On Meeting Street was Apprentices" Library Hall, where Glidden led his hearers through the intricacies of Egyptian Archaeology. Here Aga.s.siz sometimes lectured on Zoology, and our youthful poet may have watched animals from the jungle climb up the blackboard at the touch of what would have been only a piece of chalk in any other hand, but became a magic creative force under the guidance of that wizard of science.
Here he could have followed with Thackeray the varying fortunes and ethic vagaries of the royal Georges. His poetic soul may have kindled with the fire of Macready"s "Hamlet" when, thinking that he was too far down the slope of life to hark back to the days of the youthful Dane, he proved that he still had the glow of the olden time in his soul by reading the part as only Macready could. In this old hall he may have looked upon the paintings which inspired him to create his own pictures, luminous with softly tinted word-colors.
Meeting Street seems to have been named with reference to its uses, for here, too, was the old theatre, gone long ago, where Fannie Ellsler danced with a wavering, quivering, shimmering grace that drove humming-birds to despair. In that theatre it may be that Paul Hayne heard Jenny Lind fill the night with a melody which would irradiate his soul throughout life and reproduce itself in the music-tones of his gently cadenced verse. There the ill-fated Adrienne Lecouvreur lived and died again in her wondrous transmigration into the soul of the great Rachel.
When a boy, Hayne"s heart may have often thrilled to the voice of the scholarly Hugh Swinton Legare, as he made the heart of some cla.s.sic old poem live in the music of his organ-tones.
A sensitive soul surrounded by the influences of life in old Charleston had many incentives to high and harmonious expression.
That the Queen City of the Sea did not claim the privilege of the fickleness alleged to be incident to the feminine character is ill.u.s.trated by the fact that she had but two postmasters in seventy years, a circ.u.mstance worthy of note "in days like these, when ev"ry gate is thronged with suitors, all the markets overflow," and the disbursing counter is crowded with claimants for the rewards due for commendable activity in the campaign. One of those two was Peter Bascot, an appointee of Washington. The other was Alfred Huger, "the last of the Barons," who had refused to take the office in the time of Bascot.
In old Charleston the servants were the severest sticklers for propriety, and the butlers of the old families rivalled each other in the loftiness of their standards. Jack, the butler of "the last of the Barons," was wide awake to the demands of his position, and when an old sea captain, an intimate friend of Mr. Huger, dining with the family, asked for rice when the fish was served he was first met with a chill silence. Thinking that he had not been heard, he repeated the request. Jack bent and whispered to him. With a burst of laughter, the captain said, "Judge, you have a treasure. Jack has saved me from disgrace, from exposing my ignorance. He whispered, "That would not do, sir; _we_ never eats rice with fish.""
Russell"s book-shop on King Street was a favorite place of meeting for the Club which recognized Simms as king by divine right. From these pleasant gatherings grew the thought of giving to Charleston a medium through which the productions of her thought might go out to the world. In April, 1857, appeared _Russell"s Magazine_, bearing the names of Paul Hamilton Hayne and W.B. Carlisle as editors, though upon Hayne devolved all the editorial work and much of the other writing for the new publication. He had helped to keep alive the _Southern Literary Messenger_ after the death of Mr. White and the departure of Poe for other fields of labor, had a.s.sisted Richards on the _Southern Literary Gazette_ and had been a.s.sociate editor of Harvey"s _Spectator_. For Charleston had long been ambitious to become the literary centre of the South. The object of _Russell"s Magazine_ was to uphold the cause of literature in Charleston and in the South, and incidentally to stand by the friends of the young editor, who carried his partisanship of William Gilmore Simms so far as to permit the publication of a severe criticism of Dana"s "Household Book of Poetry"
because it did not include any of the verse of the Circle"s rugged mentor. _Russell"s_ had a brilliant and brief career, falling upon silence in March, 1860; probably not much to the regret of Paul Hayne, who, while too conscientious to withhold his best effort from any enterprise that claimed him, was too distinctly a poet not to feel somewhat like Pegasus in pound when tied down to the editorial desk.
This quiet life, in which the gentle soul of Hayne, with its delicate sensitiveness, poetic insight, and appreciation of all beauty, found congenial environment, soon suffered a rude interruption. As Charleston was the first to throw off the yoke of Great Britain and draw up a const.i.tution which she thought adapted to independent government, so did she first express the determination of South Carolina to break the bonds that held her turbulent political soul in uncongenial a.s.sociation.
Hayne heard the twelve-hour cannonade of Fort Sumter"s hundred and forty guns echoing over the sea, and saw the Stars and Bars flutter above the walls of the old fort. He saw Generals Bee and Johnson come back from Mana.s.sas, folded in the battle flag for which they had given their lives, to lie in state in the City Hall at the marble feet of Calhoun, the great political leader whom they had followed to the inevitable end. General Lee was in the old town for a little while. A man said to him, "It is difficult for so many men to abandon their business for the war." The general replied, "Believe me, sir, the business of this generation _is_ the war." In the spirit of this answer Charleston met the crisis so suddenly come upon her.
All the young poet"s patriotic love and inherited martial instinct urged him to the battle, but his frail physique withheld him from the field, and he took service as an aide on the staff of Governor Pickens.
At the close of the war, wrecked in health, with only the memory of his beautiful home and library left to him, with not even a piece of the family silver remaining from the "march to the sea," Hayne went to the pine-barrens of Georgia, eighteen miles from Augusta, to build a new home.
When the first man and woman were sent out from their garden home, it was not as a punishment for sin, but as an answer to their ambitious quest for knowledge and their new-born longing for a wider life. It was not that the gate of Eden was closed upon them; it was that the gates of all the Edens of the world were opened for them and for the generations of their children. One of those gates opened upon the Eden of Copse Hill, where the poet of Nature found a home and all friendly souls met a welcome that filled the pine-barrens with joy for them. Of Copse Hill the poet says:
A little apology for a dwelling was perched on the top of a hill overlooking in several directions hundreds of leagues of pine-barrens there was as yet neither garden nor inclosure near it; and a wilder, more desolate and savage-looking home could hardly have been seen east of the prairies.
What that "little apology of a dwelling" was to him is best pictured in his own words:
On a steep hillside, to all airs that blow, Open, and open to the varying sky, Our cottage homestead, smiling tranquilly, Catches morn"s earliest and eve"s latest glow; Here, far from worldly strife and pompous show, The peaceful seasons glide serenely by, Fulfil their missions and as calmly die As waves on quiet sh.o.r.es when winds are low.
Fields, lonely paths, the one small glimmering rill That twinkles like a wood-fay"s mirthful eye, Under moist bay-leaves, clouds fantastical That float and change at the light breeze"s will,-- To me, thus lapped in sylvan luxury, Are more than death of kings, or empires" fall.
Here with "the bonny brown hand" in his that was "dearer than all dear things of earth" Paul Hayne found a life that was filled with beauty, notwithstanding its moments of discouragement and pain. We like to remember that always with him, helping him bear the burdens of life, was that wifely hand of which the poet could say, "The hand which points the path to heaven, yet makes a heaven of earth."
On sunny days he paced to and fro under the pines, the many windows of his mind opened to the studies in light and shade and his soul attuned to the music of the drifting winds and the whispering trees. When Nature was in darkened mood and gave him no invitation to the open court wherein she reigned, he walked up and down his library floor, engrossed with some beautiful thought which, in harmonious garb of words, would go forth and bless the world with its music.
The study, of which he wrote:
This is my world! within these narrow walls I own a princely service
was perhaps as remarkable a room as any in which student ever spent his working hours, the walls being papered wholly with cuts from papers and periodicals. The furniture was decorated in the same way, even to the writing desk, which was an old work bench left by some carpenters. All had been done by the "bonny brown hands" that never wearied in loving service.
Many of his friends made pilgrimages to the little cottage on the hill, where they were cordially welcomed by the poet, who, happy in his home with his wife and little son, lived among the flowers which he tended with his own hands, surrounded by the majesty of the pines whose
Pa.s.sion and mystery murmur through the leaves,-- Pa.s.sion and mystery touched by deathless pain, Whose monotone of long, low anguish grieves For something lost that shall not live again.
Hither came Henry Timrod, doomed to failure, loss, and early death, but with soul eternally alive with the fires of genius. In the last days of his sad and broken life William Gilmore Simms came to renew old memories and recount the days when life in old Charleston was iridescent as the waves that washed the feet of the Queen of the Sea.
Congenial spirits they were who met in that charming little study where Paul Hayne walked "the fields of quiet Arcadies" and
... gleamings of the lost, heroic life Flashed through the gorgeous vistas of romance.
Hayne had the subtle power of touching the friendliness in the hearts of those who were far away, as well as of the comrades who had walked with him along the road of life. Often letters came from friends in other lands, known to him only by that wireless intuitional telegraphy whereby kindred souls know each other, though hands have not met nor eyes looked into eyes. Many might voice the thought expressed by one: "I may boast that Paul Hayne was my friend, though it was never my good fortune to meet him." Many a soul was upheld and strengthened by him, as was that of a man who wrote that he had been saved from suicide by reading the "Lyric of Action." His alb.u.m held autographed photographs of many writers, among them Charles Kingsley, William Black, and Wilkie Collins. He cherished an ivy vine sent him by Blackmore from Westminister Abbey.
Hayne"s many-windowed mind looked out upon all the phases of the beauty of Nature. Her varied moods found in him a loving response. He awaited her coming as the devotee at the temple gate waits for the approach of his Divinity:
I felt, through dim, awe-laden s.p.a.ce, The coming of thy veiled face; And in the fragrant night"s eclipse The kisses of thy deathless lips, Like strange star-pulses, throbbed through s.p.a.ce!
Whether it is drear November and
But winds foreboding fill the desolate night And die at dawning down wild woodland ways,
or in May "couched in cool shadow" he hears
The bee-throngs murmurous in the golden fern, The wood-doves veiled by depths of flickering green,
for him the music of the spheres is in it all. Whether at midnight
The moon, a ghost of her sweet self,
Creeps up the gray, funereal sky wearily, how wearily,
or morning comes "with gracious breath of sunlight," it is a part of glorious Nature, his star-crowned Queen, his sun-clad G.o.ddess.
To no other heart has the pine forest come so near unfolding its immemorial secret. That poet-mind was a wind-harp, and its quivering strings echoed to every message that came from the dim old woods on the "soft whispers of the twilight breeze," the flutterings of the newly awakened morn or the crash of the storm. "The Dryad of the Pine"
bent "earth-yearning branches" to give him loving greeting and receive his quick response:
Leaning on thee, I feel the subtlest thrill Stir thy dusk limbs, tho" all the heavens are still, And "neath thy rings of rugged fretwork mark What seems a heart-throb m.u.f.fled in the dark.
"The imprisoned spirits of all winds that blow" echoed to his ear from the heart of the pine-cone fallen from "the wavering height of yon monarchal pine."
When a glorious pine, to him a living soul, falls under the axe he hears "the wail of Dryads in their last distress."
In the greenery of his loved and loving pines, with memories happy, though touched to tender sadness by the sorrows that had come to the old-time group of friends, blessed with the companionship of the two loving souls who were dearest to him of all the world, he sang the melodies of his heart till a cold hand swept across the strings of his wonderful harp and chilled them to silence.
In his last year of earth he was invited to deliver at Vanderbilt University a series of lectures on poetry and literature. Before the invitation reached him he had "fallen into that perfect peace that waits for all."
"THE FLAME-BORN POET"
HENRY TIMROD
A writer on Southern poets heads his article on one of the most gifted of our children of song, "Henry Timrod, the Unfortunate Singer."
At first glance the t.i.tle may seem appropriate. Viewed by the standard set up by the world, there was little of the wine of success in Timrod"s cup of life. Bitter drafts of the waters of Marah were served to him in the iron goblet of Fate. But he lived. Of how many of the so-called favorites of Fortune could that be said? Through the mists of his twilit life, he caught glimpses of a sun-radiant morning of wondrous glory.