Now, this story doesn"t need to be restricted to a child"s magazine --it is proper enough for any magazine, I should think, or for a syndicate. I don"t swear it, but I think so.
Proposed t.i.tle--New Adventures of Huckleberry Finn.
He was full of his usual enthusiasm in any new undertaking, and writes of the Extraordinary Twins:
By and by I shall have to offer (for grown folks" magazine) a novel ent.i.tled, "Those Extraordinary Twins". It"s the howling farce I told you I had begun awhile back. I laid it aside to ferment while I wrote Tom Sawyer Abroad, but I took it up again on a little different plan lately, and it is swimming along satisfactorily now.
I think all sorts of folks will read it. It is clear out of the common order--it is a fresh idea--I don"t think it resembles anything in literature.
He was quite right; it did not resemble anything in literature, nor did it greatly resemble literature, though something at least related to literature would eventually grow out of it.
In a letter written many years afterward by Frank Mason, then consul-general at Frankfort, he refers to "that happy summer at Nauheim." Mason was often a visitor there, and we may believe that his memory of the summer was justified. For one thing, Clemens himself was in better health and spirits and able to continue his work. But an even greater happiness lay in the fact that two eminent physicians had p.r.o.nounced Mrs. Clemens free from any organic ills. To Orion, Clemens wrote:
We are in the clouds because the bath physicians say positively that Livy has no heart disease but has only weakness of the heart muscles and will soon be well again. That was worth going to Europe to find out.
It was enough to change the whole atmosphere of the household, and financial worries were less considered. Another letter to Orion relates history:
The Twich.e.l.ls have been here four days & we have had good times with them. Joe & I ran over to Homburg, the great pleasure-resort, Sat.u.r.day, to dine with friends, & in the morning I went walking in the promenade & met the British amba.s.sador to the Court of Berlin and he introduced me to the Prince of Wales. I found him a most unusually comfortable and unembarra.s.sing Englishman.
Twich.e.l.l has reported Mark Twain"s meeting with the Prince (later Edward VII) as having come about by special request of the latter, made through the British amba.s.sador. "The meeting," he says, "was a most cordial one on both sides, and presently the Prince took Mark Twain"s arm and the two marched up and down, talking earnestly together, the Prince, solid, erect, and soldier-like, Clemens weaving along in his curious, swinging gait in a full tide of talk, and brandishing a sun-umbrella of the most scandalous description."
When they parted Clemens said:
"It has been, indeed, a great pleasure to meet your Royal Highness."
The Prince answered:
"And it is a pleasure, Mr. Clemens, to have met you--again."
Clemens was puzzled to reply.
"Why," he said, "have we met before?"
The Prince smiled happily.
"Oh yes," he said; "don"t you remember that day on the Strand when you were on the top of a bus and I was heading a procession and you had on your new overcoat with flap-pockets?"--[See chap. clxiii, "A Letter to the Queen of England."]
It was the highest compliment he could have paid, for it showed that he had read, and had remembered all those years. Clemens expressed to Twich.e.l.l regret that he had forgotten to mention his visit to the Prince"s sister, Louise, in Ottawa, but he had his opportunity at a dinner next day. Later the Prince had him to supper and they pa.s.sed an entire evening together.
There was a certain uneasiness in the Nauheim atmosphere that year, for the cholera had broken out at Hamburg, and its victims were dying at a terrific rate. It was almost impossible to get authentic news as to the spread of the epidemic, for the German papers were curiously conservative in their reports. Clemens wrote an article on the subject but concluded not to print it. A paragraph will convey its tenor.
What I am trying to make the reader understand is the strangeness of the situation here--a mighty tragedy being played upon a stage that is close to us, & yet we are as ignorant of its details as we should be if the stage were in China. We sit "in front," & the audience is in fact the world; but the curtain is down, & from behind it we hear only an inarticulate murmur. The Hamburg disaster must go into history as the disaster without a history.
He closes with an item from a physician"s letter--an item which he says "gives you a sudden and terrific sense of the situation there."
For in a line it flashes before you--this ghastly picture--a thing seen by the physician: a wagon going along the street with five sick people in it, and with them four dead ones.
CLx.x.xII. THE VILLA VIVIANI. "The American Claimant", published in May l (1892), did not bring a very satisfactory return. For one thing, the book-trade was light, and then the Claimant was not up to his usual standard. It had been written under hard circ.u.mstances and by a pen long out of practice; it had not paid, and its author must work all the harder on the new undertakings. The conditions at Nauheim seemed favorable, and they lingered there until well into September. To Mrs.
Crane, who had returned to America, Clemens wrote on the 18th, from Lucerne, in the midst of their travel to Italy:
We remained in Nauheim a little too long. If we had left four or five days earlier we should have made Florence in three days. Hard trip because it was one of those trains that gets tired every 7 minutes and stops to rest three-quarters of an hour. It took us 3 1/2 hours to get there instead of the regulation 2 hours. We shall pull through to Milan to-morrow if possible. Next day we shall start at 10 AM and try to make Bologna, 5 hours. Next day, Florence, D. V. Next year we will walk. Phelps came to Frankfort and we had some great times--dinner at his hotel; & the Masons, supper at our inn--Livy not in it. She was merely allowed a glimpse, no more. Of course Phelps said she was merely pretending to be ill; was never looking so well & fine.
A Paris journal has created a happy interest by inoculating one of its correspondents with cholera. A man said yesterday he wished to G.o.d they would inoculate all of them. Yes, the interest is quite general and strong & much hope is felt.
Livy says I have said enough bad things, and better send all our loves & shut up. Which I do--and shut up.
They lingered at Lucerne until Mrs. Clemens was rested and better able to continue the journey, arriving at last in Florence, September 26th. They drove out to the Villa Viviani in the afternoon and found everything in readiness for their reception, even to the dinner, which was prepared and on the table. Clemens, in his notes, speaks of this and adds:
It takes but a sentence to state that, but it makes an indolent person tired to think of the planning & work and trouble that lie concealed in it.
Some further memoranda made at this time have that intimate interest which gives reality and charm. The "contadino" brought up their trunks from the station, and Clemens wrote:
The "contadino" is middle-aged & like the rest of the peasants--that is to say, brown, handsome, good-natured, courteous, & entirely independent without making any offensive show of it. He charged too much for the trunks, I was told. My informer explained that this was customary.
September 27. The rest of the trunks brought up this morning. He charged too much again, but I was told that this was also customary.
It"s all right, then. I do not wish to violate the customs. Hired landau, horses, & coachman. Terms, 480 francs a month & a pourboire to the coachman, I to furnish lodging for the man & the horses, but nothing else. The landau has seen better days & weighs 30 tons.
The horses are feeble & object to the landau; they stop & turn around every now & then & examine it with surprise & suspicion.
This causes delay. But it entertains the people along the road.
They came out & stood around with their hands in their pockets & discussed the matter with each other. I was told that they said that a 30-ton landau was not the thing for horses like those--what they needed was a wheelbarrow.
His description of the house pictures it as exactly today as it did then, for it has not changed in these twenty years, nor greatly, perhaps, in the centuries since it was built.
It is a plain, square building, like a box, & is painted light yellow & has green window-shutters. It stands in a commanding position on the artificial terrace of liberal dimensions, which is walled around with masonry. From the walls the vineyards & olive orchards of the estate slant away toward the valley. There are several tall trees, stately stone-pines, also fig-trees & trees of breeds not familiar to me. Roses overflow the retaining-walls, & the battered & mossy stone urn on the gate-posts, in pink & yellow cataracts exactly as they do on the drop-curtains in the theaters.
The house is a very fortress for strength. The main walls--all brick covered with plaster--are about 3 feet thick. I have several times tried to count the rooms of the house, but the irregularities baffle me. There seem to be 28. There are plenty of windows & worlds of sunlight. The floors are sleek & shiny & full of reflections, for each is a mirror in its way, softly imaging all objects after the subdued fashion of forest lakes. The curious feature of the house is the salon. This is a s.p.a.cious & lofty vacuum which occupies the center of the house. All the rest of the house is built around it; it extends up through both stories & its roof projects some feet above the rest of the building. The sense of its vastness strikes you the moment you step into it & cast your eyes around it & aloft. There are divans distributed along its walls. They make little or no show, though their aggregate length is 57 feet. A piano in it is a lost object. We have tried to reduce the sense of desert s.p.a.ce & emptiness with tables & things, but they have a defeated look, & do not do any good. Whatever stands or moves under that soaring painted vault is belittled.
He describes the interior of this vast room (they grew to love it), dwelling upon the plaster-relief portraits above its six doors, Florentine senators and judges, ancient dwellers there and former owners of the estate.
The date of one of them is 1305--middle-aged, then, & a judge--he could have known, as a youth, the very greatest Italian artists, & he could have walked & talked with Dante, & probably did. The date of another is 1343--he could have known Boccaccio & spent his afternoons wandering in Fiesole, gazing down on plague-reeking Florence & listening to that man"s improper tales, & he probably did. The date of another is 1463--he could have met Columbus & he knew the magnificent Lorenzo, of course. These are all Cerretanis --or Cerretani-Twains, as I may say, for I have adopted myself into their family on account of its antiquity--my origin having been heretofore too recent to suit me.
We are considering the details of Viviani at some length, for it was in this setting that he began and largely completed what was to be his most important work of this later time--in some respects his most important of any time--the "Personal Recollections of Joan of Arc". If the reader loves this book, and he must love it if he has read it, he will not begrudge the s.p.a.ce here given to the scene of its inspiration. The outdoor picture of Viviani is of even more importance, for he wrote oftener out-of-doors than elsewhere. Clemens added it to his notes several months later, but it belongs here.
The situation of this villa is perfect. It is three miles from Florence, on the side of a hill. Beyond some hill-spurs is Fiesole perched upon its steep terraces; in the immediate foreground is the imposing ma.s.s of the Ross castle, its walls and turrets rich with the mellow weather-stains of forgotten centuries; in the distant plain lies Florence, pink & gray & brown, with the ruddy, huge dome of the cathedral dominating its center like a captive balloon, & flanked on the right by the smaller bulb of the Medici chapel & on the left by the airy tower of the Palazzo Vecchio; all around the horizon is a billowy rim of lofty blue hills, snowed white with innumerable villas. After nine months of familiarity with this panorama I still think, as I thought in the beginning, that this is the fairest picture on our planet, the most enchanting to look upon, the most satisfying to the eye & the spirit. To see the sun sink down, drowned in his pink & purple & golden floods, & overwhelm Florence with tides of color that make all the sharp lines dim & faint & turn the solid city into a city of dreams, is a sight to stir the coldest nature & make a sympathetic one drunk with ecstasy.
The Clemens household at Florence consisted of Mr. and Mrs. Clemens, Susy, and Jean. Clara had soon returned to Berlin to attend Mrs.
Willard"s school and for piano instruction. Mrs. Clemens improved in the balmy autumn air of Florence and in the peaceful life of their well-ordered villa. In a memorandum of October 27th Clemens wrote:
The first month is finished. We are wonted now. This carefree life at a Florentine villa is an ideal existence. The weather is divine, the outside aspects lovely, the days and nights tranquil and reposeful, the seclusion from the world and its worries as satisfactory as a dream. Late in the afternoons friends come out from the city & drink tea in the open air & tell what is happening in the world; & when the great sun sinks down upon Florence & the daily miracle begins they hold their breath & look. It is not a time for talk.
No wonder he could work in that environment. He finished "Tom Sawyer Abroad", also a short story, "The L 1,000,000 Bank-Note" (planned many years before), discovered the literary mistake of the "Extraordinary Twins" and began converting it into the worthier tale, "Pudd"nhead Wilson", soon completed and on its way to America.
With this work out of his hands, Clemens was ready for his great new undertaking. A seed sown by the wind more than forty years before was ready to bloom. He would write the story of Joan of Arc.
CLx.x.xIII. THE SIEUR DE CONTE AND JOAN