"You are an artist, I see?"
"I hope to be one. Look here."
Wilton approached his desk. A sketch lay upon it. A confused ma.s.s of figures, apparently intended for a desperate battle.
"This," continued Donald, "is what I wanted you for. This is a study for a large picture in oils (I will begin it when I am a little stronger) of the battle of Balaklava. Nothing has ever been made of this subject, and I want to make something of it; so I thought you would just look at my sketch and see if I have caught an idea of the scene, and correct any inaccuracy that strikes you."
"I should be most happy to help you," returned Wilton, looking hopelessly at the crowd of forms before him; "but I fear my capabilities are not quite equal to the task. In the first place, I was not in the Balaklava affair, and then one"s recollections of a battle are not very clear."
"If confusion is a true likeness, Donny"s picture will be remarkably successful," said Miss Saville, with a grave manner. Her words brought a flush to the boy"s pale brow.
"I wish you would go away," he said, rudely and abruptly. "I can never talk about anything when you are by."
"To hear is to obey," replied Miss Saville, rising; "only do not try Colonel Wilton"s patience too much."
"Go! go!" returned Donald, almost fiercely.
Wilton could not refrain from smiling as she left the room.
"I hate those Savilles!" cried Donald, observing it; "and so would you if you lived in the house with them."
"That is a subject on which we shall never agree. Let us return to your picture," said Wilton, thinking what a thorough "sell" it would be if Ella Rivers never made her appearance; for, with all his surface easy good-nature, Wilton did not fancy sacrificing even a small share of his time to an ill-natured imp like this.
"Look here! I have made this hussar grasp a lancer by the throat, and thrust a sword into his side. Will that do?"
"I see. Well, hardly. You know both hussars and lancers were our men, therefore you must not make them fight; and here you have not the Russian uniform quite correctly. I think I have some sketches of the Russians that would help you. But is it not rather ambitious for such a youngster as yourself to aim at historical painting?"
"That is what Ella says; but it is my only chance of fame." The word on his lips was suggestive of sadness, and Wilton looked at the frail form, the pallid face, the thin, tremulous, feverish fingers with compa.s.sion. Before he could reply, a door behind him opened softly. "Oh, come here, Ella!" cried Donald. Wilton turned quickly, and just caught a glimpse of a gray skirt vanishing. "Ella, come back! Ella! Ella!"
screamed the boy, with a sort of angry impatience that would not be denied.
"I am here, then," she said, reopening the door and coming in.
Wilton felt his (not inexperienced) heart throb as she approached, her cheek warm with a soft, flitting blush, a slight smile upon her lips, but her large eyes grave and calm. It was the first time Wilton had seen her in-doors, and the delicate dignity of her look, especially the setting on of her head, charmed him. The excessive simplicity of her perpetual gray dress could not hide the grace of her slim, round form, and yet he could well imagine that the vulgar, common taste that looks for rich color and striking outline might consider the quiet moonlight beauty of this obscure girl something almost plain.
Wilton greeted her silently as she approached, with a profound bow. She acknowledged him.
"I did not know you had any one with you," she said to her pupil.
"Do you know Colonel Wilton?" he asked, sharply.
"He was in the train with me when the collision occurred," she replied quietly, the color fading away from her cheek, and leaving it very pale.
"Why did you not tell me?"
"There was nothing to tell, and you never asked me about my adventures."
"This young gentleman is very ambitious," said Wilton, to change the subject. "He is designing to immortalize himself and the Six Hundred at once."
"He will not have patience. I tell him that even the greatest genius must wait and work." She sighed as she spoke. "Besides, it is almost desecration for art to bestow itself on such a subject."
"There!" cried the boy, pa.s.sionately, "you always discourage me; you are cruel! Have I so much pleasure or hope that you should take this from me?"
She rose from the seat she had taken and came to him, laying her hand on his shoulder with a wonderfully tender gesture. "I do not discourage you, _caro_! You have much ability, but you have scarcely fourteen years. Twenty years hence you will still be young, quite young enough to paint men tearing each other to pieces with immense success. Now, you must learn to walk before you can fly upon the wings of fame. Let us put this away."
"No, you shall not. As to twenty years hence, do not talk of them to me!"
The fierce, complaining tone pa.s.sed from his voice, and he leaned back, raising his eyes to hers with a yearning, loving, sad expression that struck Wilton with strange jealousy. The boy was old for his years, and perhaps, unknown to himself, loved his gentle companion with more than brotherly love. The idea chafed him, and to banish it he spoke:
"Why not make separate studies for your figures? It will practise your hand and make material for your picture. I will send you over the Russian views and figures I have; they will help you as to costume and scenery."
There was a pause. Wilton was determined not to go away; and Donald, the fire gone from his eyes, his very figure limp, would not speak. At last, Miss Rivers, who was arranging a box of colors, said, "This gentleman--Colonel Wilton"s suggestion is very good. Suppose you act upon it? And perhaps he will come again, and see how you go on."
She looked at Colonel Wilton as she spoke, and he tried to make out whether she wished him to return, or to give him the opportunity of escape. Although not inclined to under-estimate himself, he came to the latter conclusion; but did not avail himself of it.
"You have something more to show me, have you not!" he asked, kindly.
"Yes; plenty much better," answered Ella Rivers for him; and, slipping away the fatal battle-scene, she replaced it with a portfolio full of sketches very unequal in merit. Ella quickly picked out the best, and Donald appeared to cheer up under the encouragement of Wilton"s praise.
"Show your sketch of "Dandy,"" said the boy to Ella.--"She draws very well.--Bring your portfolio, Ella," he went on.
"It is not necessary. You are keeping Colonel Wilton."
"You are not, indeed. I rather fancy you wish to get rid of me, Miss Rivers."
"Miss Rivers! Miss Rivers! How did you know her name?"
"I? Oh, I have heard it several times! Your sister mentioned Miss Rivers to-day at luncheon."
"Show your book, Ella, at all events."
She went to a distant table, after a full, searching look at Colonel Wilton, and brought the book he well remembered.
"Here is a capital likeness of my pony and my father"s pet Skye. But, Ella, you have torn out a page--the first one. Why?"
"Because it pleased me to do so." She spoke very composedly, but the color went and came faintly in her cheek.
"Do tell me why, Ella?" with sharp, angry entreaty.
"I will _not_, Donald! You are tyrannical."
His eyes flashed, but he controlled himself.
"Is not this capital?" he asked, holding out the book.
"Very good--first-rate," returned Wilton, looking at two admirably drawn figures of a pony and dog.
"It is better. I want to improve in animals," said Ella, looking down upon the page; and a little conversation ensued respecting this line of art, in which Donald took no share. Suddenly Ella looked at him. "You are ill! you are suffering!" she exclaimed, darting to his side, and putting her arm round his neck, while, pale as death and half fainting, he rested his head against her breast.
"Pray bring me that phial and gla.s.s from the cabinet," she said, quickly. Wilton obeyed; he held the gla.s.s while she poured out the right quant.i.ty; he took the bottle again, while she held the gla.s.s to the poor boy"s lips; he a.s.sisted to lower the wonderful chair till the weary head could be gently placed in a restful position, all without a word being exchanged; then Ella took the poor, thin hand in hers, and felt the pulse, and stroked it.