Emerson, supernaturally grave, unsmiling; Mr. Whittier, grave, lovely, his beautiful spirit shining out of his face; Mr.
Longfellow, with his silken-white hair and his benignant face; Dr.
Oliver Wendell Holmes, flashing smiles and affection and all good- fellowship everywhere, like a rose-diamond whose facets are being turned toward the light, first one way and then another--a charming man, and always fascinating, whether he was talking or whether he was sitting still (what he would call still, but what would be more or less motion to other people). I can see those figures with entire distinctness across this abyss of time.
William Winter, the poet, had just preceded him, and it seemed a moment aptly chosen for his so-different theme. "And then," to quote Howells, "the amazing mistake, the bewildering blunder, the cruel catastrophe was upon us."
After the first two or three hundred words, when the general plan and purpose of the burlesque had developed, when the names of Longfellow, Emerson, and Holmes began to be flung about by those bleary outcasts, and their verses given that sorry a.s.sociation, those Atlantic diners became petrified with amazement and horror. Too late, then, the speaker realized his mistake. He could not stop, he must go on to the ghastly end. And somehow he did it, while "there fell a silence weighing many tons to the square inch, which deepened from moment to moment, and was broken only by the hysterical and blood-curdling laughter of a single guest, whose name shall not be handed down to infamy."
Howells can remember little more than that, but Clemens recalls that one speaker made an effort to follow him--Bishop, the novelist, and that Bishop didn"t last long.
It was not many sentences after his first before he began to hesitate and break, and lose his grip, and totter and wobble, and at last he slumped down in a limp and mushy pile.
The next man had not strength to rise, and somehow the company broke up.
Howells"s next recollection is of being in a room of the hotel, and of hearing Charles Dudley Warner saying in the gloom:
"Well, Mark, you"re a funny fellow."
He remembers how, after a sleepless night, Clemens went out to buy some bric-a-brac, with a soul far from bric-a-brac, and returned to Hartford in a writhing agony of spirit. He believed that he was ruined forever, so far as his Boston a.s.sociations were concerned; and when he confessed all the tragedy to Mrs. Clemens it seemed to her also that the mistake could never be wholly repaired. The fact that certain papers quoted the speech and spoke well of it, and certain readers who had not listened to it thought it enormously funny, gave very little comfort. But perhaps his chief concern was the ruin which he believed he had brought upon Howells. He put his heart into a brief letter:
MY DEAR HOWELLS,--My sense of disgrace does not abate. It grows.
I see that it is going to add itself to my list of permanencies, a list of humiliations that extends back to when I was seven years old, and which keep on persecuting me regardless of my repentances.
I feel that my misfortune has injured me all over the country; therefore it will be best that I retire from before the public at present. It will hurt the Atlantic for me to appear in its pages now. So it is my opinion, and my wife"s, that the telephone story had better be suppressed. Will you return those proofs or revises to me, so that I can use the same on some future occasion?
It seems as if I must have been insane when I wrote that speech and saw no harm in it, no disrespect toward those men whom I reverenced so much. And what shame I brought upon you, after what you said in introducing me! It burns me like fire to think of it.
The whole matter is a dreadful subject. Let me drop it here--at least on paper.
Penitently yours, MARK
So, all in a moment, his world had come to an end--as it seemed. But Howells"s letter, which came rushing back by first mail, brought hope.
"It was a fatality," Howells said. "One of those sorrows into which a man walks with his eyes wide open, no one knows why."
Howells a.s.sured him that Longfellow, Emerson, and Holmes would so consider it, beyond doubt; that Charles Eliot Norton had already expressed himself exactly in the right spirit concerning it. Howells declared that there was no intention of dropping Mark Twain"s work from the Atlantic.
You are not going to be floored by it; there is more justice than that even in this world. Especially as regards me, just call the sore spot well. I can say more, and with better heart, in praise of your good feeling (which was what I always liked in you), since this thing happened than I could before.
It was agreed that he should at once write a letter to Longfellow, Emerson, and Holmes, and he did write, laying his heart bare to them.
Longfellow and Holmes answered in a fine spirit of kindliness, and Miss Emerson wrote for her father in the same tone. Emerson had not been offended, for he had not heard the speech, having arrived even then at that stage of semi-oblivion as to immediate things which eventually so completely shut him away. Longfellow"s letter made light of the whole matter. The newspapers, he said, had caused all the mischief.
A bit of humor at a dinner-table talk is one thing; a report of it in the morning papers is another. One needs the lamplight and the scenery. These failing, what was meant in jest a.s.sumes a serious aspect.
I do not believe that anybody was much hurt. Certainly I was not, and Holmes tells me that he was not. So I think you may dismiss the matter from your mind, without further remorse.
It was a very pleasant dinner, and I think Whittier enjoyed it very much.
Holmes likewise referred to it as a trifle.
It never occurred to me for a moment to take offense, or to feel wounded by your playful use of my name. I have heard some mild questioning as to whether, even in fun, it was good taste to a.s.sociate the names of the authors with the absurdly unlike personalities attributed to them, but it seems to be an open question. Two of my friends, gentlemen of education and the highest social standing, were infinitely amused by your speech, and stoutly defended it against the charge of impropriety. More than this, one of the cleverest and best-known ladies we have among us was highly delighted with it.
Miss Emerson"s letter was to Mrs. Clemens and its homelike New England fashion did much to lift the gloom.
DEAR MRS. CLEMENS,--At New Year"s our family always meets, to spend two days together. To-day my father came last, and brought with him Mr. Clemens"s letter, so that I read it to the a.s.sembled family, and I have come right up-stairs to write to you about it. My sister said, "Oh, let father write!" but my mother said, "No, don"t wait for him. Go now; don"t stop to pick that up. Go this minute and write. I think that is a n.o.ble letter. Tell them so." First let me say that no shadow of indignation has ever been in any of our minds. The night of the dinner, my father says, he did not hear Mr.
Clemens"s speech. He was too far off, and my mother says that when she read it to him the next day it amused him. But what you will want is to know, without any softening, how we did feel. We were disappointed. We have liked almost everything we have ever seen over Mark Twain"s signature. It has made us like the man, and we have delighted in the fun. Father has often asked us to repeat certain pa.s.sages of The Innocents Abroad, and of a speech at a London dinner in 1872, and we all expect both to approve and to enjoy when we see his name. Therefore, when we read this speech it was a real disappointment. I said to my brother that it didn"t seem good or funny, and he said, "No, it was unfortunate. Still some of those quotations were very good"; and he gave them with relish and my father laughed, though never having seen a card in his life, he couldn"t understand them like his children. My mother read it lightly and had hardly any second thoughts about it. To my father it is as if it had not been; he never quite heard, never quite understood it, and he forgets easily and entirely. I think it doubtful whether he writes to Mr. Clemens, for he is old and long ago gave up answering letters, I think you can see just how bad, and how little bad, it was as far as we are concerned, and this lovely heartbreaking letter makes up for our disappointment in our much- liked author, and restores our former feeling about him.
ELLEN T. EMERSON.
The sorrow dulled a little as the days pa.s.sed. Just after Christmas Clemens wrote to Howells:
I haven"t done a stroke of work since the Atlantic dinner. But I"m going to try to-morrow. How could I ever----
Ah, well, I am a great and sublime fool. But then I am G.o.d"s fool, and all his work must be contemplated with respect.
So long as that unfortunate speech is remembered there will be differences of opinion as to its merits and propriety. Clemens himself, reading it for the first time in nearly thirty years, said:
"I find it gross, coa.r.s.e--well, I needn"t go on with particulars. I don"t like any part of it, from the beginning to the end. I find it always offensive and detestable. How do I account for this change of view? I don"t know."
But almost immediately afterward he gave it another consideration and reversed his opinion completely. All the spirit and delight of his old first conception returned, and preparing it for publication, he wrote: --[North American Review, December, 1907, now with comment included in the volume of "Speeches." (Also see Appendix O, at the end of last volume.)--I have read it twice, and unless I am an idiot it hasn"t a single defect in it, from the first word to the last. It is just as good as good can be. It is smart; it is saturated with humor. There isn"t a suggestion of coa.r.s.eness or vulgarity in it anywhere.]
It was altogether like Mark Twain to have those two absolutely opposing opinions in that brief time; for, after all, it was only a question of the human point of view, and Mark Twain"s points of view were likely to be as extremely human as they were varied.
Of course the first of these impressions, the verdict of the fresh mind uninfluenced by the old conception, was the more correct one. The speech was decidedly out of place in that company. The skit was harmless enough, but it was of the Comstock grain. It lacked refinement, and, what was still worse, it lacked humor, at least the humor of a kind suited to that long-ago company of listeners. It was another of those grievous mistakes which genius (and not talent) can make, for genius is a sort of possession. The individual is pervaded, dominated for a time by an angel or an imp, and he seldom, of himself, is able to discriminate between his controls. A literary imp was always lying in wait for Mark Twain; the imp of the burlesque, tempting him to do the "outre", the outlandish, the shocking thing. It was this that Olivia Clemens had to labor hardest against: the cheapening of his own high purpose with an extravagant false note, at which sincerity, conviction, and artistic harmony took wings and fled away. Notably he did a good burlesque now and then, but his fame would not have suffered if he had been delivered altogether from his besetting temptation.
CXV. HARTFORD AND BILLIARDS
Clemens was never much inclined to work, away from his Elmira study.
"Magnanimous Incident Literature" (for the Atlantic) was about his only completed work of the winter of 1877-78. He was always tinkering with the "Visit to Heaven," and after one reconstruction Howells suggested that he bring it out as a book, in England, with Dean Stanley"s indors.e.m.e.nt, though this may have been only semi-serious counsel. The story continued to lie in seclusion.
Clemens had one new book in the field--a small book, but profitable. Dan Slote"s firm issued for him the Mark Twain Sc.r.a.p-book, and at the end of the first royalty period rendered a statement of twenty-five thousand copies sold, which was well enough for a book that did not contain a single word that critics could praise or condemn. Slote issued another little book for him soon after Punch, Brothers, Punch!--which, besides that lively sketch, contained the "Random Notes" and seven other selections.
Mark Twain was tempted to go into the lecture field that winter, not by any of the offers, though these were numerous enough, but by the idea of a combination which he thought night be not only profitable but pleasant. Thomas Nast had made a great success of his caricature lectures, and Clemens, recalling Nast"s long-ago proposal, found it newly attractive. He wrote characteristically:
MY DEAR NAST,--I did not think I should ever stand on a platform again until the time was come for me to say, "I die innocent." But the same old offers keep arriving. I have declined them all, just as usual, though sorely tempted, as usual.
Now, I do not decline because I mind talking to an audience, but because (1) traveling alone is so heartbreakingly dreary, and (2) shouldering the whole show is such a cheer-killing responsibility.
Therefore, I now propose to you what you proposed to me in 1867, ten years ago (when I was unknown)--viz., that you stand on the platform and make pictures, and I stand by you and blackguard the audience.
I should enormously enjoy meandering around (to big towns--don"t want to go to the little ones), with you for company.
My idea is not to fatten the lecture agents and lyceums on the spoils, but to put all the ducats religiously into two equal piles, and say to the artist and lecturer, "absorb these."
For instance, [here follows a plan and a possible list of the cities to be visited]. The letter continues:
Call the gross receipts $100,00 for four months and a half, and the profit from $60,000 to $75,000 (I try to make the figures large enough, and leave it to the public to reduce them).