Plays of Near & Far

Chapter 33

PRATTLE: I say--writing"s no good. What do you write?

DE REVES: Oh, poetry.

PRATTLE: Poetry! Good Lord!

DE REVES: Yes, that sort of thing, you know.

PRATTLE: Good Lord! Do you make any money by it?



DE REVES: No. Hardly any.

PRATTLE: I say--why don"t you chuck it?

DE REVES: Oh, I don"t know. Some people seem to like my stuff, rather.

That"s why I go on.

PRATTLE: I"d chuck it if there"s no money in it.

DE REVES: Ah, but then it"s hardly in your line, is it? You"d hardly approve of poetry if there _was_ money in it.

PRATTLE: Oh, I don"t say that. If I could make as much by poetry as I can by betting I don"t say I wouldn"t try the poetry touch, only----

DE REVES: Only what?

PRATTLE: Oh, I don"t know. Only there seems more sense in betting, somehow.

DE REVES: Well, yes. I suppose it"s easier to tell what an earthly horse is going to do, than to tell what Pegasus----

PRATTLE: What"s Pegasus?

DE REVES: Oh, the winged horse of poets.

PRATTLE: I say! You don"t believe in a winged horse, do you?

DE REVES: In our trade we believe in all fabulous things. They all represent some large truth to us. An emblem like Pegasus is as real a thing to a poet as a Derby winner would be to you.

PRATTLE: I say. (Give me a cigarette. Thanks.) What? Then you"d believe in nymphs and fauns, and Pan, and all those kind of birds?

DE REVES: Yes. Yes. In all of them.

PRATTLE: Good Lord!

DE REVES: You believe in the Lord Mayor of London, don"t you?

PRATTLE: Yes, of course; but what has----

DE REVES: Four million people or so made him Lord Mayor, didn"t they?

And he represents to them the wealth and dignity and tradition of----

PRATTLE: Yes; but, I say, what has all this----

DE REVES: Well, he stands for an idea to them, and they made him Lord Mayor, and so he is one....

PRATTLE: Well, of course he is.

DE REVES: In the same way Pan has been made what he is by millions; by millions to whom he represents world-old traditions.

PRATTLE (_rising from his chair and stepping backwards, laughing and looking at the_ POET _in a kind of a.s.sumed wonder_): I say ... I say ...

You old heathen ... but Good Lord ...

[_He b.u.mps into the high screen behind, pushing it back a little._

DE REVES: Look out! Look out!

PRATTLE: What? What"s the matter?

DE REVES: The screen!

PRATTLE: Oh, sorry, yes. I"ll put it right.

[_He is about to go round behind it._

DE REVES: No, don"t go round there.

PRATTLE: What? Why not?

DE REVES: Oh, you wouldn"t understand.

PRATTLE: Wouldn"t understand? Why, what have you got?

DE REVES: Oh, one of those things.... You wouldn"t understand.

PRATTLE: Of course I"d understand. Let"s have a look.

[_The_ POET _walks towards_ PRATTLE _and the screen. He protests no further._ PRATTLE _looks round the corner of the screen._

An altar.

DE REVES (_removing the screen altogether_): That is all. What do you make of it?

[_An altar of Greek design, shaped like a pedestal, is revealed. Papers litter the floor all about it._

PRATTLE: I say--you always were an untidy devil.

DE REVES: Well, what do you make of it?

PRATTLE: It reminds me of your room at Eton.

DE REVES: My room at Eton?

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