MERRY WIVES OF WINDSOR, i, 1.

The manufacture of wine and of fruit preserves, and many of the processes of cookery, could have scarcely been accomplished without a large and constant supply of sugar.

The exact date of the first introduction of the latter into England continues to be a matter of uncertainty. It was clearly very scarce, and doubtless equally dear, when, in 1226, Henry III. asked the Mayor of Winchester to procure him three pounds of Alexandria sugar, if so much could be got, and also some rose and violet-coloured sugar; nor had it apparently grown much more plentiful when the same prince ordered the sheriffs of London to send him four loaves of sugar to Woodstock. But it soon made its way into the English homes, and before the end of the thirteenth century it could be procured even in remote provincial towns. It was sold either by the loaf or the pound. It was still exorbitantly high in price, varying from eighteen pence to three shillings a pound of coeval currency; and it was retailed by the spice-dealers.

In Russell"s "Book of Nurture," composed about 1450, it occurs as an ingredient in hippocras; and one collects from a letter sent by Sir Edward Wotton to Lord Cobham from Calais in 1546, that at that time the quant.i.ties imported were larger, and the price reduced; for Wotton advises his correspondent of a consignment of five-and-twenty loaves at six shillings the loaf. One loaf was equal to ten pounds; this brought the commodity down to eight pence a pound of fifteenth century money.

The sugar of Cyprus was also highly esteemed; that of Bezi, in the Straits of Sunda, was the most plentiful; but the West Indian produce, as well as that of Mauritius, Madeira, and other cane-growing countries, was unknown.

Of bread, the fifteenth century had several descriptions in use: pain-main or bread of very fine flour, wheat-bread, barley-meal bread, bran-bread, bean-bread, pease-bread, oat-bread or oat-cakes, hard-bread, and unleavened bread. The poor often used a mixture of rye, lentils, and oatmeal, varied according to the season and district.

The author of "The Serving-man"s Comfort," 1598, however, seems to say that it was counted by the poorer sort at that time a hardship only to be tolerated in a dear year to mix beans and peas with their corn, and he adds: "So must I yield you a loaf of coa.r.s.e c.o.c.kle, having no acquaintance with coin to buy corn."

In a _Nominale_ of this period mention is made of "oblys," or small round loaves, perhaps like the old-fashioned "turnover"; and we come across the explicit phrase, _a loaf of bread_, for the first time, a pictorial vocabulary of the period even furnishing us with a representation of its usual form.

Nor were the good folks of those days without their simnels, cracknels, and other sorts of cakes for the table, among which in the _wastel_ we recognise the equivalent of the modern French _gateau_.

Besides march-pain or pain-main, and pain-puff, two sorts baked on special occasions, and rather entering into the cla.s.s of confectionery, our better-to-do ancestors usually employed three descriptions of bread: manchete for the master"s table, made of fine boulted flour; chete, of unboulted flour, but not mixed with any coa.r.s.er ingredient; and brown-bread, composed of flour and rye meal, and known as _maslin_ (mystelon).

A bushel of wheat, in a romance of the thirteenth century, is estimated to produce twenty loaves; but the statement is obviously to be taken with allowance. The manchet was sometimes thought to be sufficient without b.u.t.ter, as we now eat a scone. In the "Conceits of Old Hobson," 1607, the worthy haberdasher of the Poultry gives some friends what is facetiously described as a "light" banquet--a cup of wine and a manchet of bread on a trencher for each guest, in an apartment illuminated with five hundred candles.

There is no pictorial record of the mode in which the early baker worked here, a.n.a.logous to that which Lacroix supplies of his sixteenth century _confrere_. The latter is brought vividly enough before us in a copy of one of Jost Amman"s engravings, and we perceive the bakery and its tenants: one (apparently a female) kneading the dough in a trough at the farther end, a second by a roasting fire, with a long ladle or peel in his hand, putting the loaf on the oven, and a third, who is a woman, leaving the place with two baskets of bread, one on her head and one on her arm; the baker himself is almost naked, like the operatives in a modern iron furnace. The artist has skilfully realised the oppressive and enervating atmosphere; and it was till lately quite usual to see in the side streets of Paris in the early morning the _boulanger_ at work precisely in the same informal costume. So tenacious is usage, and so unchanging many of the conditions of life.

The Anglo-Norman used b.u.t.ter where his Italian contemporary used oil.

But it is doubtful whether before the Conquest our ancestors were commonly acquainted with b.u.t.ter.

The early cook understood the art of glazing with yolk of egg, and termed it endoring, and not less well that of presenting dishes under names calculated to mislead the intended partaker, as where we find a receipt given for _pome de oringe_, which turns out to be a preparation of liver of pork with herbs and condiments, served up in the form of glazed force-meat b.a.l.l.s.

Venison was salted in troughs. In the tale of "The King and the Hermit," the latter exhibits to his unknown visitor his stock of preserved venison from the deer, which he had shot in the forest.

The mushroom, of which so many varieties are at present recognised by botanists, seems, from the testimony of an Italian, Giacomo Castelvetri, who was in London in 1614, and to whom I have already referred, to have been scarcely known here at that time. I cannot say, of course, how far Castelvetri may have prosecuted his inquiries, though he certainly leaves the impression of having been intelligently observant; or whether he includes in this observation the edible toadstools; but even now much unreasonable prejudice exists as to the latter, and very limited use is made of any but two or three familiar sorts of the mushroom itself. It is a pity that this misconception should not be dissipated.

Caviary had been brought into England, probably from Russia, at the commencement of the seventeenth century, perhaps sooner. In 1618, "The Court and Country," by Breton, seems to represent it as an article of diet which was little known, and not much relished; for a great lady had sent the writer"s father a little barrel of it, and it was no sooner opened than it was fastened down again, to be returned to the donor with a respectful message that her servant had black soap enough already.

In the time of James I. the ancient bill of fare had been shorn of many of its coa.r.s.er features, so far as fish was concerned; and the author of "The Court and Country" tells a story to shew that porpoise-pie was a dish which not even a dog would eat.

The times had indeed changed, since a King and a Cardinal-archbishop judged this warm-blooded sea-dweller a fit dish for the most select company.

It is not a despicable or very ascetic regimen which Stevenson lays before us under April in his reproduction of Breton"s "Fantasticks,"

1626, under the t.i.tle of the "Twelve Months," 1661:--"The wholesome dyet that breeds good sanguine juyce, such as pullets, capons, sucking veal, beef not above three years Old, a draught of morning milk fasting from the cow; grapes, raysons, and figs be good before meat; Rice with Almond Milk, birds of the Field, Peasants and Partridges, and fishes of stony rivers, Hen eggs potcht, and such like."

Under May he furnishes us with a second and not less appetising _menu_:--

"b.u.t.ter and sage are now the wholesome Breakfast, but fresh cheese and cream are meat for a dainty mouth; the early Peascods and Strawberries want no price with great Bellies; but the Chicken and the Duck are fatted for the Market; the sucking Rabbet is frequently taken in the Nest, and many a Gosling never lives to be a Goose."

Even so late as the succeeding reign, Breton speaks of the good cheer at Christmas, and of the cook, if he lacks not wit, sweetly licking his fingers.

The storage of liquids became a difficult problem where, as among our ancestors, glazed pottery was long unknown; and more especially with regard to the supply of water in dry seasons. But so far as milk was concerned, the daily yield probably seldom exceeded the consumption; and among the inhabitants further north and east, who, as Caesar says, partook also of flesh, and did not sow grain--in other words, were less vegetarian in their habits from the more exhausting nature of the climate--the consideration might be less urgent. It is open to doubt if, even in those primitive times, the supply of a national want lagged far behind the demand.

The list of wines which the King of Hungary proposed to have at the wedding of his daughter, in "The Squire of Low Degree," is worth consulting. Harrison, in his "Description of England," 1586, speaks of thirty different kinds of superior vintages and fifty-six of commoner or weaker kinds. But the same wine was perhaps known under more than one name.

Romney or Rumney, a Hungarian growth, Malmsey from the Peloponnesus, and Hippocras were favourites, and the last-named was kept as late as the last century in the b.u.t.tery of St. John"s College, Cambridge, for use during the Christmas festivities. But France, Spain, Greece, almost all countries, contributed to furnish the ancient wine-cellar, and gratify the variety of taste among connoisseurs; and for such as had not the means to purchase foreign productions, the juice of the English grape, either alone or mingled with honey and spice, furnished a not unpalatable and not very potent stimulant. As claret and hock with us, so anciently b.a.s.t.a.r.d and Piment were understood in a generic sense, the former for any mixed wine, the latter for one seasoned with spice.

In "Colin Blobol"s Testament," a whimsical production of the fifteenth century, Tent and Valencia wines are mentioned, with wine of Languedoc and Orleans. But perhaps it will be best to cite the pa.s.sage:--

"I trow there shall be an honest fellowship, save first shall they of ale have new backbones. With strong ale brewed in vats and in tuns; Ping, Drangollie, and the Draget fine, Mead, Mattebru, and the Metheling. Red wine, the claret and the white, with Tent and Alicant, in whom I delight. Wine of Languedoc and of Orleans thereto: Single beer, and other that is double: Spruce beer, and the beer of Hamburgh: Malmsey, Tires, and Romany."

But some of the varieties are hidden under obscure names. We recognise Muscadel, Rhine wine, b.a.s.t.a.r.d, Hippocras, however. On the 10th of December, 1497, Piers Barber received six shillings and eight pence, according to the "Privy Purse Expences of Henry VII.," "for spice for ypocras."

Metheglin and beer of some kind appear to be the most ancient liquors of which there are any vestiges among the Britons. Ferguson, in his Essay "On the Formation of the Palate," states that they are described by a Greek traveller, who visited the south of Britain in the fourth century B.C. This informant describes metheglin as composed of wheat and honey (of course mixed with water), and the beer as being of sufficient strength to injure the nerves and cause head-ache.

Worlidge, in his "Vinetum Britannic.u.m," 1676, gives us receipts for metheglin and birch wine. Breton, in his "Fantasticks," 1626, under January, recommends a draught of ale and wormwood wine mixed in a morning to comfort the heart, scour the maw, and fulfil other beneficial offices.

The English beer of by-gone times underwent many vicissitudes, and it was long before our ancestors conquered their dislike to the bitter hop, after having been accustomed to a thick, sweet liquor of which the modern Kentish ale is in some measure a survival. Beer was made from a variety of grain; oats were most commonly employed. In France, they resorted even to vetches, lentils, rye, and darnel. But as a rule it was a poor, thin drink which resulted from the operation, and the monks of Glas...o...b..ry deemed themselves fortunate in being allowed by their abbot to put a load of oats into the vat to improve the quality of the beverage; which may account for Peter of Blois characterising the ale in use at Court in his day (he died about the end of the twelfth century) as potent--it was by contrast so. The first a.s.size of ale seems not to have been enacted till the reign of Henry III.

From a glossary of the fourteenth century, inserted in "Reliquse Antique," 1841, it appears that whey was then used as a drink; it occurs there as "cerum, i, quidam liquor, whey."

THE KITCHEN.

In direct connection with cookery as with horticulture, are the utensils and appliances which were at the command of those who had to do with these matters in days of yore; and in both cases an inquirer finds that he has to turn from the vain search for actual specimens belonging to remoter antiquity to casual representations or descriptions in MSS. and printed books. Our own museums appear to be very weakly furnished with examples of the vessels and implements in common use for culinary purposes in ancient times, and, judging from the comparatively limited information which we get upon this subject from the pages of Lacroix, the paucity of material is not confined to ourselves. The destruction and disappearance of such humble monuments of the civilisation of the past are easily explained; and the survival of a slender salvage is to be treated as a circ.u.mstance not less remarkable than fortunate.

It seems that the practice was to cut up, if not to slaughter, the animals used for food in the kitchen, and to prepare the whole carcase, some parts in one way and some in another. We incidentally collect from an ancient tale that the hearts of swine were much prized as dainties.

Besides a general notion of the appointments of the cooking department, we are enabled to form some conception of the aspect of the early kitchen itself from extant representations in the "Archaeological Alb.u.m," the "Penny Magazine" for 1836, and Lacroix [Footnote: "Moeurs, Usages et Costumes au Moyen Age," 1872, pp 166, 170, 177]. The last-named authority furnishes us with two interesting sixteenth century interiors from Jost Amman, and (from the same source) a portraiture of the cook of that period.

The costume of the subject is not only exhibited, doubtless with the fidelity characteristic of the artist, but is quite equally applicable to France, if not to our own country, and likewise to a much earlier date. The evidences of the same cla.s.s supplied by the "Archaeological Alb.u.m," 1845, are drawn from the MS. in the British Museum, formerly belonging to the Abbey of St. Albans. They consist of two ill.u.s.trations--one of Master Robert, cook to the abbey, as elsewhere noticed, accompanied by his wife--unique relic of its kind; the other a view of a small apartment with dressers and shelves, and with plates and accessories hung round, in which a cook, perhaps the identical Master Robert aforesaid, is plucking a bird. The fireplace is in the background, and the iron vessel which is to receive the fowl, or whatever it may really be, is suspended over the flame by a long chain. The perspective is rather faulty, and the details are not very copious; but for so early a period as the thirteenth or early part of the following century its value is undeniable.

The "Penny Magazine" presents us with a remarkable exterior, that of the venerable kitchen of Stanton-Harcourt, near Oxford, twenty-nine feet square and sixty feet in height. There are two large fireplaces, facing each other, but no chimney, the smoke issuing atthe holes, each about seven inches in diameter, which run round the roof. As Lamb said of his Essays, that they were all Preface, so this kitchen is all chimney. It is stated that the kitchen at Glas...o...b..ry Abbey was constructed on the same model; and both are probably older than the reign of Henry IV. The one to which I am more immediately referring, though, at the time (1835) the drawing was taken, in an excellent state of preservation, had evidently undergone repairs and structural changes.

It was at Stanton-Harcourt that Pope wrote a portion of his translation of Homer, about 1718.

A manufactory of bra.s.s cooking utensils was established at Wandsworth in or before Aubrey"s time by Dutchmen, who kept the art secret.

Lysons states that the place where the industry was carried on bore the name of the "Frying Pan Houses" [Footnote: A "Environs of London,"

1st ed., Surrey, pp. 502-3].

In the North of England, the _bake-stone_, originally of the material to which it owed its name, but at a very early date constructed of iron, with the old appellations retained as usual, was the universal machinery for baking, and was placed on the _Branderi_, an iron frame which was fixed on the top of the fireplace, and consisted of iron bars, with a sliding or slott bar, to shift according to the circ.u.mstances.

The tripod which held the cooking-vessel over the wood flame, among the former inhabitants of Britain, has not been entirely effaced. It is yet to be seen here and there in out-of-the-way corners and places; and in India they use one constructed of clay, and differently contrived. The most primitive pots for setting over the fire on the tripod were probably of bronze.

The tripod seems to be substantially identical with what was known in Nidderdale as the kail-pot. "This was formerly in common use," says Mr. Lucas; "a round iron pan, about ten inches deep and eighteen inches across, with a tight-fitting, convex lid. It was provided with three legs. The kail-pot, as it was called, was used for cooking pies, and was buried bodily in burning peat. As the lower peats became red-hot, they drew them from underneath, and placed them on the top.

The kail-pot may still be seen on a few farms." This was about 1870.

The writer is doubtless correct in supposing that this utensil was originally employed for cooking kail or cabbage and other green stuff.

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