My heart has gone back over the waters to my old friends and my own home. When this vision has faded, I will return to the silence of the lovely Close and the shadow of the great Cathedral.
V.
The remembrance of home, with its early and precious and long-enduring friendships, has intruded itself among my recollections of what I saw and heard, of what I felt and thought, in the distant land I was visiting. I must return to the scene where I found myself when the suggestion of the broken circle ran away with my imagination.
The literature of Stonehenge is extensive, and ill.u.s.trates the weakness of archaeologists almost as well as the "Praetorium" of Scott"s "Antiquary." "In 1823," says a local handbook, "H. Browne, of Amesbury, published "An Ill.u.s.tration of Stonehenge and Abury," in which he endeavored to show that both of these monuments were antediluvian, and that the latter was formed under the direction of Adam. He ascribes the present dilapidated condition of Stonehenge to the operation of the general deluge; for, he adds, "to suppose it to be the work of any people since the flood is entirely monstrous.""
We know well enough how great stones--pillars and obelisks--are brought into place by means of our modern appliances. But if the great blocks were raised by a mob of naked Picts, or any tribe that knew none of the mechanical powers but the lever, how did they set them up and lay the cross-stones, the imposts, upon the uprights? It is pleasant, once in a while, to think how we should have managed any such matters as this if left to our natural resources. We are all interested in the make-shifts of Robinson Crusoe. Now the rudest tribes make cords of some kind, and the earliest, or almost the earliest, of artificial structures is an earth-mound. If a hundred, or hundreds, of men could drag the huge stones many leagues, as they must have done to bring them to their destined place, they could have drawn each of them up a long slanting mound ending in a sharp declivity, with a hole for the foot of the stone at its base. If the stone were now tipped over, it would slide into its place, and could be easily raised from its slanting position to the perpendicular. Then filling in the s.p.a.ce between the mound and two contiguous stones, the impost could be dragged up to its position. I found a pleasure in working at this simple mechanical problem, as a change from the more imaginative thoughts suggested by the mysterious monuments.
One incident of our excursion to Stonehenge had a significance for me which renders it memorable in my personal experience. As we drove over the barren plain, one of the party suddenly exclaimed, "Look! Look! See the lark rising!" I looked up with the rest. There was the bright blue sky, but not a speck upon it which my eyes could distinguish. Again, one called out, "Hark! Hark! Hear him singing!" I listened, but not a sound reached my ear. Was it strange that I felt a momentary pang? _Those that look out at the windows are darkened, and all the daughters of music are brought low._ Was I never to see or hear the soaring songster at Heaven"s gate,--unless,--unless,--if our mild humanized theology promises truly, I may perhaps hereafter listen to him singing far down beneath me? For in whatever world I may find myself, I hope I shall always love our poor little spheroid, so long my home, which some kind angel may point out to me as a gilded globule swimming in the sunlight far away. After walking the streets of pure gold in the New Jerusalem, might not one like a short vacation, to visit the well-remembered green fields and flowery meadows? I had a very sweet emotion of self-pity, which took the sting out of my painful discovery that the orchestra of my pleasing life-entertainment was unstringing its instruments, and the lights were being extinguished,--that the show was almost over. All this I kept to myself, of course, except so far as I whispered it to the unseen presence which we all feel is in sympathy with us, and which, as it seemed to my fancy, was looking into my eyes, and through them into my soul, with the tender, tearful smile of a mother who for the first time gently presses back the longing lips of her as yet unweaned infant.
On our way back from Stonehenge we stopped and took a cup of tea with a friend of our host, Mr. Nightingale. His house, a bachelor establishment, was very attractive to us by the beauty within and around it. His collection of "china," as Pope and old-fashioned people call all sorts of earthenware, excited the enthusiasm of our host, whose admiration of some rare pieces in the collection was so great that it would have run into envy in a less generous nature.
It is very delightful to find one"s self in one of these English country residences. The house is commonly old, and has a history. It is oftentimes itself a record, like that old farmhouse my friend John Bellows wrote to me about, which chronicled half a dozen reigns by various architectural marks as exactly as if it had been an official register. "The stately homes of England," as we see them at Wilton and Longford Castle, are not more admirable in their splendors than "the blessed homes of England" in their modest beauty. Everywhere one may see here old parsonages by the side of ivy-mantled churches, and the comfortable mansions where generations of country squires have lived in peace, while their sons have gone forth to fight England"s battles, and carry her flags of war and commerce all over the world. We in America can hardly be said to have such a possession as a family home. We encamp,--not under canvas, but in fabrics of wood or more lasting materials, which are pulled down after a brief occupancy by the builders, and possibly their children, or are modernized so that the former dwellers in them would never recognize their old habitations.
In my various excursions from Salisbury I was followed everywhere by the all-pervading presence of the towering spire. Just what it was in that earlier visit, when my eyes were undimmed and my sensibilities unworn, just such I found it now. As one drives away from the town, the roofs of the houses drop out of the landscape, the lesser spires disappear one by one, until the great shaft is left standing alone,--solitary as the broken statue of Ozymandias in the desert, as the mast of some mighty ship above the waves which have rolled over the foundering vessel. Most persons will, I think, own to a feeling of awe in looking up at it. Few can look down from a great height without creepings and crispations, if they do not get as far as vertigos and that aerial calenture which prompts them to jump from the pinnacle on which they are standing. It does not take much imagination to make one experience something of the same feeling in looking up at a very tall steeple or chimney. To one whose eyes are used to Park Street and the Old South steeples as standards of height, a spire which climbs four hundred feet towards the sky is a new sensation. Whether I am more "afraid of that which is high"
than I was at my first visit, as I should be on the authority of Ecclesiastes, I cannot say, but it was quite enough for me to let my eyes climb the spire, and I had no desire whatever to stand upon that "bad eminence," as I am sure that I should have found it.
I soon noticed a slight deflection from the perpendicular at the upper part of the spire. This has long been observed. I could not say that I saw the spire quivering in the wind, as I felt that of Strasburg doing when I ascended it,--swaying like a blade of gra.s.s when a breath of air pa.s.ses over it. But it has been, for at least two hundred years, nearly two feet out of the perpendicular. No increase in the deviation was found to exist when it was examined early in the present century. It is a wonder that this slight-looking structure can have survived the blasts, and thunderbolts, and earthquakes, and the weakening effects of time on its stones and timbers for five hundred years. Since the spire of Chichester Cathedral fell in 1861, sheathing itself in its tower like a sword dropping into its scabbard, one can hardly help looking with apprehension at all these lofty fabrics. I have before referred to the fall of the spire of Tewkesbury Abbey church, three centuries earlier.
There has been a good deal of fear for the Salisbury spire, and great precautions have been taken to keep it firm, so that we may hope it will stand for another five hundred years. It ought to be a "joy forever,"
for it is a thing of beauty, if ever there were one.
I never felt inclined to play the part of the young enthusiast in "Excelsior," as I looked up at the weatherc.o.c.k which surmounts the spire. But the man who oils the weatherc.o.c.k-spindle has to get up to it in some way, and that way is by ladders which reach to within thirty feet of the top, where there is a small door, through which he emerges, to crawl up the remaining distance on the outside. "The situation and appearance," says one of the guide-books, "must be terrific, yet many persons have voluntarily and daringly clambered to the top, even in a state of intoxication." Such, I feel sure, was not the state of my most valued and exemplary clerical friend, who, with a cool head and steady nerves, found himself standing in safety at the top of the spire, with his hand upon the vane, which nothing terrestrial had ever looked down upon in its lofty position, except a bird, a bat, a sky-rocket, or a balloon.
In saying that the exterior of Salisbury Cathedral is more interesting than its interior, I was perhaps unfair to the latter, which only yields to the surpa.s.sing claims of the wonderful structure as seen from the outside. One may get a little tired of marble Crusaders, with their crossed legs and broken noses, especially if, as one sometimes finds them, they are covered with the pencilled autographs of c.o.c.kney scribblers. But there are monuments in this cathedral which excite curiosity, and others which awaken the most striking a.s.sociations. There is the "Boy Bishop," his marble effigy protected from vandalism by an iron cage. There is the skeleton figure representing Fox (who should have been called Goose), the poor creature who starved himself to death in trying to imitate the fast of forty days in the wilderness. Since this performance has been taken out of the list of miracles, it is not so likely to be repeated by fanatics. I confess to a strong suspicion that this is one of the ambulatory or movable stories, like the "hangman"s stone" legend, which I have found in so many different parts of England. Skulls and crossbones, sometimes skeletons or skeleton-like figures, are not uncommon among the sepulchral embellishments of an earlier period. Where one of these figures is found, the forty-day-fast story is likely to grow out of it, as the mistletoe springs from the oak or apple tree.
With far different emotions we look upon the spot where lie buried many of the Herbert family, among the rest,
"Sidney"s sister, Pembroke"s mother,"
for whom Ben Jonson wrote the celebrated epitaph. I am almost afraid to say it, but I never could admire the line,
"Lies the subject of all verse,"
nor the idea of Time dropping his hour-gla.s.s and scythe to throw a dart at the fleshless figure of Death. This last image seems to me about the equivalent in mortuary poetry of Roubiliac"s monument to Mrs.
Nightingale in mortuary sculpture,--poor conceits both of them, without the suggestion of a tear in the verses or in the marble; but the rhetorical exaggeration does not prevent us from feeling that we are standing by the resting-place of one who was
"learn"d and fair and good"
enough to stir the soul of stalwart Ben Jonson, and the names of Sidney and Herbert make us forget the strange hyperboles.
History meets us everywhere, as we stray among these ancient monuments.
Under that effigy lie the great bones of Sir John Cheyne, a mighty man of war, said to have been "overthrown" by Richard the Third at the battle of Bosworth Field. What was left of him was unearthed in 1789 in the demolition of the Beauchamp chapel, and his thigh-bone was found to be four inches longer than that of a man of common stature.
The reader may remember how my recollections started from their hiding-place when I came, in one of our excursions, upon the name of Lechmere, as belonging to the owner of a fine estate by or through which we were driving. I had a similar twinge of reminiscence at meeting with the name of Gorges, which is perpetuated by a stately monument at the end of the north aisle of the cathedral. Sir Thomas Gorges, Knight of Longford Castle, may or may not have been of the same family as the well-remembered grandiose personage of the New England Pilgrim period.
The t.i.tle this gentleman bore had a far more magnificent sound than those of his contemporaries, Governor Carver and Elder Brewster. No t.i.tle ever borne among us has filled the mouth quite so full as that of "Sir Ferdinando Gorges, Lord Palatine of the Province of Maine," a province with "Gorgeana" (late the plantation of Agamenticus) as its capital. Everywhere in England a New Englander is constantly meeting with names of families and places which remind him that he comes of a graft from an old tree on a new stock. I could not keep down the a.s.sociations called up by the name of Gorges. There is a certain pleasure in now and then sprinkling our prosaic colonial history with the holy water of a high-sounding t.i.tle; not that a "Sir" before a man"s name makes him any better,--for are we not all equal, and more than equal, to each other?--but it sounds pleasantly. Sir Harry Vane and Sir Harry Frankland look prettily on the printed page, as the illuminated capital at the head of a chapter in an old folio pleases the eye of the reader. Sir Thomas Gorges was the builder of Longford Castle, now the seat of the Earl of Radnor, whose family name is Bouverie. Whether our Sir Ferdinando was of the Longford Castle stock or not I must leave to my a.s.sociates of the Ma.s.sachusetts Historical Society to determine.
We lived very quietly at our temporary home in Salisbury Close. A pleasant dinner with the Dean, a stroll through the grounds of the episcopal palace, with that perpetual feast of the eyes which the cathedral offered us, made our residence delightful at the time, and keeps it so in remembrance. Besides the cathedral there were the very lovely cloisters, the n.o.ble chapter-house with its central pillar,--this structure has been restored and rejuvenated since my earlier visit,--and there were the peaceful dwellings, where I insist on believing that only virtue and happiness are ever tenants. Even outside the sacred enclosure there is a great deal to enjoy, in the ancient town of Salisbury. One may rest under the Poultry Cross, where twenty or thirty generations have rested before him. One may purchase his china at the well-furnished establishment of the tenant of a s.p.a.cious apartment of ancient date,--"the Halle of John Halle," a fine private edifice built in the year 1470, restored and beautified in 1834; the emblazonment of the royal arms having been executed by the celebrated architectural artist Pugin. The old houses are numerous, and some of them eminently picturesque.
Salisbury was formerly very unhealthy, on account of the low, swampy nature of its grounds. The Sanitary Reform, dating from about thirty years ago, had a great effect on the condition of the place. Before the drainage the annual mortality was twenty-seven in the thousand; since the drainage twenty in the thousand, which is below that of Boston. In the Close, which is a little Garden of Eden, with no serpent in it that I could hear of, the deaths were only fourteen in a thousand. Happy little enclosure, where thieves cannot break through and steal, where Death himself hesitates to enter, and makes a visit only now and then at long intervals, lest the fortunate inhabitants should think they had already reached the Celestial City!
[Ill.u.s.tration: Salisbury Cathedral.]
It must have been a pretty bitter quarrel that drove the tenants of the airy height of Old Sarum to remove to the marshy level of the present site of the cathedral and the town. I wish we could have given more time to the ancient fortress and cathedral town. This is one of the most interesting historic localities of Great Britain. We looked from different points of view at the mounds and trenches which marked it as a strongly fortified position. For many centuries it played an important part in the history of England. At length, however, the jealousies of the laity and the clergy, a squabble like that of "town and gown," but with graver underlying causes, broke up the harmony and practically ended the existence of the place except as a monument of the past. It seems a pity that the headquarters of the Prince of Peace could not have managed to maintain tranquillity within its own borders. But so it was; and the consequence followed that Old Sarum, with all its grand recollections, is but a collection of mounds and hollows,--as much a tomb of its past as Birs Nimroud of that great city, Nineveh. Old Sarum is now best remembered by its long-surviving privilege, as a borough, of sending two members to Parliament. The farcical ceremony of electing two representatives who had no real const.i.tuency behind them was put an end to by the Reform Act of 1832.
Wilton, the seat of the Earl of Pembroke, within an easy drive"s distance from Salisbury, was the first n.o.bleman"s residence I saw in my early visit. Not a great deal of what I then saw had survived in my memory. I recall the general effect of the stately mansion and its grounds. A picture or two of Vand.y.k.e"s had not quite faded out of my recollection. I could not forget the armor of Anne de Montmorenci,--not another Maid of Orleans, but Constable of France,--said to have been taken in battle by an ancestor of the Herberts. It was one of the first things that made me feel I was in the Old World. Miles Standish"s sword was as far back as New England collections of armor carried us at that day. The remarkable gallery of ancient sculptures impressed me at the time, but no one bust or statue survived as a distinct image. Even the beautiful Palladian bridge had not pictured itself on my mental tablet as it should have done, and I could not have taken my oath that I had seen it. But the pretty English maidens whom we met on the day of our visit to Wilton,--daughters or granddaughters of a famous inventor and engineer,--still lingered as vague and pleasing visions, so lovely had they seemed among the daisies and primroses. The primroses and daisies were as fresh in the spring of 1886 as they were in the spring of 1833, but I hardly dared to ask after the blooming maidens of that early period.
One memory predominates over all others, in walking through the halls, or still more in wandering through the grounds, of Wilton House. Here Sir Philip Sidney wrote his "Arcadia," and the ever youthful presence of the man himself rather than the recollection of his writings takes possession of us. There are three young men in history whose names always present themselves to me in a special companionship: Pico della Mirandola, "the Phoenix of the Age" for his contemporaries; "the Admirable Crichton," accepting as true the accounts which have come down to us of his wonderful accomplishments; and Sidney, the Bayard of England, "that glorious star, that lively pattern of virtue and the lovely joy of all the learned sort, ... born into the world to show unto our age a sample of ancient virtue." The English paragon of excellence was but thirty-two years old when he was slain at Zutphen, the Italian Phoenix but thirty-one when he was carried off by a fever, and the Scotch prodigy of gifts and attainments was only twenty-two when he was a.s.sa.s.sinated by his worthless pupil. Sir Philip Sidney is better remembered by the draught of water he gave the dying soldier than by all the waters he ever drew from the fountain of the Muses, considerable as are the merits of his prose and verse. But here, where he came to cool his fiery spirit after the bitter insult he had received from the Earl of Leicester; here, where he mused and wrote, and shaped his lofty plans for a glorious future, he lives once more in our imagination, as if his spirit haunted the English Arcadia he loved so dearly.
The name of Herbert, which we have met with in the cathedral, and which belongs to the Earls of Pembroke, presents itself to us once more in a very different and very beautiful aspect. Between Salisbury and Wilton, three miles and a half distant, is the little village of Bemerton, where "holy George Herbert" lived and died, and where he lies buried. Many Americans who know little else of him recall the lines borrowed from him by Irving in the "Sketch-Book" and by Emerson in "Nature." The "Sketch-Book" gives the lines thus:--
"Sweet day, so pure, so calm, so bright, The bridal of the earth and sky."
In other versions the fourth word is _cool_ instead of _pure_, and _cool_ is, I believe, the correct reading. The day when we visited Bemerton was, according to A----"s diary, "perfect." I was struck with the calm beauty of the scene around us, the fresh greenness of all growing things, and the stillness of the river which mirrored the heavens above it. It must have been this reflection which the poet was thinking of when he spoke of the bridal of the earth and sky. The river is the Wiltshire Avon; not Shakespeare"s Avon, but the southern stream of the same name, which empties into the British Channel.
So much of George Herbert"s intellectual and moral character repeat themselves in Emerson that if I believed in metempsychosis I should think that the English saint had reappeared in the American philosopher.
Their features have a certain resemblance, but the type, though an exceptional and fine one, is not so very rare. I found a portrait in the National Gallery which was a good specimen of it; the bust of a near friend of his, more intimate with him than almost any other person, is often taken for that of Emerson. I see something of it in the portrait of Sir Philip Sidney, and I doubt not that traces of a similar mental resemblance ran through the whole group, with individual characteristics which were in some respects quite different. I will take a single verse of Herbert"s from Emerson"s "Nature,"--one of the five which he quotes:--
"Nothing hath got so far But man hath caught and kept it as his prey; His eyes dismount the highest star: He is in little all the sphere.
Herbs gladly cure our flesh because that they Find their acquaintance there."
Emerson himself fully recognizes his obligations to "the beautiful psalmist of the seventeenth century," as he calls George Herbert. There are many pa.s.sages in his writings which sound as if they were paraphrases from the elder poet. From him it is that Emerson gets a word he is fond of, and of which his imitators are too fond:--
"Who sweeps a room as for thy laws Makes that and the action _fine_."
The little chapel in which Herbert officiated is perhaps half as long again as the room in which I am writing, but it is four or five feet narrower,--and I do not live in a palace. Here this humble servant of G.o.d preached and prayed, and here by his faithful and loving service he so endeared himself to all around him that he has been canonized by an epithet no other saint of the English Church has had bestowed upon him.
His life as pictured by Izaak Walton is, to borrow one of his own lines,
"A box where sweets compacted lie;"
and I felt, as I left his little chapel and the parsonage which he rebuilt as a free-will offering, as a pilgrim might feel who had just left the holy places at Jerusalem.
Among the places which I saw in my first visit was Longford Castle, the seat of the Earl of Radnor. I remembered the curious triangular building, constructed with reference to the doctrine of the Trinity, as churches are built in the form of the cross. I remembered how the omnipresent spire of the great cathedral, three miles away, looked down upon the grounds about the building as if it had been their next-door neighbor. I had not forgotten the two celebrated Claudes, Morning and Evening. My eyes were drawn to the first of these two pictures when I was here before; now they turned naturally to the landscape with the setting sun. I have read my St. Ruskin with due reverence, but I have never given up my allegiance to Claude Lorraine. But of all the fine paintings at Longford Castle, no one so much impressed me at my recent visit as the portrait of Erasmus by Hans Holbein. This is one of those pictures which help to make the Old World worth a voyage across the Atlantic. Portraits of Erasmus are not uncommon; every scholar would know him if he met him in the other world with the look he wore on earth. All the etchings and their copies give a characteristic presentation of the spiritual precursor of Luther, who p.r.i.c.ked the false image with his rapier which the st.u.r.dy monk slashed with his broadsword.
What a face it is which Hans Holbein has handed down to us in this wonderful portrait at Longford Castle! How dry it is with scholastic labor, how keen with shrewd scepticism, how worldly-wise, how conscious of its owner"s wide-awake sagacity! Erasmus and Rabelais,--Nature used up all her arrows for their quivers, and had to wait a hundred years and more before she could find shafts enough for the outfit of Voltaire, leaner and keener than Erasmus, and almost as free in his language as the audacious creator of Gargantua and Pantagruel.
I have not generally given descriptions of the curious objects which I saw in the great houses and museums which I visited. There is, however, a work of art at Longford Castle so remarkable that I must speak of it.
I was so much struck by the enormous amount of skilful ingenuity and exquisite workmanship bestowed upon it that I looked up its history, which I found in the "Beauties of England and Wales." This is what is there said of the wonderful steel chair: "It was made by Thomas Rukers at the city of Augsburgh, in the year 1575, and consists of more than 130 compartments, all occupied by groups of figures representing a succession of events in the annals of the Roman Empire, from the landing of aeneas to the reign of Rodolphus the Second." It looks as if a life had gone into the making of it, as a pair or two of eyes go to the working of the bridal veil of an empress.
Fifty years ago and more, when I was at Longford Castle with my two companions, who are no more with us, we found there a pleasant, motherly old housekeeper, or attendant of some kind, who gave us a draught of home-made ale and left a cheerful remembrance with us, as, I need hardly say, we did with her, in a materialized expression of our good-will. It always rubbed very hard on my feelings to offer money to any persons who had served me well, as if they were doing it for their own pleasure. It may have been the granddaughter of the kindly old matron of the year 1833 who showed us round, and possibly, if I had sunk a shaft of inquiry, I might have struck a well of sentiment. But
"Take, O boatman, thrice thy fee,"
carried into practical life, is certain in its financial result to the subject of the emotional impulse, but is less sure to call forth a tender feeling in the recipient. One will hardly find it worth while to go through the world weeping over his old recollections, and paying gold instead of silver and silver instead of copper to astonished boatmen and bewildered chambermaids.
On Sunday, the 18th of July, we attended morning service at the cathedral. The congregation was not proportioned to the size of the great edifice. These vast places of worship were built for ages when faith was the rule and questioning the exception. I will not say that faith has grown cold, but it has cooled from white heat to cherry red or a still less flaming color. As to church attendance, I have heard the saying attributed to a great statesman, that "once a day is Orthodox, but twice a day is Puritan." No doubt many of the same cla.s.s of people that used to fill the churches stay at home and read about evolution or telepathy, or whatever new gospel they may have got hold of. Still the English seem to me a religious people; they have leisure enough to say grace and give thanks before and after meals, and their inst.i.tutions tend to keep alive the feelings of reverence which cannot be said to be distinctive of our own people.