She seized his hand.
"What do you mean?" she asked. "They were just about to set out, since they were going to be present at the opening of the session. I intended to stay at home. Contrary to what you said just now, you were really inspired in coming to-day when I am alone."
He sneered.
"Inspired? Yes, I was inspired!"
She seized his wrists, and looking deep into his eyes she murmured very low:
"Confess to me that you love her!"
He withdrew his hands, unable to control his impatience any longer.
"But you are simply insane with that idea!"
She seized him again by the arm and, tightening her hold on his sleeve, she implored:
"Olivier! Confess, confess! I would rather know. I am certain of it, but I would rather know. I would rather--Oh, you do not comprehend what my life has become!"
He shrugged his shoulders.
"What would you have me do? Is it my fault if you lose your head?"
She held him, drawing him toward the other salon at the back, where they could not be heard. She drew him by his coat, clinging to him and panting. When she had led him as far as the little circular divan, she made him let himself fall upon it; then she sat down beside him.
"Olivier, my friend, my only friend, I pray you to tell me that you love her. I know it, I feel it from all that you do. I cannot doubt it. I am dying of it, but I wish to know it from your own lips."
As he still resisted, she fell on her knees at his feet. Her voice shook.
"Oh, my friend, my only friend! Is it true that you love her?"
"No, no, no!" he exclaimed, as he tried to make her rise. "I swear to you that I do not."
She reached up her hand to his mouth and pressed it there tight, stammering: "Oh, do not lie! I suffer too much!"
Then, letting her head fall on this man"s knees, she sobbed.
He could see only the back of her neck, a ma.s.s of blond hair, mingled with many white threads, and he was filled with immense pity, immense grief.
Seizing that heavy hair in both hands he raised her head violently, turning toward himself two bewildered eyes, from which tears were flowing. And then on those tearful eyes he pressed his lips many times, repeating:
"Any! Any! My dear, my dear Any!"
Then she, attempting to smile, and speaking in that hesitating voice of children when choking with grief, said:
"Oh, my friend, only tell me that you still love me a little."
He embraced her again, even more tenderly than before.
"Yes, I love you, my dear Any."
She arose, sat down beside him again, seized his hands, looked at him, and said tenderly:
"It is such a long time that we have loved each other. It should not end like this."
He pressed her close to him, asking:
"Why should it end?"
"Because I am old, and because Annette resembles too much what I was when you first knew me."
Now it was his turn to close her sad lips with his fingers, saying:
"Again! I beg that you will speak no more of that. I swear to you that you deceive yourself."
"Oh, if you will only love me a little," she repeated.
"Yes, I love you," he said again.
They remained a long time without speaking, hands clasped in hands, deeply moved and very sad. At last she broke the silence, murmuring:
"Oh, the hours that remain for me to live will not be gay!"
"I will try to make them sweet to you."
The shadow of the clouded sky that precedes the twilight by two hours was darkening the drawing-room, burying them little by little in the gray dimness of an autumn evening.
The clock struck.
"It is a long time since we came in here," said she. "You must go, for someone might come, and we are not calm."
He arose, clasped her close, kissing her half-open lips, as he used to do; then they crossed the two drawing-rooms, arm in arm, like a newly-married pair.
"Good-by, my friend."
"Good-by, my friend."
And the portiere fell behind him.
He went downstairs, turned toward the Madeleine, and began to walk without knowing what he was doing, dazed as if from a blow, his legs weak, his heart hot and palpitating as if something burning shook within his breast. For two or three hours, perhaps four, he walked straight before him, in a sort of moral stupor and physical prostration which left him only just strength enough to put one foot before the other.
Then he went home to reflect.
He loved this little girl, then. He comprehended now all that he had felt near her since that walk in the Parc Monceau, when he found in her mouth the call from a voice hardly recognized, the voice that long ago had awakened his heart; then all that slow, irresistible renewal of a love not yet extinct, not yet frozen, which he persisted in not acknowledging to himself.
What should he do? But what could he do? When she was married he would avoid seeing her often, that was all. Meantime, he would continue to return to the house, so that no one should suspect anything, and he would hide his secret from everyone.
He dined at home, which he very seldom did. Then he had a fire made in the large stove in his studio, for the night promised to be very cold.
He even ordered the chandeliers to be lighted, as if he disliked the dark corners, and then he shut himself in. What strange emotion, profound, physical, frightfully sad, had seized him! He felt it in his throat, in his breast, in all his relaxed muscles as well as in his fainting soul. The walls of the apartment oppressed him; all his life was inclosed therein--his life as an artist, his life as a man. Every painted study hanging there recalled a success, each piece of furniture spoke of some memory. But successes and memories were things of the past. His life? How short, how empty it seemed to him, yet full. He had made pictures, and more pictures, and always pictures, and had loved one woman. He recalled the evenings of exaltation, after their meetings, in this same studio. He had walked whole nights with his being on fire with fever. The joy of happy love, the joy of worldly success, the unique intoxication of glory, had caused him to taste unforgettable hours of inward triumph.