, once the object of the Genius of the Species attained, find, to their entire astonishment, that that love is no more. But meanwhile, given that love, and the potential parents may become so obsessed by it that they will disregard anything which, ordinarily, would interfere.
This disregard, Schopenhauer further explained, is due to the Genius of the Species to whom the personal interests of the individual, laws, obstacles, differences of position, social barriers and human conventions are so many straws. Caring only for the generation to be lightly he dismisses them. It is his privilege, Schopenhauer declared. Our existence being rooted in him, he has over us a right anterior and more immediate than all things else. His interests are supreme.
"That point," Schopenhauer concluded, "antiquity perfectly understood when it personified the Genius of the Species as Eros, a divinity who, in spite of his infantile air, is hostile, cruel, despotic, demoniac and none the less master of G.o.ds and of man.
"Tu, deorum hominumque tyranne, Amor!""
For a philosopher Schopenhauer is very graphic. It is his great charm and possibly his sole defect. In the superabundance of his imagination there was not always room for the matter of fact. Then too he had a theory.
Everything had to yield to it. The trait, common to all metaphysicians, von Hartmann shared. In the latter"s _Philosophie des Unbewussten_ the Genius of the Species becomes the Unconscious, the same force with a different name, a sort of anthropomorphic ent.i.ty lurking on the back stairs of Spencer"s Unknowable and from there ruling omnipotently the lives and loves of man.
Both systems are ingenious. They are profound and they are admirable.
They have been respectfully received by the doct. But in their metaphysics of the heart there is a common error. Each confounds instinct with sentiment. Moreover, a.s.suming the validity of their hypothetical idol, there are phenomena left unexplained, the ordinary case for instance of an individual inspiring but not requiting another"s love. In one of the two parties to it the ent.i.ty obviously has erred. According to Schopenhauer and von Hartmann the ent.i.ty is the unique cause of love, which itself is an instinct that deludes into the furtherment of nature"s aims. But in an unrequited affection such furtherment is impossible. In which event if philosophy is not at fault the ent.i.ty must be; the result being that it lacks the omnipotence claimed. Demonstrably it has some power, it is even clear that that power is great, but in the same sense that occultists deny that death is, so may true lovers deny that the ent.i.ty exists. For them it is not. Without doubt it is the modern philosophic representative of Eros, but of Eros Pandemos, son and heir of the primitive Aphrodite whom Plato described.
Love does not proceed from that source. The instinct of it certainly does but not sentiment which is its basis. Commonly instinct and sentiment are confused. But, if a distinction be effected between their manifestations, it will be recognized that though desire is elemental in both, in instinct desire is paramount while in sentiment it is secondary and frequently, particularly in the case of young women, it is dormant when not absent, even though they may be what is termed "wildly in love."
Instinct is a primitive and general instigation, coeval and conterminous with life. Love is a specific emotion, exclusive in selection, more or less permanent in duration and due to a mental fermentation in itself caused by a law of attraction, which Plato called imeros and Voltaire the myth of happiness invented by Satan for man"s despair.
Imeros is the longing for love. The meditation which Schopenhauer described may enter there, and usually does, whether or not the parties interested are aware of it. But it need not necessarily do so. When Helose was in her convent there could have been no such meditation, yet, she loved Abailard as fervently as before. Moreover, when the work of nature is accomplished, disenchantment does not, as Schopenhauer insisted, invariably ensue. Disenchantment results when the accomplishing is due to instinct but not when sentiment is the cause. Had instinct alone prevailed humanity would hardly have arisen from its primitive state. But the evolution of the sentiment of love, in developing the law of attraction, lifted men from animality, angels from the shames of Ishtar, and heightened the stature of the soul.
The advance effected is as notable as it is obvious, but its final term is probably still remote. Ages ago the sphinx was disinterred from beneath ma.s.ses of sand under which it had brooded interminably. In its simian paws, its avian wings, in its body which is that of an animal, in its face which is that of a sage, before Darwin, before history, in traits great and grave, the descent of man was told.
There remains his ascent. Future monuments may tell it. Meanwhile evolution has not halted. Undiscernibly but indefatigably its advance proceeds. Its culmination is not in existing types. If humanity descends from apes, from humanity G.o.ds may emerge. The story of Olympus is but a tale of what might have been and what might have been may yet come to pa.s.s. Even now, if the story were true and the old G.o.ds could return, it is permissible to a.s.sume that they would evaporate to ghostland eclipsed.
The inextinguishable laughter which was theirs is absent from the prose of life. Commerce has alarmed their afflatus away. But the telegraph is a better messenger than they had, the motor is surer than their chariots of dream. In contemporary homes they could have better fare than ambrosia and behold faces beside which some of their own might seem less divine. The prodigies of electricity might appear to them more potent than the thunderbolts of Zeus and, at the sight of modern engines, possibly they would recall the t.i.tans with whom once they warred and sink back to their sacred seas outfaced.
In the same manner that we have exceeded them it is also permissible to a.s.sume that posterity will exceed what we have done. From its parturitions G.o.ds may really come, beings that is, who, could contemporaneous man remain to behold them, would regard him as he regards the ape.
That advance, if effected, love will achieve. In its history, already long, yet relatively brief, it has changed the face of the earth. It has transformed laws and religions. It has reversed and reconstructed every inst.i.tution human and divine. As yet its evolution is incomplete. But when the final term is reached, then, doubtless, the words of the Apocalypse shall be realized, for all things will have been made anew.
FINIS HISTORIae AMORIS