Our frame now stands alone and rigid and should be viewed from all sides to correct any errors. It should not be too high, front or rear, and also having the back-board perfectly vertical or plumb. Insert two pieces of rod in the opening at the back of the skull and fasten them there by mixing enough plaster of paris and water to fill the cavity, to the consistency of mola.s.ses and pouring it in around them.
The ends of the rods should be bent or roughened to prevent them slipping out after the plaster has set. A surplus of plaster can be placed around the articulation of the jaws, at the same time holding them in place. These neck rods are to run beside and be fastened to the back-board as the legs were.
Let one remain straight and fasten it loosely so it may be drawn in and out the loops until the proper length of neck is formed, then tighten them and fasten the other rod also. Before fastening these try the skin over the frame, making sure it will cover in all directions. A tail wire stapled to the top of the back-board completes the frame.
[Ill.u.s.tration: BOLTING LEG RODS TO STAND.]
If two good sized rectangular holes are cut in the back-board just in front of the hind legs and behind the shoulders they will be useful later in shaping the body by sewing back and forth with a mattress needle and cord. Drive a row of lath nails into the top and bottom edges of the back-board about half their length at 2 inch intervals. They will enable you to build up first one side, then the other of the body by winding down excelsior with wrapping cord. These nails are driven fully in when the winding is finished.
The limbs also are built up by using the same material. Do not build up any part to a perfect fit yet, however, as we must leave room for a sh.e.l.l of paper 1/8 to 1/4 inch thick. Depressions in body and limbs are reproduced by sewing from side to side or drawing down with nails.
The neck and skull are built up in much the same way and the skin fitting loosely, the manikin is surfaced up with a coat of soft modelling clay well rubbed in with a small trowel. The paper coating is to be applied while the clay is still damp so a large specimen must be partly covered with a damp cloth to prevent it drying out prematurely.
The paper for this purpose should be of some soft easily pulped variety; common building paper is good and may be torn in pieces of various size, soaked in water 15 minutes, then squeezed out and coated on both sides with paste. This is applied to the surface of the figure, the edges overlapping slightly, until completely covered. Use paper of a different color for each alternate coat to insure its completion. Five or six coats will be sufficient when it may be left to dry, after which treat it to a good coat of sh.e.l.lac.
The skin is withdrawn from the pickle, rinsed in soda solution, put through the benzine and meal drying and coated on the entire inner surface with preservative. Glue coated ear forms are slipped into place and fastened by long st.i.tches back and forth through the ears. The feet and bases of ears are filled with papier mache pulp and the surface of the manikin coated with liquid glue.
Now the skin is put on the form to stay, fastening down the central line of the back with wire brads and drawn together at the junction of legs and body with stout st.i.tches. The legs are sewn up first and the opening cut of the body last. A surplus of skin may be worked out and distributed with the point of an awl, while it may be pulled and stretched to cover a shortage in another point without changing the animal"s form in the least.
The ears are pinned in place and their bases distended by tow pressed in with stuffers. Pointed wires thrust through the openings of the ears into the skull will hold them in place until dry.
The nose, lips and around the eyes are correctly placed, filling slightly between the skin and paper if necessary, use plenty of common pins to hold the skin in place. They are either drawn or cut off flush in short-haired skins when dry, but in one like the bear they may be driven to the head and left so.
Any places not inclined to stay put may be clamped down with strips of cardboard pinned on. The gla.s.s eyes should be placed now before setting away to dry, which will require some time.
When dry any bare patches of skin will have a dead appearance and require painting with oil colors thinned with turpentine to reduce the gloss. The end of the nose and lips are touched with varnish to produce the natural moist appearance.
If mounted with open mouth this is modelled in paper and wax coated as already described. The fur which should have been nicely combed after mounting will need another brushing and the animal is ready for removal to a permanent mount or pedestal. Some little judgment can be displayed in this selection as a poor, rough mounting will detract from the appearance of the best work while a specimen far below the average will pa.s.s muster with tasteful and suitable surroundings. The same principles will apply with some exceptions in mounting about all large animals.
Some of the most ponderous have a hollow wooden frame made to reduce the bulk of filling required; this is covered with wooden strips or lath and this in turn with a layer of fibrous material.
Supporting rods more than 1/2 inch in diameter must have both ends threaded and be connected with the back-board by iron squares. These consist of a rectangular piece of iron, bent at right angles and drilled with a number of holes in both f.l.a.n.g.es. One set of these is for s.c.r.e.w.i.n.g to the back-board while the others are of a size to receive the upper end of the leg rod. By changing these from one hole to another it is possible to vary the distance somewhat between the front and hind legs without moving the iron squares on the back-board.
[Ill.u.s.tration: FASTENING RODS TO BACK WITH IRON SQUARES.]
Sometimes the hair will be found missing in one or more places on a finished animal and in such case "Old Dr. Le Page"s Liquid Hair Restorer" is the only remedy. The place to be covered is coated with glue and a small tuft of hair from the same or another skin grasped with a forceps, the base touched with glue and carefully placed. The hair is arranged with a setting needle before the glue hardens, and though a tedious operation it may be performed so well as to defy detection.
Another way where the hair or fur is of some length is to procure a patch of the right size with hair matching that surrounding, shaving the hide thin, coating the back with glue and pinning on the bare spot.
CHAPTER XVI.
MOUNTING HEADS OF SMALL ANIMALS, BIRDS AND FISH.
One of the most interesting collections which the average nature lover can make is of the heads of small game. The expense is smaller than where the entire subject is preserved, they occupy but little room, and are easily kept in good order.
[Ill.u.s.tration: WILD CAT HEAD MOUNTED ON SHIELD.]
Heads of small fur bearers are all mounted in about the same way. In skinning split down the back of neck from between the ears to base of neck, cut around neck in front of shoulders and turn the scalp wrong side out over the head, put it through the usual pickling, paring, cleaning and poisoning. If ears are pocketed and lips split before pickling it may prevent the loss of hair and epidermis, in warm weather especially. Clean the skull if the head is to be mounted with open mouth. If the skull is not to be had, the teeth are broken, or you are in a great hurry, use an artificial form with the interior of the mouth already modelled.
Enlarge the opening at the back of skull and insert a piece of board not wider than the depth of neck from top to bottom. Drill a hole in top of skull and drive a screw into the board into the board inside skull cavity, prop the lower jaw open the desired distance and fill around its articulations and the base of skull around neck board with freshly mixed plaster of paris.
[Ill.u.s.tration: FOX HEAD SKINNED AND ON NECK STANDARD.]
When this hardens the skull with open jaws is firmly fixed on end of neck board. Fasten neck board in vise and mark where to saw off, allowing for a piece of 1/2 inch board shaped like a cross section of the neck. If an artificial form is used, screw it to the neck board and treat the same otherwise.
Make the neck short rather than long with the nose lower than the eyes in most cases. Build up neck and head by winding on tow. Mount and finish the head as directed in rug work.
[Ill.u.s.tration: LEOPARD HEAD, ARTIFICIAL.]
The skin may be fastened at the end of neck by pins or brads driven all around the neck. Trim off any surplus with a knife, cutting from inside the skin to prevent cutting off ends of fur.
If a skin has been ripped up the front to the chin careful sewing will make it presentable, though such seams are hard to conceal.
[Ill.u.s.tration: HAWK HEAD.]
The heads of birds of prey and the larger game birds show up well mounted and need no special treatment from that generally given. The neck only is made up on a wire, one end of which is sharpened to thrust through the skull while the other is stapled or clinched to a bit of board round or oval shape. The skin of the base of neck is fastened to this by sewing back and forth across the back. Heads of fish like ba.s.s and pike are prepared by cutting off just back of the gills and cleaning from the back all brains and flesh.
After poisoning, fill them with tow or cotton, bracing the mouth open if wanted so and keep in the desired position until dry. Then the fibrous filling is removed and they are filled permanently with plaster or paper pulp and a piece of board fastened in the back of head to furnish a hold for screws from the back of the shield or panel.
The inside of the mouth will need remodelling with wax and the whole given a coat of white varnish. Any bright colors which may have faded should be retouched with oil colors before varnishing.
Suitable mounts for small heads are in the regular shield and round and oval shapes, and rustic panels of natural wood. A number of small heads may be mounted on one long panel.
CHAPTER XVII.
MOUNTING HEADS OF LARGE GAME.
Mounting heads, of horned game especially, is a branch of taxidermy which suffers no diminution in popularity. Such work is turned out at the present time in far better shape than it was years ago, but many fine heads still remain that were gathered in days of abundance of buffalo, elk and mountain sheep.
[Ill.u.s.tration: SHEEP HEAD.]
In skinning horned heads never open the skin up the front of the neck; not only are such seams difficult to hide but the skull with antlers cannot be entirely removed from the skin as it should be.
To do this open the skin down the center of the back of the neck from just back of the horns to the shoulders or at least half that distance.
A neck of medium length is preferable and many a fine head has been ruined by being cut off just back of the ears.
Connect the upper end of the opening cut with the base of each horn or antler by a short branch making the whole opening of a Y or T shape.
Turn the neck skin inside out down over the head, which in case of a deer may rest on the antlers, until the ears are reached, cut these off not too close to the head and the horns are next met with.
[Ill.u.s.tration: SKINNING HORNED HEADS. CUT ON HEAVY LINES.]