Other articles related to benevolent establishments, the administration of which was given to a kind of council called the Congregation of Charities, and the cession to the city from the royal domain of the island of Saint Christopher, to be used as a general cemetery; for until then here, as in the rest of Italy, they had the pernicious custom of interring the dead in churches. Finally the decree ordered the adoption of a new mode of lighting the beautiful square of Saint Mark, the construction of new quays, gateways, etc.
When we left Venice the Emperor was conducted to the sh.o.r.e by a crowd of the population fully as numerous as that which welcomed his arrival.
Trevise, Undine, and Mantua rivaled each other in their eagerness to receive his Majesty in a becoming manner. King Joseph had left the Emperor to return to Naples; but Prince Murat and the vice-king accompanied his Majesty.
The Emperor stopped only two or three days at Milan, and continued his journey. On reaching the plains of Marengo, he found there the entire population of Alexandria awaiting him, and was received by the light of thousands of torches. We pa.s.sed through Turin without stopping, and on the 30th of December again descended Mont Cenis, and on the evening of the 1st of January arrived at the Tuileries.
CHAPTER VII.
We arrived in Paris on the 1st of January at nine o"clock in the evening; and as the theater of the palace of the Tuileries was now completed, on the Sunday following his Majesty"s return the Griselda of M. Paer was presented in this magnificent hall. Their Majesties" boxes were situated in front of the curtain, opposite each other, and presented a charming picture, with their hangings of crimson silk draped above, and forming a background to broad, movable mirrors, which reflected at will the audience or the play. The Emperor, still impressed with the recollections of the theaters of Italy, criticised unsparingly that of the Tuileries, saying that it was inconvenient, badly planned, and much too large for a palace theater; but notwithstanding all these criticisms, when the day of inauguration came, and the Emperor was convinced of the very great ingenuity M. Fontaine had shown in distributing the boxes so as to make the splendid toilets appear to the utmost advantage, he appeared well satisfied, and charged the Duke of Frioul to present to M.
Fontaine the congratulations he so well deserved.
A week after we saw the reverse of the medal. On that day Cinna was presented, and a comedy, the name of which I have forgotten. It was such extremely cold weather that we were obliged to leave the theater immediately after the tragedy, in consequence of which the Emperor exhausted himself in invectives against the hall, which according to him was good for nothing but to be burnt. M. Fontaine [Born at Pontoise, 1762; erected the arch of the Carrousel; died 1853] was summoned, and promised to do everything in his power to remedy the inconveniences pointed out to him; and in fact, by means of new furnaces placed under the theater, with pipes through the ceiling, and steps placed under the benches of the second tier of boxes, in a week the hall was made warm and comfortable.
For several weeks the Emperor occupied himself almost exclusively with buildings and improvements. The arch of triumph of the Place du Carrousel, from which the scaffolding had been removed in order to allow the Imperial Guard to pa.s.s beneath it on their return from Prussia, first attracted his Majesty"s attention. This monument was then almost completed, with the exception of a few bas-reliefs which were still to be put in position. The Emperor took a critical view of it from one of the palace windows, and said, after knitting his brows two or three times, that this ma.s.s resembled much more a pavilion than a gate, and that he would have much preferred one constructed in the style of the porte Saint-Denis.
After visiting in detail the various works begun or carried on since his departure, his Majesty one morning sent for M. Fontaine, and having discoursed at length on what he thought worthy of praise or blame in all that he had seen, informed him of his intentions with regard to the plans which the architect had furnished for joining the Tuileries to the Louvre. It was agreed by the Emperor and M. Fontaine that these buildings should be united by two wings, the first of which should be finished in five years, a million to be granted each year for this purpose; and that a second wing should also be constructed on the opposite side, extending from the Louvre to the Tuileries, forming thus a perfect square, in the midst of which would be erected an opera house, isolated on all sides, and communicating with the palace by a subterranean gallery.
The gallery forming the court in front of the Louvre was to be opened to the public in winter, and decorated with statues, and also with all the shrubbery now in boxes in the garden of the Tuileries; and in this court he intended to erect an arch of triumph very similar to that of the Carrousel. Finally, all these beautiful buildings were to be used as lodgings for the grand officers of the crown, as stables, etc. The necessary expense was estimated as approximating forty-two millions.
The Emperor was occupied in succession with a palace of arts; with a new building for the Imperial library, to be placed on the spot now occupied by the Bourse; with a palace for the stock-exchange on the quay Desaix; with the restoration of the Sorbonne and the hotel Soubise; with a triumphal column at Neuilly; with a fountain on the Place Louis XV.; with tearing down the Hotel-Dieu to enlarge and beautify the Cathedral quarter; and with the construction of four hospitals at Mont-Parna.s.se, at Chaillot, at Montmartre, and in the Faubourg Saint-Antoine, etc. All these plans were very grand; and there is no doubt that he who had conceived them would have executed them; and it has often been said that had he lived, Paris would have had no rival in any department in the world.
At the same time his Majesty decided definitely on the form of the arch of triumph de l"Etoile, which had been long debated, and for which all the architects of the crown had submitted plans. It was M. Fontaine whose opinion prevailed; since among all the plans presented his was the simplest, and at the same time the most imposing.
The Emperor was also much interested in the restoration of the palace of Versailles. M. Fontaine had submitted to his Majesty a plan for the first repairs, by the terms of which, for the sum of six millions, the Emperor and Empress would have had a comfortable dwelling. His Majesty, who liked everything grand, handsome, superb, but at the same time economical, wrote at the bottom of this estimate the following note, which M. de Bausset reports thus in his Memoirs:--
"The plans in regard to Versailles must be carefully considered.
Those which M. Fontaine submits are very reasonable, the estimate being six millions; but this includes dwellings, with the restoration of the chapel and that of the theater, only sufficiently comfortable for present use, not such as they should be one day.
"By this plan, the Emperor and Empress would have their apartments; but we must remember that this sum should also furnish lodgings for princes, grand and inferior officers.
"It is also necessary to know where will be placed the factory of arms, which will be needed at Versailles, since it puts silver in circulation.
"It will be necessary out of these six millions to find six lodgings for princes, twelve for grand officers, and fifty for inferior officers.
"Then only can we decide to make Versailles our residence, and pa.s.s the summers there. Before adopting these plans, it will be necessary that the architect who engages to execute them should certify that they can be executed for the proposed sum."
A few days after their arrival their Majesties, the Emperor and Empress, went to visit the celebrated David
[Jacques Louis David, born in Paris, 1748, celebrated historical painter, member of convention, 1792, and voted for the death of the king. Died in Brussels, 1825.]
at his studio in the Sorbonne, in order to see the magnificent picture of the coronation, which had just been finished. Their Majesties" suite was composed of Marshal Bessieres, an aide-de-camp of the Emperor, M. Lebrun, several ladies of the palace, and chamberlains. The Emperor and Empress contemplated with admiration for a long while this beautiful painting, which comprised every species of merit; and the painter was in his glory while hearing his Majesty name, one by one, all the different personages of the picture, for the resemblance was really miraculous. "How grand that is!" said the Emperor; "how fine! how the figures are brought out in relief! how truthful! This is not a painting; the figures live in this picture!" First directing his attention to the grand tribune in the midst, the Emperor, recognized Madame his mother, General Beaumont, M. de Cosse, M. de La Ville, Madame de Fontanges, and Madame Soult. "I see in the distance," said he, "good M. Vien." M. David replied, "Yes, Sire; I wished to show my admiration for my ill.u.s.trious master by placing him in this picture, which, on account of its subject, will be the most famous of my works." The Empress then took part in the conversation, and pointed out to the Emperor how happily M. David had seized upon and represented the interesting moment when the Emperor is on the point of being crowned. "Yes," said his Majesty, regarding it with a pleasure that he did not seek to disguise, "the moment is well chosen, and the scene perfectly represented; the two figures are very fine," and speaking thus, the Emperor looked at the Empress.
His Majesty continued the examination of the picture in all its details, and praised especially the group of the Italian clergy near the altar, which episode was invented by the painter. He seemed to wish only that the Pope had been represented in more direct action, appearing to give his blessing, and that the crown of the Empress had been borne by the cardinal legate. In regard to this group, Marshal Bessieres made the Emperor laugh heartily, by relating to him the very amusing discussion which had taken place between David and Cardinal Caprara.
It is well known that the artist had a great aversion to dressed figures, especially to those clothed in the modern style. In all his paintings, there may be remarked such a p.r.o.nounced love for the antique that it even shows itself in his manner of draping living persons. Now, Cardinal Caprara, one of the a.s.sistants of the Pope at the ceremony of the coronation, wore a wig; and David, in giving him a place in his picture, thought it more suitable to take off his wig, and represent him with a bald head, the likeness being otherwise perfect. The Cardinal was much grieved, and begged the artist to restore his wig, but received from David a formal refusal. "Never," said he, "will I degrade my pencil so far as to paint a wig." His Eminence went away very angry, and complained to M. de Talleyrand, who was at this time Minister of Foreign Affairs, giving, among other reasons, this, which seemed to him unanswerable, that, as no Pope had ever worn a wig, they would not fail to attribute to him, Cardinal Caprara, an intention of aspiring to the pontifical chair in case of a vacancy, which intention would be clearly shown by the suppression of his wig in the picture of the coronation.
The entreaties of his Eminence were all in vain; for David would not consent to restore his precious wig, saying, that "he ought to be very glad he had taken off no more than that."
After hearing this story, the particulars of which were confirmed by the princ.i.p.al actor in the scene, his Majesty made some observations to M.
David, with all possible delicacy. They were attentively noted by this admirable artist, who, with a bow, promised the Emperor to profit by his advice. Their Majesties" visit was long, and lasted until the fading light warned the Emperor that it was time to return. M. David escorted him to the door of his studio; and there, stopping short, the Emperor took off his hat, and, by a most graceful bow, testified to the honor he felt for such distinguished talent. The Empress added to the agitation by which M. David seemed almost overcome by a few of the charming words of appreciation she so well knew how to say, and said so opportunely.
Opposite the picture of the coronation was placed that of the Sabines.
The Emperor, who perceived how anxious M. David was to dispose of this, gave orders to M. Lebrun, as he left, to see if this picture could not be placed to advantage in the grand gallery at the Tuileries. But he soon changed his mind when he reflected that most of the figures were represented in naturalibus, which would appear incongruous in an apartment used for grand diplomatic receptions, and in which the Council of Ministers usually sat.
CHAPTER VIII.
The last of January, Mademoiselle de Tascher, niece of her Majesty the Empress, was married to the Duke of Aremberg. The Emperor on this occasion raised Mademoiselle de Tascher to the dignity of a princess, and deigned, in company with the Empress, to honor with his presence the marriage, which took place at the residence of her Majesty the Queen of Holland, in the Rue de Ceriltti, and was celebrated with a splendor worthy of the august guests. The Empress remained some time after dinner, and opened the ball with the Duke of Aremberg. A few days after this the Prince of Hohenzollern married the niece of the Grand Duke of Berg and Cleves, Mademoiselle Antoinette Murat.
His Majesty honored her as he had done Mademoiselle Tascher, and, in company with the Empress, also attended the ball which the Grand Duke of Berg gave on the occasion of this marriage, and at which Princess Caroline presided.
This was a brilliant winter at Paris, owing to the great number of fetes and b.a.l.l.s which were given. The Emperor, as I have already said, had an aversion to b.a.l.l.s, and especially masked b.a.l.l.s, which he considered the most senseless things in the world, and this was a subject on which he was often at war with the Empress; but, notwithstanding this, on one occasion he yielded to the entreaties of M. de Marescalchi, the Italian amba.s.sador, noted for his magnificent b.a.l.l.s, which the most distinguished personages of the kingdom attended. These brilliant reunions took place in a hall which the amba.s.sador had built for the purpose, and decorated with extraordinary luxury and splendor; and his Majesty, as I have said, consented to honor with his presence a masked ball given by this amba.s.sador, which was to eclipse all others.
In the morning the Emperor called me, and said, "I have decided to dance this evening at the house of the amba.s.sador of Italy; you will carry, during the day, ten complete costumes to the apartments he has prepared for me." I obeyed, and in the evening accompanied his Majesty to the residence of M. Marescalchi, and dressed him as best I could in a black domino, taking great pains to render him unrecognizable; and everything went well, in spite of numerous observations on the Emperor"s part as to the absurdity of a disguise, the bad appearance a domino makes, etc.
But, when it was proposed to change his shoes, he rebelled absolutely, in spite of all I could say on this point; and consequently he was recognized the moment he entered the ballroom. He went straight to a masker, his hands behind his back, as usual, and attempted to enter into an intrigue, and at the first question he asked was called Sire, in reply. Whereupon, much disappointed, he turned on his heel, and came back to me. "You are right, Constant; I am recognized. Bring me lace-boots and another costume." I put the boots on his feet, and disguised him anew, advising him to let his arms hang, if he did not wish to be recognized at once; and his Majesty promised to obey in every particular what he called my instructions. He had hardly entered the room in his new costume, however, before he was accosted by a lady, who, seeing him with his hands again crossed behind his back, said, "Sire, you are recognized!" The Emperor immediately let his arms fall; but it was too late, for already every one moved aside respectfully to make room for him. He then returned to his room, and took a third costume, promising me implicitly to pay attention to his gestures and his walk, and offering to bet that he would not be recognized. This time, in fact, he entered the hall as if it were a barrack, pushing and elbowing all around him; but, in spite of this, some one whispered in his ear, "Your Majesty is recognized." A new disappointment, new change of costume, and new advice on my part, with the same result; until at last his Majesty left the amba.s.sador"s ball, persuaded that he could not be disguised, and that the Emperor would be recognized whatever mask he might a.s.sume.
That evening at supper, the Prince de Neuchatel, the Duke de Trevise, the Duke de Frioul, and some other officers being present, the Emperor related the history of his disguises, and made many jests on his awkwardness. In speaking of the young lady who had recognized him the evening before, and who had, it appeared, puzzled him greatly, "Can you believe it, Messieurs," said he, "I never succeeded in recognizing the little wretch at all?" During the carnival the Empress expressed a wish to go once to the masked ball at the opera; and when she begged the Emperor to accompany her he refused, in spite of all the tender and enticing things the Empress could say, and all the grace with which, as is well known, she could surround a pet.i.tion. She found that all was useless, as the Emperor said plainly that he would not go. "Well, I will go without you."--"As you please," and the Emperor went out.
That evening at the appointed hour the Empress went to the ball; and the Emperor, who wished to surprise her, had one of her femmes de chambre summoned, and obtained from her an exact description of the Empress"s costume. He then told me to dress him in a domino, entered a carriage without decorations, and accompanied by the grand marshal of the palace, a superior officer, and myself, took the road to the opera. On reaching the private entrance of the Emperor"s household, we encountered some difficulty, as the doorkeeper would not let us pa.s.s till I had told my name and rank. "These gentlemen are with you?"--"As you see."--"I beg your pardon, Monsieur Constant; but it is because in such times as these there are always persons who try to enter without paying."--"That is good! That is good!" and the Emperor laughed heartily at the doorkeeper"s observations. At last we entered, and having got as far as the hall, promenaded in couples, I giving my arm to the Emperor, who said thou to me, and bade me reply in the same way. We gave each other fict.i.tious names, the Emperor calling himself Auguste; the Duke de Frioul, Francois; the superior officer, whose name escapes me, Charles; while I was Joseph. As soon as his Majesty saw a domino similar to the one the femme de chambre had described, he pressed my arm and said, "Is that she?"--"No, Si--- no, Auguste," replied I, constantly correcting myself; for it was impossible to accustom myself to calling the Emperor otherwise than Sire or your Majesty. He had, as I have said, expressly ordered me to tutoy him; but he was every moment compelled to repeat this order to me, for respect tied my tongue every time I tried to say tu. At last, after having gone in every direction, explored every corner and nook of the saloon, the green-room, the boxes, etc., in fact, examined everything, and looked each costume over in detail, his Majesty, who was no more successful in recognizing her Majesty than were we, began to feel great anxiety, which I, however, succeeded in allaying by telling him that doubtless the Empress had gone to change her costume. As I was speaking, a domino arrived who seemed enamoured of the Emperor, accosted him, mystified him, tormented him in every way, and with so much vivacity that Auguste was beside himself; and it is impossible to give even a faint idea of the comical sight the Emperor presented in his embarra.s.sment. The domino, delighted at this, redoubled her wit and raillery until, thinking it time to cease, she disappeared in the crowd.
The Emperor was completely exasperated; he had seen enough, and we left the ball.
The next morning when he saw the Empress, he remarked, "Well, you did not go to the opera ball, after all!"--"Oh, yes, indeed I did."--"Nonsense!"
--"I a.s.sure you that I went. And you, my dear, what did you do all the evening?"--"I worked."--"Why, that is very singular; for I saw at the ball last night a domino who had exactly your foot and boots. I took him for you, and consequently addressed him." The Emperor laughed heartily on learning that he had been thus duped; the Empress, just as she left for the ball, had changed her costume, not thinking the first sufficiently elegant.
The carnival was extremely brilliant this year, and there were in Paris all kinds of masquerades. The most amusing were those in which the theory advocated by the famous Doctor Gall [Franz Joseph Gall, founder of the system of phrenology. Born in Baden, 1758; died in Paris, 1825]
was ill.u.s.trated. I saw a troop pa.s.sing the Place du Carrousel, composed of clowns, harlequins, fishwives, etc., all rubbing their skulls, and making expressive grimaces; while a clown bore several skulls of different sizes, painted red, blue, or green, with these inscriptions: Skull of a robber, skull of an a.s.sa.s.sin, skull of a bankrupt, etc.; and a masked figure, representing Doctor Gall, was seated on an a.s.s, his head turned to the animal"s tail, and receiving from the hands of a woman who followed him, and was also seated on an a.s.s, heads covered with wigs made of long gra.s.s.
Her Majesty Queen Caroline gave a masked ball, at which the Emperor and Empress were present, which was one of the most brilliant I have ever attended.
The opera of la Vestale was then new, and very much the fashion; it represented a quadrille of priests and vestals who entered to the sound of delicious music on the flute and harp, and in addition to this there were magicians, a Swiss marriage, Tyrolian betrothals, etc. All the costumes were wonderfully handsome and true to nature; and there had been arranged in the apartments at the palace a supply of costumes which enabled the dancers to change four or five times during the night, and which had the effect of renewing the ball as many times.
As I was dressing the Emperor for this ball, he said to me, "Constant, you must go with me in disguise. Take whatever costume you like, disguise yourself so that you cannot possibly be recognized, and I will give you instructions." I hastened to do as his Majesty ordered, donned a Swiss costume which suited me very well, and thus equipped awaited his Majesty"s orders.
He had a plan for mystifying several great personages, and two or three ladies whom the Emperor designated to me with such minute details that it was impossible to mistake them, and told me some singular things in regard to them, which were not generally known, and were well calculated to embarra.s.s them terribly. As I was starting, the Emperor called me back, saying, "Above all, Constant, take care to make no mistake, and do not confound Madame de M---- with her sister; they have almost exactly the same costume, but Madame de M--- is larger than she, so take care."
On my arrival at the ball, I sought and easily found the persons whom his Majesty had designated, and the replies which they made afforded him much amus.e.m.e.nt when I narrated them as he was retiring.
There was at this time a third marriage at the court, that of the Prince de Neuchatel and the Princess of Bavaria, which was celebrated in the chapel of the Tuileries by Cardinal Fesch.
A traveler just returned from the Isle of France presented to the Empress a female monkey of the orang-outang species; and her Majesty gave orders that the animal should be placed in the menagerie at Malmaison. This baboon was extremely gentle and docile, and its master had given it an excellent education. It was wonderful to see her, when any one approached the chair on which she was seated, take a decent position, draw over her legs and thighs the fronts of a long redingote, and, when she rose to make a bow, hold the redingote carefully in front of her, acting, in fact, exactly as would a young girl who had been well reared.
She ate at the table with a knife and fork more properly than many children who are thought to be carefully trained, and liked, while eating, to cover her face with her napkin, and then uncover it with a cry of joy. Turnips were her favorite food; and, when a lady of the palace showed her one, she began to run, caper, and cut somersaults, forgetting entirely the lessons of modesty and decency her professor had taught her.
The Empress was much amused at seeing the baboon lose her dignity so completely under the influence of this lady.