They are, however, told with liveliness, the versification is smooth, and the diction, though now and then a little constrained by the measure or the rhyme, is generally happy.
To "Trivia" may be allowed all that it claims; it is sprightly, various, and pleasant. The subject is of that kind which Gay was by nature qualified to adorn, yet some of his decorations may be justly wished away. An honest blacksmith might have done for Patty what is performed by Vulcan. The appearance of Cloacina is nauseous and superfluous; a shoe-boy could have been produced by the casual cohabitation of mere mortals. Horace"s rule is broken in both cases; there is no dignus vindice nodus, no difficulty that required any supernatural interposition. A patten may be made by the hammer of a mortal, and a b.a.s.t.a.r.d may be dropped by a human strumpet. On great occasions, and on small, the mind is repelled by useless and apparent falsehood.
Of his little poems the public judgment seems to be right; they are neither much esteemed nor totally despised. The story of "The Apparition" is borrowed from one of the tales of Poggio. Those that please least are the pieces to which Gulliver gave occasion, for who can much delight in the echo of an unnatural fiction?
"Dione" is a counterpart to "Amynta" and "Pastor Fido" and other trifles of the same kind, easily imitated, and unworthy of imitation. What the Italians call comedies from a happy conclusion, Gay calls a tragedy from a mournful event, but the style of the Italians and of Gay is equally tragical. There is something in the poetical Arcadia so remote from known reality and speculative possibility that we can never support its representation through a long work. A pastoral of an hundred lines may be endured, but who will hear of sheep and goats, and myrtle bowers and purling rivulets, through five acts? Such scenes please barbarians in the dawn of literature, and children in the dawn of life, but will be for the most part thrown away as men grow wise and nations grow learned.
TICKELL.
Thomas Tickell, the son of the Rev. Richard Tickell, was born in 1686, at Bridekirk, in c.u.mberland, and in 1701 became a member of Queen"s College in Oxford; in 1708 he was made Master of Arts, and two years afterwards was chosen Fellow, for which, as he did not comply with the statutes by taking orders, he obtained a dispensation from the Crown. He held his fellowship till 1726, and then vacated it by marrying, in that year, at Dublin.
Tickell was not one of those scholars who wear away their lives in closets; he entered early into the world and was long busy in public affairs, in which he was initiated under the patronage of Addison, whose notice he is said to have gained by his verses in praise of Rosamond.
To those verses it would not have been just to deny regard, for they contain some of the most elegant encomiastic strains; and among the innumerable poems of the same kind it will be hard to find one with which they need to fear a comparison. It may deserve observation that when Pope wrote long afterwards in praise of Addison, he has copied--at least, has resembled--Tickell.
"Let joy salute fair Rosamonda"s shade, And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido"s ghost she roves, And hears and tells the story of their loves, Alike they mourn, alike they bless their fate, Since Love, which made them wretched, made them great.
Nor longer that relentless doom bemoan, Which gained a Virgil and an Addison."--TICKELL.
"Then future ages with delight shall see How Plato"s, Bacon"s, Newton"s, looks agree; Or in fair series laurelled bards be shown, A Virgil there, and here an Addison."--POPE.
He produced another piece of the same kind at the appearance of Cato, with equal skill, but not equal happiness.
When the Ministers of Queen Anne were negotiating with France, Tickell published "The Prospect of Peace," a poem of which the tendency was to reclaim the nation from the pride of conquest to the pleasures of tranquillity. How far Tickell, whom Swift afterwards mentioned as Whiggissimus, had then connected himself with any party, I know not; this poem certainly did not flatter the practices, or promote the opinions, of the men by whom he was afterwards befriended.
Mr. Addison, however he hated the men then in power, suffered his friendship to prevail over his public spirit, and gave in the Spectator such praises of Tickell"s poem that when, after having long wished to peruse it, I laid hold of it at last, I thought it unequal to the honours which it had received, and found it a piece to be approved rather than admired. But the hope excited by a work of genius, being general and indefinite, is rarely gratified. It was read at that with so much favour that six editions were sold.
At the arrival of King George, he sang "The Royal Progress," which, being inserted in the Spectator, is well known, and of which it is just to say that it is neither high nor low.
The poetical incident of most importance in Tickell"s life was his publication of the first book of the "Iliad," as translated by himself, an apparent opposition to Pope"s "Homer," of which the first part made its entrance into the world at the same time. Addison declared that the rival versions were both good, but that Tickell"s was the best that ever was made; and with Addison, the wits, his adherents and followers, were certain to concur. Pope does not appear to have been much dismayed, "for," says he, "I have the town--that is, the mob--on my side." But he remarks "that it is common for the smaller party to make up in diligence what they want in numbers. He appeals to the people as his proper judges, and if they are not inclined to condemn him, he is in little care about the highflyers at b.u.t.ton"s."
Pope did not long think Addison an impartial judge, for he considered him as the writer of Tickell"s version. The reasons for his suspicion I will literally transcribe from Mr. Spence"s Collection:--
"There had been a coldness," said Mr. Pope, "between Mr. Addison and me for some time, and we had not been in company together, for a good while, anywhere but at b.u.t.ton"s Coffee House, where I used to see him almost every day. On his meeting me there, one day in particular, he took me aside and said he should be glad to dine with me at such a tavern, if I stayed till those people were gone (Budgell and Philips).
He went accordingly, and after dinner Mr. Addison said "that he had wanted for some time to talk with me: that his friend Tickell had formerly, whilst at Oxford, translated the first book of the Iliad; that he designed to print it, and had desired him to look it over; that he must therefore beg that I would not desire him to look over my first book, because, if he did, it would have the air of double-dealing." I a.s.sured him that I did not at all take it ill of Mr. Tickell that he was going to publish his translation; that he certainly had as much right to translate any author as myself; and that publishing both was entering on a fair stage. I then added that I would not desire him to look over my first book of the Iliad, because he had looked over Mr. Tickell"s, but could wish to have the benefit of his observations on my second, which I had then finished, and which Mr. Tickell had not touched upon.
Accordingly I sent him the second book the next morning, and Mr. Addison a few days after returned it, with very high commendations. Soon after it was generally known that Mr. Tickell was publishing the first book of the Iliad, I met Dr. Young in the street, and upon our falling into that subject, the doctor expressed a great deal of surprise at Tickell"s having had such a translation so long by him. He said that it was inconceivable to him, and that there must be some mistake in the matter; that each used to communicate to the other whatever verses they wrote, even to the least things; that Tickell could not have been busied in so long a work there without his knowing something of the matter; and that he had never heard a single word of it till on this occasion.
This surprise of Dr. Young, together with what Steele has said against Tickell in relation to this affair, make it highly probable that there was some underhand dealing in that business; and indeed Tickell himself, who is a very fair worthy man, has since, in a manner, as good as owned it to me. When it was introduced into a conversation between Mr.
Tickell and Mr. Pope by a third person, Tickell did not deny it, which, considering his honour and zeal for his departed friend, was the same as owning it."
Upon these suspicions, with which Dr. Warburton hints that other circ.u.mstances concurred, Pope always in his "Art of Sinking" quotes this book as the work of Addison.
To compare the two translations would be tedious; the palm is now given universally to Pope, but I think the first lines of Tickell"s were rather to be preferred; and Pope seems to have since borrowed something from them in the correction of his own.
When the Hanover succession was disputed, Tickell gave what a.s.sistance his pen would supply. His "Letter to Avignon" stands high among party poems; it expresses contempt without coa.r.s.eness, and superiority without insolence. It had the success which it deserved, being five times printed.
He was now intimately united to Mr. Addison, who, when he went into Ireland as secretary to the Lord Sunderland, took him thither, and employed him in public business; and when (1717) afterwards he rose to be Secretary of State, made him Under-Secretary. Their friendship seems to have continued without abatement; for, when Addison died, he left him the charge of publishing his works, with a solemn recommendation to the patronage of Craggs. To these works he prefixed an elegy on the author, which could owe none of its beauties to the a.s.sistance which might be suspected to have strengthened or embellished his earlier compositions; but neither he nor Addison ever produced n.o.bler lines than are contained in the third and fourth paragraphs; nor is a more elegant funeral poem to be found in the whole compa.s.s of English literature. He was afterwards (about 1725) made secretary to the Lords Justices of Ireland, a place of great honour; in which he continued till 1740, when he died on the 23rd of April at Bath.
Of the poems yet unmentioned, the longest is "Kensington Gardens,"
of which the versification is smooth and elegant, but the fiction unskilfully compounded of Grecian deities and Gothic fairies. Neither species of those exploded beings could have done much; and when they are brought together, they only make each other contemptible. To Tickell, however, cannot be refused a high place among the minor poets; nor should it be forgotten that he was one of the contributors to the Spectator. With respect to his personal character, he is said to have been a man of gay conversation, at least a temperate lover of wine and company, and in his domestic relations without censure.
SOMERVILE.
Of Mr. Somervile"s life I am not able to say anything that can satisfy curiosity. He was a gentleman whose estate lay in Warwickshire; his house, where he was born in 1693, is called Edston, a seat inherited from a long line of ancestors; for he was said to be of the first family in his county. He tells of himself that he was born near the Avon"s banks. He was bred at Winchester school, and was elected fellow of New College. It does not appear that in the places of his education he exhibited any uncommon proofs of genius or literature. His powers were first displayed in the country, where he was distinguished as a poet, a gentleman, and a skilful and useful justice of the peace.
Of the close of his life, those whom his poems have delighted will read with pain the following account, copied from the "Letters" of his friend Shenstone, by whom he was too much resembled:--
"--Our old friend Somervile is dead! I did not imagine I could have been so sorry as I find myself on this occasion. Sublatum quaerimus. I can now excuse all his foibles; impute them to age, and to distress of circ.u.mstances: the last of these considerations wrings my very soul to think on. For a man of high spirit conscious of having (at least in one production) generally pleased the world, to be plagued and threatened by wretches that are low in every sense; to be forced to drink himself into pains of the body, in order to get rid of the pains of the mind is a misery."--He died July 19, 1742, and was buried at Wotton, near Henley on Arden.
His distresses need not be much pitied: his estate is said to be fifteen hundred a year, which by his death has devolved to Lord Somervile of Scotland. His mother, indeed, who lived till ninety, had a jointure of six hundred.
It is with regret that I find myself not better enabled to exhibit memorials of a writer who at least must be allowed to have set a good example to men of his own cla.s.s, by devoting part of his time to elegant knowledge; and who has shown, by the subjects which his poetry has adorned, that it is practicable to be at once a skilful sportsman and a man of letters.
Somervile has tried many modes of poetry; and though perhaps he has not in any reached such excellence as to raise much envy, it may commonly be said at least, that "he writes very well for a gentleman." His serious pieces are sometimes elevated; and his trifles are sometimes elegant. In his verses to Addison, the couplet which mentions Clio is written with the most exquisite delicacy of praise; it exhibits one of those happy strokes that are seldom attained. In his Odes to Marlborough there are beautiful lines; but in the second Ode he shows that he knew little of his hero, when he talks of his private virtues. His subjects are commonly such as require no great depth of thought or energy of expression. His Fables are generally stale, and therefore excite no curiosity. Of his favourite, "The Two Springs," the fiction is unnatural, and the moral inconsequential. In his Tales there is too much coa.r.s.eness, with too little care of language, and not sufficient rapidity of narration. His great work is his Chase, which he undertook in his maturer age, when his ear was improved to the approbation of blank verse, of which, however, his two first lines give a bad specimen.
To this poem praise cannot be totally denied. He is allowed by sportsmen to write with great intelligence of his subject, which is the first requisite to excellence; and though it is impossible to interest the common readers of verse in the dangers or pleasures of the chase, he has done all that transition and variety could easily effect; and has with great propriety enlarged his plan by the modes of hunting used in other countries.
With still less judgment did he choose blank verse as the vehicle of "Rural Sports." If blank verse be not tumid and gorgeous, it is crippled prose; and familiar images in laboured language have nothing to recommend them but absurd novelty, which, wanting the attractions of nature, cannot please long. One excellence of the "Splendid Shilling"
is, that it is short. Disguise can gratify no longer than it deceives.
THOMSON.
James Thomson, the son of a minister well esteemed for his piety and diligence, was born September 7, 1700, at Ednam, in the shire of Roxburgh, of which his father was pastor. His mother, whose name was Hume, inherited as co-heiress a portion of a small estate. The revenue of a parish in Scotland is seldom large; and it was probably in commiseration of the difficulty with which Mr. Thomson supported his family, having nine children, that Mr. Riccarton, a neighbouring minister, discovering in James uncommon promises of future excellence, undertook to superintend his education, and provide him books. He was taught the common rudiments of learning at the school of Jedburgh, a place which he delights to recollect in his poem of "Autumn;" but was not considered by his master as superior to common boys, though in those early days he amused his patron and his friends with poetical compositions; with which, however, he so little pleased himself that on every New Year"s Day he threw into the fire all the productions of the foregoing year.
From the school he was removed to Edinburgh, where he had not resided two years when his father died, and left all his children to the care of their mother, who raised upon her little estate what money a mortgage could afford; and, removing with her family to Edinburgh, lived to see her son rising into eminence.
The design of Thomson"s friends was to breed him a minister. He lived at Edinburgh, at a school, without distinction or expectation, till at the usual time he performed a probationary exercise by explaining a psalm.
His diction was so poetically splendid, that Mr. Hamilton, the professor of divinity, reproved him for speaking language unintelligible to a popular audience; and he censured one of his expressions as indecent, if not profane. This rebuke is reported to have repressed his thoughts of an ecclesiastical character, and he probably cultivated with new diligence his blossoms of poetry, which, however, were in some danger of a blast; for, submitting his productions to some who thought themselves qualified to criticise, he heard of nothing but faults; but, finding other judges more favourable, he did not suffer himself to sink into despondence. He easily discovered that the only stage on which a poet could appear with any hope of advantage was London; a place too wide for the operation of petty compet.i.tion and private malignity, where merit might soon become conspicuous, and would find friends as soon as it became reputable to befriend it. A lady who was acquainted with his mother advised him to the journey, and promised some countenance or a.s.sistance, which at last he never received; however, he justified his adventure by her encouragement, and came to seek in London patronage and fame. At his arrival he found his way to Mr. Mallet, then tutor to the sons of the Duke of Montrose. He had recommendations to several persons of consequence, which he had tied up carefully in his handkerchief; but as he pa.s.sed along the street, with the gaping curiosity of a newcomer, his attention was upon everything rather than his pocket, and his magazine of credentials was stolen from him.
His first want was a pair of shoes. For the supply of all his necessities, his whole fund was his "Winter," which for a time could find no purchaser; till at last Mr. Millan was persuaded to buy it at a low price; and this low price he had for some time reason to regret; but, by accident, Mr. Whately, a man not wholly unknown among authors, happening to turn his eye upon it, was so delighted that he ran from place to place celebrating its excellence. Thomson obtained likewise the notice of Aaron Hill, whom, being friendless and indigent, and glad of kindness, he courted with every expression of servile adulation.
"Winter" was dedicated to Sir Spencer Compton, but attracted no regard from him to the author; till Aaron Hill awakened his attention by some verses addressed to Thomson, and published in one of the newspapers, which censured the great for their neglect of ingenious men. Thomson then received a present of twenty guineas, of which he gives this account to Mr. Hill:--
"I hinted to you in my last that on Sat.u.r.day morning I was with Sir Spencer Compton. A certain gentleman, without my desire, spoke to him concerning me: his answer was that I had never come near him. Then the gentleman put the question, if he desired that I should wait on him? He returned, he did. On this the gentleman gave me an introductory letter to him. He received me in what they commonly call a civil manner; asked me some common-place questions, and made me a present of twenty guineas.
I am very ready to own that the present was larger than my performance deserved; and shall ascribe it to his generosity, or any other cause, rather than the merit of the address."
The poem, which, being of a new kind, few would venture at first to like, by degrees gained upon the public; and one edition was very speedily succeeded by another.
Thomson"s credit was now high, and every day brought him new friends; among others Dr. Rundle, a man afterwards unfortunately famous, sought his acquaintance, and found his qualities such that he recommended him to the Lord Chancellor Talbot.