Unfortunately, the cura Carillo was unwell, and unable to accompany him, but had promised to follow in a few days. On Christmas eve we were all once more together, and Christmas Day, in spite of ourselves, was a holyday. No Indians came out to work. Chaipa Chi, who had moved regularly as the sun, for the first time failed. We had, however, as visiters, a number of women from the village of Moona. From the top of the House of the Dwarf we saw them moving toward that of the Nuns, and went down to receive them. The only males who accompanied them were a lad about fourteen attending his newly-married wife, and the husband of the woman I had seen buried, who either had not the spirit for joining in the festivities at the hacienda, or was putting himself in the way of repairing his loss.
Unable to do anything at the ruins, I walked down to the hacienda to see one of our horses which had a sore back. The hacienda was deserted, but the sound of violins led me to the place where the Indians were congregated. Preparations were making on a large scale for the evening feast. The place looked like a butcher"s shambles, for they had cut up what had once composed eight turkeys, two hogs, and I do not know how many fowls. The women were all busy; Chaipa Chi was lady-patroness, and up to her elbows in tortillas.
I walked on to the campo santo, for the purpose of carrying away two skulls which I had selected and laid aside on the charnel pile at the time of the funeral. I had taken some precautions, for the news of the carrying off the bones from San Francisco had created some excitement among the Indians all over the country; and as I had to pa.s.s a long row of huts, I had procured two calabazas, or gourds, for drinking cups, which I carried in a pocket-handkerchief, and intended to throw away in the graveyard, and subst.i.tute the skulls. On reaching the pile, however, I found that other hands had been upon it. The skulls I had selected had been displaced and mingled with the others, so that I could not identify them. I examined the whole heap, but could recognise only the huge skull of an African and that of the woman I had seen dug up. The latter was the skull of a full-blooded Indian, but it had been damaged by the crowbar; besides, I had seen all her bones and her very flesh taken piecemeal out of the grave; I had heard so much of her that she seemed an acquaintance, and I had some qualms of conscience about carrying her skull away. In fact, alone in the stillness and silence of the place, something of a superst.i.tious feeling came over me about disturbing the bones of the dead and robbing a graveyard. I should nevertheless, perhaps, have taken up two skulls at random, but, to increase my wavering feeling, I saw two Indian women peeping at me through the trees, and, not wishing to run the risk of creating a disturbance on the hacienda, I left the graveyard with empty hands. The majoral afterward told me that it was fortunate I had done so, for that if I had carried any away, it would have caused an excitement among the Indians, and perhaps led to mischief.
The account of our residence at Uxmal is now drawing to a close, and it is time to bring before the reader the remainder of the ruins; but before doing so I shall make one remark in regard to the work of Mr.
Waldeck, which was published in folio at Paris in 1835, and, except my own hurried notice, is the only account that has ever been published of the ruins at Uxmal. I had this work with me on our last visit. It will be found that our plans and drawings differ materially from his, but Mr. Waldeck was not an architectural draughtsman, and he complains that his drawings were taken from him by the Mexican government. I differ from him, too, in the statement of some facts, and almost entirely in opinions and conclusions; but these things occur of course, and the next person who visits these ruins will perhaps differ in many respects from both of us. It is proper to say, moreover, that Mr. Waldeck had much greater difficulties to encounter than we, for at the time of his visit the ground had not been cleared for a milpa, and the whole field was overgrown with trees; besides, he is justly ent.i.tled to the full credit of being the first stranger who visited these ruins, and brought them to the notice of the public.
To return. I have already mentioned the Casa del Gobernador and the Casa de las Tortugas, or House of the Turtles, the latter of which stands on the grand platform of the second terrace of the Casa del Gobernador, at the northwest corner.
Descending from this building, and on a line with the doorway of the Casa de las Monjas, going north, at the distance of two hundred and forty feet are two ruined edifices facing each other, and seven feet apart, as laid down on the general plan of the ruins. Each is one hundred and twenty-eight feet long, and thirty feet deep, and, so far as they can be made out, they appear to have been exactly alike in plan and ornament. The sides facing each other were embellished with sculpture, and there remain on both the fragments of entwined colossal serpents, which ran the whole length of the walls.
In the centre of each facade, at points directly opposite each other, are the fragments of a great stone ring. Each of these rings was four feet in diameter, and secured in the wall by a stone tenon of corresponding dimensions. They appear to have been broken wilfully; of each, the part nearest the stem still projects from the wall, and the outer surface is covered with sculptured characters. We made excavations among the ruins along the base of the walls, in hope of discovering the missing parts of these rings, but without success.
These structures have no doorways or openings of any kind, either on the sides or at the ends. In the belief that they must have interior chambers, we made a breach in the wall of the one on the east to the depth of eight or ten feet, but we found only rough stones, hanging so loosely together as to make it dangerous for the Indians to work in the holes, and they were obliged to discontinue.
This excavation, however, carried us through nearly one third of the structure, and satisfied us that these great parallel edifices did not contain any interior apartments, but that each consisted merely of four great walls, filled up with a solid ma.s.s of stones. It was our opinion that they had been built expressly with reference to the two great rings facing each other in the facades, and that the s.p.a.ce between was intended for the celebration of some public games, in which opinion we were afterward confirmed.
Pa.s.sing between these buildings, and continuing in the same direction, we reach the front of the Casa de las Monjas, or House of the Nuns.
This building is quadrangular, with a courtyard in the centre. It stands on the highest of three terraces. The lowest is three feet high and twenty feet wide; the second, twelve feet high and forty-five feet wide; and the third, four feet high and five feet wide, extending the whole length of the front of the building.
The front is two hundred and seventy-nine feet long, and above the cornice, from one end to the other, it is ornamented with sculpture. In the centre is a gateway ten feet eight inches wide, spanned by the triangular arch, and leading to the courtyard. On each side of this gateway are four doorways with wooden lintels, opening to apartments averaging twenty-four feet long, ten feet wide, and seventeen feet high to the top of the arch, but having no communication with each other.
The building that forms the right or eastern side of the quadrangle is one hundred and fifty-eight feet long; that on the left is one hundred and seventy-three feet long, and the range opposite or at the end of the quadrangle measures two hundred and sixty-four feet.
These three ranges of buildings have no doorways outside, but the exterior of each is a dead wall, and above the cornice all are ornamented with the same rich and elaborate sculpture. On the exterior of the range last mentioned, the designs are simple, and among them are two rude, naked figures, which have been considered as indicating the existence of that same Eastern worship before referred to among the people of Uxmal.
Such is the exterior of this building. Pa.s.sing trough the arched gateway, we enter a n.o.ble courtyard, with four great facades looking down upon it, each ornamented from one end to the other with the richest and most intricate carving known in the art of the builders of Uxmal; presenting a scene of strange magnificence, surpa.s.sing any that is now to be seen among its rains. This courtyard is two hundred and fourteen feet wide, and two hundred and fifty-eight feet deep. At the time of our first entrance it was overgrown with bushes and gra.s.s, quails started up from under our feet, and, with a whirring flight, pa.s.sed over the tops of the buildings. Whenever we went to it, we started flocks of these birds, and throughout the whole of our residence at Uxmal they were the only disturbers of its silence and desolation.
[Engraving 19: Plan of the Monjas]
Among my many causes of regret for the small scale on which I am obliged to present these drawings, none is stronger than the consequent inability to present, with all their detail of ornament, the four great facades fronting this courtyard. There is but one alleviating circ.u.mstance; which is, that the side most richly ornamented is so ruined that, under any circ.u.mstances, it could not be presented entire.
This facade is on the left of the visiter entering the courtyard. It is one hundred and seventy-three feet long, and is distinguished by two colossal serpents entwined, running through and encompa.s.sing nearly all the ornaments throughout its whole length. The two plates which follow represent the only parts remaining.
[Engraving 20: Part of the Facade of the Monjas]
The first exhibits that portion of the facade toward the north end of the building. The tail of one serpent is held up nearly over the head of the other, and has an ornament upon it like a turban, with a plume of feathers. The marks on the extremity of the tail are probably intended to indicate a rattlesnake, with which species of serpent the country abounds. The lower serpent has its monstrous jaws wide open, and within them is a human head, the face of which is distinctly visible on the stone, and appears faintly in the drawing. From the ruin to which all was hurrying, Don Simon cared only to preserve this serpent"s head. He said that we might tear and out carry away every other ornament, but this he intended to build into the wall of a house in Merida as a memorial of Uxmal.
[Engraving 21: Entwined Serpents over a Doorway]
The second engraving represents the two entwined serpents enclosing and running through the ornaments over a doorway. The princ.i.p.al feature in the ornament enclosed is the figure of a human being, standing, but much mutilated. The bodies of the serpents, according to the representations of the same design in other parts of the sculpture, are covered with feathers.
The two engravings represent about one fifth of the whole facade; the other four fifths were enriched with the same ma.s.s of sculptured ornaments, and toward the south end the head and tail of the serpents corresponded in design and position with the portion still existing at the other. Had it been our fortune to reach this place a few years sooner, we might have seen the whole entire. Don Simon told us that in 1835 the whole front stood, and the two serpents were seen encircling every ornament in the building. In its ruins it presents a lively idea of the "large and very well constructed buildings of lime and stone"
which Bernal Dias saw on landing at Campeachy, "with figures of serpents and of idols painted on the walls."
At the end of the courtyard, and fronting the gate of entrance, is the facade of a lofty building, two hundred and sixty-four feet long, standing on a terrace twenty feet high. The ascent is by a grand but ruined staircase, ninety-five feet wide, flanked on each side by a building with sculptured front, and having three doorways, each leading to apartments within.
The height of this building to the upper cornice is twenty-five feet.
It has thirteen doorways, over each of which rose a perpendicular wall ten feet wide and seventeen feet high above the cornice, making the whole height forty-two feet from the ground. These lofty structures were no doubt erected to give grandeur and effect to the building, and at a distance they appear to be turrets, but only four of them now remain. The whole great facade, including the turrets, is crowded with complicated and elaborate sculpture, among which are human figures rudely executed: two are represented as playing on musical instruments, one being not unlike a small harp, and the other in the nature of a guitar; a third is in a sitting posture, with his hands across his breast, and tied by cords, the ends of which pa.s.s over his shoulders.
Of the rest there is nothing which stands out distinct and intelligible like the serpent, and the whole, loaded as it is with ornament, conveys the idea of vastness and magnificence rather than that of taste and refinement.
This building has on curious feature. It is erected over, and completely encloses, a smaller one of older date. The doorways, walls, and wooden lintels of the latter are all seen, and where the outer building is fallen, the ornamented cornice of the inner one is visible.
[Engraving 22: View from the Nuns]
From the platform of the steps of this building, looking across the courtyard, a grand view presents itself, embracing all the princ.i.p.al buildings that now tower above the plain, except the House of the Dwarf. The engraving opposite represents this view. In the foreground is the inner facade of the front range of the Monjas, with a portion of the range on each side of the courtyard. To the left, in the distance, appears the Casa de la Vieja, or of the Old Woman, and, rising grandly above the front of the Monjas, are the House of the Turtles, that of the Governor, and the Casa de Palomos, or the House of the Pigeons.
[Engraving 23: East Side of the Courtyard of the Monjas]
The last of the four sides of the courtyard, standing on the right of the entrance, is represented in the plate opposite. It is the most entire of any, and, in fact, wants but little more than its wooden lintels, and some stones which have been picked out of the facade below the cornice, to make it perfect. It is, too, the most chaste and simple in design and ornament, and it was always refreshing to turn from the gorgeous and elaborate ma.s.ses on the other facades to this curious and pleasing combination.
The ornament over the centre doorway is the most important, the most complicated and elaborate, and of that marked and peculiar style which characterizes the highest efforts of these ancient builders. The ornaments over the other doorways are less striking, more simple, and more pleasing. In all of them there is in the centre a masked face with the tongue hanging out, surmounted by an elaborate headdress; between the horizontal bars is a range of diamond-shaped ornaments, in which the remains of red paint are still distinctly visible, and at each end of these bars is a serpent"s head, with the mouth wide open.
[Engraving 24: Southeast Corner of Monjas]
The engraving opposite represents the southeast corner of this building. The angle exhibits the great face before presented, with the stone curving upward at the projecting end. On each side is a succession of compartments, alternately plain, and presenting the form of diamond lattice-work. In both there is an agreeable succession of plain and ornamented, and, in fact, it would be difficult, in arranging four sides facing a courtyard, to have more variety, and at the same time more harmony of ornament. All these facades were painted; the traces of the colour are still visible, and the reader may imagine what the effect must have been when all this building was entire, and according to its supposed design, in its now desolate doorways stood n.o.ble Maya maidens, like the vestal virgins of the Romans, to cherish and keep alive the sacred fire burning in the temples.
I omit a description of the apartments opening upon this courtyard. We made plans of all of them, but they are generally much alike, except in the dimensions. The number in all is eighty-eight.
[Engraving 25: Interior of an Apartment]
++++++++++ In the range last presented, however, there is one suite different from all the rest The entrance to this suite is by the centre and princ.i.p.al doorway, and the engraving opposite represents the interior. It consists of two parallel chambers, each thirty-three feet long and thirteen wide; and at each end of both chambers is a doorway communicating with other chambers nine feet long and thirteen wide. The doorways of all these are ornamented with sculpture, and they are the only ornaments found in the interior of any buildings in Uxmal. The whole suite consists of six rooms; and there is a convenience in the arrangements not unsuited to the habits of what we call civilized life; opening as they do upon this n.o.ble courtyard, in the dry season, with nothing to apprehend from vegetation and damp; they would be by far the most comfortable residence for any future explorer of the ruins of Uxmal; and every time I went to them I regretted that we could not avail ourselves of the facilities they offered.
With these few words I take leave of the Casa de las Monjas, remarking only that in the centre is the fragment of a large stone like that on the terrace of the Casa del Gobernador, called the Picote, and also that, induced by the account of Waldeck that the whole was once paved with sculptured turtles, I pa.s.sed a morning digging all over the courtyard below the slight acc.u.mulation of earth, and found nothing of the kind. The substratum consisted of rude stones, no doubt once serving as a foundation for a floor of cement, which, from long exposure to the rainy seasons, has now entirely disappeared.
At the back of the last-mentioned range of the Monjas is another, or rather there are several ranges of buildings, standing lower than the House of the Nuns, in irregular order, and much ruined.
To the first portion of these we gave the name of the House of the Birds, from the circ.u.mstance of its being ornamented on the exterior with representations of feathers and birds rudely sculptured. The preceding engraving represents a part of these ornaments.
The remaining portion consists of some very large rooms, among which are two fifty-three feet long, fourteen wide, and about twenty high, being the largest, or at least the widest in Uxmal. In one of them are the remains of painting well preserved, and in the other is an arch, which approaches nearer to the principle of the keystone than any we had yet met with in our whole exploration of ruins. It is very similar to the earliest arches, if they may be so called, of the Etruscans and Greeks, as seen at Arpino in the kingdom of Naples, and Tiryns in Greece. (See engravings in the Appendix.)
From this range of buildings we descend to the House of the Dwarf, also known by the name of la Casa del Adivino, or the House of the Diviner, from its overlooking the whole city, and enabling its occupant to be cognizant of all that was pa.s.sing around him.
The courtyard of this building is one hundred and thirty-five feet by eighty-five. It is bounded by ranges of mounds from twenty-five to thirty feet thick, now covered with a rank growth of herbage, but which, perhaps, once formed ranges of buildings. In the centre is a large circular stone, like those seen in the other courtyards, called the Picote.
[Engraving 27: West Front of the House of the Dwarf]
The plate opposite represents the west front of this building, with the mound on which it stands The base is so ruined and enc.u.mbered with fallen stones that it is difficult to ascertain its precise dimensions, but, according to our measurement, it is two hundred and thirty-five feet long, and one hundred and fifty-five wide. Its height is eighty-eight feet, and to the top of the building it is one hundred and five feet. Though diminishing as it rises, its shape is not exactly pyramidal, but its ends are rounded. It is encased with stone, and apparently solid from the plain.
A great part of the front presented in the engraving has fallen, and now lies a ma.s.s of ruins at the foot of the mound. Along the base, or rather about twenty feet up the mound, and probably once reached by a staircase, now ruined, is a range of curious apartments, nearly choked up with rubbish, and with the sapote beams still in their places over the door.
At the height of sixty feet is a solid projecting platform, on which stands a building loaded with ornaments more rich, elaborate, and carefully executed, than those of any other edifice in Uxmal. A great doorway opens upon the platform. The sapote beams are still in their places, and the interior is divided into two apartments; the outer one fifteen feet wide, seven feet deep, and nineteen feet high, and the inner one twelve feet wide, four feet deep, and eleven feet high. Both are entirely plain, without ornament of any kind, and have no communication with any part of the mound.
The steps or other means of communication with this building are all gone, and at the time of our visit we were at a loss to know how it had been reached; but, from what we saw afterward, we are induced to believe that a grand staircase upon a different plan from any yet met with, and supported by a triangular arch, led from the ground to the door of the building, which, if still in existence, would give extraordinary grandeur to this great mound.
The crowning structure is a long and narrow building, measuring seventy-two feet in front, and but twelve feet deep.
The front is much ruined, but even in its decay presents the most elegant and tasteful arrangement of ornaments to be seen in Uxmal, of which no idea could be given in any but a large engraving. The emblems of life and death appear on the wall in close juxta-position, confirming the belief in the existence of that worship practised by the Egyptians and all other Eastern nations, and before referred to as prevalent among the people of Uxmal.