Livy is coming along: eats well, sleeps some, is mostly very gay, not very often depressed; spends all day on the porch, sleeps there a part of the night; makes excursions in carriage & in wheel-chair; &, in the matter of superintending everything & everybody, has resumed business at the old stand.
During three peaceful months she spent most of her days reclining on the wide veranda, surrounded by those dearest to her, and looking out on the dreamlike landscape--the long, gra.s.sy slope, the drowsy city, and the distant hills--getting strength for the far journey by sea. Clemens did some writing, occupying the old octagonal study--shut in now and overgrown with vines--where during the thirty years since it was built so many of his stories had been written. "A Dog"s Tale"--that pathetic anti-vivisection story--appears to have been the last ma.n.u.script ever completed in the spot consecrated by Huck and Tom, and by Tom Canty the Pauper and the little wandering Prince.
It was October 5th when they left Elmira. Two days earlier Clemens had written in his note-book:
Today I placed flowers on Susy"s grave--for the last time probably --& read words:
"Good-night, dear heart, good-night."
They did not return to Riverdale, but went to the Hotel Grosvenor for the intervening weeks. They had engaged pa.s.sage for Italy on the Princess Irene, which would sail on the 24th. It was during the period of their waiting that Clemens concluded his final Harper contract. On that day, in his note-book, he wrote:
THE PROPHECY
In 1895 Cheiro the palmist examined my hand & said that in my 68th year (1903) I would become suddenly rich. I was a bankrupt & $94,000 in debt at the time through the failure of Charles L. Webster & Co. Two years later--in London--Cheiro repeated this long-distance prediction, & added that the riches would come from a quite unexpected source. I am superst.i.tious. I kept the prediction in mind & often thought of it. When at last it came true, October 22, 1903, there was but a month & 9 days to spare.
The contract signed that day concentrates all my books in Harper"s hands & now at last they are valuable; in fact they are a fortune. They guarantee me $25,000 a year for 5 years, and they will yield twice as much as that.--[In earlier note-books and letters Clemens more than once refers to this prophecy and wonders if it is to be realized. The Harper contract, which brought all of his books into the hands of one publisher (negotiated for him by Mr. Rogers), proved, in fact, a fortune. The books yielded always more than the guarantee; sometimes twice that amount, as he had foreseen.]
During the conclusion of this contract Clemens made frequent visits to Fairhaven on the Kanawha. Joe Goodman came from the Pacific to pay him a good-by visit during this period. Goodman had translated the Mayan inscriptions, and his work had received official recognition and publication by the British Museum. It was a fine achievement for a man in later life and Clemens admired it immensely. Goodman and Clemens enjoyed each other in the old way at quiet resorts where they could talk over the old tales. Another visitor of that summer was the son of an old friend, a Hannibal printer named Daulton. Young Daulton came with ma.n.u.scripts seeking a hearing of the magazine editors, so Clemens wrote a letter which would insure that favor: INTRODUCING MR. GEO. DAULTON:
TO GILDER, ALDEN, HARVEY, McCLURE, WALKER, PAGE, BOK, COLLIER, and such other members of the sacred guild as privilege me to call them friends-these:
Although I have no personal knowledge of the bearer of this, I have what is better: He comes recommended to me by his own father--a thing not likely to happen in any of your families, I reckon. I ask you, as a favor to me, to waive prejudice & superst.i.tion for this once & examine his work with an eye to its literary merit, instead of to the chast.i.ty of its spelling. I wish to G.o.d you cared less for that particular.
I set (or sat) type alongside of his father, in Hannibal, more than 50 years ago, when none but the pure in heart were in that business. A true man he was; and if I can be of any service to his son--and to you at the same time, let me hope--I am here heartily to try.
Yours by the sanctions of time & deserving,
Sincerely, S. L. CLEMENS.
Among the kindly words which came to Mark Twain before leaving America was this one which Rudyard Kipling had written to his publisher, Frank Doubleday:
I love to think of the great and G.o.dlike Clemens. He is the biggest man you have on your side of the water by a d.a.m.n sight, and don"t you forget it. Cervantes was a relation of his.
It curiously happened that Clemens at the same moment was writing to Doubleday about Kipling:
I have been reading "The Bell Buoy" and "The Old Man" over and over again-my custom with Kipling"s work--and saving up the rest for other leisurely and luxurious meals. A bell-buoy is a deeply impressive fellow-being. In these many recent trips up and down the Sound in the Kanawha he has talked to me nightly sometimes in his pathetic and melancholy way, sometimes with his strenuous and urgent note, and I got his meaning--now I have his words! No one but Kipling could do this strong and vivid thing. Some day I hope to hear the poem chanted or sung-with the bell-buoy breaking in out of the distance.
P. S.--Your letter has arrived. It makes me proud and glad--what Kipling says. I hope Fate will fetch him to Florence while we are there. I would rather see him than any other man.
CCx.x.x. THE RETURN TO FLORENCE
From the note-book:
Sat.u.r.day, October 24, 1903. Sailed in the Princess Irene for Genoa at 11. Flowers & fruit from Mrs. Rogers & Mrs. Coe. We have with us Katie Leary (in our domestic service 23 years) & Miss Margaret Sherry (trained nurse).
Two days later he wrote:
Heavy storm all night. Only 3 stewardesses. Ours served 60 meals in rooms this morning.
On the 27th:
Livy is enduring the voyage marvelously well. As well as Clara & Jean, I think, & far better than the trained nurse.
She has been out on deck an hour.
November 2. Due at Gibraltar 10 days from New York. 3 days to Naples, then 2 day to Genoa.
At supper the band played "Cavalleria Rusticana," which is forever a.s.sociated in my mind with Susy. I love it better than any other, but it breaks my heart.
It was the "Intermezzo" he referred to, which had been Susy"s favorite music, and whenever he heard it he remembered always one particular opera-night long ago, and Susy"s face rose before him.
They were in Naples on the 5th; thence to Genoa, and to Florence, where presently they were installed in the Villa Reale di Quarto, a fine old Italian palace built by Cosimo more than four centuries ago. In later times it has been occupied and altered by royal families of Wurtemberg and Russia. Now it was the property of the Countess Ma.s.siglia, from whom Clemens had leased it.
They had hoped to secure the Villa Papiniano, under Fiesole, near Professor Fiske, but negotiations for it had fallen through. The Villa Quarto, as it is usually called, was a more pretentious place and as beautifully located, standing as it does in an ancient garden looking out over Florence toward Vallombrosa and the Chianti hills. Yet now in the retrospect, it seems hardly to have been the retreat for an invalid.
Its garden was supernaturally beautiful, all that one expects that a garden of Italy should be--such a garden as Maxfield Parrish might dream; but its beauty was that which comes of antiquity--the acc.u.mulation of dead years. Its funereal cypresses, its crumbling walls and arches, its clinging ivy and moldering marbles, and a clock that long ago forgot the hours, gave it a mortuary look. In a way it suggested Arnold Bocklin"s "Todteninsel," and it might well have served as the allegorical setting for a gateway to the bourne of silence.
The house itself, one of the most picturesque of the old Florentine suburban palaces, was historically interesting, rather than cheerful.
The rooms, in number more than sixty, though richly furnished, were vast and barnlike, and there were numbers of them wholly unused and never entered. There was a dearth of the modern improvements which Americans have learned to regard as a necessity, and the plumbing, such as it was, was not always in order. The place was approached by narrow streets, along which the more uninviting aspects of Italy were not infrequent.
Youth and health and romance might easily have reveled in the place; but it seems now not to have been the best choice for that frail invalid, to whom cheer and brightness and freshness and the lovelier things of hope meant always so much.--[Villa Quarto has recently been purchased by Signor P. de Ritter Lahony, and thoroughly restored and refreshed and beautified without the sacrifice of any of its romantic features.]--Neither was the climate of Florence all that they had hoped for. Their former sunny winter had misled them. Tradition to the contrary, Italy--or at least Tuscany--is not one perpetual dream of sunlight. It is apt to be damp and cloudy; it is likely to be cold.
Writing to MacAlister, Clemens said:
Florentine sunshine? Bless you, there isn"t any. We have heavy fogs every morning & rain all day. This house is not merely large, it is vast--therefore I think it must always lack the home feeling.
His dissatisfaction in it began thus early, and it grew as one thing after another went wrong. With it all, however, Mrs. Clemens seemed to gain a little, and was glad to see company--a reasonable amount of company--to brighten her surroundings.
Clemens began to work and wrote a story or two, and those lively articles about the Italian language.
To Twich.e.l.l he reported progress:
I have a handsome success in one way here. I left New York under a sort of half-promise to furnish to the Harper magazines 30,000 words this year. Magazining is difficult work because every third page represents two pages that you have put in the fire (you are nearly sure to start wrong twice), & so when you have finished an article & are willing to let it go to print it represents only 10 cents a word instead of 30.
But this time I had the curious (& unprecedented) luck to start right in each case. I turned out 37,000 words in 25 working days; & the reason I think I started right every time is, that not only have I approved and accepted the several articles, but the court of last resort (Livy) has done the same.
On many of the between-days I did some work, but only of an idle & not necessarily necessary sort, since it will not see print until I am dead. I shall continue this (an hour per day), but the rest of the year I expect to put in on a couple of long books (half- completed ones). No more magazine work hanging over my head.
This secluded & silent solitude, this clean, soft air, & this enchanting view of Florence, the great valley & snow-mountains that frame it, are the right conditions for work. They are a persistent inspiration. To-day is very lovely; when the afternoon arrives there will be a new picture every hour till dark, & each of them divine--or progressing from divine to diviner & divinest. On this (second) floor Clara"s room commands the finest; she keeps a window ten feet high wide open all the time & frames it in that. I go in from time to time every day & trade sa.s.s for a look. The central detail is a distant & stately snow-hump that rises above & behind black-forested hills, & its sloping vast b.u.t.tresses, velvety & sun- polished, with purple shadows between, make the sort of picture we knew that time we walked in Switzerland in the days of our youth.
From this letter, which is of January 7, 1904, we gather that the weather had greatly improved, and with it Mrs. Clemens"s health, notwithstanding she had an alarming attack in December. One of the stories he had finished was "The $30,000 Bequest." The work mentioned, which would not see print until after his death, was a continuation of those autobiographical chapters which for years he had been setting down as the mood seized him.
He experimented with dictation, which he had tried long before with Redpath, and for a time now found it quite to his liking. He dictated some of his copyright memories, and some anecdotes and episodes; but his amanuensis wrote only longhand, which perhaps hampered him, for he tired of it by and by and the dictations were discontinued.
Among these notes there is one elaborate description of the Villa di Quarto, dictated at the end of the winter, by which time we are not surprised to find he had become much attached to the place. The Italian spring was in the air, and it was his habit to grow fond of his surroundings. Some atmospheric paragraphs of these impressions invite us here:
We are in the extreme south end of the house, if there is any such thing as a south end to a house, whose orientation cannot be determined by me, because I am incompetent in all cases where an object does not point directly north & south. This one slants across between, & is therefore a confusion. This little private parlor is in one of the two corners of what I call the south end of the house. The sun rises in such a way that all the morning it is pouring its light through the 33 gla.s.s doors or windows which pierce the side of the house which looks upon the terrace & garden; the rest of the day the light floods this south end of the house, as I call it; at noon the sun is directly above Florence yonder in the distance in the plain, directly across those architectural features which have been so familiar to the world in pictures for some centuries, the Duomo, the Campanile, the Tomb of the Medici, & the beautiful tower of the Palazzo Vecchio; in this position it begins to reveal the secrets of the delicious blue mountains that circle around into the west, for its light discovers, uncovers, & exposes a white snowstorm of villas & cities that you cannot train yourself to have confidence in, they appear & disappear so mysteriously, as if they might not be villas & cities at all, but the ghosts of perished ones of the remote & dim Etruscan times; & late in the afternoon the sun sets down behind those mountains somewhere, at no particular time & at no particular place, so far as I can see.
Again at the end of March he wrote: