Nevertheless, the bulk of the creative work of the world is done at present by men who subsist by some other occupation. Science, and research generally, are usually done in their spare time by men who live by teaching. There is no great objection to this in the case of science, provided the number of hours devoted to teaching is not excessive. It is partly because science and teaching are so easily combined that science is vigorous in the present age.
In music, a composer who is also a performer enjoys similar advantages, but one who is not a performer must starve, unless he is rich or willing to pander to the public taste. In the fine arts, as a rule, it is not easy in the modern world either to make a living by really good work or to find a subsidiary profession which leaves enough leisure for creation. This is presumably one reason, though by no means the only one, why art is less flourishing than science.
The bureaucratic State Socialist will have a simple solution for these difficulties. He will appoint a body consisting of the most eminent celebrities in an art or a science, whose business it shall be to judge the work of young men, and to issue licenses to those whose productions find favor in their eyes. A licensed artist shall be considered to have performed his duty to the community by producing works of art. But of course he will have to prove his industry by never failing to produce in reasonable quant.i.ties, and his continued ability by never failing to please his eminent judges--until, in the fulness of time, he becomes a judge himself. In this way, the authorities will insure that the artist shall be competent, regular, and obedient to the best traditions of his art. Those who fail to fulfil these conditions will be compelled by the withdrawal of their license to seek some less dubious mode of earning their living. Such will be the ideal of the State Socialist.
In such a world all that makes life tolerable to the lover of beauty would perish. Art springs from a wild and anarchic side of human nature; between the artist and the bureaucrat there must always be a profound mutual antagonism, an age-long battle in which the artist, always outwardly worsted, wins in the end through the grat.i.tude of mankind for the joy that he puts into their lives. If the wild side of human nature is to be permanently subjected to the orderly rules of the benevolent, uncomprehending bureaucrat, the joy of life will perish out of the earth, and the very impulse to live will gradually wither and die. Better a thousandfold the present world with all its horrors than such a dead mummy of a world. Better Anarchism, with all its risks, than a State Socialism that subjects to rule what must be spontaneous and free if it is to have any value. It is this nightmare that makes artists, and lovers of beauty generally, so often suspicious of Socialism. But there is nothing in the essence of Socialism to make art impossible: only certain forms of Socialism would entail this danger. William Morris was a Socialist, and was a Socialist very largely because he was an artist. And in this he was not irrational.
It is impossible for art, or any of the higher creative activities, to flourish under any system which requires that the artist shall prove his competence to some body of authorities before he is allowed to follow his impulse. Any really great artist is almost sure to be thought incompetent by those among his seniors who would be generally regarded as best qualified to form an opinion. And the mere fact of having to produce work which will please older men is hostile to a free spirit and to bold innovation.
Apart from this difficulty, selection by older men would lead to jealousy and intrigue and back-biting, producing a poisonous atmosphere of underground compet.i.tion. The only effect of such a plan would be to eliminate the few who now slip through owing to some fortunate accident. It is not by any system, but by freedom alone, that art can flourish.
There are two ways by which the artist could secure freedom under Socialism of the right kind.
He might undertake regular work outside his art, doing only a few hours" work a day and receiving proportionately less pay than those who do a full day"s work. He ought, in that case, to be at liberty to sell his pictures if he could find purchasers. Such a system would have many advantages. It would leave absolutely every man free to become an artist, provided he were willing to suffer a certain economic loss. This would not deter those in whom the impulse was strong and genuine, but would tend to exclude the dilettante. Many young artists at present endure voluntarily much greater poverty than need be entailed by only doing half the usual day"s work in a well-organized Socialist community; and some degree of hardship is not objectionable, as a test of the strength of the creative impulse, and as an offset to the peculiar joys of the creative life.
The other possibility[58] would be that the necessaries of life should be free, as Anarchists desire, to all equally, regardless of whether they work or not.
Under this plan, every man could live without work: there would be what might be called a "vagabond"s wage," sufficient for existence but not for luxury.
The artist who preferred to have his whole time for art and enjoyment might live on the "vagabond"s wage"--traveling on foot when the humor seized him to see foreign countries, enjoying the air and the sun, as free as the birds, and perhaps scarcely less happy. Such men would bring color and diversity into the life of the community; their outlook would be different from that of steady, stay-at-home workers, and would keep alive a much-needed element of light- heartedness which our sober, serious civilization tends to kill. If they became very numerous, they might be too great an economic burden on the workers; but I doubt if there are many with enough capacity for simple enjoyments to choose poverty and free- dom in preference to the comparatively light and pleasant work which will be usual in those days.
[58] Which we discussed in Chapter IV.
By either of these methods, freedom can be preserved for the artist in a socialistic commonwealth-- far more complete freedom, and far more widespread, than any that now exists except for the possessors of capital.
But there still remain some not altogether easy problems. Take, for example, the publishing of books.
There will not, under Socialism, be private publishers as at present: under State Socialism, presumably the State will be the sole publisher, while under Syndicalism or Guild Socialism the Federation du Livre will have the whole of the trade in its hands. Under these circ.u.mstances, who is to decide what MSS. are to be printed? It is clear that opportunities exist for an Index more rigorous than that of the Inquisition.
If the State were the sole publisher, it would doubtless refuse books opposed to State Socialism.
If the Federation du Livre were the ultimate arbiter, what publicity could be obtained for works criticising it? And apart from such political difficulties we should have, as regards literature, that very censorship by eminent officials which we agreed to regard as disastrous when we were considering the fine arts in general. The difficulty is serious, and a way of meeting it must be found if literature is to remain free.
Kropotkin, who believes that manual and intellectual work should be combined, holds that authors themselves should be compositors, bookbinders, etc.
He even seems to suggest that the whole of the manual work involved in producing books should be done by authors. It may be doubted whether there are enough authors in the world for this to be possible, and in any case I cannot but think that it would be a waste of time for them to leave the work they understand in order to do badly work which others could do far better and more quickly. That, however, does not touch our present point, which is the question how the MSS. to be printed will be selected.
In Kropotkin"s plan there will presumably be an Author"s Guild, with a Committee of Management, if Anarchism allows such things. This Committee of Management will decide which of the books submitted to it are worthy to be printed. Among these will be included those by the Committee and their friends, but not those by their enemies. Authors of rejected MSS. will hardly have the patience to spend their time setting up the works of successful rivals, and there will have to be an elaborate system of log-rolling if any books are to be printed at all.
It hardly looks as if this plan would conduce to harmony among literary men, or would lead to the publication of any book of an unconventional tendency.
Kropotkin"s own books, for example, would hardly have found favor.
The only way of meeting these difficulties, whether under State Socialism or Guild Socialism or Anarchism, seems to be by making it possible for an author to pay for the publication of his book if it is not such as the State or the Guild is willing to print at its own expense. I am aware that this method is contrary to the spirit of Socialism, but I do not see what other way there is of securing freedom. The payment might be made by undertaking to engage for an a.s.signed period in some work of recognized utility and to hand over such proportion of the earnings as might be necessary. The work undertaken might of course be, as Kropotkin suggests, the manual part of the production of books, but I see no special reason why it should be. It would have to be an absolute rule that no book should be refused, no matter what the nature of its contents might be, if payment for publication were offered at the standard rate. An author who had admirers would be able to secure their help in payment. An unknown author might, it is true, have to suffer a considerable loss of comfort in order to make his payment, but that would give an automatic means of eliminating those whose writing was not the result of any very profound impulse and would be by no means wholly an evil.
Probably some similar method would be desirable as regards the publishing and performing of new music.
What we have been suggesting will, no doubt, be objected to by orthodox Socialists, since they will find something repugnant to their principles in the whole idea of a private person paying to have certain work done. But it is a mistake to be the slave of a system, and every system, if it is applied rigidly, will entail evils which could only be avoided by some concession to the exigencies of special cases. On the whole, a wise form of Socialism might afford infinitely better opportunities for the artist and the man of science than are possible in a capitalist community, but only if the form of Socialism adopted is one which is fitted for this end by means of provisions such as we have been suggesting.
3. Possibility of Appreciation.--This condition is one which is not necessary to all who do creative work, but in the sense in which I mean it the great majority find it very nearly indispensable. I do not mean widespread public recognition, nor that ignorant, half-sincere respect which is commonly accorded to artists who have achieved success. Neither of these serves much purpose. What I mean is rather understanding, and a spontaneous feeling that things of beauty are important. In a thoroughly commercialized society, an artist is respected if he makes money, and because he makes money, but there is no genuine respect for the works of art by which his money has been made. A millionaire whose fortune has been made in b.u.t.ton-hooks or chewing-gum is regarded with awe, but none of this feeling is bestowed on the articles from which his wealth is derived. In a society which measures all things by money the same tends to be true of the artist. If he has become rich he is respected, though of course less than the millionaire, but his pictures or books or music are regarded as the chewing-gum or the b.u.t.ton- hooks are regarded, merely as a means to money.
In such an atmosphere it is very difficult for the artist to preserve his creative impulse pure: either he is contaminated by his surroundings, or he becomes embittered through lack of appreciation for the object of his endeavor.
It is not appreciation of the artist that is necessary so much as appreciation of the art. It is difficult for an artist to live in an environment in which everything is judged by its utility, rather than by its intrinsic quality. The whole side of life of which art is the flower requires something which may be called disinterestedness, a capacity for direct enjoyment without thought of tomorrow"s problems and difficulties. When people are amused by a joke they do not need to be persuaded that it will serve some important purpose. The same kind of direct pleasure is involved in any genuine appreciation of art.
The struggle for life, the serious work of a trade or profession, is apt to make people too solemn for jokes and too pre-occupied for art. The easing of the struggle, the diminution in the hours of work, and the lightening of the burden of existence, which would result from a better economic system, could hardly fail to increase the joy of life and the vital energy, available for sheer delight in the world. And if this were achieved there would inevitably be more spontaneous pleasure in beautiful things, and more enjoyment of the work of artists. But none of these good results are to be expected from the mere removal of poverty: they all require also a diffused sense of freedom, and the absence of that feeling of oppression by a vast machine which now weighs down the individual spirit. I do not think State Socialism can give this sense of freedom, but some other forms of Socialism, which have absorbed what is true in Anarchist teaching, can give it to a degree of which capitalism is wholly incapable.
A general sense of progress and achievement is an immense stimulus to all forms of creative work.
For this reason, a great deal will depend, not only in material ways, upon the question whether methods of production in industry and agriculture become stereotyped or continue to change rapidly as they have done during the last hundred years. Improved methods of production will be much more obviously than now to the interest of the community at large, when what every man receives is his due share of the total produce of labor. But there will probably not be any individuals with the same direct and intense interest in technical improvements as now belongs to the capitalist in manufacture. If the natural conservatism of the workers is not to prove stronger than their interest in increasing production, it will be necessary that, when better methods are introduced by the workers in any industry, part at least of the benefit should be allowed for a time to be retained by them. If this is done, it may be presumed that each Guild will be continually seeking for new processes or inventions, and will value those technical parts of scientific research which are useful for this purpose. With every improvement, the question will arise whether it is to be used to give more leisure or to increase the dividend of commodities. Where there is so much more leisure than there is now, there will be many more people with a knowledge of science or an understanding of art. The artist or scientific investigator will be far less cut off than he is at present from the average citizen, and this will almost inevitably be a stimulus to his creative energy.
I think we may fairly conclude that, from the point of view of all three requisites for art and science, namely, training, freedom and appreciation, State Socialism would largely fail to remove existing evils and would introduce new evils of its own; but Guild Socialism, or even Syndicalism, if it adopted a liberal policy toward those who preferred to work less than the usual number of hours at recognized occupations, might be immeasurably preferable to anything that is possible under the rule of capitalism.
There are dangers, but they will all vanish if the importance of liberty is adequately acknowledged.
In this as in nearly everything else, the road to all that is best is the road of freedom.
CHAPTER VIII
THE WORLD AS IT COULD BE MADE
IN the daily lives of most men and women, fear plays a greater part than hope: they are more filled with the thought of the possessions that others may take from them, than of the joy that they might create in their own lives and in the lives with which they come in contact.
It is not so that life should be lived.
Those whose lives are fruitful to themselves, to their friends, or to the world are inspired by hope and sustained by joy: they see in imagination the things that might be and the way in which they are to be brought into existence. In their private relations they are not pre-occupied with anxiety lest they should lose such affection and respect as they receive: they are engaged in giving affection and respect freely, and the reward comes of itself without their seeking. In their work they are not haunted by jealousy of compet.i.tors, but concerned with the actual matter that has to be done.
In politics, they do not spend time and pa.s.sion defending unjust privileges of their cla.s.s or nation, but they aim at making the world as a whole happier, less cruel, less full of conflict between rival greeds, and more full of human beings whose growth has not been dwarfed and stunted by oppression.
A life lived in this spirit--the spirit that aims at creating rather than possessing--has a certain fundamental happiness, of which it cannot be wholly robbed by adverse circ.u.mstances. This is the way of life recommended in the Gospels, and by all the great teachers of the world. Those who have found it are freed from the tyranny of fear, since what they value most in their lives is not at the mercy of outside power. If all men could summon up the courage and the vision to live in this way in spite of obstacles and discouragement, there would be no need for the regeneration of the world to begin by political and economic reform: all that is needed in the way of reform would come automatically, without resistance, owing to the moral regeneration of individuals. But the teaching of Christ has been nominally accepted by the world for many centuries, and yet those who follow it are still persecuted as they were before the time of Constantine. Experience has proved that few are able to see through the apparent evils of an outcast"s life to the inner joy that comes of faith and creative hope. If the domination of fear is to be overcome, it is not enough, as regards the ma.s.s of men, to preach courage and indifference to misfortune: it is necessary to remove the causes of fear, to make a good life no longer an unsuccessful one in a worldly sense, and to diminish the harm that can be inflicted upon those who are not wary in self- defense.
When we consider the evils in the lives we know of, we find that they may be roughly divided into three cla.s.ses. There are, first, those due to physical nature: among these are death, pain and the difficulty of making the soil yield a subsistence.
These we will call "physical evils." Second, we may put those that spring from defects in the character or apt.i.tudes of the sufferer: among these are ignorance, lack of will, and violent pa.s.sions. These we will call "evils of character." Third come those that depend upon the power of one individual or group over another: these comprise not only obvious tyranny, but all interference with free development, whether by force or by excessive mental influence such as may occur in education. These we will call "evils of power." A social system may be judged by its bearing upon these three kinds of evils.
The distinction between the three kinds cannot be sharply drawn. Purely physical evil is a limit, which we can never be sure of having reached: we cannot abolish death, but we can often postpone it by science, and it may ultimately become possible to secure that the great majority shall live till old age; we cannot wholly prevent pain, but we can diminish it indefinitely by securing a healthy life for all; we cannot make the earth yield its fruits in any abundance without labor, but we can diminish the amount of the labor and improve its conditions until it ceases to be an evil. Evils of character are often the result of physical evil in the shape of illness, and still more often the result of evils of power, since tyranny degrades both those who exercise it and (as a rule) those who suffer it. Evils of power are intensified by evils of character in those who have power, and by fear of the physical evil which is apt to be the lot of those who have no power. For all these reasons, the three sorts of evil are intertwined. Nevertheless, speaking broadly, we may distinguish among our misfortunes those which have their proximate cause in the material world, those which are mainly due to defects in ourselves, and those which spring from our being subject to the control of others.
The main methods of combating these evils are: for physical evils, science; for evils of character, education (in the widest sense) and a free outlet for all impulses that do not involve domination; for evils of power, the reform of the political and economic organization of society in such a way as to reduce to the lowest possible point the interference of one man with the life of another. We will begin with the third of these kinds of evil, because it is evils of power specially that Socialism and Anarchism have sought to remedy. Their protest against Inequalities of wealth has rested mainly upon their sense of the evils arising from the power conferred by wealth. This point has been well stated by Mr. G. D. H. Cole:--
What, I want to ask, is the fundamental evil in our modern Society which we should set out to abolish?
There are two possible answers to that question, and I am sure that very many well-meaning people would make the wrong one. They would answer POVERTY, when they ought to answer SLAVERY. Face to face every day with the shameful contrasts of riches and dest.i.tution, high dividends and low wages, and painfully conscious of the futility of trying to adjust the balance by means of charity, private or public, they would answer unhesitatingly that they stand for the ABOLITION OF POVERTY.
Well and good! On that issue every Socialist is with them. But their answer to my question is none the less wrong.
Poverty is the symptom: slavery the disease. The extremes of riches and dest.i.tution follow inevitably upon the extremes of license and bondage. The many are not enslaved because they are poor, they are poor because they are enslaved. Yet Socialists have all too often fixed their eyes upon the material misery of the poor without realizing that it rests upon the spiritual degradation of the slave.[59]
[59] "Self-Government in Industry," G. Bell & Sons, 1917, pp.
110-111.
I do not think any reasonable person can doubt that the evils of power in the present system are vastly greater than is necessary, nor that they might be immeasurably diminished by a suitable form of Socialism. A few fortunate people, it is true, are now enabled to live freely on rent or interest, and they could hardly have more liberty under another system. But the great bulk, not only of the very poor, but, of all sections of wage-earners and even of the professional cla.s.ses, are the slaves of the need for getting money. Almost all are compelled to work so hard that they have little leisure for enjoyment or for pursuits outside their regular occupation.
Those who are able to retire in later middle age are bored, because they have not learned how to fill their time when they are at liberty, and such interests as they once had apart from work have dried up.
Yet these are the exceptionally fortunate: the majority have to work hard till old age, with the fear of dest.i.tution always before them, the richer ones dreading that they will be unable to give their children the education or the medical care that they consider desirable, the poorer ones often not far removed from starvation. And almost all who work have no voice in the direction of their work; throughout the hours of labor they are mere machines carrying out the will of a master. Work is usually done under disagreeable conditions, involving pain and physical hardship.
The only motive to work is wages: the very idea that work might be a joy, like the work of the artist, is usually scouted as utterly Utopian.
But by far the greater part of these evils are wholly unnecessary. If the civilized portion of mankind could be induced to desire their own happiness more than another"s pain, if they could be induced to work constructively for improvements which they would share with all the world rather than destructively to prevent other cla.s.ses or nations from stealing a march on them, the whole system by which the world"s work is done might be reformed root and branch within a generation.
From the point of view of liberty, what system would be the best? In what direction should we wish the forces of progress to move?