So Mr. George read the lines as follows. He read them in a slow and solemn manner.
"I see before me the gladiator lie; He leans upon his hand; his manly brow Consents to death, but conquers agony; And his drooped head sinks gradually low; And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder shower; and now The arena swims around him--he is gone, Ere ceased the inhuman shout which hailed the wretch who won.
"He heard it, but he heeded not; his eyes Were with his heart, and that was far away.
He recked not of the life he lost, nor prize, But where his rude hut by the Danube lay, There were his young barbarians all at play; There was their Dacian mother--he, their sire, Butchered to make a Roman holiday.
All this rushed with his blood. Shall he expire, And unavenged? Arise, ye Goths, and glut your ire."
"The Goths did arise and glut their ire," said Mr. George, after he had finished reciting the lines, "for they were in great measure the authors of all this ruin and destruction."
After sitting nearly half an hour in this place, Mr. George rose, and, Rollo following him, went back into the corridors again. They rambled along the corridors, and mounted the staircases to higher and higher points, until they had ascended as far as they could go. In these upper regions of the ruin Rollo had a good opportunity to procure specimens of marble and of stamped bricks, for in various places there, he found immense stores of bricks and marble, and other rubbish, piled up in square heaps under arches, or in great recesses among the ruins. Rollo selected some of the bricks which had stamps upon them, and then, with a piece of marble for a hammer, he contrived to break away all of the brick except the part which contained the stamp, and thus procured specimens of a convenient form for carrying. These specimens he wrapped separately in pieces of newspaper, and put them in his pockets.
At length Mr. George said it was time for them to go home; so they began to descend. They went down by different pa.s.sages and staircases from those which they had taken in coming up; but they came out at last at the same gateway. The custodian was just unlocking the gate when they arrived, in order to admit another party. Mr. George gave him a couple of pauls, and then he and Rollo set out to go home.
Their way led them over the ancient site of the Roman Forum, which presented to view on every side, as they pa.s.sed, broken columns and ruined arches, with the mouldering remains of ancient foundations, cropping out here and there amid gra.s.sy slopes and mounds.
"Uncle George," said Rollo, as they walked along, "we are going directly by the Capitol Hill as we go home. Let us go in now and see the Dying Gladiator."
"Very well," said Mr. George, "we will."
Accordingly, when they reached the base of the hill, they turned to go up. There was a broad and steep paved ascent leading up the hill, somewhat like a road, only it was too steep for a carriage. Indeed, there were little steps at short intervals, with a sloping pavement between them. You see this ascent in the engraving. It is in the centre of the view. There are statues of lions at the foot of it, with water spouting from their mouths. At the top are larger statues of horses, standing on lofty pedestals, with men by the side of them, holding them by the bridles. These are ancient statues. They were found buried up in rubbish in an obscure quarter of Rome, about two hundred years ago.
Beyond, you see other groups of colossal statuary raised on lofty pedestals in various parts of the great square which forms the summit of the hill.
[Ill.u.s.tration: ASCENT TO THE CAPITOL.]
On the left you see a church, standing in a very high position, with a still steeper ascent than the one I have been describing, leading up to it. On the right is a winding road for carriages, which leads up, by a tolerably gentle ascent, to the great square.
The great square is surrounded with vast palaces, almost all of which are filled with paintings, statuary, sculptures, and other treasures of ancient and modern art. Mr. George and Rollo turned to the left after they had ascended into the square, and entered a door over which was an inscription denoting that it led to the museum of sculptures and statues. After ascending one or two staircases, they came to the entrance of a suit of apartments in which the statuary was contained.
There was a public functionary, dressed somewhat like a soldier, standing sentinel at the door. He, however, readily allowed Mr. George and Rollo to pa.s.s in. There were various other parties of visitors going in at the same time.
Mr. George and Rollo walked through one long room after another, with rows of statues, and busts, and other works of ancient sculpture on each side. These marbles were almost all more or less chipped and broken, or otherwise greatly defaced by the hard usage to which they had been subjected.
"Uncle George," said Rollo, as they walked along, "how came all their ears and noses broken off in this way?"
"Why, all these things were dug out from heaps of stones and rubbish,"
said Mr. George, "a few hundred years ago. For nearly a thousand years before that time, they were regarded as of no more value than so many old bricks.
"Here"s a gentleman coming," added Mr. George, interrupting himself, "who looks as if he could speak French. I mean to ask him where the hall of the Dying Gladiator is."
Accordingly, when the gentleman came up, Mr. George, accosting him in French, asked him the question, and the gentleman, replying in French, gave the information in a very polite manner. It was a little farther on, he said.
"Is there a special hall for the Dying Gladiator?" asked Rollo.
"No," said Mr. George, "not for the Dying Gladiator alone. But many of the halls in these museums are named from the most celebrated statue that there is in them. And I knew that the room where the Dying Gladiator is placed was called by that name."
So they walked on, and presently they came to the room. There were a great many large statues in it; but among them it was very easy to recognize at once the one which they had come to see, both on account of the conspicuous situation in which it was placed, and also from its form. Here is a representation of it.
[Ill.u.s.tration: STATUE OF THE GLADIATOR.]
Mr. George and Rollo both looked upon the statue for a few minutes in silence.
"Yes," said Rollo, at length, "yes, I see. He is dying. He is sinking gradually down."
"Do you see the wound in his side?" asked Mr. George.
"Yes," replied Rollo, "and the drops of blood coming out."
"He has dropped his sword," said Mr. George. "It is lying there near his hand."
"What a short sword!" said Rollo. "There are some other things lying on the ground beneath him, but I do not know what they are."
"Nor I," said Mr. George. "One of them seems to be a sort of trumpet.
People think from that that this man was a herald."
"But I thought he was a gladiator," said Rollo.
"They call him a gladiator," replied Mr. George, "but n.o.body really knows what the statue was originally intended for. You see it was dug up out of a heap of rubbish, just as almost all these statues were, and people have to guess what they were intended for. This statue was dug up in a garden--a garden belonging to an ancient Roman villa."
"What does that cord around his neck mean?" asked Rollo.
"They think it means that the man was a Gaul. The Gauls used to wear such cords, I believe."
"I thought he was a Dacian," said Rollo.
"I suppose it is uncertain who he was," replied Mr. George; "but look at his face. See the expression of it. It is an expression of mingled suffering and rage, and yet he looks as if he were so far gone as to begin to be unconscious of every thing around him."
"Yes," said Rollo; "he does not seem to notice us at all."
"In that," said Mr. George, "is shown the great skill of the sculptor, to express such different, and, as one would think, almost conflicting emotions in the same face, at the same time."
After looking at the statue some time longer, Rollo and Mr. George walked around the room, and looked at the other pieces of sculpture that there were there. They afterwards came back again to the gladiator, in order to take one more view of it before they went away. Mr. George advised Rollo to look at it well, and impress the image of it strongly on his mind.
"It is one of the treasures of the world," said he; "and in the course of your life, though you may never see it here, in the original, again, you will meet with casts of it and drawings of it without number, and you will find descriptions of it and allusions to it continually recurring in the conversation that you hear and the books that you read.
Indeed, the image of the Dying Gladiator forms a part of the mental furnishing of every highly-cultivated intellect in the civilized world."
CHAPTER VIII.
THE TARPEIAN ROCK.
One morning while Mr. George and Rollo were taking breakfast together in the dining room of the hotel, Mr. George remarked that he had received some news that morning.
"Is it good news, or bad news?" asked Rollo.
"It is good for me," replied Mr. George, "but I rather think you will consider it bad for you."
"Tell me what it is," said Rollo, "and then I will tell you how I consider it."