After much serious study at home, Mozart went to Italy. His father thought that it would benefit him to visit that country. Musicians and artists from all over Europe went there to study. The finest musicians played in the large cathedrals. No better music could be heard in the world than in that country. It was worth a journey of many miles to hear one of the organs, when played by a master.
Leopold Mozart wished his son to hear this music and to become acquainted with the great Italian musicians. He hoped that he could talk with the composers. He told him to visit the art galleries and study the paintings. All this Wolfgang did and more, too.
He spent much time in the art galleries. He listened to much beautiful music and became acquainted with musicians and composers. Besides all this, he practiced regularly, and he studied French. He spent several hours each day composing.
In a letter to his mother, Wolfgang wrote: "To-day I had the pleasure of riding on a donkey. Every one in Italy rides a donkey, and I thought I must try it too." In the same letter he asked: "Does my little canary still sing in the key of G? Is there any one to pet my dog, now that I am so far away? Take good care of him."
Wolfgang and his father visited many Italian cities. There were no railroads in those days, so the father and son journeyed from place to place in a carriage. That is a slow and very tiresome way to travel, and Wolfgang sometimes became weary and impatient. Then he would jump from the carriage and race with the horses.
Often they stopped at some quaint old inn for lunch. The meal was occasionally served out of doors. How good the honey and fresh milk tasted after the long dusty ride! How sweet were the figs and how juicy the melons!
After visiting Florence, Verona, and other cities, Leopold Mozart and his son arrived in Rome. It was the week before Easter. Wolfgang liked to attend the services held each day in the magnificent cathedrals. He liked to watch the priests moving softly about the altar. He liked the faint odor of the incense and the glimmer of the candles.
When the great organ pealed forth, he forgot all these things. He forgot even his father, seated at his side. He had never heard such music before. It seemed to him like music from heaven.
In some of the churches there was singing as well as organ music. One day, while in Rome, Wolfgang visited the Sistine Chapel. He heard some singing that he never forgot. A choir of about thirty voices sang a very beautiful, yet very mournful, piece of music.
When the music began, all the candles were burning brightly. As the singing went on, the candles were extinguished one by one. The chapel became more and more dim. The choir sang softly and still more softly.
At last not one candle was left burning. No sound could be heard but the sad, sad music and the sobs of the people.
Throughout the whole service, the child Mozart sat with clasped hands and bended head. When the music died away, he arose and walked home in silence. He went to his own room and wrote from memory the music which he had heard.
It is a rule of the Sistine Chapel that only the members of the choir shall have copies of this music. Many others had asked permission to copy it. They had always been refused. Many had tried to write it from memory; but they had always failed. So it was a wonderful thing that this youth had written the difficult music from memory. When Wolfgang showed the music to his friends, they could not believe that he had written it correctly.
"Let us have a concert," they said. "Let the lad sing the chapel music for us. We shall hear whether or not he has remembered it correctly."
The concert was held. Young Mozart sang the music from his own copy. It was perfect from beginning to end.
While Wolfgang was in Rome, the Pope bestowed a great honor upon him. He made him a Knight of the Golden Spur. That was one of the greatest honors that he could have received in Italy. Wolfgang was very proud to wear the beautiful golden cross.
From Rome, the Mozarts went to Naples. There Wolfgang gave a concert before a large audience. When he was in the middle of a sonata, the people became uneasy. They whispered to one another; they pointed to the hands of the young musician; they became more and more excited.
Young Mozart wondered at the noise, yet he went on with the sonata. At last his father learned the cause of the disturbance and explained it to his son. He told him that the people believed there was a charm in the diamond ring which he wore upon his left hand. "If the ring is not a charm," they said, "how can he play so rapidly with the left hand?"
When Wolfgang heard this, he laughed merrily and took the ring from his finger. When he began to play again, the audience thought the music was even more wonderful than before.
In 1771 Mozart made a second trip to Italy, and wrote the music for a royal wedding. The empress was so pleased that she presented him with a gold watch set with diamonds. On one side of the watch was a beautiful portrait of the empress. Can you not imagine how proud he was to be the owner of such a treasure? Do you not fancy that he always kept it?
MOZART, THE COMPOSER
[Ill.u.s.tration: WOLFGANG AMADEUS MOZART]
Mozart"s boyhood and youth had been filled with sunshine. At many of the courts of Europe he had been praised and petted. Kings and queens were proud to be numbered among his friends. The remainder of his life was not so bright, and he learned how sad a thing it is to be without a home and friends.
When Mozart was twenty-one years of age, he set out for Paris, accompanied by his mother. They traveled in a carriage, as Wolfgang and his father had done in Italy. On their way to the French capital they made several stops. Mozart gave a concert in each of the towns in which they stopped.
The people of Paris had been so kind to Mozart when he had visited it long ago, that he expected the same treatment again. In that he was disappointed. He was now a man and they treated him as a man.
Mozart was looking for some work as a musician and composer, but found none. That made him sad. It troubled him, too, that the Parisians were no longer eager to hear his music; but a still greater sorrow came to him. His dear mother died in Paris, and Mozart returned to Salzburg alone.
During the next few years, Mozart spent much time in composing. Among his compositions were several operas. An opera is much like a play, except that all the parts are sung instead of spoken. When a composer wishes to write an opera, he generally selects some beautiful story or poem. He then writes music that will help to tell the story.
In an opera some parts are sung by many voices; others are sung as solos. The composer must arrange parts of music for women"s voices.
Some, too, must be suited to the voices of men. Still other music must be written for the orchestra. All this requires a musician of great talent.
In August, 1782, Mozart married and settled in Vienna. His wife was the daughter of a musician. Mozart and his wife were always poor; yet they were very happy.
Once upon a time Mozart was invited to write an opera for a festival. By and by the work was all finished except one part for the orchestra. The singers had learned their parts and all was ready but the one piece of music. When it lacked only one day of the time when the opera was to be given, Mozart had not completed his work.
The day pa.s.sed by, but nothing had been done. Evening came, and Mozart had a merry time with his friends. He knew that the music must be written that night; so he asked his wife to sit up with him while he wrote it.
When he grew sleepy, she told him fairy stories. She made the stories of _Cinderella_ and _Aladdin"s Lamp_ so funny that Mozart laughed till the tears rolled down his cheeks. In spite of the tales he grew so sleepy that he felt obliged to lie down. His wife promised to call him after he had slept an hour.
The hour pa.s.sed and Mozart was sleeping soundly. Another hour and still he did not waken. At last, when his wife called him, he arose and began his work. In two hours he had written a beautiful composition for the orchestra.
Mozart was fond of playing at night and often played for hours at a time. If he sat down to the piano at nine o"clock in the evening, he seldom left it before midnight.
In 1785 Mozart"s father visited Vienna. He attended a concert given by his son. He was pleased to see that the emperor was there. Leopold Mozart watched him to see how he was enjoying the music. At the end of the concert the emperor rose and, waving his hat, cried, "Bravo, Mozart!" The father was delighted that his son had won the emperor"s praise.
While in Vienna, Mozart"s father talked with the great musician Haydn, who said, "I declare to you before G.o.d and as an honest man that I regard your son as the greatest composer I have ever heard."
This was high praise from so great a man as Haydn. It was a fine compliment, too, to have the emperor shout "Bravo"; yet Mozart was poor and often sad. He worked hard and composed much beautiful music.
Sometimes he received no pay for his work; sometimes he was cheated out of money that he had honestly earned.
Once the king asked Mozart to write music for a court concert. He put it off until he had no time to write the part which he was to perform himself. So he went to the concert with his part unwritten. He placed a sheet of paper on the piano, and looked at it as if the notes were written there.
The king, who was peeping everywhere, happened to look at the sheet of paper. Surprised to see nothing but empty lines, he said to Mozart, "Where is your part?" "Here," replied the musician, tapping his forehead.
Mozart is best known as a writer of operas. Most of his operas were composed in Vienna. One of them is called _The Marriage of Figaro_.
Another is named _The Magic Flute_. Many people like it the best of any opera that Mozart ever wrote. It was composed a short time before his death.
Mozart was ill before _The Magic Flute_ was finished. After it had been completed, he grew much worse. His only pleasure, during his suffering, was to hear the news of how well the people liked his opera.
Only the day before his death, he wished that he might hear the music of _The Magic Flute_ once again. A friend who was with him at the time went to the piano, and played and sang some parts of it. This seemed to cheer the sick man greatly.
On the 5th of December, 1791, the master pa.s.sed away. No stone marked Mozart"s grave, and to-day no one knows where the great composer was laid to rest. More than a century after his death, the people of his own city erected a fine monument in his memory.
When Haydn heard of Mozart"s death, his eyes filled with tears. He exclaimed, "Oh, my friends, will the world ever find such an artist again?" Years afterward, when some one spoke of Mozart, Haydn wept bitterly. "Pardon me," said he, "but I can never hear the name of my gentle Mozart without breaking my heart."
FRANCIS JOSEPH HAYDN
(1732-1809)
THE CHOIR BOY