By the first of November he was in Venice with his son and daughter; and during the three following weeks was apparently well, though a physician whom he met at a dinner party, and to whom he had half jokingly given his pulse to feel, had learned from it that his days were numbered. He wrote to Miss Keep on the 9th of the month:
"... Mrs. Bronson has bought a house at Asolo, and beautified it indeed,--niched as it is in an old tower of the fortifications still partly surrounding the city (for a city it is), and eighteen towers, more or less ruinous, are still discoverable there: it is indeed a delightful place. Meantime, to go on,--we came here, and had a pleasant welcome from our hosts--who are truly magnificently lodged in this vast palazzo which my son has really shown himself fit to possess, so surprising are his restorations and improvements: the whole is all but complete, decorated,--that is, renewed admirably in all respects.
"What strikes me as most noteworthy is the cheerfulness and comfort of the huge rooms.
"The building is warmed throughout by a furnace and pipes.
"Yesterday, on the Lido, the heat was hardly endurable: bright sunshine, blue sky,--snow-tipped Alps in the distance. No place, I think, ever suited my needs, bodily and intellectual, so well.
"The first are satisfied--I am _quite_ well, every breathing inconvenience gone: and as for the latter, I got through whatever had given me trouble in London... ."
But it was winter, even in Venice, and one day began with an actual fog.
He insisted, notwithstanding, on taking his usual walk on the Lido. He caught a bronchial cold of which the symptoms were aggravated not only by the asthmatic tendency, but by what proved to be exhaustion of the heart; and believing as usual that his liver alone was at fault, he took little food, and refused wine altogether.*
* He always declined food when he was unwell; and maintained that in this respect the instinct of animals was far more just than the idea often prevailing among human beings that a failing appet.i.te should be a.s.sisted or coerced.
He did not yield to the sense of illness; he did not keep his bed. Some feverish energy must have supported him through this avoidance of every measure which might have afforded even temporary strength or relief. On Friday, the 29th, he wrote to a friend in London that he had waited thus long for the final answer from Asolo, but would wait no longer. He would start for England, if possible, on the Wednesday or Thursday of the following week. It was true "he had caught a cold; he felt sadly asthmatic, scarcely fit to travel; but he hoped for the best, and would write again soon." He wrote again the following day, declaring himself better. He had been punished, he said, for long-standing neglect of his "provoking liver"; but a simple medicine, which he had often taken before, had this time also relieved the oppression of his chest; his friend was not to be uneasy about him; "it was in his nature to get into sc.r.a.pes of this kind, but he always managed, somehow or other, to extricate himself from them." He concluded with fresh details of his hopes and plans.
In the ensuing night the bronchial distress increased; and in the morning he consented to see his son"s physician, Dr. Cini, whose investigation of the case at once revealed to him its seriousness. The patient had been removed two days before, from the second storey of the house, which the family then inhabited, to an entresol apartment just above the ground-floor, from which he could pa.s.s into the dining-room without fatigue. Its lower ceilings gave him (erroneously) an impression of greater warmth, and he had imagined himself benefited by the change.
A freer circulation of air was now considered imperative, and he was carried to Mrs. Browning"s s.p.a.cious bedroom, where an open fireplace supplied both warmth and ventilation, and large windows admitted all the sunshine of the Grand Ca.n.a.l. Everything was done for him which professional skill and loving care could do. Mrs. Browning, a.s.sisted by her husband, and by a young lady who was then her guest,* filled the place of the trained nurses until these could arrive; for a few days the impending calamity seemed even to have been averted. The bronchial attack was overcome. Mr. Browning had once walked from the bed to the sofa; his sister, whose anxiety had perhaps been spared the full knowledge of his state, could send comforting reports to his friends at home. But the enfeebled heart had made its last effort. Attacks of faintness set in. Special signs of physical strength maintained themselves until within a few hours of the end. On Wednesday, December 11, a consultation took place between Dr. Cini, Dr. da Vigna, and Dr.
Minich; and the opinion was then expressed for the first time that recovery, though still possible, was not within the bounds of probability. Weakness, however, rapidly gained upon him towards the close of the following day. Two hours before midnight of this Thursday, December 12, he breathed his last.
* Miss Evelyn Barclay, now Mrs. Douglas Giles.
He had been a good patient. He took food and medicine whenever they were offered to him. Doctors and nurses became alike warmly interested in him. His favourite among the latter was, I think, the Venetian, a widow, Margherita Fiori, a simple kindly creature who had known much sorrow. To her he said, about five hours before the end, "I feel much worse. I know now that I must die." He had shown at intervals a perception, even conviction, of his danger; but the excitement of the brain, caused by exhaustion on the one hand and the necessary stimulants on the other, must have precluded all systematic consciousness of approaching death.
He repeatedly a.s.sured his family that he was not suffering.
A painful and urgent question now presented itself for solution: Where should his body find its last rest? He had said to his sister in the foregoing summer, that he wished to be buried wherever he might die: if in England, with his mother; if in France, with his father; if in Italy, with his wife. Circ.u.mstances all pointed to his removal to Florence; but a recent decree had prohibited further interment in the English Cemetery there, and the town had no power to rescind it. When this was known in Venice, that city begged for itself the privilege of retaining the ill.u.s.trious guest, and rendering him the last honours. For the moment the idea even recommended itself to Mr. Browning"s son. But he felt bound to make a last effort in the direction of the burial at Florence; and was about to despatch a telegram, in which he invoked the mediation of Lord Dufferin, when all difficulties were laid at rest by a message from the Dean of Westminster, conveying his a.s.sent to an interment in the Abbey.* He had already telegraphed for information concerning the date of the funeral, with a view to the memorial service, which he intended to hold on the same day. Nor would the further honour have remained for even twenty-four hours ungranted, because unasked, but for the belief prevailing among Mr. Browning"s friends that there was no room for its acceptance.
* The a.s.sent thus conveyed had a.s.sumed the form of an offer, and was characterized as such by the Dean himself.
It was still necessary to provide for the more immediate removal of the body. Local custom forbade its retention after the lapse of two days and nights; and only in view of the special circ.u.mstances of the case could a short respite be granted to the family. Arrangements were therefore at once made for a private service, to be conducted by the British Chaplain in one of the great halls of the Rezzonico Palace; and by two o"clock of the following day, Sunday, a large number of visitors and residents had a.s.sembled there. The subsequent pa.s.sage to the mortuary island of San Michele had been organized by the city, and was to display so much of the character of a public pageant as the hurried preparation allowed.
The chief munic.i.p.al officers attended the service. When this had been performed, the coffin was carried by eight firemen (pompieri), arrayed in their distinctive uniform, to the ma.s.sive, highly decorated munic.i.p.al barge (Barca delle Pompe funebri) which waited to receive it. It was guarded during the transit by four "uscieri" in "gala" dress, two sergeants of the Munic.i.p.al Guard, and two of the firemen bearing torches: the remainder of these following in a smaller boat. The barge was towed by a steam launch of the Royal Italian Marine. The chief officers of the city, the family and friends in their separate gondolas, completed the procession. On arriving at San Michele, the firemen again received their burden, and bore it to the chapel in which its place had been reserved.
When "Pauline" first appeared, the Author had received, he never learned from whom, a sprig of laurel enclosed with this quotation from the poem,
Trust in signs and omens.
Very beautiful garlands were now piled about his bier, offerings of friendship and affection. Conspicuous among these was the ceremonial structure of metallic foliage and porcelain flowers, inscribed "Venezia a Roberto Browning", which represented the Munic.i.p.ality of Venice. On the coffin lay one comprehensive symbol of the fulfilled prophecy: a wreath of laurel-leaves which his son had placed there.
A final honour was decreed to the great English Poet by the city in which he had died; the affixing of a memorial tablet to the outer wall of the Rezzonico Palace. Since these pages were first written, the tablet has been placed. It bears the following inscription:
A ROBERTO BROWNING
MORTO IN QUESTO PALAZZO IL 12 DICEMBRE 1889 VENEZIA POSE
Below this, in the right-hand corner appear two lines selected from his works:
Open my heart and you will see Graved inside of it, "Italy".
Nor were these the only expressions of Italian respect and sympathy. The munic.i.p.ality of Florence sent its message of condolence. Asolo, poor in all but memories, itself bore the expenses of a mural tablet for the house which Mr. Browning had occupied. It is now known that Signor Crispi would have appealed to Parliament to rescind the exclusion from the Florentine cemetery, if the motive for doing so had been less promptly removed.
Mr. Browning"s own country had indeed opened a way for the reunion of the husband and wife. The idea had rapidly shaped itself in the public mind that, since they might not rest side by side in Italy, they should be placed together among the great of their own land; and it was understood that the Dean would sanction Mrs. Browning"s interment in the Abbey, if a formal application to this end were made to him. But Mr. Barrett Browning could not reconcile himself to the thought of disturbing his mother"s grave, so long consecrated to Florence by her warm love and by its grateful remembrance; and at the desire of both surviving members of the family the suggestion was set aside.
Two days after his temporary funeral, privately and at night, all that remained of Robert Browning was conveyed to the railway station; and thence, by a trusted servant, to England. The family followed within twenty-four hours, having made the necessary preparations for a long absence from Venice; and, travelling with the utmost speed, arrived in London on the same day. The house in De Vere Gardens received its master once more.
"Asolando" was published on the day of Mr. Browning"s death. The report of his illness had quickened public interest in the forthcoming work, and his son had the satisfaction of telling him of its already realized success, while he could still receive a warm, if momentary, pleasure from the intelligence. The circ.u.mstances of its appearance place it beyond ordinary criticism; they place it beyond even an impartial a.n.a.lysis of its contents. It includes one or two poems to which we would gladly a.s.sign a much earlier date; I have been told on good authority that we may do this in regard to one of them. It is difficult to refer the "Epilogue" to a coherent mood of any period of its author"s life. It is certain, however, that by far the greater part of the little volume was written in 1888-89, and I believe all that is most serious in it was the product of the later year. It possesses for many readers the inspiration of farewell words; for all of us it has their pathos.
He was buried in Westminster Abbey, in Poets" Corner, on the 31st of December, 1889. In this tardy act of national recognition England claimed her own. A densely packed, reverent and sympathetic crowd of his countrymen and countrywomen a.s.sisted at the consignment of the dead poet to his historic resting place. Three verses of Mrs. Browning"s poem, "The Sleep", set to music by Dr. Bridge, were sung for the first time on this occasion.
Conclusion
A few words must still be said upon that purport and tendency of Robert Browning"s work, which has been defined by a few persons, and felt by very many as his "message".
The definition has been disputed on the ground of Art. We are told by Mr. Sharp, though in somewhat different words, that the poet, qua poet, cannot deliver a "message" such as directly addresses itself to the intellectual or moral sense; since his special appeal to us lies not through the substance, but through the form, or presentment, of what he has had to say; since, therefore (by implication), in claiming for it an intellectual--as distinct from an aesthetic--character, we ignore its function as poetry.
It is difficult to argue justly, where the question at issue turns practically on the meaning of a word. Mr. Sharp would, I think, be the first to admit this; and it appears to me that, in the present case, he so formulates his theory as to satisfy his artistic conscience, and yet leave room for the recognition of that intellectual quality so peculiar to Mr. Browning"s verse. But what one member of the aesthetic school may express with a certain reserve is proclaimed unreservedly by many more; and Mr. Sharp must forgive me, if for the moment I regard him as one of these; and if I oppose his arguments in the words of another poet and critic of poetry, whose claim to the double t.i.tle is I believe undisputed--Mr. Roden Noel. I quote from an unpublished fragment of a published article on Mr. Sharp"s "Life of Browning".
"Browning"s message is an integral part of himself as writer; (whether as poet, since we agree that he is a poet, were surely a too curious and vain discussion;) but some of his finest things a.s.suredly are the outcome of certain very definite personal convictions. "The question,"
Mr. Sharp says, "is not one of weighty message, but of artistic presentation." There seems to be no true contrast here. "The primary concern of the artist must be with his vehicle of expression"--no--not the primary concern. Since the critic adds--(for a poet) "this vehicle is language emotioned to the white heat of rhythmic music by impa.s.sioned thought or sensation." Exactly--"thought" it may be. Now part of this same "thought" in Browning is the message. And therefore it is part of his "primary concern". "It is with presentment," says Mr. Sharp, "that the artist has fundamentally to concern himself." Granted: but it must surely be presentment of _something_... . I do not understand how to separate the substance from the form in true poetry... . If the message be not well delivered, it does not const.i.tute literature. But if it be well delivered, the primary concern of the poet lay with the message after all!"
More cogent objection has been taken to the character of the "message"
as judged from a philosophic point of view. It is the expression or exposition of a vivid a priori religious faith confirmed by positive experience; and it reflects as such a double order of thought, in which totally opposite mental activities are often forced into co-operation with each other. Mr. Sharp says, this time quoting from Mr. Mortimer ("Scottish Art Review", December 1889):
"His position in regard to the thought of the age is paradoxical, if not inconsistent. He is in advance of it in every respect but one, the most important of all, the matter of fundamental principles; in these he is behind it. His processes of thought are often scientific in their precision of a.n.a.lysis; the sudden conclusion which he imposes upon them is transcendental and inept."
This statement is relatively true. Mr. Browning"s positive reasonings often do end with transcendental conclusions. They also start from transcendental premises. However closely his mind might follow the visible order of experience, he never lost what was for him the consciousness of a Supreme Eternal Will as having existed before it; he never lost the vision of an intelligent First Cause, as underlying all minor systems of causation. But such weaknesses as were involved in his logical position are inherent to all the higher forms of natural theology when once it has been erected into a dogma. As maintained by Mr. Browning, this belief held a saving clause, which removed it from all dogmatic, hence all admissible grounds of controversy: the more definite or concrete conceptions of which it consists possessed no finality for even his own mind; they represented for him an absolute truth in contingent relations to it. No one felt more strongly than he the contradictions involved in any conceivable system of Divine creation and government. No one knew better that every act and motive which we attribute to a Supreme Being is a virtual negation of His existence.
He believed nevertheless that such a Being exists; and he accepted His reflection in the mirror of the human consciousness, as a necessarily false image, but one which bears witness to the truth.
His works rarely indicate this condition of feeling; it was not often apparent in his conversation. The faith which he had contingently accepted became absolute for him from all practical points of view; it became subject to all the conditions of his humanity. On the ground of abstract logic he was always ready to disavow it; the transcendental imagination and the acknowledged limits of human reason claimed the last word in its behalf. This philosophy of religion is distinctly suggested in the fifth parable of "Ferishtah"s Fancies".
But even in defending what remains, from the most widely accepted point of view, the validity of Mr. Browning"s "message", we concede the fact that it is most powerful when conveyed in its least explicit form; for then alone does it bear, with the full weight of his poetic utterance, on the minds to which it is addressed. His challenge to Faith and Hope imposes itself far less through any intellectual plea which he can advance in its support, than through the unconscious testimony of all creative genius to the marvel of conscious life; through the pa.s.sionate affirmation of his poetic and human nature, not only of the goodness and the beauty of that life, but of its reality and its persistence.