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LIBERA.
(BY SEYFRIED.)
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No. VIII.
CONCERT IN AID OF BEETHOVEN"S MONUMENT AT DRURY LANE THEATRE, JULY 19TH, 1837.
It was in the summer of the year 1837 that the citizens of Bonn, who had for the last two years been actively engaged in raising funds for the erection of a monument to Beethoven in his native city, addressed Lord Burghersh, through the Baron von Schlegel, president of their managing committee, in the following letter:--
My Lord,
Monsieur le Baron de Bulow has encouraged me to address your Lordship on behalf of the proposed monument to Ludwig van Beethoven, in his native town of Bonn. This project has been most favourably entertained in Germany: we have received the profits of many concerts given for this purpose in the small as well as large towns, besides private subscriptions; nevertheless, our means are still insufficient for the execution of a monument in all respects worthy of this great genius. Besides, his glory would remain imperfect if we did not obtain for it some conspicuous support from abroad, and especially from London, which has become one of the princ.i.p.al places in Europe in which music is cultivated in the greatest perfection. A public concert, given in that capital, in aid of the monument to Beethoven, would complete our wishes.
If a connoisseur and patron of talent like your Lordship would deign to encourage such an undertaking, distinguished artists will zealously a.s.sist, and the numerous admirers of Beethoven will not refuse their aid to do honour to his memory.
Having had the honour, in former times, of being received by your Lordship, and of being present at your brilliant musical entertainments in Florence and in London, I gladly avail myself of this occasion to recal myself to your kind recollection; and I beg you to accept the expression of my devotion and of the great respect with which
I have the honour to be,
My Lord,
Your most obedient and humble servant,
(Signed)
A. W. DE SCHLEGEL.
Bonn, May 21st, 1837.
Lord Burghersh, taking up the matter with the utmost zeal, addressed an appeal to the princ.i.p.al musical inst.i.tutions of London, which in their turn showed their readiness to promote the object in view.
At a meeting of the professors belonging to the Ancient Concert, the co-operation of the members of that body was unanimously granted, Mr.
Knyvett and Mr. Cramer being deputed to act as its representatives. A like course was adopted by the Philharmonic Society, which nominated Sir George Smart and Mr. Moscheles in a similar capacity; Mr. Mori and Sig.
Costa were appointed by the orchestra of the Italian Opera to express the adherence of that body; and Messrs. Potter and C. Lucas, at the suggestion of Lord Burghersh, on the part of the disposable forces of the Royal Academy. Several of the princ.i.p.al English and foreign vocalists then in London offered their co-operation with the utmost willingness and liberality. Mr. Bunn granted the use of Drury Lane Theatre, and on the 19th of July, 1837, under the management of a committee presided over by Lord Burghersh, a.s.sisted by the Right Hon.
the Earl of Cawdor and the Right Hon. Sir Gore Ouseley, Bart., and formed of the members of the musical bodies above specified, a grand concert was given, the following account of which is extracted from the musical journals of the day.
The performance which took place at Drury Lane Theatre on Wednesday evening was but thinly attended, owing to a variety of causes, among which may be noticed the dissolution of Parliament and the approaching elections, the lateness of the season, and, we fear, the high terms demanded for admission, namely, half-a-guinea the boxes, seven shillings the pit, and five shillings the gallery. In a musical point of view it realised the highest expectations that could have been formed of it; for a.s.suredly it was the n.o.blest entertainment of this description that ever was given in England. But considered with respect to its object, it has unfortunately been a failure, the attendance having been too small to produce any substantial contribution to the fund. This circ.u.mstance must have, in some measure, diminished the enjoyment which the admirers of Beethoven derived from the performance of some of his greatest masterpieces. But it did not damp the ardour of the performers. They evidently exerted themselves _con amore_; and we have never heard music performed with greater care, energy, or effect.
Nothing could have surpa.s.sed the splendour of the orchestra on this occasion, which was erected upon the stage, and the back of it was as high as the second tier of boxes. The princ.i.p.al singers were arranged in front; the chorus, consisting of 112 voices, on each side; the conductor in the centre. The band consisted of fifty violins, twelve violas, twelve violoncellos, eleven double ba.s.ses, twenty-five wind instruments, &c., making a total of 110 instruments, and a grand total of about 230 performers. The soli performers were Mesdames Schroeder Devrient, Bishop, Knyvett, Birch, Wyndham; Messrs. Braham, Bennett, Balfe, Seguin, and H. Phillips. The conductors, Sir George Smart, Mr.
Moscheles, and Mr. Knyvett; the leaders, Messrs. F. Cramer, Loder, and T. Cooke.
The selection combined: Part I. The Mount of Olives. Part II. The Choral Symphony. Part III. Overture Egmont.--Canon from Fidelio.--Concerto in E flat (pianoforte, Mr. Moscheles).--Grand scena in E.--And Finale from Fidelio.