How to Fence.
by Aaron A. Warford.
HOW TO FENCE.
Fencing is the art of using the small-sword, or rapier. The small-sword has a straight blade, about thirty-two inches in length outside the guard, and is fashioned for _thrusting_ only. Although it is an art of the greatest antiquity, very great improvements have been made in it during the last half-century, chiefly by French masters, who excel those of all other countries. This has been attributed to various causes; by some to the agility and acknowledged power of rapid physical action possessed by this nation; by others, to their natural vivacity and mental quickness. In my opinion, however, a more direct and powerful cause may be traced in the great encouragement and universal patronage which it has ever received from every grade of a chivalrous and military people. Every regiment has its _maitre d"armes_, and every barrack its fencing-school. Indeed, in so important a light was the proper teaching of this art held, that one of the French kings (Louis XIV.) granted letters-patent to twenty eminent masters, who alone were permitted to teach in Paris. When a vacancy occurred, no interest and no favor could enable a candidate to obtain this privilege: he had to fence in public with six of these chosen masters, and if by any of them he was beaten by two distinct hits, he was considered unqualified to teach in the capital.
Independent of its value as the scientific use of the sword--the gentleman"s weapon of defense, _par excellence_--fencing stands unrivaled as an _exercise_; and it is in this sense that it will now be treated. The most eminent physicians which this country have produced, have all, in the most earnest manner, recommended it to the attention of the young. Thus, Dr. Clive says:
"Muscular exertion is essential in perfecting the form of the body, and those exercises which require the exercise of the greatest number of muscles are the most conducive to this end. Fencing causes more muscles to act at the same time than most other exercises. It promotes the expansion of the chest, and improves respiration, whereby the functions of the most important organs of the body are more perfectly performed."
Sir Anthony Carlisle uses similar language:
"According to my judgment, the exercise of fencing tends to promote bodily health, and the development of athletic powers. It is likewise apparent that the att.i.tudes and exertions of fencing are conducive to the manly forms and muscular energies of the human figure."
Again, Sir Everard Home, in still stronger terms:
"Of all the different modes in which the body can be exercised, there is none, in my judgment, that is capable of giving strength and velocity, as well as precision, to the action of all the voluntary muscles of the body in an equal degree as the practice of fencing, and none more conducive to bodily health."
I shall give one more extract from another physician of equal eminence, Dr. Babbington:
"I am of opinion that, in addition to the amus.e.m.e.nt which this exercise (fencing) affords, it is particularly calculated to excite in young persons a greater degree of energy and circ.u.mspection than they might otherwise possess; and it is obvious that, in respect of health, that mode of exertion is _superior to all others_, which, while it gives motion and activity to every part of the body, produces at the same time corresponding interest in the mind."
Sir John Sinclair, Dr. Pemberton, &c., speak in terms equally recommendatory.
To avoid all danger in the lessons and practice, foils are subst.i.tuted for real swords. Strong wire masks are worn on the face, a well-padded glove on the hand; and the upper part of the body, at which alone the thrusts are aimed, is protected by a strong jacket, the right side and collar of which should be of leather.
The first movement a beginner has to learn, is the manner of placing himself in the position called
THE GUARD.
It is from this position that all movements are made, whether offensive or defensive. Let the beginner be placed with his knees straight, his feet at right angles, heel to heel; the right foot, right side, and face directed to the master. The body must be held upright and firm, the arms hanging down by the side, but easily and without constraint, the left hand holding the foil a few inches beneath its guard. Next, let him bring the right hand across the body, and seize the foil-handle; by a second movement, bring the foil above the head, the hands separating as they ascend, until both arms be nearly extended upwards and outwards.
Here pause. This may be called the _first position_ of the Guard.
These movements should be frequently practiced, as they accustom the arms to move independently of the body, flatten the joints of the shoulders, and give prominence to the chest.
To arrive at the _second position_ of the Guard, the right arm, with the foil, is brought down to the front, until the right elbow is a little above and in advance of the waist; the fore-arm and foil sloping upwards; the point of the foil being the height of the upper part of the face; then, by a second movement, the learner must sink down, separating the knees, and stepping forward with the right foot fourteen or sixteen inches; for, of course, the guard of a tall man will be wider than that of a short one. However, his own comfort in the position will direct him as to the distance; and the general rule is, that the knee of the left leg will jut over the toes of the left foot, and the right leg from ankle to knee be perpendicular. It is in this position that he will receive all attacks from an adversary, and from this position will all his own attacks be made. Also in this position will he
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ADVANCE
upon an adversary, when beyond hitting distance. The step in the advance is usually about that of the width of the Guard, although of course this would vary with circ.u.mstances. The step is made by advancing the right foot the distance I have named; and on its reaching the ground, the left foot is brought up, and takes its place. To
RETREAT,
the reverse of the above movement is made. The left foot takes the lead, stepping to the rear about as far as the right had stepped to the front; the right occupying its place on its taking up its new position. The next movement,
THE LONGE,
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is a very important movement, and is rather difficult to make properly, and fatiguing to practice. Indeed, the first movements in fencing are the most trying to the learner; and he must not be discouraged if he fails to do them correctly at first--practice only will give him this power. The Longe is that extension of body which accompanies every attack, and is thus made:--The right arm is extended straight from the shoulder, the arm and blade being on the same level; by a second movement, the right foot is raised from the ground, and a step made forward, about eighteen inches in length, while the left remains firmly planted in its place. At the instant that this step is made, the left hand is allowed to fall within a few inches of the left thigh, and the left knee is stiffened back until the leg is perfectly straight.
The thigh of the right leg will now be in a position nearly horizontal; from the knee downwards perpendicular. Having executed the Longe, the next movement to be made is
THE RECOVER;
that is, to return from the position of the Longe to that of the Guard, and is thus effected:--The left arm is nimbly thrown up to its place, the right arm drawn in, and the left knee re-bent. These movements must be made at the same time, as it is their _united_ action that enables a person to recover from so extended a position as the Longe quick enough to avoid a thrust if his own attack has failed.
These movements must be frequently practiced before any others are attempted--the Guard, the Advance, the Retreat, the Longe, and the Recover; and when the learner has attained some proficiency in them, he may begin the more delicate movements of attack and defense. Of these I will now speak.
THE ENGAGE.
It is customary for adversaries, on coming to the Guard, to _Engage_, or to join blades, on what is called the _inside_, that is, the _right_ side; although there are occasions on which it is advisable to engage on the _outside_, or on the left; otherwise called the _Quarte_ or _Tierce_ sides.
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Two men thus opposed to each other will at once perceive that there are two lines of attack open to them, _i. e._ the line inside and the line outside the blade--these, and no more. But these may be, and in fencing are, subdivided into inside above the hand, and inside under the hand, and the same subdivision for outside. This gives four lines of attack--or, to speak more simply, gives four openings through which an adversary may be a.s.sailed. Now, to protect each of these a.s.sailable points, are four defensive movements, called
PARADES.
Each opening has its own parade or defense, and each parade will guard its own opening, and, strictly speaking, no other. The opening inside above the hand is defended by two parades.
As its name imports, the first and most natural parade is that of _Prime_. The action of drawing the sword from its sheath is almost exactly the movement made use of in the parade of Prime.
In this parade the hand is raised as high as the forehead, so that the fencer can see his opponent"s face under his wrist. The blade of the foil is almost horizontal, but the point is rather lowered towards the ground. As this parade will throw the right side of the body open to the adversary"s sword, it is good play to disengage from left to right, and deliver a rapid thrust at the adversary, in order to antic.i.p.ate him before he can bring his own sword round for another thrust. His point will be thrown far out of line, so that he is behind-hand in point of time.
This is a very useful parade for fencers of short stature, as they can sometimes get in their blade under their adversary"s arm, after they have parried his thrust.
The other parade is that of
QUARTE.
It is thus formed. On the approach of the point of an adversary"s blade (and how these approaches are made I will presently explain), the right hand is moved a few inches--three or four will be enough--across the body on the inside, the hand being neither depressed nor raised, and the foil being kept on the same slope as in the Guard. This guards the body on the inside above the hand, but (and here comes an important law in fencing) the very movement which has guarded the body on one side has exposed it on the other; this is the case with all the simple parades.
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