"And thank you for what you did last night," Manuel says. He can"t seem to speak very loudly-though Manuel, even in the peak of health, was never a loud talker-so it"s hard to hear what he"s saying. But I lean forward and am able to catch most of it. "Uncle Julio says you saved my life."
I shake my head. "Oh, no," I say. "Really, that was the paramedics. I was just in the right place at the right time, is all."
"Well," Manuel says, managing a smile, "lucky for me, then. But no one will tell me...did we win?"
"The basketball game?" I can"t help laughing. "No. We got creamed in the second half."
"It was my fault," Manuel says, looking pained.
"It wasn"t your fault." I"m still laughing. "The Pansies suck, is all."
"My fault," Manuel says again. His voice cracks.
That"s when I stop laughing. Because I realize he"s crying. Fat tears are beading up under his eyelids, threatening to come spilling out any minute. He seems to want to lift his hands up to wipe them away, but he can"t.
"It"s not your fault, Manuel," I say. "How can you even think such a thing? The guys on the team didn"t even know what happened to you until later. Coach Andrews didn"t tell them-"
"No," Manuel says. The tears are sliding out from beneath his eyelids and streaming down his face. "I meant it"s my fault about Lindsay. My fault that she died."
Whoa. "Manuel," I say. "It isn"t your fault that someone killed Lindsay. It isn"t your fault at all."
"I gave her the key," Manuel insists. And he does manage to move one of his hands then. He curls his fingers into a fist and thumps the mattress, pathetically softly.
"That doesn"t mean you killed her," I a.s.sure him.
"She wouldn"t be dead if I hadn"t given it to her. I should have said no when she asked. I should have said no. Only...she was crying."
"Right," I say. I glance at the two detectives outside the room. They"ve disappeared. Where did they go? I want to run out after them, tell them to get in here...but I don"t want Manuel to stop talking. "You said that last night. When did she come to you crying, Manuel? When did she ask you for the key?"
"It was right before I went home," he says. "Monday night. After the cafeteria was closed at seven. I was pulling a double, because Fernando had to go to his grandmother"s birthday party. The holiday. You know. And she came up to me, as I was putting on my coat to go home, and said she needed to borrow the key to the cafeteria, because she"d left something in there."
"Did she say what?" I ask, glancing at the door. Where were those guys? "What it was she left, I mean?"
Manuel shakes his head. He"s still crying.
"I should have gone with her. I should have gone and opened the door for her and waited until she got whatever it was. But I was supposed to meet someone"-from the way he says the word someone, it"s clear he means a girlfriend-"and I was running late, and she"s...well, she was Lindsay."
"Right," I say encouragingly. "We all knew Lindsay. We all trusted her." Though I"m starting to think maybe we shouldn"t have.
"Yeah. I know I shouldn"t have given it to her," Manuel goes on. "But she was so pretty and nice. Everybody liked her. I couldn"t imagine she wanted the key for anything bad. She said it was really important-something she had to give back to...the people she borrowed it from. Or they"d be angry, she said."
My blood has run cold. That"s the only way I can think of to explain why I suddenly feel so chilly. "She didn"t say who they were?"
Manuel shakes his head.
"And she definitely said they, plural, like it was more than one person?"
He nods.
Well, that was weird. Unless Lindsay had said they instead of him or her to hide the s.e.x of whoever it was she was talking about.
"So you gave her the key," I say.
He nods miserably. "She told me she"d give it back. She said she"d meet me by the front desk the next morning at ten o"clock and give the key back. And I waited. I was out there waiting when the police came in. n.o.body told me what was going on. They just walked right past me. I was waiting for her, and the whole time, she was inside, dead!"
Manuel breaks off. He"s choking a little, he"s crying so hard. One of the machines that"s hooked up to him by a tube starts beeping. The woman I a.s.sume is his mother stirs sleepily.
"If..." Manuel says. "If-"
"Manuel, don"t talk," I say. To the woman who has just woken up, I say, "Get a nurse." Her eyes widen, and she runs from the room.
"If..." Manuel keeps saying.
"Manuel, don"t talk," I say. By now Julio is up, as well, murmuring something in Spanish to his nephew.
But Manuel won"t calm down.
"If it wasn"t my fault," he finally manages to get out, "then why did they try to kill me?"
"Because they think you know who they are," I say. "The people who killed Lindsay think you can identify them. Which means Lindsay must have said something to you to make them think that. Did she, Manuel? Try to remember."
"She said...she said something about someone named-"
"Doug?" I cry. "Did she say something about someone named Doug? Or maybe Mark?"
But the beeping is getting louder, and now a doctor and two nurses come rushing in, followed by Manuel"s mother...and the two detectives.
"No," Manuel says. His voice is getting fainter. "I think it was...Steve. She said Steve was going to be so mad...."
Steve? Who"s Steve?
Manuel"s eyelids drift closed. The doctor barks, "Get out of the way," and I jump aside, while she messes around with Manuel"s tubes. The beeping, mercifully, goes back to its normal, much quieter rate. The doctor looks relieved. Manuel, it"s clear, has drifted off to sleep.
"Everyone out," says one of the nurses, waving us toward the door. "He needs to rest now."
"But I"m his mother," the older woman insists.
"You can stay," the nurse relents. "The rest of you, out."
I feel horrible. I shuffle out, along with the two detectives, while Julio and Mrs. Juarez stay with Manuel.
"What happened to him?" the younger detective asks me, when we hit the hallway.
And so I tell him. I tell him everything Manuel said. Especially the part about Steve.
They look bored.
"We knew all that," the older one says-sort of accusingly, like I"d been wasting their time on purpose.
"No, you didn"t," I say, shocked.
"Yeah, we did," the younger one agrees with his partner. "It was all in the report. He said all that stuff last night, about the key."
"Not the stuff about Steve," I say.
"I"m pretty sure there was a Steve in the report," the older detective says.
"Steve," the younger one says. "Or a John, maybe."
"There"s no John," I say. "Only a Doug. Or maybe a Mark. Mark was the dead girl"s boyfriend. Well, except she was seeing a guy named Doug on the side. And now there"s Steve. Only there"s no Steve that I know of-"
"We already got all that," the younger detective says again, looking annoyed.
I glare at them. "Where"s Detective Canavan?"
"He couldn"t get into the city this morning," the older one says. "On account of the road conditions where he lives."
"Well," I say, "are you going to call him and tell him about this Steve guy? Or do I have to do it?"
The younger detective says, "We already told you, miss. We know about-"
"Sure, we"ll call him," the older one interrupts.
The younger one looks startled. "But Marty-"
"We"ll call him," the older one says again, with a wink at the younger one. The younger one goes, "Oh, yeah. Yeah. We"ll call him."
I just stand there and stare at them. It"s clear Detective Canavan already told them about me. It"s also clear he didn"t say anything good.
"You know," I say truculently, "I have his cell number. I could just call him myself."
"Why don"t you do that?" Marty, the older detective says. "I"m sure he"d love to hear from you."
The younger one cracks up.
I feel myself blush. Am I really that big a pain in Detective Canavan"s a.s.s? I mean, I know I am. But I never thought he went around complaining about me to the rest of the detectives. Am I the joke of the Sixth Precinct?
Probably.
"Fine," I say. "I"ll just be going now." And I turn to leave.
"Wait. Ms. Wells?"
I turn back to face them. The younger detective is holding out a pen and a notepad.
"Sorry, Ms. Wells, I almost forgot." He looks totally serious. "Can I have your autograph?"
I narrow my eyes at him. What kind of joke is this?
"Seriously," he says. "I told my kid sister you hang around the station a lot, and she asked me to get your autograph for her, if I could."
He looks sincere. I take the pen and notepad, feeling a rush of embarra.s.sment for having been so huffy to him.
"Sure," I say. "What"s your sister"s name?"
"Oh, she just wants your signature," the detective says. "She says autographs don"t sell as well on eBay when they"re personalized."
I glare at him. "She wants my autograph just so she can sell it?"
"Well, yeah," the detective says, looking as if he can"t believe I"d think anything else. "What else is she going to do with all those old CDs of yours? She says she has a better chance of selling hers if she can throw in an autograph. She says it"ll make her stand out from all the millions of other people selling their Heather Wells collection."
I hand the pad and pen back to him. "Goodbye, Detectives," I say, and turn to go.
"Aw, come on," the detective calls after me. "Heather! Don"t be that way!"
"Can"t we all just get along?" Marty wants to know. He"s laughing so hard, he can barely get the words out.
When I get to the elevator, I turn and tell them what I think of them. With my middle finger.
But this just makes them laugh harder.
They"re wrong, what they say about a crisis bringing out the best in New Yorkers. It so doesn"t.
18.
Don"t let love pa.s.s you like a headlight Carrying your heart on through the night No use in waiting for things to happen Pull on over, put up a fight.
"Don"t Let Love"
Written by Heather Wells
I make it back to Fischer Hall in one piece...more or less. I can"t find a cab-there just aren"t any. The few cars I see on the road are cop cars. One of them bottoms out on Sixth Avenue, then sits there, its rear wheels spinning, while a bunch of people come out of the nearby coffee shop and Gap to help them get unstuck.