THE DAUPHIN. Well, thats something.
BLUEBEARD [coming between the Archbishop and Charles] You have Jack Dunois at the head of your troops in Orleans: the brave Dunois, the handsome Dunois, the wonderful invincible Dunois, the darling of all the ladies, the beautiful b.a.s.t.a.r.d. Is it likely that the country la.s.s can do what he cannot do?
CHARLES. Why doesnt he raise the siege, then?
LA HIRE. The wind is against him.
BLUEBEARD. How can the wind hurt him at Orleans? It is not in the Channel.
LA HIRE. It is on the river Loire; and the English hold the bridgehead. He must ship his men across the river and upstream, if he is to take them in the rear. Well, he cannot, because there is a devil of a wind blowing the other way. He is tired of paying the priests to pray for a west wind. What he needs is a miracle. You tell me that what the girl did to Foul Mouthed Frank was no miracle. No matter: it finished Frank. If she changes the wind for Dunois, that may not be a miracle either; but it may finish the English. What harm is there in trying?
THE ARCHBISHOP [who has read the end of the letter and become more thoughtful] It is true that De Baudricourt seems extraordinarily impressed.
LA HIRE. De Baudricourt is a blazing a.s.s; but he is a soldier; and if he thinks she can beat the English, all the rest of the army will think so too.
LA TREMOUILLE [to the Archbishop, who is hesitating] Oh, let them have their way. Dunois" men will give up the town in spite of him if somebody does not put some fresh s.p.u.n.k into them.
THE ARCHBISHOP. The Church must examine the girl before anything decisive is done about her. However, since his Highness desires it, let her attend the Court.
LA HIRE. I will find her and tell her. [He goes out],
CHARLES. Come with me, Bluebeard; and let us arrange so that she will not know who I am. You will pretend to be me. [He goes out through the curtains].
BLUEBEARD. Pretend to be that thing! Holy Michael! [He follows the Dauphin].
LA TREMOUILLE. I wonder will she pick him out!
THE ARCHBISHOP. Of course she will.
LA TREMOUILLE. Why? How is she to know?
THE ARCHBISHOP. She will know what everybody in Chinon knows: that the Dauphin is the meanest-looking and worst-dressed figure in the Court, and that the man with the blue beard is Gilles de Rais.
LA TREMOUILLE. I never thought of that.
THE ARCHBISHOP. You are not so accustomed to miracles as I am. It is part of my profession.
LA TREMOUILLE [fueled and a little scandalized] But that would not be a miracle at all.
THE ARCHBISHOP [calmly] Why not?
LA TREMOUILLE. Well, come! what is a miracle?
THE ARCHBISHOP. A miracle, my friend, is an event which creates faith. That is the purpose and nature of miracles. They may seem very wonderful to the people who witness them, and very simple to those who perform them. That does not matter: if they confirm or create faith they are true miracles.
LA TREMOUILLE. Even when they are frauds, do you mean?
THE ARCHBISHOP. Frauds deceive. An event which creates faith does not deceive: therefore it is not a fraud, but a miracle.
LA TREMOUILLE [scratching his neck in his perplexity] Well, I suppose as you are an archbishop you must be right. It seems a bit fishy to me. But I am no churchman, and dont understand these matters.
THE ARCHBISHOP. You are not a churchman; but you are a diplomatist and a soldier. Could you make our citizens pay war taxes, or our soldiers sacrifice their lives, if they knew what is really happening instead of what seems to them to be happening?
LA TREMOUILLE. No, by Saint Denis: the fat would be in the fire before sundown.
THE ARCHBISHOP. Would it not be quite easy to tell them the truth?
LA TREMOUILLE. Man alive, they wouldnt believe it.
THE ARCHBISHOP. Just so. Well, the Church has to rule men for the good of their souls as you have to rule them for the good of their bodies. To do that, the Church must do as you do: nourish their faith by poetry.
LA TREMOUILLE. Poetry! I should call it humbug.
THE ARCHBISHOP. You would be wrong, my friend. Parables are not lies because they describe events that have never happened.
Miracles are not frauds because they are often--I do not say always--very simple and innocent contrivances by which the priest fortifies the faith of his flock. When this girl picks out the Dauphin among his courtiers, it will not be a miracle for me, because I shall know how it has been done, and my faith will not be increased. But as for the others, if they feel the thrill of the supernatural, and forget their sinful clay in a sudden sense of the glory of G.o.d, it will be a miracle and a blessed one. And you will find that the girl herself will be more affected than anyone else.
She will forget how she really picked him out. So, perhaps, will you.
LA TREMOUILLE. Well, I wish I were clever enough to know how much of you is G.o.d"s archbishop and how much the most artful fox in Touraine. Come on, or we shall be late for the fun; and I want to see it, miracle or no miracle.
THE ARCHBISHOP [detaining him a moment] Do not think that I am a lover of crooked ways. There is a new spirit rising in men: we are at the dawning of a wider epoch. If I were a simple monk, and had not to rule men, I should seek peace for my spirit with Aristotle and Pythagoras rather than with the saints and their miracles.
LA TREMOUILLE. And who the deuce was Pythagoras?
THE ARCHBISHOP. A sage who held that the earth is round, and that it moves round the sun.
LA TREMOUILLE. What an utter fool! Couldnt he use his eyes?
They go out together through the curtains, which are presently withdrawn, revealing the full depth of the throne room with the Court a.s.sembled. On the right are two Chairs of State on a dais.
Bluebeard is standing theatrically on the dais, playing the king, and, like the courtiers, enjoying the joke rather obviously. There is a curtained arch in the wall behind the dais; but the main door, guarded by men-at-arms, is at the other side of the room; and a clear path across is kept and lined by the courtiers. Charles is in this path in the middle of the room. La Hire is on his right.
The Archbishop, on his left, has taken his place by the dais: La Tremouille at the other side of it. The d.u.c.h.ess de la Tremouille, pretending to be the Queen, sits in the Consort"s chair, with a group of ladies in waiting close by, behind the Archbishop.
The chatter of the courtiers makes such a noise that n.o.body notices the appearance of the page at the door.
THE PAGE. The Duke of-- [n.o.body listens]. The Duke of-- [The chatter continues. Indignant at his failure to command a hearing, he s.n.a.t.c.hes the halberd of the nearest man-at-arms, and thumps the floor with it. The chatter ceases; and everybody looks at him in silence]. Attention! [He restores the halberd to the man-at- arms]. The Duke of Vendome presents Joan the Maid to his Majesty.
CHARLES [putting his finger on his lip] Ssh! [He hides behind the nearest courtier, peering out to see what happens].
BLUEBEARD [majestically] Let her approach the throne.
Joan, dressed as a soldier, with her hair bobbed and hanging thickly round her face, is led in by a bashful and speechless n.o.bleman, from whom she detaches herself to stop and look around eagerly for the Dauphin.
THE d.u.c.h.eSS [to the nearest lady in waiting] My dear! Her hair!
All the ladies explode in uncontrollable laughter.
BLUEBEARD [trying not to laugh, and waving his hand in deprecation of their merriment] Ssh--ssh! Ladies! Ladies!!
JOAN [not at all embarra.s.sed] I wear it like this because I am a soldier. Where be Dauphin?