BROADBENT. Go and catch the pig and put it into the car--we"re going to take it to Mr Haffigan"s. [He gives Larry a slap on the shoulders that sends him staggering off through the gate, and follows him buoyantly, exclaiming] Come on, you old croaker! I"ll show you how to win an Irish seat.
PATSY [meditatively]. Bedad, if dhat pig gets a howlt o the handle o the machine-- [He shakes his head ominously and drifts away to the pigsty].
ACT IV
The parlor in Cornelius Doyle"s house. It communicates with the garden by a half glazed door. The fireplace is at the other side of the room, opposite the door and windows, the architect not having been sensitive to draughts. The table, rescued from the garden, is in the middle; and at it sits Keegan, the central figure in a rather crowded apartment.
Nora, sitting with her back to the fire at the end of the table, is playing backgammon across its corner with him, on his left hand. Aunt Judy, a little further back, sits facing the fire knitting, with her feet on the fender. A little to Keegan"s right, in front of the table, and almost sitting on it, is Barney Doran. Half a dozen friends of his, all men, are between him and the open door, supported by others outside. In the corner behind them is the sofa, of mahogany and horsehair, made up as a bed for Broadbent. Against the wall behind Keegan stands a mahogany sideboard. A door leading to the interior of the house is near the fireplace, behind Aunt Judy. There are chairs against the wall, one at each end of the sideboard. Keegan"s hat is on the one nearest the inner door; and his stick is leaning against it.
A third chair, also against the wall, is near the garden door.
There is a strong contrast of emotional atmosphere between the two sides of the room. Keegan is extraordinarily stern: no game of backgammon could possibly make a man"s face so grim. Aunt Judy is quietly busy. Nora it trying to ignore Doran and attend to her game.
On the other hand Doran is reeling in an ecstasy of mischievous mirth which has infected all his friends. They are screaming with laughter, doubled up, leaning on the furniture and against the walls, shouting, screeching, crying.
AUNT JUDY [as the noise lulls for a moment]. Arra hold your noise, Barney. What is there to laugh at?
DORAN. It got its fut into the little hweel--[he is overcome afresh; and the rest collapse again].
AUNT JUDY. Ah, have some sense: you"re like a parcel o childher.
Nora, hit him a thump on the back: he"ll have a fit.
DORAN [with squeezed eyes, exsuflicate with cachinnation] Frens, he sez to dhem outside Doolan"s: I"m takin the gintleman that pays the rint for a dhrive.
AUNT JUDY. Who did he mean be that?
DORAN. They call a pig that in England. That"s their notion of a joke.
AUNT JUDY. Musha G.o.d help them if they can joke no better than that!
DORAN [with renewed symptoms]. Thin--
AUNT JUDY. Ah now don"t be tellin it all over and settin yourself off again, Barney.
NORA. You"ve told us three times, Mr Doran.
DORAN. Well but whin I think of it--!
AUNT JUDY. Then don"t think of it, alanna.
DORAN. There was Patsy Farrll in the back sate wi dhe pig between his knees, n me bould English boyoh in front at the machinery, n Larry Doyle in the road startin the injine wid a bed winch. At the first puff of it the pig lep out of its skin and bled Patsy"s nose wi dhe ring in its snout. [Roars of laughter: Keegan glares at them]. Before Broadbint knew hwere he was, the pig was up his back and over into his lap; and bedad the poor baste did credit to Corny"s thrainin of it; for it put in the fourth speed wid its right crubeen as if it was enthered for the Gordn Bennett.
NORA [reproachfully]. And Larry in front of it and all! It"s nothn to laugh at, Mr Doran.
DORAN. Bedad, Miss Reilly, Larry cleared six yards backwards at wan jump if he cleared an inch; and he"d a cleared seven if Doolan"s granmother hadn"t cotch him in her apern widhout intindin to. [Immense merriment].
AUNT JUDY, Ah, for shame, Barney! the poor old woman! An she was hurt before, too, when she slipped on the stairs.
DORAN. Bedad, ma"am, she"s hurt behind now; for Larry bouled her over like a skittle. [General delight at this typical stroke of Irish Rabelaisianism].
NORA. It"s well the lad wasn"t killed.
DORAN. Faith it wasn"t o Larry we were thinkin jus dhen, wi dhe pig takin the main sthreet o Rosscullen on market day at a mile a minnit. Dh ony thing Broadbint could get at wi dhe pig in front of him was a fut brake; n the pig"s tail was undher dhat; so that whin he thought he was putn non the brake he was ony squeezin the life out o the pig"s tail. The more he put the brake on the more the pig squealed n the fasther he dhruv.
AUNT JUDY. Why couldn"t he throw the pig out into the road?
DORAN. Sure he couldn"t stand up to it, because he was spanch.e.l.led-like between his seat and dhat thing like a wheel on top of a stick between his knees.
AUNT JUDY. Lord have mercy on us!
NORA. I don"t know how you can laugh. Do you, Mr Keegan?
KEEGAN [grimly]. Why not? There is danger, destruction, torment!
What more do we want to make us merry? Go on, Barney: the last drops of joy are not squeezed from the story yet. Tell us again how our brother was torn asunder.
DORAN [puzzled]. Whose bruddher?
KEEGAN. Mine.
NORA. He means the pig, Mr Doran. You know his way.
DORAN [rising gallantly to the occasion]. Bedad I"m sorry for your poor bruddher, Misther Keegan; but I recommend you to thry him wid a couple o fried eggs for your breakfast tomorrow. It was a case of Excelsior wi dhat ambitious baste; for not content wid jumpin from the back seat into the front wan, he jumped from the front wan into the road in front of the car. And--
KEEGAN. And everybody laughed!
NORA. Don"t go over that again, please, Mr Doran.
DORAN. Faith be the time the car went over the poor pig dhere was little left for me or anywan else to go over except wid a knife an fork.
AUNT JUDY. Why didn"t Mr Broadbent stop the car when the pig was gone?
DORAN. Stop the car! He might as well ha thried to stop a mad bull. First it went wan way an made fireworks o Molly Ryan"s crockery stall; an dhen it slewed round an ripped ten fut o wall out o the corner o the pound. [With enormous enjoyment] Begob, it just tore the town in two and sent the whole dam market to blazes. [Nora offended, rises].
KEEGAN [indignantly]. Sir!
DORAN [quickly]. Savin your presence, Miss Reilly, and Misther Keegan"s. Dhere! I won"t say anuddher word.
NORA. I"m surprised at you, Mr Doran. [She sits down again].
DORAN [refectively]. He has the divil"s own luck, that Englishman, annyway; for when they picked him up he hadn"t a scratch on him, barrn hwat the pig did to his cloes. Patsy had two fingers out o jynt; but the smith pulled them sthraight for him. Oh, you never heard such a hullaballoo as there was. There was Molly, cryin Me chaney, me beautyful chaney! n oul Mat shoutin Me pig, me pig! n the polus takin the number o the car, n not a man in the town able to speak for laughin--
KEEGAN [with intense emphasis]. It is h.e.l.l: it is h.e.l.l. Nowhere else could such a scene be a burst of happiness for the people.
Cornelius comes in hastily from the garden, pushing his way through the little crowd.
CORNELIUS. Whisht your laughin, boys! Here he is. [He puts his hat on the sideboard, and goes to the fireplace, where he posts himself with his back to the chimneypiece].
AUNT JUDY. Remember your behavior, now.