The little Jackals danced on ahead, and the Lion stalked behind. They led him to a place where there was a round, deep well of clear water.
They went round on one side of it, and the Lion stalked up to the other.
"He lives down there, Father Lion!" said the little Jackal. "He lives down there!"
The Lion came close and looked down into the water,--and a lion"s face looked back at him out of the water!
When he saw that, the Lion roared and shook his mane and showed his teeth. And the lion in the water shook his mane and showed his teeth.
The Lion above shook his mane again and growled again, and made a terrible face. But the lion in the water made just as terrible a one, back. The Lion above couldn"t stand that. He leaped down into the well after the other lion.
But, of course, as you know very well, there wasn"t any other lion! It was only the reflection in the water!
So the poor old Lion floundered about and floundered about, and as he couldn"t get up the steep sides of the well, he was at last drowned. And when he was drowned, the little Jackals took hold of hands and danced round the well, and sang,--
"The Lion is dead! The Lion is dead!
"We have killed the great Lion who would have killed us!
"The Lion is dead! The Lion is dead!
"Ao! Ao! Ao!"
FOOTNOTES:
[12] The four stories of the little Jackal, in this book, are adapted from stories in _Old Deccan Days_, by Mary Frere (John Murray), a collection of orally transmitted Hindu folk tales, which every teacher would gain by knowing. In the Hindu animal legends the Jackal seems to play the role a.s.signed in Germanic lore to Reynard the Fox, and to "Bre"r Rabbit" in the negro stories of Southern America; he is the clever and humorous trickster who usually comes out of an encounter with a whole skin, and turns the laugh on his enemy, however mighty he may be.[A]
THE COUNTRY MOUSE AND THE CITY MOUSE[13]
Once a little mouse who lived in the country invited a little mouse from the city to visit him. When the little City Mouse sat down to dinner he was surprised to find that the Country Mouse had nothing to eat except barley and grain.
"Really," he said, "you do not live well at all; you should see how I live! I have all sorts of fine things to eat every day. You must come to visit me and see how nice it is to live in the city."
The little Country Mouse was glad to do this, and after a while he went to the city to visit his friend.
The very first place that the City Mouse took the Country Mouse to see was the kitchen cupboard of the house where he lived. There, on the lowest shelf, behind some stone jars, stood a big paper bag of brown sugar. The little City Mouse gnawed a hole in the bag and invited his friend to nibble for himself.
The two little mice nibbled and nibbled, and the Country Mouse thought he had never tasted anything so delicious in his life. He was just thinking how lucky the City Mouse was, when suddenly the door opened with a bang, and in came the cook to get some flour.
"Run!" whispered the City Mouse. And they ran as fast as they could to the little hole where they had come in. The little Country Mouse was shaking all over when they got safely away, but the little City Mouse said, "That is nothing; she will soon go away and then we can go back."
After the cook had gone away and shut the door they stole softly back, and this time the City Mouse had something new to show: he took the little Country Mouse into a corner on the top shelf, where a big jar of dried prunes stood open. After much tugging and pulling they got a large dried prune out of the jar on to the shelf and began to nibble at it.
This was even better than the brown sugar. The little Country Mouse liked the taste so much that he could hardly nibble fast enough. But all at once, in the midst of their eating, there came a scratching at the door and a sharp, loud _miaouw_!
"What is that?" said the Country Mouse. The City Mouse just whispered, "Sh!" and ran as fast as he could to the hole. The Country Mouse ran after, you may be sure, as fast as _he_ could. As soon as they were out of danger the City Mouse said, "That was the old Cat; she is the best mouser in town,--if she once gets you, you are lost."
"This is very terrible," said the little Country Mouse; "let us not go back to the cupboard again."
"No," said the City Mouse, "I will take you to the cellar; there is something specially fine there."
So the City Mouse took his little friend down the cellar stairs and into a big cupboard where there were many shelves. On the shelves were jars of b.u.t.ter, and cheeses in bags and out of bags. Overhead hung bunches of sausages, and there were spicy apples in barrels standing about. It smelt so good that it went to the little Country Mouse"s head. He ran along the shelf and nibbled at a cheese here, and a bit of b.u.t.ter there, until he saw an especially rich, very delicious-smelling piece of cheese on a queer little stand in a corner. He was just on the point of putting his teeth into the cheese when the City Mouse saw him.
"Stop! stop!" cried the City Mouse. "That is a trap!"
The little Country Mouse stopped and said, "What is a trap?"
"That thing is a trap," said the little City Mouse. "The minute you touch the cheese with your teeth something comes down on your head hard, and you"re dead."
The little Country Mouse looked at the trap, and he looked at the cheese, and he looked at the little City Mouse. "If you"ll excuse me,"
he said, "I think I will go home. I"d rather have barley and grain to eat and eat it in peace and comfort, than have brown sugar and dried prunes and cheese,--and be frightened to death all the time!"
So the little Country Mouse went back to his home, and there he stayed all the rest of his life.
FOOTNOTES:
[13] The following story of the two mice, with the similar fables of _The Boy who cried Wolf_, _The Frog King_, and _The Sun_ _and the Wind_, are given here with the hope that they may be of use to the many teachers who find the over-familiar material of the fables difficult to adapt, and who are yet aware of the great usefulness of the stories to young minds. A certain degree of vividness and amplitude must be added to the compact statement of the famous collections, and yet it is not wise to change the style-effect of a fable, wholly. I venture to give these versions, not as perfect models, of course, but as renderings which have been acceptable to children, and which I believe retain the original point simply and strongly.
LITTLE JACK ROLLAROUND[14]
Once upon a time there was a wee little boy who slept in a tiny trundle-bed near his mother"s great bed. The trundle-bed had castors on it so that it could be rolled about, and there was nothing in the world the little boy liked so much as to have it rolled. When his mother came to bed he would cry, "Roll me around! roll me around!" And his mother would put out her hand from the big bed and push the little bed back and forth till she was tired. The little boy could never get enough; so for this he was called "Little Jack Rollaround."
One night he had made his mother roll him about, till she fell asleep, and even then he kept crying, "Roll me around! roll me around!" His mother pushed him about in her sleep, until her slumber became too sound; then she stopped. But Little Jack Rollaround kept on crying, "Roll around! roll around!"
By and by the Moon peeped in at the window. He saw a funny sight: Little Jack Rollaround was lying in his trundle-bed, and he had put up one little fat leg for a mast, and fastened the corner of his wee shirt to it for a sail; and he was blowing at it with all his might, and saying, "Roll around! roll around!" Slowly, slowly, the little trundle-bed boat began to move; it sailed along the floor and up the wall and across the ceiling and down again!
"More! more!" cried Little Jack Rollaround; and the little boat sailed faster up the wall, across the ceiling, down the wall, and over the floor. The Moon laughed at the sight; but when Little Jack Rollaround saw the Moon, he called out, "Open the door, old Moon! I want to roll through the town, so that the people can see me!"
The Moon could not open the door, but he shone in through the keyhole, in a broad band. And Little Jack Rollaround sailed his trundle-bed boat up the beam, through the keyhole, and into the street.
"Make a light, old Moon," he said; "I want the people to see me!"
So the good Moon made a light and went along with him, and the little trundle-bed boat went sailing down the streets into the main street of the village. They rolled past the town hall and the schoolhouse and the church; but n.o.body saw little Jack Rollaround, because everybody was in bed, asleep.
"Why don"t the people come to see me?" he shouted.
High up on the church steeple, the Weather-vane answered, "It is no time for people to be in the streets; decent folk are in their beds."
"Then I"ll go to the woods, so that the animals may see me," said Little Jack. "Come along, old Moon, and make a light!"
The good Moon went along and made a light, and they came to the forest.
"Roll! roll!" cried the little boy; and the trundle-bed went trundling among the trees in the great wood, scaring up the squirrels and startling the little leaves on the trees. The poor old Moon began to have a bad time of it, for the tree-trunks got in his way so that he could not go so fast as the bed, and every time he got behind, the little boy called, "Hurry up, old Moon, I want the beasts to see me!"
But all the animals were asleep, and n.o.body at all looked at Little Jack Rollaround except an old White Owl; and all she said was, "Who are you?"