Peter had none of the superst.i.tions of his race, or he would never have been our companion. "All right, ma.s.sa; me look for Brer Spook."
So saying, Peter walked into a kind of roofed over-room, open only at the front, and examined the floor with his lantern, stamping occasionally to detect any hollowness in the ground.
"Nothing here, ma.s.sa, but this dead fellow"s leg-bone and little bits of broken jugs," and the dauntless Peter came out with his ghastly trophy.
Moore seemed not to lose heart.
"Perhaps," he said, "there is something on the roof. Peter, give me a back."
Peter stooped down beside one of the wooden pillars and firmly grasped his own legs above the knee. Moore climbed on the improvised ladder, and was just able to seize the edge of the roof, as it seemed to be, with his hands.
"Now steady, Peter," he exclaimed, and with a spring he drew himself up till his head was above the level of the roof. Then he uttered a cry, and, leaping from Peter"s back retreated to the level where we stood in some confusion.
"Good G.o.d!" he said, "what a sight!"
"What on earth is the matter?" I asked.
"Look for yourself, if you choose," said Moore, who was somewhat shaken, and at the same time irritated and ashamed.
Grasping the lantern, I managed to get on to Peter"s shoulders, and by a considerable gymnastic effort to raise my head to the level of the ledge, and at the same time to cast the light up and within.
The spectacle was sufficiently awful.
I was looking along a platform, on which ten skeletons were disposed at full length, with the skulls still covered with long hair, and the fleshless limbs glimmering white and stretching back into the darkness.
On the right hand, and crouching between a skeleton and the wall of the chamber (what we had taken for a roof was the floor of a room raised on pillars), I saw the form of a man. He was dressed in gay colours, and, as he sat with his legs drawn up, his arms rested on his knees.
On the first beholding of a dreadful thing, our instinct forces us to rush against it, as if to bring the horror to the test of touch. This instinct wakened in me. For a moment I felt dazed, and then I continued to stare involuntarily at the watcher of the dead. He had not stirred.
My eyes became accustomed to the dim and flickering light which the lantern cast in that dark place.
"Hold on, Peter," I cried, and leaped down to the floor of the cave.
"It"s all right, Moore," I said. "Don"t you remember the picture in old Lafitau"s "Moeurs des Sauvages Americains"? We are in a burying-place of the Cherouines, and the seated man is only the kywash, "which is an image of woode keeping the deade.""
"a.s.s that I am!" cried Moore. "I knew the cave led us from the Sachem"s Cave to the Sachem"s Mound, and I forgot for a moment how the fellows disposed of their dead. We must search the platform. Peter, make a ladder again."
Moore mounted nimbly enough this time. I followed him.
The kywash had no more terrors for us, and we penetrated beyond the fleshless dead into the further extremity of the sepulchre. Here we lifted and removed vast piles of deerskin bags, and of mats, filled as they were with "the dreadful dust that once was man." As we reached the bottom of the first pile something glittered yellow and bright beneath the lantern.
Moore stooped and tried to lift what looked like an enormous plate. He was unable to raise the object, still weighed down as it was with the ghastly remnants of the dead. With feverish haste we cleared away the debris, and at last lifted and brought to light a huge and ma.s.sive disk of gold, divided into rays which spread from the centre, each division being adorned with strange figures in relief--figures of animals, plants, and what looked like rude hieroglyphs.
This was only the firstfruits of the treasure.
A silver disk, still larger, and decorated in the same manner, was next uncovered, and last, in a hollow dug in the flooring of the sepulchre, we came on a great number of objects in gold and silver, which somewhat reminded us of Indian idols. These were thickly crusted with precious stones, and were accompanied by many of the sacred emeralds and opals of old American religion. There were also some extraordinary ma.n.u.scripts, if the term may be applied to picture writing on prepared deerskins that were now decaying. We paid little attention to cloaks of the famous feather-work, now a lost art, of which one or two examples are found in European museums. The gold, and silver, and precious stones, as may be imagined, overcame for the moment any ethnological curiosity.
Dawn was growing into day before we reached the mouth of the cave again, and after a series of journeys brought all our spoil to the light of the upper air. It was quickly enough bestowed in bags and baskets. Then, aided by three of Moore"s stoutest hands, whom we found waiting for us in the pine wood, we carried the whole treasure back, and lodged it in the strong room which had been the retreat of Gumbo.
III.
The conclusion of my story shall be very short. What was the connection between Gumbo and the spoils of the Sachem"s Mound, and how did the treasures of the Aztec Temple of the Sun come to be concealed in the burial place of the Red Man? All this Moore explained to me the day after we secured the treasures.
"My father," said Moore, "was, as you know, a great antiquarian, and a great collector of Mexican and native relics. He had given almost as much time as Bra.s.seur de Bourbourg to Mexican hieroglyphics, and naturally had made nothing out of them. His chief desire was to discover the Secret of the Pyramid--not the pyramids of Egypt, as you fancied, but the Pyramid of the Sun, Tonatiuh, at Teohuacan. To the problem connected with this mysterious structure, infinitely older than the empire of Montezuma, which Cortes destroyed, he fancied he had a clue in this scroll."
Moore handed me a prepared sheet of birch bark, like those which the red men use for their rude picture writings. It was very old, but the painted characters were still brilliant, and even a tyro could see that they were not Indian, but of the ancient Mexican description. In the upper left-hand corner was painted a pyramidal structure, above which the sun beamed. Eight men, over whose heads the moon was drawn, were issuing from the pyramid; the two foremost bore in their hands effigies of the sun and moon; each of the others seemed to carry smaller objects with a certain religious awe. Then came a singular chart, which one might conjecture represented the wanderings of these men, bearing the sacred things of their G.o.ds. In the lowest corner of the scroll they were being received by human beings dressed unlike themselves, with head coverings of feathers and carrying bows in their hands.
"This scroll," Moore went on, "my father bought from one of the last of the red men who lingered on here, a prey to debt and whisky. My father always a.s.sociated the drawings with the treasures of Teohuacan, which, according to him, must have been withdrawn from the pyramid, and conveyed secretly to the north, the direction from which the old Toltec pyramid builders originally came. In the north they would find no civilized people like themselves, he said, but only the Indians. Probably, however, the Indians would receive with respect the bearers of mysterious images and rites, and my father concluded that the sacred treasures of the Sun might still be concealed among some wandering tribe of red men.
He had come to this conclusion for some time, when I and my brother returned from school, hastily summoned back, to find him extremely ill.
He had suffered from a paralytic stroke, and he scarcely recognized us.
But we made out, partly from his broken and wandering words, partly from old Tom (Peter"s father, now dead), that my father"s illness had followed on a violent fit of pa.s.sion. He had picked up, it seems, from some Indians a scroll which he considered of the utmost value, and which he placed in a shelf of the library. Now, old Gumbo was a house-servant at that time, and, dumb as he was, and stupid as he was, my father had treated him with peculiar kindness. Unluckily Gumbo yielded to the favourite illusion of all servants, white and black, male and female, that anything they find in the library may be used to light a fire with.
One chilly day Gumbo lighted the fire with the newly purchased Indian birch scroll. My father, when he heard of this performance, lost all self-command. In his ordinary temper the most humane of men, he simply raged at Gumbo. He would teach him, he said, to destroy his papers. And it appeared, from what we could piece together (for old Tom was very reticent and my father very incoherent), that he actually branded or tattooed a copy of what Gumbo had burnt on the n.i.g.g.e.r"s body!"
"But," I interrupted, "your father knew all the scroll had to tell him, else he could not have copied it on Gumbo. So why was he in such a rage?"
"You," said Moore, with some indignation, "are not a collector, and you can"t understand a collector"s feelings. My father knew the contents of the scroll, but what of that? The scroll was the first edition, the real original, and Gumbo had destroyed it. Job would have lost his temper if Job had been a collector. Let me go on. My brother and I both conjectured that the scroll had some connection with the famous riches of the Sun and the secret of the Pyramid of Teohuacan. Probably, we thought, it had contained a chart (now transferred to Gumbo"s frame) of the hiding-place of the treasure. However, in the confusion caused by my father"s illness, death, and burial, Gumbo escaped, and, being an unusually stupid n.i.g.g.e.r, he escaped due south-west. Here he seems to have fallen into the hands of some slave-holding Indians, who used him even worse than any white owners would have done, and left him the mere fragment you saw. He filtered back here through the exchange of commerce, "the higgling of the market," and as soon as I recognized him at the sale I made up my mind to purchase him. So did my brother; but, thanks to Peter and his hornets, I became Gumbo"s owner. On examining him, after he was well washed on the night of the attack, I found this chart, as you may call it, branded on Gumbo"s back." Here Moore made a rapid tracing on a sheet of paper. "I concluded that the letters S M (introduced by my father, of course, as the Indian scroll must have been "before letters") referred to the Sachem"s Mound, which is in my land; that the Sun above referred to the treasures of the Sun, that S C stood for the Sachem"s Cave, and that the cave led, under the river, within the mound. We might have opened the mound by digging on our own land, but it would have been a long job, and must have attracted curiosity and brought us into trouble. So, you see, the chart Gumbo destroyed was imprinted by my father on his black back, and though he _knew_ nothing of the secret he distinctly _had_ it."
"Yes," said I, "but why did you ask for a razor when you were left alone with Gumbo?"
"Why," said Moore, "I knew Gumbo was marked somewhere and somehow, but the place and manner I didn"t know. And my father might have remembered the dodge of Histiaeus in Herodotus: he might have shaved Gumbo"s head, tattooed the chart on that, and then allowed the natural covering to hide the secret "on the place where the wool ought to grow.""
THE ROMANCE OF THE FIRST RADICAL.
A PREHISTORIC APOLOGUE.
"t.i.tius. Le premier qui supprime un abus, comme on dit, est toujours victime du service qu"il rend.
Un Homme du Peuple. C"est de sa faute! Pourquoi se mele t"il de ce qui ne le regarde pas."--Le Pretre de Nemi.
The Devil, according to Dr. Johnson and other authorities, was the first Whig. History tells us less about the first Radical--the first man who rebelled against the despotism of unintelligible customs, who a.s.serted the rights of the individual against the claims of the tribal conscience, and who was eager to see society organized, off-hand, on what he thought a rational method. In the absence of history, we must fall back on that branch of hypothetics which is known as prehistoric science. We must reconstruct the Romance of the First Radical from the hints supplied by geology, and by the study of Radicals at large, and of contemporary savages among whom no Radical reformer has yet appeared. In the following little apologue no trait of manners is invented.
The characters of our romance lived shortly after the close of the last glacial epoch in Europe, when the ice had partly withdrawn from the face of the world, and when land and sea had almost a.s.sumed their modern proportions. At this period Europe was inhabited by scattered bands of human creatures, who roamed about its surface much as the black fellows used to roam over the Australian continent. The various groups derived their names from various animals and other natural objects, such as the sun, the cabbage, serpents, sardines, crabs, leopards, bears, and hyaenas.
It is important for our purpose to remember that all the children took their family name from the mother"s side. If she were of the Hyaena clan, the children were Hyaenas. If the mother were tattooed with the badge of the Serpent, the children were Serpents, and so on. No two persons of the same family name and crest might marry, on pain of death.
The man of the Bear family who dwelt by the Mediterranean might not ally himself with a woman of the Bear clan whose home was on the sh.o.r.es of the Baltic, and who was in no way related to him by consanguinity. These details are dry, but absolutely necessary to the comprehension of the First Radical"s stormy and melancholy career. We must also remember that, among the tribes, there was no fixed or monarchical government. The little democratic groups were much influenced by the medicine-men or wizards, who combined the functions of the modern clergy and of the medical profession. The old men, too, had some power; the braves, or warriors, const.i.tuted a turbulent oligarchy; the noisy outcries of the old women corresponded to the utterances of an intelligent daily press.
But the real ruler was a body of strange and despotic customs, the nature of which will become apparent as we follow the fortunes of the First Radical.
THE YOUTH OF WHY-WHY.