CHAPTER XIV.
MR. M"ARTHUR MAKES A DISCOVERY.
ON his return from the theatre, Mr. McArthur finds his daughter, Maria, waiting him in great anxiety. "Father, father!" she says, as he enters his little back parlor, "this is what that poor woman, Mag Munday, used to take on so about; here it is." She advances, her countenance wearing an air of great solicitude, holds the old dress in her left hand, and a stained letter in her right. "It fell from a pocket in the bosom," she pursues. The old man, with an expression of surprise, takes the letter and prepares to read it. He pauses.
"Did it come from the dress I discovered in the old chest?" he inquires, adjusting his spectacles. Maria says it did. She has no doubt it might have relieved her suffering, if it had been found before she died. "But, father, was there not to you something strange, something mysterious about the manner she pursued her search for this old dress? You remember how she used to insist that it contained something that might be a fortune to her in her distress, and how there was a history connected with it that would not reflect much credit on a lady in high life!"
The old man interrupts by saying he well remembers it; remembers how he thought she was a maniac to set so much value on the old dress, and make so many sighs when it could not be found. "It always occurred to me there was something more than the dress that made her take on so," the old man concludes, returning the letter to Maria, with a request that she will read it. Maria resumes her seat, the old man draws a chair to the table, and with his face supported in his left hand listens attentively as she reads: "WASHINGTON SQUARE, NEW YORK, May 14, 18--
"I am glad to hear from Mr. Sildon that the child does well. Poor little thing, it gives me so many unhappy thoughts when I think of it; but I know you are a good woman, Mrs. Munday, and will watch her with the care of a mother. She was left at our door one night, and as people are always too ready to give currency to scandal, my brother and I thought that it would not be prudent to adopt it at once, more especially as I have been ill for the last few months, and have any quant.i.ty of enemies. I am going to close my house, now that my deceased husband"s estate is settled, and spend a few years in Europe. Mr. Thomas Sildon is well provided with funds for the care of the child during my absence, and will pay you a hundred dollars every quarter. Let no one see this letter, not even your husband. And when I return I will give you an extra remuneration, and adopt the child as my own. Mr. Sildon will tell you where to find me when I return. Your friend, "C. A. M."
"There, father," says Maria, "there is something more than we know about, connected with this letter. One thing always discovers another-don"t you think it may have something to do with that lady who has two or three times come in here, and always appeared so nervous when she inquired about Mag Munday? and you recollect how she would not be content until we had told her a thousand different things concerning her. She wanted, she said, a clue to her; but she never could get a clue to her. There is something more than we know of connected with this letter," and she lays the old damp stained and crumpled letter on the table, as the old servant enters bearing on a small tray their humble supper.
"Now, sit up, my daughter," says the old man, helping her to a sandwich while she pours out his dish of tea, "our enjoyment need be none the less because our fare is humble. As for satisfying this lady about Mag Munday, why, I have given that up. I told her all I knew, and that is, that when she first came to Charleston-one never knows what these New Yorkers are--she was a dashing sort of woman, had no end of admirers, and lived in fine style. Then it got out that she wasn"t the wife of the man who came with her, but that she was the wife of a poor man of the name of Munday, and had quit her husband; as wives will when they take a notion in their heads. And as is always the way with these sort of people, she kept gradually getting down in the world, and as she kept getting more and more down so she took more and more to drink, and drink brought on grief, and grief soon wasted her into the grave. I took pity on her, for she seemed not a bad woman at heart, and always said she was forced by necessity into the house of Madame Flamingo-a house that hurries many a poor creature to her ruin. And she seemed possessed of a sense of honor not common to these people; and when Madame Flamingo turned her into the street,--as she does every one she has succeeded in making a wretch of,--and she could find no one to take her in, and had nowhere to lay her poor head, as she used to say, I used to lend her little amounts, which she always managed somehow to repay. As to there being anything valuable in the dress, I never gave it a thought; and when she would say if she could have restored to her the dress, and manage to get money enough to get to New York, I thought it was only the result of her sadness."
"You may remember, father," interrupts Maria, "she twice spoke of a child left in her charge; and that the child was got away from her.
If she could only trace that poor child, she would say, or find out what had become of it, she could forget her own sufferings and die easy. But the thought of what had become of that child forever haunted her; she knew that unless she atoned in some way the devil would surely get her." The old man says, setting down his cup, it all comes fresh to his mind. Mr. Soloman (he has not a doubt) could let some light upon the subject; and, as he seems acquainted with the lady that takes so much interest in what became of the woman Munday, he may relieve her search. "I am sure she is dead, nevertheless; I say this, knowing that having no home she got upon the Neck, and then a.s.sociated with the negroes; and the last I heard of her was that the fever carried her off. This must have been true, or else she had been back here pleading for the bundles we could not find." Thus saying, Mr. McArthur finishes his humble supper, kisses and fondles his daughter, whom he dotingly loves, and retires for the night.
CHAPTER XV.
WHAT MADAME FLAMINGO WANTS TO BE.
TOM SWIGGS has enjoyed, to the evident satisfaction of his mother, a seven months" residence in the old prison. The very first families continue to pay their respects to the good old lady, and she in return daily honors them with mementoes of her remembrance. These little civilities, exchanging between the stately old lady and our first families, indicate the approach of the fashionable season.
Indeed, we may as well tell you the fashionable season is commencing in right good earnest. Our elite are at home, speculations are rife as to what the "Jockey Club" will do, we are recounting our adventures at northern watering-places, chuckling over our heroism in putting down those who were unwise enough to speak disrespectful of our cherished inst.i.tutions, and making very light of what we would do to the whole north. You may know, too, that our fashionable season is commenced by what is taking place at the house of Madame Flamingo on the one side, and the St. Cecilia on the other. We recognize these establishments as inst.i.tutions. That they form the great fortifications of fashionable society, flanking it at either extreme, no one here doubts.
We are extremely sensitive of two things-fashion, and our right to sell negroes. Without the former we should be at sea; without the latter, our existence would indeed be humble. The St. Cecilia Society inaugurates the fashionable season, the erudite Editor of the Courier will tell you, with an entertainment given to the elite of its members and a few very distinguished foreigners. Madame Flamingo opens her forts, at the same time, with a grand supper, which she styles a very select entertainment, and to which she invites none but "those of the highest standing in society." If you would like to see what sort of a supper she sets to inaugurate the fashionable season, take our arm for a few minutes.
Having just arrived from New York, where she has been luxuriating and selecting her wares for the coming season, (New York is the fountain ejecting its vice over this Union,) Madame looks hale, hearty, and exceedingly cheerful. Nor has she spared any expense to make herself up with becoming youthfulness-as the common people have it. She has got her a lace cap of the latest fashion, with great broad striped blue and red strings; and her dress is of orange- colored brocade, trimmed with tulle, and looped with white blossoms.
Down the stomacher it is set with jewels. Her figure seems more embonpoint than when we last saw her; and as she leans on the arm of old Judge Sleepyhorn, forms a striking contrast to the slender figure of that singular specimen of judicial infirmity. Two great doors are opened, and Madame leads the way into what she calls her upper and private parlor, a hall of some fifty feet by thirty, in the centre of which a sumptuously-decorated table is set out. Indeed there is a chasteness and richness about the furniture and works of art that decorate this apartment, singularly at variance with the bright-colored furniture of the room we have described in a former chapter. "Ladies and gentlemen!" e.j.a.c.u.l.a.t.es the old hostess, "imagine this a palace, in which you are all welcome. As the legal gentry say (she casts a glance at the old Judge), when you have satisfactorily imagined that, imagine me a princess, and address me--"
"High ho!" interrupts Mr. Soloman.
"I confess," continues the old woman, her little, light-brown curls dangling across her brow, and her face crimsoning, "I would like to be a princess."
"You can," rejoins the former speaker, his fingers wandering to his chin.
"Well! I have my beadle-beadles, I take, are inseparable from royal blood-and my servants in liveries. After all (she tosses her head) what can there be in beadles and liveries? Why! the commonest and vulgarest people of New York have taken to liveries. If you chance to take an elegant drive up the "Fifth Avenue," and meet a dashing equipage-say with horses terribly caparisoned, a purloined crest on the carriage-door, a sallow-faced footman covered up in a green coat, all over big bra.s.s b.u.t.tons, stuck up behind, and a whiskey-faced coachman half-asleep in a great hammercloth, be sure it belongs to some sn.o.b who has not a sentence of good English in his head. Yes! perhaps a soap-chandler, an oil-dealer, or a candy-maker. Brainless people always creep into plush-always! People of taste and learning, like me, only are ent.i.tled to liveries and crests." This Madame says, inviting her guests to take seats at her banquet-table, at the head of which she stands, the Judge on her right, Mr. Soloman on her left. Her china is of the most elaborate description, embossed and gilt; her plate is of pure silver, and ma.s.sive; she has vases and candelabras of the same metal; and her cutlery is of the most costly description. No house in the country can boast a more exact taste in their selection. At each plate a silver holder stands, bearing a bouquet of delicately-arranged flowers. A trellise of choice flowers, interspersed here and there with gorgeous bouquets in porcelain vases, range along the centre of the table; which presents the appearance of a bed of fresh flowers variegated with delicious fruits. Her guests are to her choicer than her fruits; her fruits are choicer than her female wares. No entertainment of this kind would be complete without Judge Sleepyhorn and Mr. Soloman. They countenance vice in its most insidious form-they foster crime; without crime their trade would be damaged. The one cultivates, that the other may reap the harvest and maintain his office.
"I see," says Mr. Soloman, in reply to the old hostess, "not the slightest objection to your being a princess-not the slightest! And, to be frank about the matter, I know of no one who would better ornament the position."
"Your compliments are too liberally bestowed, Mr. Soloman."
"Not at all! "Pon my honor, now, there is a chance for you to bring that thing about in a very short time. There is Grouski, the Polish exile, a prince of pure blood. Grouski is poor, wants to get back to Europe. He wants a wife, too. Grouski is a high old fellow-a most celebrated man, fought like a hero for the freedom of his country; and though an exile here, would be received with all the honors due to a prince in either Italy, France or England.
"A very respectable gentleman, no doubt; but a prince of pure blood, Mr. Soloman, is rather a scarce article these days."
"Not a bit of it-why there is lots of exiled Princes all over this country. They are modest men, you know, like me; and having got it into their heads that we don"t like royal blood, rather keep the fact of their birth to themselves. As for Grouski! why his history is as familiar to every American who takes any interest in these things, as is the history of poor Kossuth. I only say this, Madame Flamingo, to prove to you that Grouski is none of your mock articles. And what is more, I have several times heard him speak most enthusiastically of you."
"Of me!" interrupts the old hostess, blushing. "I respect Grouski, and the more so for his being a poor prince in exile." Madame orders her servants, who are screwed into bright liveries, to bring on some sparkling Moselle. This done, and the gla.s.ses filled with the sparkling beverage, Mr. Soloman rises to propose a toast; although, as he says, it is somewhat out of place, two rounds having only succeeded the soup: "I propose the health of our generous host, to whom we owe so much for the superb manner in which she has catered for our amus.e.m.e.nt. Here"s that we may speedily have the pleasure of paying our respects to her as the Princess Grouski." Madame Flamingo bows, the toast is drunk with cheers, and she begins to think there is something in it after all.
"Make as light of it as you please, ladies and gentlemen-many stranger things have come to pa.s.s. As for the exile, Grouski, I always esteemed him a very excellent gentleman."
"Exactly!" interposes the Judge, tipping his gla.s.s, and preparing his appet.i.te for the course of game-broiled partridges, rice-birds, and grouse-which is being served by the waiters. "No one more worthy," he pursues, wiping his sleepy face with his napkin, "of being a princess. Education, wealth, and taste, you have; and with Grouski, there is nothing to prevent the happy consummation-nothing!
I beg to a.s.sure you." Madame Flamingo makes a most courteous bow, and with an air of great dignity condescends to say she hopes gentlemen of the highest standing in Charleston have for ten years or more had the strongest proofs of her ability to administer the offices of a lady of station. "But you know," she pursues, hoping ladies and gentlemen will be kind enough to keep their gla.s.ses full, "people are become so pious now-a-days that they are foolish enough to attach a stigma to our business."
"Pooh, pooh!" interrupts the accommodation man, having raised his gla.s.s in compliment to a painted harlot. "Once in Europe, and under the shadow of the wife of Prince Grouski, the past would be wiped out; your money would win admirers, while your being a princess would make fashionable society your tool. The very atmosphere of princesses is full of taint; but it is sunk in the rank, and rather increases courtiers. In France your untainted princess would prognosticate the second coming of--, well, I will not profane."
"Do not, I beg of you," says Madame, blushing. "I am scrupulously opposed to profanity." And then there breaks upon the ear music that seems floating from an enchanted chamber, so soft and dulcet does it mingle with the coa.r.s.e laughing and coa.r.s.er wit of the banqueters.
At this feast of flowers may be seen the man high in office, the grave merchant, the man entrusted with the most important affairs of the commonwealth-the sage and the charlatan. Sallow-faced and painted women, more undressed than dressed, sit beside them, hale companions. Respectable society regards the Judge a fine old gentleman; respectable society embraces Mr. Soloman, notwithstanding he carries on a business, as we shall show, that brings misery upon hundreds. Twice has he received a large vote as candidate for the General a.s.sembly.
A little removed from the old Judge (excellent man) sits Anna Bonard, like a jewel among stones less brilliant, George Mullholland on her left. Her countenance wears an expression of gentleness, sweet and touching. Her silky black hair rolls in wavy folds down her voluptuous shoulders, a fresh carnatic flush suffuses her cheeks, her great black eyes, so beautifully arched with heavy lashes, flash incessantly, and to her bewitching charms is added a pensive smile that now lights up her features, then subsides into melancholy.
"What think you of my statuary?" inquired the old hostess, "and my antiques? Have I not taste enough for a princess?" How soft the carpet, how rich its colors! Those marble mantel-pieces, sculptured in female figures, how ma.s.sive! How elegantly they set off each end of the hall, as we shall call this room; and how st.u.r.dily they bear up statuettes, delicately executed in alabaster and Parian, of Byron, Goethe, Napoleon, and Charlemagne-two on each. And there, standing between two Gothic windows on the front of the hall, is an antique side-table, of curious design. The windows are draped with curtains of rich purple satin, with embroidered cornice skirts and heavy ta.s.sels. On this antique table, and between the undulating curtains, is a marble statue of a female in a reclining posture, her right hand supporting her head, her dishevelled hair flowing down her shoulder. The features are soft, calm, and almost grand. It is simplicity sleeping, Madame Flamingo says. On the opposite side of the hall are pedestals of black walnut, with mouldings in gilt, on which stand busts of Washington and Lafayette, as if they were unwilling spectators of the revelry. A venerable recline, that may have had a place in the propyl"a, or served to decorate the halls of Versailles in the days of Napoleon, has here a place beneath the portrait of Jefferson. This humble tribute the old hostess says she pays to democracy. And at each end of the hall are double alcoves, over the arches of which are great spread eagles, holding in their beaks the points of ma.s.sive maroon-colored drapery that falls over the sides, forming brilliant depressions. In these alcoves are groups of figures and statuettes, and parts of statuettes, legless and armless, and all presenting a rude and mutilated condition. What some of them represented it would have puzzled the ancient Greeks to decypher. Madame, nevertheless, a.s.sures her guests she got them from among the relics of Italian and Grecian antiquity. You may do justice to her taste on living statuary; but her rude and decrepit wares, like those owned and so much valued by our New York patrons of the arts, you may set down as belonging to a less antique age of art. And there are chairs inlaid with mosaic and pearl, and upholstered with the richest and brightest satin damask,--revealing, however, that uncouthness of taste so characteristic of your Fifth Avenue aristocrat.
Now cast your eye upward to the ceiling. It is frescoed with themes of a barbaric age. The finely-outlined figure of a female adorns the centre. Her loins are enveloped in what seems a mist; and in her right hand, looking as if it were raised from the groundwork, she holds gracefully the bulb of a ma.s.sive chandelier, from the jets of which a refulgent light is reflected upon the flowery banquet table.
Madame smilingly says it is the G.o.ddess of Love, an exact copy of the one in the temple of Jupiter Olympus. Another just opposite, less voluptuous in its outlines, she adds, is intended for a copy of the fabled G.o.ddess, supposed by the ancients to have thrown off her wings to ill.u.s.trate the uncertainty of fortune.
Course follows course, of viands the most delicious, and sumptuously served. The wine cup now flows freely, the walls reecho the coa.r.s.e jokes and coa.r.s.er laughs of the banqueters, and leaden eyelids, languid faces, and reeling brains, mark the closing scene. Such is the gorgeous vice we worship, such the revelries we sanction, such the insidious debaucheries we shield with the mantle of our laws-laws made for the accommodation of the rich, for the punishment only of the poor. And a thousand poor in our midst suffer for bread while justice sleeps.
Midnight is upon the banqueters, the music strikes up a last march, the staggering company retire to the stifled air of resplendent chambers. The old hostess contemplates herself as a princess, and seriously believes an alliance with Grouski would not be the strangest thing in the world. There is, however, one among the banqueters who seems to have something deeper at heart than the transitory offerings on the table-one whose countenance at times a.s.sumes a thoughtfulness singularly at variance with those around her. It is Anna Bonard.
Only to-day did George Mullholland reveal to her the almost hopeless condition of poor Tom Swiggs, still confined in the prison, with criminals for a.s.sociates, and starving. She had met Tom when fortune was less ruthless; he had twice befriended her while in New York.
Moved by that sympathy for the suffering which is ever the purest offspring of woman"s heart, no matter how low her condition, she resolved not to rest until she had devised the means of his release.
Her influence over the subtle-minded old Judge she well knew, nor was she ignorant of the relations existing between him and the accommodation man.
On the conclusion of the feast she invites them to her chamber. They are not slow to accept the invitation. "Be seated, gentlemen, be seated," she says, preserving a calmness of manner not congenial to the feelings of either of her guests. She places chairs for them at the round table, upon the marble top of which an inlaid portfolio lies open.
"Rather conventional," stammers Mr. Snivel, touching the Judge significantly on the arm, as they take seats. Mr. Snivel is fond of good wine, and good wine has so mellowed his const.i.tution that he is obliged to seek support for his head in his hands.
"I"d like a little light on this "ere plot. Peers thar"s somethin" a foot," responds the Judge.
Anna interposes by saying they shall know quick enough. Placing a pen and inkstand on the table, she takes her seat opposite them, and commences watching their declining consciousness. "Thar," e.j.a.c.u.l.a.t.es the old Judge, his moody face becoming dark and sullen, "let us have the wish."
"You owe me an atonement, and you can discharge it by gratifying my desire."