"And yet," he said sadly, "she told me she had never broken a promise; and she had given a promise to the dying child. Ah! she is too happy now to think of the dead."
So murmuring, he was about to turn towards the town, when close by that child"s grave he saw another. Round that other there were pale "everlastings," dwarfed blossoms of the laurestinus; at the four angles the drooping bud of a Christmas rose; at the head of the grave was a white stone, its sharp edges cutting into the starlit air; and on the head, in fresh letters, were inscribed these words:--
To the Memory of L. M.
Aged 17, Died October 29, A. D. 18--, This stone, above the grave to which her mortal remains are consigned, beside that of an infant not more sinless, is consecrated by those who most mourn and miss her, ISABEL CAMERON, WALTER MELVILLE.
"Suffer the little children to come unto me."
CHAPTER XI.
THE next morning Mr. Emlyn, pa.s.sing from his garden to the town of Moleswich, descried a human form stretched on the burial-ground, stirring restlessly but very slightly, as if with an involuntary shiver, and uttering broken sounds, very faintly heard, like the moans that a man in pain strives to suppress and cannot.
The rector hastened to the spot. The man was lying, his face downward, on a grave-mound, not dead, not asleep.
"Poor fellow overtaken by drink, I fear," thought the gentle pastor; and as it was the habit of his mind to compa.s.sionate error even more than grief, he accosted the supposed sinner in very soothing tones--trying to raise him from the ground--and with very kindly words.
Then the man lifted his face from its pillow on the grave-mound, looked round him dreamily into the gray, blank air of the cheerless morn, and rose to his feet quietly and slowly. The vicar was startled; he recognized the face of him he had last seen in the magnificent affluence of health and strength. But the character of the face was changed,--so changed! its old serenity of expression, at once grave and sweet, succeeded by a wild trouble in the heavy eyelids and trembling lips.
"Mr. Chillingly,--you! Is it possible?"
"Varus, Varus," exclaimed Kenelm, pa.s.sionately, "what hast thou done with my legions?"
At that quotation of the well-known greeting of Augustus to his unfortunate general, the scholar recoiled. Had his young friend"s mind deserted him,--dazed, perhaps, by over-study?
He was soon rea.s.sured; Kenelm"s face settled back into calm, though a dreary calm, like that of the wintry day.
"I beg pardon, Mr. Emlyn; I had not quite shaken off the hold of a strange dream. I dreamed that I was worse off than Augustus: he did not lose the world when the legions he had trusted to another vanished into a grave."
Here Kenelm linked his arm in that of the rector,--on which he leaned rather heavily,--and drew him on from the burial-ground into the open s.p.a.ce where the two paths met.
"But how long have you returned to Moleswich?" asked Emlyn; "and how came you to choose so damp a bed for your morning slumbers?"
"The wintry cold crept into my veins when I stood in the burial-ground, and I was very weary; I had no sleep at night. Do not let me take you out of your way; I am going on to Grasmere. So I see, by the record on a gravestone, that it is more than a year ago since Mr. Melville lost his wife."
"Wife? He never married."
"What!" cried Kenelm. "Whose, then, is that gravestone,--"L. M."?"
"Alas! it is our poor Lily"s."
"And she died unmarried?"
As Kenelm said this he looked up, and the sun broke out from the gloomy haze of the morning. "I may claim thee, then," he thought within himself, "claim thee as mine when we meet again."
"Unmarried,--yes," resumed the vicar. "She was indeed betrothed to her guardian; they were to have been married in the autumn, on his return from the Rhine. He went there to paint on the spot itself his great picture, which is now so famous,--"Roland, the Hermit Knight, looking towards the convent lattice for a sight of the Holy Nun." Melville had scarcely gone before the symptoms of the disease which proved fatal to poor Lily betrayed themselves; they baffled all medical skill,--rapid decline. She was always very delicate, but no one detected in her the seeds of consumption. Melville only returned a day or two before her death. Dear childlike Lily! how we all mourned for her!--not least the poor, who believed in her fairy charms."
"And least of all, it appears, the man she was to have married."
"He?--Melville? How can you wrong him so? His grief was intense--overpowering--for the time."
"For the time! what time?" muttered Kenelm, in tones too low for the pastor"s ear.
They moved on silently. Mr. Emlyn resumed,--
"You noticed the text on Lily"s gravestone--"Suffer the little children to come unto me"? She dictated it herself the day before she died. I was with her then, so I was at the last."
"Were you--were you--at the last--the last? Good-day, Mr. Emlyn; we are just in sight of the garden gate. And--excuse me--I wish to see Mr.
Melville alone."
"Well, then, good-day; but if you are making any stay in the neighbourhood, will you not be our guest? We have a room at your service."
"I thank you gratefully; but I return to London in an hour or so. Hold, a moment. You were with her at the last? She was resigned to die?"
"Resigned! that is scarcely the word. The smile left upon her lips was not that of human resignation: it was the smile of a divine joy."
CHAPTER XII.
"YES, sir, Mr. Melville is at home in his studio."
Kenelm followed the maid across the hall into a room not built at the date of Kenelm"s former visits to the house: the artist, making Grasmere his chief residence after Lily"s death, had added it at the back of the neglected place wherein Lily had encaged "the souls of infants unbaptized."
A lofty room, with a cas.e.m.e.nt partially darkened, to the bleak north; various sketches on the walls; gaunt specimens of antique furniture, and of gorgeous Italian silks, scattered about in confused disorder; one large picture on its easel curtained; another as large, and half finished, before which stood the painter. He turned quickly, as Kenelm entered the room unannounced, let fall brush and palette, came up to him eagerly, grasped his hand, drooped his head on Kenelm"s shoulder, and said, in a voice struggling with evident and strong emotion,--
"Since we parted, such grief! such a loss!"
"I know it; I have seen her grave. Let us not speak of it. Why so needlessly revive your sorrow? So--so--your sanguine hopes are fulfilled: the world at last has done you justice? Emlyn tells me that you have painted a very famous picture."
Kenelm had seated himself as he thus spoke. The painter still stood with dejected att.i.tude on the middle of the floor, and brushed his hand over his moistened eyes once or twice before he answered, "Yes, wait a moment, don"t talk of fame yet. Bear with me. The sudden sight of you unnerved me."
The artist here seated himself also on an old worm-eaten Gothic chest, rumpling and chafing the golden or tinselled threads of the embroidered silk, so rare and so time-worn, flung over the Gothic chest, so rare also, and so worm-eaten.
Kenelm looked through half-closed lids at the artist, and his lips, before slightly curved with a secret scorn, became gravely compressed.
In Melville"s struggle to conceal emotion the strong man recognized a strong man,--recognized, and yet only wondered; wondered how such a man, to whom Lily had pledged her hand, could so soon after the loss of Lily go on painting pictures, and care for any praise bestowed on a yard of canvas.
In a very few minutes Melville recommenced conversation,--no more reference to Lily than if she had never existed. "Yes, my last picture has been indeed a success,--a reward complete, if tardy, for all the bitterness of former struggles made in vain, for the galling sense of injustice, the anguish of which only an artist knows, when unworthy rivals are ranked before him.
""Foes quick to blame, and friends afraid to praise."
"True that I have still much to encounter; the cliques still seek to disparage me, but between me and the cliques there stands at last the giant form of the public, and at last critics of graver weight than the cliques have deigned to accord to me a higher rank than even the public yet acknowledge. Ah, Mr. Chillingly, you do not profess to be a judge of paintings, but, excuse me, just look at this letter. I received it only last night from the greatest connoisseur of my art, certainly in England, perhaps in Europe." Here Melville drew, from the side-pocket of his picturesque _moyen age_ surtout, a letter signed by a name authoritative to all who, being painters themselves, acknowledge authority in one who could no more paint a picture himself than Addison, the ablest critic of the greatest poem modern Europe has produced, could have written ten lines of the "Paradise Lost," and thrust the letter into Kenelm"s hand. Kenelm read it listlessly, with an increased contempt for an artist who could so find in gratified vanity consolation for the life gone from earth. But, listlessly as he read the letter, the sincere and fervent enthusiasm of the laudatory contents impressed him, and the preeminent authority of the signature could not be denied.
The letter was written on the occasion of Melville"s recent election to the dignity of R. A., successor to a very great artist whose death had created a vacancy in the Academy. He returned the letter to Melville, saying, "This is the letter I saw you reading last night as I looked in at your window. Indeed, for a man who cares for the opinion of other men, this letter is very flattering; and for the painter who cares for money, it must be very pleasant to know by how many guineas every inch of his canvas may be covered." Unable longer to control his pa.s.sions of rage, of scorn, of agonizing grief, Kenelm then burst forth: "Man, man, whom I once accepted as a teacher on human life,--a teacher to warm, to brighten, to exalt mine own indifferent, dreamy, slow-pulsed self! has not the one woman whom thou didst select out of this overcrowded world to be bone of thy bone, flesh of thy flesh, vanished evermore from the earth,--little more than a year since her voice was silenced, her heart ceased to beat? But how slight is such loss to thy life compared to the worth of a compliment that flatters thy vanity!"