It is a curious crowd that gathers about the stalls. In the course of a night you may meet there every type of Londoner. You may meet policemen, chauffeurs, printers, toughs, the boy and girl who have been to a gallery and want to finish the night in proper style, and--the cadgers. At about the middle of the night there is a curious break in the company: the tone changes. Up to four o"clock it"s the stay-up-all-nights; after that hour it"s the get-up-earlys. One minute there would be a would-be viveur, in sleek dress clothes; then along comes a cadger; then along comes a warrior from the battlefield. Then, with drowsy clatter, up comes a gang of roadmen, scavengers, railway workers, and so on. A little later comes the cheerful one who has made a night of it, and, somehow, managed to elude the police. He takes a cup of strong tea, demonstrates the graceful dancing of Mr. Malcolm Scott, and smashes two cups in doing it. Then up comes the sport, with a cert.
for the big race to-day. Then up comes six o"clock, and the keeper packs up, and shoves his stall to its yard.
After a long exchange of reminiscences, we parted with the tattoo artist, and I walked home with Georgie, the outmoded, who lives in Vauxhall Bridge Road. I have often told him that the stiff, crinoline atmosphere of the place is the right touch for him, but he does not understand. It is a poor faded thing, this district; not glamorously old; just ridiculously out of fashion. Shops and houses are all echoes of the terrible seventies, and you seem to hear the painful wheezing of a barrel-organ, to catch a glimpse of side-whiskers and bustles, and to be encompa.s.sed by all the little shamefaced emotions of that period which died so long ago and only haunt us now in this street and in the provinces.
There, on the steps of one of the silly little houses, I parted from Georgie and this book.