"She"s a lady. Dr. Anda Lee McCoy. She observes how people think and how far they see."
"An eye-doctor?"
"Call her an inner-eye doctor, John. She studies what those Duke University people call ESP-extra-sensory perception."
I"d heard of that. A fellow named Rhine says folks can some way tell what other folks think to themselves. He tells it that everybody reads minds a little bit, and some folks read them a right much.
Might be you"ve seen his cards, marked five ways-square, cross, circle, star, wavy lines. Take five of each of those cards and you"ve got a pack of twenty-five. Somebody shuffles them like for a game and looks at them, one after another. Then somebody else, who can"t see the cards, in the next room maybe, tries to guess what"s on them. Ordinary chance is for one right guess out of five. But, here and there, it gets called another sight oftener.
"Some old mountain folks would name that witch-stuff," I said to Professor Deal.
"Hypnotism was called witch-craft, until it was shown to be true science," he said back. "Or telling what dreams mean, until Dr. Freud overseas made it scientific. ESP might be a recognized science some day."
"You hold with it, do you, Professor?"
"I hold with anything that"s proven," he said. "I"m not sure about ESP yet. Here"s Mrs. Deal."
She"s a comfortable, clever lady, as white-haired as he is. While I made my manners, Dr. Anda Lee McCoy came from the back of the house.
"Are you the ballad-singer?" she asked me.
I"d expected no doctor lady as young as Dr. Anda Lee McCoy, nor as pretty-looking. She was small and slim, but there was enough of her. She stood straight and wore good city clothes, and had lots of yellow hair and a round happy face and straight-looking blue eyes.
"Professor Deal bade me come see him," I said. "He couldn"t get Mr. Bascom Lamar Lunsford to decide something or other about folk songs and tales."
"I"m glad you"ve come," she welcomed me.
Turned out Dr. McCoy knew Mr. Bascom Lamar Lunsford and thought well of him. Professor Deal had asked for him first, but Mr. Bascom was in Washington, making records of his songs for the Library of Congress. Some folks can"t vote which they"d rather hear, Mr. Bascom"s five-string banjo or my guitar; but he sure enough knows more old time songs than I do. A few more.
Mrs. Deal went to the kitchen to see was supper near about cooked. We others sat down in the front room. Dr. McCoy asked me to sing something, so I got my guitar and gave her "Shiver in the Pines."
"Pretty," she praised. "Do you know a song about killing a captain at a lonesome river ford?"
I thought. "Some of it, maybe. It"s a Virginia song, I think. You relish that song, Doctor?"
"I wasn"t thinking of my own taste. A student here-a man named Anderson Newlands-doesn"t like it at all."
Mrs. Deal called us to supper, and while we ate, Dr. McCoy talked.
"I"ll tell you why I asked for someone like you to help me, John," she began. "I"ve got a theory, or a hypothesis. About dreams."
"Not quite like Freud," put in Professor Deal, "though he"d be interested if he was alive and here."
"It"s dreaming the future," said Dr. McCoy.
"Shoo," I said, "that"s no theory, that"s fact. Bible folks did it. I"ve done it myself. Once, during the war-"
But that was no tale to tell, what I dreamed in war time and how true it came out. So I stopped, while Dr. McCoy went on.
"There are records of prophecies coming true, even after the prophets died. And another set of records fit in, about images appearing like ghosts. Most of these are ancestors of somebody alive today. Kinship and special sympathy, you know. Sometimes these images, or ghosts, are called from the past by using diagrams and spells. You aren"t laughing at me, John?"
"No, ma"am. Things like that aren"t likely to be a laughing matter."
"Well, what if dreams of the future come true because somebody goes forward in time while he sleeps or drowses?" she asked us. "That ghost of Nostradamus, reported not long ago-what if Nostradamus himself was called into this present time, and then went back to his own century to set down a prophecy of what he"d seen?"
If she wanted an answer, I didn"t have one for her. All I said was: "Do you want to call somebody from the past, ma"am? Or maybe go yourself into a time that"s coming?"
She shook her yellow head. "Put it one way, John, I"m not psychic. Put it another way, the scientific way, I"m not adapted. But this young man Anderson Newlands is the best adapted I"ve ever found."
She told how some Flornoy students scored high at guessing the cards and their markings. I was right interested to hear that Rixon Pengraft called them well, though Dr. McCoy said his mind got on other things-I reckoned his mind got on her; pretty thing as she was, she could take a man"s mind. But Anderson Newlands, Moon-Eye Newlands, guessed every card right off as she held the pack, time after time, with nary miss.
"And he dreams of the future, I know," she said. "If he can see the future, he might call to the past."
"By the diagrams and the words?" I inquired her. "How about the science explanation for that?"
It so happened she had one. She told it while we ate our custard pie.
First, that idea that time"s the fourth dimension. You"re six feet tall, twenty inches wide, twelve inches thick and thirty-five years old; and the thirty-five years of you reach from where you were born one place, across the land and maybe over the sea where you"ve traveled, and finally to right where you are now, from thousands of miles ago. Then the idea that just a dot here in this second of time we"re living in can be a wire back and back and forever back, or a five-inch line is a five-inch bar reaching forever back thataway, or a circle is a tube, and so on. It did make some sense to me, and I asked Dr. McCoy what it added up to.
It added up to the diagram witch-folks draw, with circles and six-pointed stars and letters from an alphabet n.o.body on this earth can spell out. Well, that diagram might be a cross-section, here in our three dimensions, of something reaching backward or forward, a machine to travel you through time.
"You certain sure about this?" I inquired Dr. McCoy at last. And she smiled, then she frowned, and shook her yellow head again.
"I"m only guessing," she said, "as I might guess with the ESP cards. But I"d like to find out whether the right man could call his ancestor out of the past."
"I still don"t figure out about those spoken spell words the witch-folks use," I said.
"A special sound can start a machine," said Professor Deal. "I"ve seen such things."
"Like the words of the old magic square?" asked Dr. McCoy. "The one they use in spells to call up the dead?"
She got a pencil and sc.r.a.p of paper, and wrote it out:
"I"ve been seeing that thing a many years," I said. "Witch-folks use it, and it"s in witch-books likeThe Long Lost Friend ."
"You"ll notice," said Dr. McCoy, "that it reads the same, whether you start at the upper left and work down word by word, or at the lower right and read the words one by one upward; or if you read it straight down or straight up."
Professor Deal looked, too. "The first two words-SATOR and AREPO-are reversals of the last two. SATOR for ROTAS, and AREPO for OPERA."
"I"ve heard that before," I braved up to say. "The first two words being the last two turned around. But the third, fourth and fifth are all right-I"ve heard tell that TENET meansfaith and OPERA isworks , and ROTAS something about wheels."
"But SATOR and AREPO are more than just reversed words," Professor Deal said. "I"m no profound Latinist, but I know that SATOR means a sower-a planter-or a beginner or creator."
"Creator," Dr. McCoy jumped on his last word. "That would fit into this if it"s a real sentence."
"A sentence, and a palindrome," nodded Professor Deal. "Know what a palindrome is, John?"
I knew that, too, from somewhere. "A sentence that reads the same back and forward," I told him. "Like Napoleon saying,Able was I ere I saw Elba . Or the first words Mother Eve heard in the Garden of Eden,Madam, I"m Adam . Those are old grandma jokes to pleasure young children."
"If these words are a sentence, they"re more than a palindrome," said Dr. McCoy. "They"re a double palindrome, because they read the same from any place you start-backward, forward, up or down.
Fourfold meaning would be fourfold power as a spell or formula."
"But what"s the meaning?" I wanted to know again.
She began to write on a paper. "SATOR," she said out loud, "the creator. Whether that"s the creator of some machine, or the Creator of all things . . . I suppose it"s a machine-creator."
"I reckon the same," I agreed her, "because this doesn"t sound to me the kind of way the Creator of all things does His works."
Mrs. Deal smiled and excused herself. We could talk and talk, she said, but she had sewing to do.
"AREPO," Professor Deal kind of hummed to himself. "I wish I had a Latin dictionary, though even then I might not find it. Maybe that"s a corruption ofrepo orerepo -to crawl or climb-a vulgar form of the word-"
I said nothing. I didn"t think Professor Deal would say anything vulgar in front of a lady. But all Dr.
McCoy remarked him was: "AREPO-wouldn"t that be a noun ablative? By means of?"
"Write it down like that," nodded Professor Deal. "By means of creeping, climbing, by means of great effort. And TENET is the verb to hold. He holds, the creator holds."
"OPERA isworks , and ROTAS iswheels ," Dr. McCoy tried to finish up, but this time Professor Deal shook his head.
"ROTAS probably is accusative plural, in apposition." He cleared his throat, long and loud. "Maybe I never will be sure, but let"s read it something like this:The creator, by means of great effort, holds the wheels for his works ."
I"d not said a word in all this scholar-talk, till then. TENET Might still befaith ," I offered them. "Faith"s needed to help the workings. Folks without faith might call the thing foolishness."
"That"s sound psychology," said Professor Deal.
"And it fits in with the making of spells," Dr. McCoy added on. "Double meanings, you know. Maybe there are double meanings all along, or triple or fourfold meanings, and all of them true." She read from her paper."The creator, by means of great effort, holds the wheels for his works."
"It might even refer to the orbits of planets," said Professor Deal.
"Where do I come in?" I asked. "Why was I bid here?"
"You can sing something for us," Dr. McCoy replied me, "and you can have faith."
A knocking at the door, and Professor Deal went to let the visitor in. Moon-Eye Newlands walked into the house, lifted his lantern chimney and blew out his light, He looked tall, the way he"d looked when first I met him in the outside dark, and he wore a hickory shirt and blue duckins pants. He smiled, friendly, and moon-eyed or not, he looked first of all at Dr. McCoy, clear and honest and glad to see her.
"You said you wanted me to help you, Doctor," he greeted her.
"Thank you, Mr. Newlands," she said, gentler and warmer than I"d heard her so far.
"You can call me Moon-Eye, like the rest," he told her.
He was a college scholar, and she was a doctor lady, but they were near about the same age. He"d been off to the Korean War, I remembered.
"Shall we go out on the porch?" she asked us. "Professor Deal said I could draw my diagram there.
Bring your guitar, John."
We went out. Moon-Eye lighted his lantern again, and Dr. McCoy knelt down to draw with a piece of chalk.
First she made the word square, in big letters:
Around these she made a triangle, a good four feet from base to point. And another triangle across it, pointing the other way, so that the two made what learned folks call the Star of David. Around that, a big circle, with writing along the edge of it, and another big circle around that, to close in the writing. I put my back to a porch post. From where I sat I could read the word square all right, but of the writing around the circle I couldn"t spell ary letter.
"Folks," said Moon-Eye, "I still can"t say I like this."
Kneeling where she drew, Dr. McCoy looked up at him with her blue eyes. "You said you"d help if you could."
"But what if it"s not right? My old folks, my grandsires-I don"t know if they ought to be called up."
"Moon-Eye," said Professor Deal, "I"m just watching, observing. I hdven"t yet been convinced of anything due to happen here tonight. But if it should happen-I know your ancestors must have been good country people, n.o.body to be ashamed of, dead or alive."
"I"m not ashamed of them," Moon-Eye told us all, with a sort of sudden clip in his voice. "I just don"t think they were the sort to be stirred up without a good reason."
"Moon-Eye," said Dr. McCoy, talking the way any man who"s a man would want a woman to talk to him, "science is the best of reasons in itself."
He didn"t speak, didn"t deny her, didn"t nod his head or either shake it. He just looked at her blue eyes with his dark ones. She got up from where she"d knelt.
"John," she spoke to where I was sitting, "that song we mentioned. About the lonesome river ford. It may put things in the right tune and tempo."
Moon-Eye sat on the edge of the porch, his lantern beside him. The light made our shadows big and jumpy. I began to pick the tune the best I could recollect it, and sang:
Old Devlins was a-waiting By the lonesome river ford, When he spied the Mackey captain With a pistol and a sword. . . .
I stopped, for Moon-Eye had tensed himself tight, "I"m not sure of how it goes from there," I said.
"I"m sure of where it goes," said someone in the dark, and up to the porch ambled Rixon Pengraft.
He was smoking that cigar, or maybe a fresh one, grinning around it. He wore a brown corduroy shirt with officers" straps to the shoulders, and brown corduroy pants tucked into shiny half-boots worth maybe twenty-five dollars, the pair of them. His hair was brown, too, and curly, and his eyes were sneaking all over Dr. Anda Lee McCoy.
"n.o.body here knows what that song means," said Moon-Eye.
Rixon Pengraft sat down beside Dr. McCoy, on the step below Moon-Eye, and the way he did it, I harked back in my mind to something Moon-Eye had said: about something Rixon Pengraft wanted, and why he hated Moon-Eye over it.