TREHERNE. Good night.
(He mounts the rocks with TWEENY, and they are heard for a little time after their figures are swallowed up in the fast growing darkness.
CRICHTON stands motionless, the lid in his hand, though he has forgotten it, and his reason for taking it off the pot. He is deeply stirred, but presently is ashamed of his dejection, for it is as if he doubted his principles. Bravely true to his faith that nature will decide now as ever before, he proceeds manfully with his preparations for the night.
He lights a ship"s lantern, one of several treasures he has brought ash.o.r.e, and is filling his pipe with crumbs of tobacco from various pockets, when the stealthy movements of some animal in the gra.s.s startles him. With the lantern in one hand and his cutla.s.s in the other, he searches the ground around the hut. He returns, lights his pipe, and sits down by the fire, which casts weird moving shadows. There is a red gleam on his face; in the darkness he is a strong and perhaps rather sinister figure. In the great stillness that has fallen over the land, the wash of the surf seems to have increased in volume. The sound is indescribably mournful. Except where the fire is, desolation has fallen on the island like a pall.
Once or twice, as nature dictates, CRICHTON leans forward to stir the pot, and the smell is borne westward. He then resumes his silent vigil.
Shadows other than those cast by the fire begin to descend the rocks.
They are the adventurers returning. One by one they steal nearer to the pot until they are squatted round it, with their hands out to the blaze. LADY MARY only is absent. Presently she comes within sight of the others, then stands against a tree with her teeth clenched. One wonders, perhaps, what nature is to make of her.)
End of Act II.
ACT III. THE HAPPY HOME
The scene is the hall of their island home two years later. This st.u.r.dy log-house is no mere extension of the hut we have seen in process of erection, but has been built a mile or less to the west of it, on higher ground and near a stream. When the master chose this site, the others thought that all he expected from the stream was a sufficiency of drinking water. They know better now every time they go down to the mill or turn on the electric light.
This hall is the living-room of the house, and walls and roof are of stout logs. Across the joists supporting the roof are laid many home-made implements, such as spades, saws, fishing-rods, and from hooks in the joists are suspended cured foods, of which hams are specially in evidence. Deep recesses half way up the walls contain various provender in barrels and sacks. There are some skins, trophies of the chase, on the floor, which is otherwise bare. The chairs and tables are in some cases hewn out of the solid wood, and in others the result of rough but efficient carpentering. Various pieces of wreckage from the yacht have been turned to novel uses: thus the steering-wheel now hangs from the centre of the roof, with electric lights attached to it encased in bladders. A lifebuoy has become the back of a chair. Two barrels have been halved and turn coyly from each other as a settee.
The farther end of the room is more strictly the kitchen, and is a great recess, which can be shut off from the hall by folding doors. There is a large open fire in it. The chimney is half of one of the boats of the yacht. On the walls of the kitchen proper are many plate-racks, containing sh.e.l.ls; there are rows of these of one size and shape, which mark them off as dinner plates or bowls; others are as obviously tureens. They are arranged primly as in a well-conducted kitchen; indeed, neatness and cleanliness are the note struck everywhere, yet the effect of the whole is romantic and barbaric.
The outer door into this hall is a little peculiar on an island. It is covered with skins and is in four leaves, like the swing doors of fashionable restaurants, which allow you to enter without allowing the hot air to escape. During the winter season our castaways have found the contrivance useful, but Crichton"s brain was perhaps a little lordly when he conceived it. Another door leads by a pa.s.sage to the sleeping-rooms of the house, which are all on the ground-floor, and to Crichton"s work-room, where he is at this moment, and whither we should like to follow him, but in a play we may not, as it is out of sight.
There is a large window s.p.a.ce without a window, which, however, can be shuttered, and through this we have a view of cattle-sheds, fowl-pens, and a field of grain. It is a fine summer evening.
Tweeny is sitting there, very busy plucking the feathers off a bird and dropping them on a sheet placed for that purpose on the floor. She is trilling to herself in the lightness of her heart. We may remember that Tweeny, alone among the women, had dressed wisely for an island when they fled the yacht, and her going-away gown still adheres to her, though in fragments. A score of pieces have been added here and there as necessity compelled, and these have been patched and repatched in incongruous colours; but, when all is said and done, it can still be maintained that Tweeny wears a skirt. She is deservedly proud of her skirt, and sometimes lends it on important occasions when approached in the proper spirit.
Some one outside has been whistling to Tweeny; the guarded whistle which, on a less savage island, is sometimes a.s.sumed to be an indication to cook that the constable is willing, if the coast be clear. Tweeny, however, is engrossed, or perhaps she is not in the mood for a follower, so he climbs in at the window undaunted, to take her w.i.l.l.y nilly. He is a jolly-looking labouring man, who answers to the name of Daddy, and--But though that may be his island name, we recognise him at once.
He is Lord Loam, settled down to the new conditions, and enjoying life heartily as handy-man about the happy home. He is comfortably attired in skins. He is still stout, but all the flabbiness has dropped from him; gone too is his pomposity; his eye is clear, brown his skin; he could leap a gate.
In his hands he carries an island-made concertina, and such is the exuberance of his spirits that, as he lights on the floor, he bursts into music and song, something about his being a chickety chickety chick chick, and will Tweeny please to tell him whose chickety chick is she.
Retribution follows sharp. We hear a whir, as if from insufficiently oiled machinery, and over the pa.s.sage door appears a placard showing the one word "Silence." His lordship stops, and steals to Tweeny on his tiptoes.
LORD LOAM. I thought the Gov. was out.
TWEENY. Well, you see he ain"t. And if he were to catch you here idling--
(LORD LOAM pales. He lays aside his musical instrument and hurriedly dons an ap.r.o.n. TWEENY gives him the bird to pluck, and busies herself laying the table for dinner.)
LORD LOAM (softly). What is he doing now?
TWEENY. I think he"s working out that plan for laying on hot and cold.
LORD LOAM (proud of his master). And he"ll manage it too. The man who could build a blacksmith"s forge without tools--
TWEENY (not less proud). He made the tools.
LORD LOAM. Out of half a dozen rusty nails. The saw-mill, Tweeny; the speaking-tube; the electric lighting; and look at the use he has made of the bits of the yacht that were washed ash.o.r.e. And all in two years.
He"s a master I"m proud to pluck for.
(He chirps happily at his work, and she regards him curiously.)
TWEENY. Daddy, you"re of little use, but you"re a bright, cheerful creature to have about the house. (He beams at this commendation.) Do you ever think of old times now? We was a bit different.
LORD LOAM (pausing). Circ.u.mstances alter cases. (He resumes his plucking contentedly.)
TWEENY. But, Daddy, if the chance was to come of getting back?
LORD LOAM. I have given up bothering about it.
TWEENY. You bothered that day long ago when we saw a ship pa.s.sing the island. How we all ran like crazy folk into the water, Daddy, and screamed and held out our arms. (They are both a little agitated.) But it sailed away, and we"ve never seen another.
LORD LOAM. If we had had the electrical contrivance we have now we could have attracted that ship"s notice. (Their eyes rest on a mysterious apparatus that fills a corner of the hall.) A touch on that lever, Tweeny, and in a few moments bonfires would be blazing all round the sh.o.r.e.
TWEENY (backing from the lever as if it might spring at her). It"s the most wonderful thing he has done.
LORD LOAM (in a reverie). And then--England--home!
TWEENY (also seeing visions). London of a Sat.u.r.day night!
LORD LOAM. My lords, in rising once more to address this historic chamber--
TWEENY. There was a little ham and beef shop off the Edgware Road--(The visions fade; they return to the practical.)
LORD LOAM. Tweeny, do you think I could have an egg to my tea? (At this moment a wiry, athletic figure in skins darkens the window. He is carrying two pails, which are suspended from a pole on his shoulder, and he is ERNEST. We should say that he is ERNEST completely changed if we were of those who hold that people change. As he enters by the window he has heard LORD LOAM"s appeal, and is perhaps justifiably indignant.)
ERNEST. What is that about an egg? Why should you have an egg?
LORD LOAM (with hauteur). That is my affair, sir. (With a Parthian shot as he withdraws stiffly from the room.) The Gov. has never put my head in a bucket.
ERNEST (coming to rest on one of his buckets, and speaking with excusable pride. To TWEENY). Nor mine for nearly three months. It was only last week, Tweeny, that he said to me, "Ernest, the water cure has worked marvels in you, and I question whether I shall require to dip you any more." (Complacently.) Of course that sort of thing encourages a fellow.
TWEENY (who has now arranged the dinner table to her satisfaction). I will say, Erny, I never seen a young chap more improved.
ERNEST (gratified). Thank you, Tweeny, that"s very precious to me.
(She retires to the fire to work the great bellows with her foot, and ERNEST turns to TREHERNE, who has come in looking more like a cow-boy than a clergyman. He has a small box in his hand which he tries to conceal.) What have you got there, John?
TREHERNE. Don"t tell anybody. It is a little present for the Gov.; a set of razors. One for each day in the week.
ERNEST (opening the box and examining its contents.) Sh.e.l.ls! He"ll like that. He likes sets of things.
TREHERNE (in a guarded voice). Have you noticed that?
ERNEST. Rather.